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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EEF36 it is the complementary color #F110C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EEF36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EEF36 shade: #13EF31, #24FF44, #35FF57, #46FF6A and #57FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EEF36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EEF36 shade: #0EEF36, #00DD23, #00CB10, #00B900 and #00A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EEF36 shade: #0EF136, #23F10E, #60F10E, #9DF10E and #DAF10E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EEF36 shade: #0EF136, #0EF174, #0EF1B1, #0EF1EE and #0EB7F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EEF36 shade matches the following richer shades: #0EF136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EEF36 shade: #0EF136, #23DC44, #37C851, #4CB35E and #619E6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EEF36 shade: #61F10E, #25F10E, #0EF134, #0EF170 and #0EF1AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EEF36 shade: #09A325, #0CCA2E, #0EF136, #35F357 and #5CF677

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EEF36 shade: #0EEF36, #0E9EF1 and #F10E43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EEF36 shade: #0EEF36, #340EF1 and #F1340E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EEF36 shade: #0EEF36, #0E9EF1, #F10ECB and #F1610E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EEF36 shade: #0EEF36, #0E5AF1, #F10ECB and #F1A50E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 77 / 6

HEX #0EEF36

RGB 14 239 54

HSL 130.67, 0.89%, 0.5%

LAB 82.96, -79.77, 70.15

 

Complementary color

CMYK 0 / 93 / 17 / 5

HEX #F110C9

RGB 241 16 201

HSL 310.67, 0.89%, 0.5%

LAB 55.37, 87.78, -38.4

 

CMYK 92 / 0 / 79 / 6

HEX #13EF31

RGB 19 239 49

HSL 128.18, 0.87%, 0.51%

LAB 82.96, -79.86, 71.59

 

CMYK 86 / 0 / 73 / 0

HEX #24FF44

RGB 36 255 68

HSL 128.77, 1%, 0.57%

LAB 88.12, -81.97, 70.88

 

CMYK 79 / 0 / 66 / 0

HEX #35FF57

RGB 53 255 87

HSL 130.1, 1%, 0.6%

LAB 88.43, -78.75, 64.41

 

CMYK 73 / 0 / 58 / 0

HEX #46FF6A

RGB 70 255 106

HSL 131.68, 1%, 0.64%

LAB 88.86, -74.53, 57.13

 

CMYK 66 / 0 / 51 / 0

HEX #57FF7D

RGB 87 255 125

HSL 133.57, 1%, 0.67%

LAB 89.41, -69.33, 49.32

 

CMYK 94 / 0 / 77 / 6

HEX #0EEF36

RGB 14 239 54

HSL 130.67, 0.89%, 0.5%

LAB 82.96, -79.77, 70.15

 

CMYK 100 / 0 / 84 / 13

HEX #00DD23

RGB 0 221 35

HSL 129.5, 1%, 0.43%

LAB 77.18, -76.41, 69.78

 

CMYK 100 / 0 / 92 / 20

HEX #00CB10

RGB 0 203 16

HSL 124.73, 1%, 0.4%

LAB 71.38, -72.24, 68.28

 

CMYK 100 / 0 / 100 / 27

HEX #00B900

RGB 0 185 0

HSL 120, 1%, 0.36%

LAB 65.51, -67.72, 65.36

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 94 / 0 / 78 / 5

HEX #0EF136

RGB 14 241 54

HSL 130.57, 0.89%, 0.5%

LAB 83.58, -80.32, 70.75

 

CMYK 85 / 0 / 94 / 5

HEX #23F10E

RGB 35 241 14

HSL 114.45, 0.89%, 0.5%

LAB 83.6, -80.65, 78.76

 

CMYK 60 / 0 / 94 / 5

HEX #60F10E

RGB 96 241 14

HSL 98.33, 0.89%, 0.5%

LAB 84.7, -71.11, 80.12

 

CMYK 35 / 0 / 94 / 5

HEX #9DF10E

RGB 157 241 14

HSL 82.2, 0.89%, 0.5%

LAB 87.05, -53.22, 82.99

 

CMYK 10 / 0 / 94 / 5

HEX #DAF10E

RGB 218 241 14

HSL 66.08, 0.89%, 0.5%

LAB 90.71, -29.98, 87.42

 

CMYK 94 / 0 / 78 / 5

HEX #0EF136

RGB 14 241 54

HSL 130.57, 0.89%, 0.5%

LAB 83.58, -80.32, 70.75

 

CMYK 94 / 0 / 52 / 5

HEX #0EF174

RGB 14 241 116

HSL 146.96, 0.89%, 0.5%

LAB 84.1, -73.82, 46.8

 

CMYK 94 / 0 / 27 / 5

HEX #0EF1B1

RGB 14 241 177

HSL 163.08, 0.89%, 0.5%

LAB 85.09, -62.37, 17.67

 

CMYK 94 / 0 / 1 / 5

HEX #0EF1EE

RGB 14 241 238

HSL 179.21, 0.89%, 0.5%

LAB 86.59, -46.62, -12.03

 

CMYK 94 / 24 / 0 / 5

HEX #0EB7F1

RGB 14 183 241

HSL 195.33, 0.89%, 0.5%

LAB 69.69, -17.96, -39.44

 

CMYK 94 / 0 / 78 / 5

HEX #0EF136

RGB 14 241 54

HSL 130.57, 0.89%, 0.5%

LAB 83.58, -80.32, 70.75

 

CMYK 94 / 0 / 78 / 5

HEX #0EF136

RGB 14 241 54

HSL 130.57, 0.89%, 0.5%

LAB 83.58, -80.32, 70.75

 

CMYK 84 / 0 / 69 / 14

HEX #23DC44

RGB 35 220 68

HSL 130.7, 0.73%, 0.5%

LAB 77.26, -71.96, 59.7

 

CMYK 73 / 0 / 60 / 22

HEX #37C851

RGB 55 200 81

HSL 130.76, 0.57%, 0.5%

LAB 71.36, -61.78, 47.84

 

CMYK 58 / 0 / 47 / 30

HEX #4CB35E

RGB 76 179 94

HSL 130.49, 0.4%, 0.5%

LAB 65.42, -48.12, 34.51

 

CMYK 39 / 0 / 32 / 38

HEX #619E6C

RGB 97 158 108

HSL 130.82, 0.24%, 0.5%

LAB 59.96, -30.69, 20.07

 

CMYK 60 / 0 / 94 / 5

HEX #61F10E

RGB 97 241 14

HSL 98.06, 0.89%, 0.5%

LAB 84.73, -70.88, 80.15

 

CMYK 85 / 0 / 94 / 5

HEX #25F10E

RGB 37 241 14

HSL 113.92, 0.89%, 0.5%

LAB 83.62, -80.48, 78.78

 

CMYK 94 / 0 / 78 / 5

HEX #0EF134

RGB 14 241 52

HSL 130.04, 0.89%, 0.5%

LAB 83.57, -80.44, 71.32

 

CMYK 94 / 0 / 54 / 5

HEX #0EF170

RGB 14 241 112

HSL 145.9, 0.89%, 0.5%

LAB 84.06, -74.4, 48.6

 

CMYK 94 / 0 / 28 / 5

HEX #0EF1AD

RGB 14 241 173

HSL 162.03, 0.89%, 0.5%

LAB 85.01, -63.26, 19.63

 

CMYK 94 / 0 / 77 / 36

HEX #09A325

RGB 9 163 37

HSL 130.91, 0.9%, 0.34%

LAB 58.4, -59.54, 51.63

 

CMYK 94 / 0 / 77 / 21

HEX #0CCA2E

RGB 12 202 46

HSL 130.74, 0.89%, 0.42%

LAB 71.23, -70.07, 61.24

 

CMYK 94 / 0 / 78 / 5

HEX #0EF136

RGB 14 241 54

HSL 130.57, 0.89%, 0.5%

LAB 83.58, -80.32, 70.75

 

CMYK 78 / 0 / 64 / 5

HEX #35F357

RGB 53 243 87

HSL 130.74, 0.89%, 0.58%

LAB 84.76, -75.13, 60.4

 

CMYK 63 / 0 / 52 / 4

HEX #5CF677

RGB 92 246 119

HSL 130.52, 0.9%, 0.66%

LAB 86.76, -66.07, 48.9

 

CMYK 94 / 0 / 77 / 6

HEX #0EEF36

RGB 14 239 54

HSL 130.67, 0.89%, 0.5%

LAB 82.96, -79.77, 70.15

 

CMYK 94 / 34 / 0 / 5

HEX #0E9EF1

RGB 14 158 241

HSL 201.94, 0.89%, 0.5%

LAB 62.42, -4.21, -50.87

 

CMYK 0 / 94 / 72 / 5

HEX #F10E43

RGB 241 14 67

HSL 345.99, 0.89%, 0.5%

LAB 51.18, 77, 35.38

 

CMYK 94 / 0 / 77 / 6

HEX #0EEF36

RGB 14 239 54

HSL 130.67, 0.89%, 0.5%

LAB 82.96, -79.77, 70.15

 

CMYK 78 / 94 / 0 / 5

HEX #340EF1

RGB 52 14 241

HSL 250.04, 0.89%, 0.5%

LAB 32.69, 74.31, -99.28

 

CMYK 0 / 78 / 94 / 5

HEX #F1340E

RGB 241 52 14

HSL 10.04, 0.89%, 0.5%

LAB 53.16, 68.91, 62.2

 

CMYK 94 / 0 / 77 / 6

HEX #0EEF36

RGB 14 239 54

HSL 130.67, 0.89%, 0.5%

LAB 82.96, -79.77, 70.15

 

CMYK 94 / 34 / 0 / 5

HEX #0E9EF1

RGB 14 158 241

HSL 201.94, 0.89%, 0.5%

LAB 62.42, -4.21, -50.87

 

CMYK 0 / 94 / 16 / 5

HEX #F10ECB

RGB 241 14 203

HSL 310.04, 0.89%, 0.5%

LAB 55.41, 88.19, -39.49

 

CMYK 0 / 60 / 94 / 5

HEX #F1610E

RGB 241 97 14

HSL 21.94, 0.89%, 0.5%

LAB 59.23, 52.36, 65.88

 

CMYK 94 / 0 / 77 / 6

HEX #0EEF36

RGB 14 239 54

HSL 130.67, 0.89%, 0.5%

LAB 82.96, -79.77, 70.15

 

CMYK 94 / 63 / 0 / 5

HEX #0E5AF1

RGB 14 90 241

HSL 219.91, 0.89%, 0.5%

LAB 43.88, 37.86, -80.79

 

CMYK 0 / 94 / 16 / 5

HEX #F10ECB

RGB 241 14 203

HSL 310.04, 0.89%, 0.5%

LAB 55.41, 88.19, -39.49

 

CMYK 0 / 32 / 94 / 5

HEX #F1A50E

RGB 241 165 14

HSL 39.91, 0.89%, 0.5%

LAB 73.31, 18.15, 75.42

 

Description

Color code: HEX #0EEF36 | qconv.com Color code: HEX #0EEF36 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 239 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 239 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 77 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 77% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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