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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EEFE7 it is the complementary color #F11018. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EEFE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EEFE7 shade: #13EFE2, #24FFF5, #35FFFF, #46FFFF and #57FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EEFE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EEFE7 shade: #0EEFE7, #00DDD4, #00CBC1, #00B9AE and #00A79B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EEFE7 shade: #0EF1E9, #0EF1AC, #0EF16F, #0EF131 and #28F10E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EEFE7 shade: #0EF1E9, #0EBCF1, #0E7FF1, #0E41F1 and #0E0EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EEFE7 shade matches the following richer shades: #0EF1E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EEFE7 shade: #0EF1E9, #23DCD6, #37C8C3, #4CB3AF and #619E9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EEFE7 shade: #0EF16D, #0EF1A9, #0EF1E6, #0EC0F1 and #0E83F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EEFE7 shade: #09A39E, #0CCAC3, #0EF1E9, #35F3EC and #5CF6F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EEFE7 shade: #0EEFE7, #300EF1 and #F18B0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EEFE7 shade: #0EEFE7, #E60EF1 and #F1E60E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EEFE7 shade: #0EEFE7, #300EF1, #F10E19 and #CFF10E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EEFE7 shade: #0EEFE7, #740EF1, #F10E19 and #8BF10E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 3 / 6

HEX #0EEFE7

RGB 14 239 231

HSL 177.87, 0.89%, 0.5%

LAB 85.8, -47.76, -9.53

 

Complementary color

CMYK 0 / 93 / 90 / 5

HEX #F11018

RGB 241 16 24

HSL 357.87, 0.89%, 0.5%

LAB 50.85, 75.71, 57.46

 

CMYK 92 / 0 / 5 / 6

HEX #13EFE2

RGB 19 239 226

HSL 176.45, 0.87%, 0.51%

LAB 85.69, -49, -7.08

 

CMYK 86 / 0 / 4 / 0

HEX #24FFF5

RGB 36 255 245

HSL 177.26, 1%, 0.57%

LAB 91, -49.75, -9.1

 

CMYK 79 / 0 / 0 / 0

HEX #35FFFF

RGB 53 255 255

HSL 180, 1%, 0.6%

LAB 91.46, -45.83, -13.59

 

CMYK 73 / 0 / 0 / 0

HEX #46FFFF

RGB 70 255 255

HSL 180, 1%, 0.64%

LAB 91.7, -44.24, -13.2

 

CMYK 66 / 0 / 0 / 0

HEX #57FFFF

RGB 87 255 255

HSL 180, 1%, 0.67%

LAB 92.03, -42.17, -12.68

 

CMYK 94 / 0 / 3 / 6

HEX #0EEFE7

RGB 14 239 231

HSL 177.87, 0.89%, 0.5%

LAB 85.8, -47.76, -9.53

 

CMYK 100 / 0 / 4 / 13

HEX #00DDD4

RGB 0 221 212

HSL 177.56, 1%, 0.43%

LAB 79.88, -45.77, -8.28

 

CMYK 100 / 0 / 5 / 20

HEX #00CBC1

RGB 0 203 193

HSL 177.04, 1%, 0.4%

LAB 73.91, -43.43, -6.93

 

CMYK 100 / 0 / 6 / 27

HEX #00B9AE

RGB 0 185 174

HSL 176.43, 1%, 0.36%

LAB 67.84, -41.06, -5.54

 

CMYK 100 / 0 / 7 / 35

HEX #00A79B

RGB 0 167 155

HSL 175.69, 1%, 0.33%

LAB 61.66, -38.65, -4.1

 

CMYK 94 / 0 / 3 / 5

HEX #0EF1E9

RGB 14 241 233

HSL 177.89, 0.89%, 0.5%

LAB 86.45, -48.05, -9.62

 

CMYK 94 / 0 / 29 / 5

HEX #0EF1AC

RGB 14 241 172

HSL 161.76, 0.89%, 0.5%

LAB 84.99, -63.48, 20.12

 

CMYK 94 / 0 / 54 / 5

HEX #0EF16F

RGB 14 241 111

HSL 145.64, 0.89%, 0.5%

LAB 84.04, -74.54, 49.05

 

CMYK 94 / 0 / 80 / 5

HEX #0EF131

RGB 14 241 49

HSL 129.25, 0.89%, 0.5%

LAB 83.56, -80.62, 72.14

 

CMYK 83 / 0 / 94 / 5

HEX #28F10E

RGB 40 241 14

HSL 113.13, 0.89%, 0.5%

LAB 83.65, -80.21, 78.82

 

CMYK 94 / 0 / 3 / 5

HEX #0EF1E9

RGB 14 241 233

HSL 177.89, 0.89%, 0.5%

LAB 86.45, -48.05, -9.62

 

CMYK 94 / 22 / 0 / 5

HEX #0EBCF1

RGB 14 188 241

HSL 194.01, 0.89%, 0.5%

LAB 71.15, -20.58, -37.16

 

CMYK 94 / 47 / 0 / 5

HEX #0E7FF1

RGB 14 127 241

HSL 210.13, 0.89%, 0.5%

LAB 53.62, 14.37, -64.94

 

CMYK 94 / 73 / 0 / 5

HEX #0E41F1

RGB 14 65 241

HSL 226.52, 0.89%, 0.5%

LAB 38.24, 53.05, -90.09

 

CMYK 94 / 94 / 0 / 5

HEX #0E0EF1

RGB 14 14 241

HSL 240, 0.89%, 0.5%

LAB 31.25, 73.65, -101.72

 

CMYK 94 / 0 / 3 / 5

HEX #0EF1E9

RGB 14 241 233

HSL 177.89, 0.89%, 0.5%

LAB 86.45, -48.05, -9.62

 

CMYK 94 / 0 / 3 / 5

HEX #0EF1E9

RGB 14 241 233

HSL 177.89, 0.89%, 0.5%

LAB 86.45, -48.05, -9.62

 

CMYK 84 / 0 / 3 / 14

HEX #23DCD6

RGB 35 220 214

HSL 178.05, 0.73%, 0.5%

LAB 79.84, -43.4, -9.39

 

CMYK 73 / 0 / 3 / 22

HEX #37C8C3

RGB 55 200 195

HSL 177.93, 0.57%, 0.5%

LAB 73.59, -38.02, -8.44

 

CMYK 58 / 0 / 2 / 30

HEX #4CB3AF

RGB 76 179 175

HSL 177.67, 0.4%, 0.5%

LAB 67.18, -30.51, -6.94

 

CMYK 39 / 0 / 1 / 38

HEX #619E9C

RGB 97 158 156

HSL 178.03, 0.24%, 0.5%

LAB 61.13, -20.17, -5.19

 

CMYK 94 / 0 / 55 / 5

HEX #0EF16D

RGB 14 241 109

HSL 145.11, 0.89%, 0.5%

LAB 84.02, -74.82, 49.94

 

CMYK 94 / 0 / 30 / 5

HEX #0EF1A9

RGB 14 241 169

HSL 160.97, 0.89%, 0.5%

LAB 84.93, -64.14, 21.58

 

CMYK 94 / 0 / 5 / 5

HEX #0EF1E6

RGB 14 241 230

HSL 177.09, 0.89%, 0.5%

LAB 86.36, -48.89, -8.17

 

CMYK 94 / 20 / 0 / 5

HEX #0EC0F1

RGB 14 192 241

HSL 192.95, 0.89%, 0.5%

LAB 72.32, -22.64, -35.34

 

CMYK 94 / 46 / 0 / 5

HEX #0E83F1

RGB 14 131 241

HSL 209.07, 0.89%, 0.5%

LAB 54.74, 11.89, -63.14

 

CMYK 94 / 0 / 3 / 36

HEX #09A39E

RGB 9 163 158

HSL 178.05, 0.9%, 0.34%

LAB 60.53, -35.59, -7.45

 

CMYK 94 / 0 / 3 / 21

HEX #0CCAC3

RGB 12 202 195

HSL 177.79, 0.89%, 0.42%

LAB 73.71, -42.07, -8.3

 

CMYK 94 / 0 / 3 / 5

HEX #0EF1E9

RGB 14 241 233

HSL 177.89, 0.89%, 0.5%

LAB 86.45, -48.05, -9.62

 

CMYK 78 / 0 / 3 / 5

HEX #35F3EC

RGB 53 243 236

HSL 177.79, 0.89%, 0.58%

LAB 87.44, -45.89, -9.68

 

CMYK 63 / 0 / 2 / 4

HEX #5CF6F0

RGB 92 246 240

HSL 177.66, 0.9%, 0.66%

LAB 89.15, -41.43, -9.16

 

CMYK 94 / 0 / 3 / 6

HEX #0EEFE7

RGB 14 239 231

HSL 177.87, 0.89%, 0.5%

LAB 85.8, -47.76, -9.53

 

CMYK 80 / 94 / 0 / 5

HEX #300EF1

RGB 48 14 241

HSL 248.99, 0.89%, 0.5%

LAB 32.47, 74.2, -99.66

 

CMYK 0 / 42 / 94 / 5

HEX #F18B0E

RGB 241 139 14

HSL 33.04, 0.89%, 0.5%

LAB 67.43, 31.8, 71.31

 

CMYK 94 / 0 / 3 / 6

HEX #0EEFE7

RGB 14 239 231

HSL 177.87, 0.89%, 0.5%

LAB 85.8, -47.76, -9.53

 

CMYK 5 / 94 / 0 / 5

HEX #E60EF1

RGB 230 14 241

HSL 297.09, 0.89%, 0.5%

LAB 55.57, 91.51, -60.89

 

CMYK 0 / 5 / 94 / 5

HEX #F1E60E

RGB 241 230 14

HSL 57.09, 0.89%, 0.5%

LAB 89.55, -15.21, 87.31

 

CMYK 94 / 0 / 3 / 6

HEX #0EEFE7

RGB 14 239 231

HSL 177.87, 0.89%, 0.5%

LAB 85.8, -47.76, -9.53

 

CMYK 80 / 94 / 0 / 5

HEX #300EF1

RGB 48 14 241

HSL 248.99, 0.89%, 0.5%

LAB 32.47, 74.2, -99.66

 

CMYK 0 / 94 / 90 / 5

HEX #F10E19

RGB 241 14 25

HSL 357.09, 0.89%, 0.5%

LAB 50.79, 75.92, 57.02

 

CMYK 14 / 0 / 94 / 5

HEX #CFF10E

RGB 207 241 14

HSL 68.99, 0.89%, 0.5%

LAB 89.96, -34.4, 86.51

 

CMYK 94 / 0 / 3 / 6

HEX #0EEFE7

RGB 14 239 231

HSL 177.87, 0.89%, 0.5%

LAB 85.8, -47.76, -9.53

 

CMYK 52 / 94 / 0 / 5

HEX #740EF1

RGB 116 14 241

HSL 266.96, 0.89%, 0.5%

LAB 38.51, 77.68, -89.44

 

CMYK 0 / 94 / 90 / 5

HEX #F10E19

RGB 241 14 25

HSL 357.09, 0.89%, 0.5%

LAB 50.79, 75.92, 57.02

 

CMYK 42 / 0 / 94 / 5

HEX #8BF10E

RGB 139 241 14

HSL 86.96, 0.89%, 0.5%

LAB 86.22, -59.22, 81.98

 

Description

Color code: HEX #0EEFE7 | qconv.com Color code: HEX #0EEFE7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 239 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 239 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 3 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 3% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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