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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EF07D it is the complementary color #F10F82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EF07D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EF07D shade: #13F078, #24FF8B, #35FF9E, #46FFB1 and #57FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EF07D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EF07D shade: #0EF07D, #00DE6A, #00CC57, #00BA44 and #00A831

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EF07D shade: #0EF17D, #0EF140, #19F10E, #56F10E and #93F10E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EF07D shade: #0EF17D, #0EF1BB, #0EEAF1, #0EADF1 and #0E70F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EF07D shade matches the following richer shades: #0EF17D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EF07D shade: #0EF17D, #23DC7E, #37C87E, #4CB37F and #619E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EF07D shade: #19F10E, #0EF13F, #0EF17C, #0EF1B8 and #0EEDF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EF07D shade: #09A355, #0CCA69, #0EF17D, #35F392 and #5CF6A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EF07D shade: #0EF07D, #0E56F1 and #F1210E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EF07D shade: #0EF07D, #7C0EF1 and #F17C0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EF07D shade: #0EF07D, #0E56F1, #F10E83 and #F1A90E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EF07D shade: #0EF07D, #0E12F1, #F10E83 and #F1ED0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 48 / 6

HEX #0EF07D

RGB 14 240 125

HSL 149.47, 0.89%, 0.5%

LAB 83.91, -72.12, 42.28

 

Complementary color

CMYK 0 / 94 / 46 / 5

HEX #F10F82

RGB 241 15 130

HSL 329.47, 0.89%, 0.5%

LAB 52.57, 80.62, -0.84

 

CMYK 92 / 0 / 50 / 6

HEX #13F078

RGB 19 240 120

HSL 147.42, 0.88%, 0.51%

LAB 83.87, -72.71, 44.63

 

CMYK 86 / 0 / 45 / 0

HEX #24FF8B

RGB 36 255 139

HSL 148.22, 1%, 0.57%

LAB 88.81, -73.52, 41.78

 

CMYK 79 / 0 / 38 / 0

HEX #35FF9E

RGB 53 255 158

HSL 151.19, 1%, 0.6%

LAB 89.27, -68.74, 33.1

 

CMYK 73 / 0 / 31 / 0

HEX #46FFB1

RGB 70 255 177

HSL 154.7, 1%, 0.64%

LAB 89.86, -63.09, 24.37

 

CMYK 66 / 0 / 23 / 0

HEX #57FFC4

RGB 87 255 196

HSL 158.93, 1%, 0.67%

LAB 90.57, -56.64, 15.7

 

CMYK 94 / 0 / 48 / 6

HEX #0EF07D

RGB 14 240 125

HSL 149.47, 0.89%, 0.5%

LAB 83.91, -72.12, 42.28

 

CMYK 100 / 0 / 52 / 13

HEX #00DE6A

RGB 0 222 106

HSL 148.65, 1%, 0.44%

LAB 78.04, -69.82, 44.06

 

CMYK 100 / 0 / 57 / 20

HEX #00CC57

RGB 0 204 87

HSL 145.59, 1%, 0.4%

LAB 72.14, -66.95, 45.87

 

CMYK 100 / 0 / 63 / 27

HEX #00BA44

RGB 0 186 68

HSL 141.94, 1%, 0.36%

LAB 66.16, -63.85, 47.54

 

CMYK 100 / 0 / 71 / 34

HEX #00A831

RGB 0 168 49

HSL 137.5, 1%, 0.33%

LAB 60.09, -60.47, 48.9

 

CMYK 94 / 0 / 48 / 5

HEX #0EF17D

RGB 14 241 125

HSL 149.34, 0.89%, 0.5%

LAB 84.22, -72.44, 42.67

 

CMYK 94 / 0 / 73 / 5

HEX #0EF140

RGB 14 241 64

HSL 133.22, 0.89%, 0.5%

LAB 83.64, -79.62, 67.66

 

CMYK 90 / 0 / 94 / 5

HEX #19F10E

RGB 25 241 14

HSL 117.09, 0.89%, 0.5%

LAB 83.52, -81.37, 78.66

 

CMYK 64 / 0 / 94 / 5

HEX #56F10E

RGB 86 241 14

HSL 100.97, 0.89%, 0.5%

LAB 84.44, -73.29, 79.8

 

CMYK 39 / 0 / 94 / 5

HEX #93F10E

RGB 147 241 14

HSL 84.85, 0.89%, 0.5%

LAB 86.58, -56.62, 82.41

 

CMYK 94 / 0 / 48 / 5

HEX #0EF17D

RGB 14 241 125

HSL 149.34, 0.89%, 0.5%

LAB 84.22, -72.44, 42.67

 

CMYK 94 / 0 / 22 / 5

HEX #0EF1BB

RGB 14 241 187

HSL 165.73, 0.89%, 0.5%

LAB 85.3, -60.05, 12.78

 

CMYK 94 / 3 / 0 / 5

HEX #0EEAF1

RGB 14 234 241

HSL 181.85, 0.89%, 0.5%

LAB 84.63, -42.68, -16.54

 

CMYK 94 / 28 / 0 / 5

HEX #0EADF1

RGB 14 173 241

HSL 197.97, 0.89%, 0.5%

LAB 66.77, -12.6, -44.01

 

CMYK 94 / 54 / 0 / 5

HEX #0E70F1

RGB 14 112 241

HSL 214.1, 0.89%, 0.5%

LAB 49.54, 23.83, -71.56

 

CMYK 94 / 0 / 48 / 5

HEX #0EF17D

RGB 14 241 125

HSL 149.34, 0.89%, 0.5%

LAB 84.22, -72.44, 42.67

 

CMYK 94 / 0 / 48 / 5

HEX #0EF17D

RGB 14 241 125

HSL 149.34, 0.89%, 0.5%

LAB 84.22, -72.44, 42.67

 

CMYK 84 / 0 / 43 / 14

HEX #23DC7E

RGB 35 220 126

HSL 149.51, 0.73%, 0.5%

LAB 77.9, -64.13, 34.13

 

CMYK 73 / 0 / 37 / 22

HEX #37C87E

RGB 55 200 126

HSL 149.38, 0.57%, 0.5%

LAB 71.98, -54.66, 26.36

 

CMYK 58 / 0 / 29 / 30

HEX #4CB37F

RGB 76 179 127

HSL 149.71, 0.4%, 0.5%

LAB 65.99, -42.13, 17.78

 

CMYK 39 / 0 / 20 / 38

HEX #619E7F

RGB 97 158 127

HSL 149.51, 0.24%, 0.5%

LAB 60.36, -26.94, 10.05

 

CMYK 90 / 0 / 94 / 5

HEX #19F10E

RGB 25 241 14

HSL 117.09, 0.89%, 0.5%

LAB 83.52, -81.37, 78.66

 

CMYK 94 / 0 / 74 / 5

HEX #0EF13F

RGB 14 241 63

HSL 132.95, 0.89%, 0.5%

LAB 83.63, -79.69, 67.99

 

CMYK 94 / 0 / 49 / 5

HEX #0EF17C

RGB 14 241 124

HSL 149.07, 0.89%, 0.5%

LAB 84.2, -72.6, 43.13

 

CMYK 94 / 0 / 24 / 5

HEX #0EF1B8

RGB 14 241 184

HSL 164.93, 0.89%, 0.5%

LAB 85.23, -60.76, 14.25

 

CMYK 94 / 2 / 0 / 5

HEX #0EEDF1

RGB 14 237 241

HSL 181.06, 0.89%, 0.5%

LAB 85.51, -44.01, -15.22

 

CMYK 94 / 0 / 48 / 36

HEX #09A355

RGB 9 163 85

HSL 149.61, 0.9%, 0.34%

LAB 58.89, -53.5, 30.62

 

CMYK 94 / 0 / 48 / 21

HEX #0CCA69

RGB 12 202 105

HSL 149.37, 0.89%, 0.42%

LAB 71.78, -63.14, 36.77

 

CMYK 94 / 0 / 48 / 5

HEX #0EF17D

RGB 14 241 125

HSL 149.34, 0.89%, 0.5%

LAB 84.22, -72.44, 42.67

 

CMYK 78 / 0 / 40 / 5

HEX #35F392

RGB 53 243 146

HSL 149.37, 0.89%, 0.58%

LAB 85.47, -66.76, 34.05

 

CMYK 63 / 0 / 32 / 4

HEX #5CF6A7

RGB 92 246 167

HSL 149.22, 0.9%, 0.66%

LAB 87.47, -58.21, 26.27

 

CMYK 94 / 0 / 48 / 6

HEX #0EF07D

RGB 14 240 125

HSL 149.47, 0.89%, 0.5%

LAB 83.91, -72.12, 42.28

 

CMYK 94 / 64 / 0 / 5

HEX #0E56F1

RGB 14 86 241

HSL 220.97, 0.89%, 0.5%

LAB 42.91, 40.38, -82.38

 

CMYK 0 / 86 / 94 / 5

HEX #F1210E

RGB 241 33 14

HSL 5.02, 0.89%, 0.5%

LAB 51.63, 73.23, 61.35

 

CMYK 94 / 0 / 48 / 6

HEX #0EF07D

RGB 14 240 125

HSL 149.47, 0.89%, 0.5%

LAB 83.91, -72.12, 42.28

 

CMYK 49 / 94 / 0 / 5

HEX #7C0EF1

RGB 124 14 241

HSL 269.07, 0.89%, 0.5%

LAB 39.5, 78.33, -87.78

 

CMYK 0 / 49 / 94 / 5

HEX #F17C0E

RGB 241 124 14

HSL 29.07, 0.89%, 0.5%

LAB 64.28, 39.47, 69.18

 

CMYK 94 / 0 / 48 / 6

HEX #0EF07D

RGB 14 240 125

HSL 149.47, 0.89%, 0.5%

LAB 83.91, -72.12, 42.28

 

CMYK 94 / 64 / 0 / 5

HEX #0E56F1

RGB 14 86 241

HSL 220.97, 0.89%, 0.5%

LAB 42.91, 40.38, -82.38

 

CMYK 0 / 94 / 46 / 5

HEX #F10E83

RGB 241 14 131

HSL 329.07, 0.89%, 0.5%

LAB 52.57, 80.79, -1.45

 

CMYK 0 / 30 / 94 / 5

HEX #F1A90E

RGB 241 169 14

HSL 40.97, 0.89%, 0.5%

LAB 74.26, 16.04, 76.1

 

CMYK 94 / 0 / 48 / 6

HEX #0EF07D

RGB 14 240 125

HSL 149.47, 0.89%, 0.5%

LAB 83.91, -72.12, 42.28

 

CMYK 94 / 93 / 0 / 5

HEX #0E12F1

RGB 14 18 241

HSL 238.94, 0.89%, 0.5%

LAB 31.52, 72.8, -101.26

 

CMYK 0 / 94 / 46 / 5

HEX #F10E83

RGB 241 14 131

HSL 329.07, 0.89%, 0.5%

LAB 52.57, 80.79, -1.45

 

CMYK 0 / 2 / 94 / 5

HEX #F1ED0E

RGB 241 237 14

HSL 58.94, 0.89%, 0.5%

LAB 91.37, -18.61, 88.68

 

Description

Color code: HEX #0EF07D | qconv.com Color code: HEX #0EF07D | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 240 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 240 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 48 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 48% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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