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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EEDC0 it is the complementary color #F1123F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EEDC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EEDC0 shade: #13EDBB, #24FFCE, #35FFE1, #46FFF4 and #57FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EEDC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EEDC0 shade: #0EEDC0, #00DBAD, #00C99A, #00B787 and #00A574

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EEDC0 shade: #0EECBF, #0EEC83, #0EEC47, #10EC0E and #4CEC0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EEDC0 shade: #0EECBF, #0EDDEC, #0EA1EC, #0E65EC and #0E29EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EEDC0 shade matches the following richer shades: #0EECBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EEDC0 shade: #0EECBF, #22D8B3, #36C4A7, #4AB09B and #5F9B8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EEDC0 shade: #0EEC45, #0EEC81, #0EECBC, #0EE1EC and #0EA6EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EEDC0 shade: #099E80, #0BC5A0, #0EECBF, #30F3CC and #57F5D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EEDC0 shade: #0EEDC0, #0E11EC and #EC630E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EEDC0 shade: #0EEDC0, #BC0EEC and #ECBC0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EEDC0 shade: #0EEDC0, #0E11EC, #EC0E3E and #ECE80E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EEDC0 shade: #0EEDC0, #4D0EEC, #EC0E3E and #ADEC0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 19 / 7

HEX #0EEDC0

RGB 14 237 192

HSL 167.89, 0.89%, 0.49%

LAB 84.21, -57.3, 8.62

 

Complementary color

CMYK 0 / 93 / 74 / 5

HEX #F1123F

RGB 241 18 63

HSL 347.89, 0.89%, 0.51%

LAB 51.26, 76.45, 37.82

 

CMYK 92 / 0 / 21 / 7

HEX #13EDBB

RGB 19 237 187

HSL 166.24, 0.86%, 0.5%

LAB 84.12, -58.35, 11.11

 

CMYK 86 / 0 / 19 / 0

HEX #24FFCE

RGB 36 255 206

HSL 166.58, 1%, 0.57%

LAB 90.02, -59.85, 9.68

 

CMYK 79 / 0 / 12 / 0

HEX #35FFE1

RGB 53 255 225

HSL 171.09, 1%, 0.6%

LAB 90.65, -53.87, 0.77

 

CMYK 73 / 0 / 4 / 0

HEX #46FFF4

RGB 70 255 244

HSL 176.43, 1%, 0.64%

LAB 91.39, -47.22, -7.96

 

CMYK 66 / 0 / 0 / 0

HEX #57FFFF

RGB 87 255 255

HSL 180, 1%, 0.67%

LAB 92.03, -42.17, -12.68

 

CMYK 94 / 0 / 19 / 7

HEX #0EEDC0

RGB 14 237 192

HSL 167.89, 0.89%, 0.49%

LAB 84.21, -57.3, 8.62

 

CMYK 100 / 0 / 21 / 14

HEX #00DBAD

RGB 0 219 173

HSL 167.4, 1%, 0.43%

LAB 78.27, -55.38, 10.16

 

CMYK 100 / 0 / 23 / 21

HEX #00C99A

RGB 0 201 154

HSL 165.97, 1%, 0.39%

LAB 72.3, -53.06, 11.83

 

CMYK 100 / 0 / 26 / 28

HEX #00B787

RGB 0 183 135

HSL 164.26, 1%, 0.36%

LAB 66.23, -50.69, 13.57

 

CMYK 100 / 0 / 30 / 35

HEX #00A574

RGB 0 165 116

HSL 162.18, 1%, 0.32%

LAB 60.04, -48.24, 15.4

 

CMYK 94 / 0 / 19 / 7

HEX #0EECBF

RGB 14 236 191

HSL 167.84, 0.89%, 0.49%

LAB 83.89, -57.16, 8.68

 

CMYK 94 / 0 / 44 / 7

HEX #0EEC83

RGB 14 236 131

HSL 151.62, 0.89%, 0.49%

LAB 82.77, -69.83, 37.9

 

CMYK 94 / 0 / 70 / 7

HEX #0EEC47

RGB 14 236 71

HSL 135.41, 0.89%, 0.49%

LAB 82.13, -77.64, 63.66

 

CMYK 93 / 0 / 94 / 7

HEX #10EC0E

RGB 16 236 14

HSL 119.46, 0.89%, 0.49%

LAB 81.91, -80.51, 77.31

 

CMYK 68 / 0 / 94 / 7

HEX #4CEC0E

RGB 76 236 14

HSL 103.24, 0.89%, 0.49%

LAB 82.68, -73.72, 78.26

 

CMYK 94 / 0 / 19 / 7

HEX #0EECBF

RGB 14 236 191

HSL 167.84, 0.89%, 0.49%

LAB 83.89, -57.16, 8.68

 

CMYK 94 / 6 / 0 / 7

HEX #0EDDEC

RGB 14 221 236

HSL 184.05, 0.89%, 0.49%

LAB 80.66, -38.31, -19.89

 

CMYK 94 / 32 / 0 / 7

HEX #0EA1EC

RGB 14 161 236

HSL 200.27, 0.89%, 0.49%

LAB 63.04, -7.75, -47.14

 

CMYK 94 / 57 / 0 / 7

HEX #0E65EC

RGB 14 101 236

HSL 216.49, 0.89%, 0.49%

LAB 46.25, 28.94, -74.1

 

CMYK 94 / 83 / 0 / 7

HEX #0E29EC

RGB 14 41 236

HSL 232.7, 0.89%, 0.49%

LAB 33.43, 63.69, -95.25

 

CMYK 94 / 0 / 19 / 7

HEX #0EECBF

RGB 14 236 191

HSL 167.84, 0.89%, 0.49%

LAB 83.89, -57.16, 8.68

 

CMYK 94 / 0 / 19 / 7

HEX #0EECBF

RGB 14 236 191

HSL 167.84, 0.89%, 0.49%

LAB 83.89, -57.16, 8.68

 

CMYK 84 / 0 / 17 / 15

HEX #22D8B3

RGB 34 216 179

HSL 167.8, 0.73%, 0.49%

LAB 77.7, -51.22, 6.17

 

CMYK 72 / 0 / 15 / 23

HEX #36C4A7

RGB 54 196 167

HSL 167.75, 0.57%, 0.49%

LAB 71.59, -43.92, 3.85

 

CMYK 58 / 0 / 12 / 31

HEX #4AB09B

RGB 74 176 155

HSL 167.65, 0.41%, 0.49%

LAB 65.65, -34.75, 1.89

 

CMYK 39 / 0 / 8 / 39

HEX #5F9B8F

RGB 95 155 143

HSL 168, 0.24%, 0.49%

LAB 59.76, -22.38, 0.14

 

CMYK 94 / 0 / 71 / 7

HEX #0EEC45

RGB 14 236 69

HSL 134.86, 0.89%, 0.49%

LAB 82.12, -77.82, 64.37

 

CMYK 94 / 0 / 45 / 7

HEX #0EEC81

RGB 14 236 129

HSL 151.08, 0.89%, 0.49%

LAB 82.74, -70.17, 38.84

 

CMYK 94 / 0 / 20 / 7

HEX #0EECBC

RGB 14 236 188

HSL 167.03, 0.89%, 0.49%

LAB 83.82, -57.9, 10.15

 

CMYK 94 / 5 / 0 / 7

HEX #0EE1EC

RGB 14 225 236

HSL 182.97, 0.89%, 0.49%

LAB 81.84, -40.13, -18.11

 

CMYK 94 / 30 / 0 / 7

HEX #0EA6EC

RGB 14 166 236

HSL 198.92, 0.89%, 0.49%

LAB 64.5, -10.54, -44.84

 

CMYK 94 / 0 / 19 / 38

HEX #099E80

RGB 9 158 128

HSL 167.92, 0.89%, 0.33%

LAB 58.1, -41.99, 5.96

 

CMYK 94 / 0 / 19 / 23

HEX #0BC5A0

RGB 11 197 160

HSL 168.06, 0.89%, 0.41%

LAB 71.24, -49.61, 7.09

 

CMYK 94 / 0 / 19 / 7

HEX #0EECBF

RGB 14 236 191

HSL 167.84, 0.89%, 0.49%

LAB 83.89, -57.16, 8.68

 

CMYK 80 / 0 / 16 / 5

HEX #30F3CC

RGB 48 243 204

HSL 168, 0.89%, 0.57%

LAB 86.55, -54.74, 5.74

 

CMYK 64 / 0 / 13 / 4

HEX #57F5D5

RGB 87 245 213

HSL 167.85, 0.89%, 0.65%

LAB 88.03, -48.62, 3.28

 

CMYK 94 / 0 / 19 / 7

HEX #0EEDC0

RGB 14 237 192

HSL 167.89, 0.89%, 0.49%

LAB 84.21, -57.3, 8.62

 

CMYK 94 / 93 / 0 / 7

HEX #0E11EC

RGB 14 17 236

HSL 239.19, 0.89%, 0.49%

LAB 30.76, 71.74, -99.7

 

CMYK 0 / 58 / 94 / 7

HEX #EC630E

RGB 236 99 14

HSL 22.97, 0.89%, 0.49%

LAB 58.78, 49.65, 65.19

 

CMYK 94 / 0 / 19 / 7

HEX #0EEDC0

RGB 14 237 192

HSL 167.89, 0.89%, 0.49%

LAB 84.21, -57.3, 8.62

 

CMYK 20 / 94 / 0 / 7

HEX #BC0EEC

RGB 188 14 236

HSL 287.03, 0.89%, 0.49%

LAB 48.34, 84.57, -70.11

 

CMYK 0 / 20 / 94 / 7

HEX #ECBC0E

RGB 236 188 14

HSL 47.03, 0.89%, 0.49%

LAB 78.36, 3.91, 78.82

 

CMYK 94 / 0 / 19 / 7

HEX #0EEDC0

RGB 14 237 192

HSL 167.89, 0.89%, 0.49%

LAB 84.21, -57.3, 8.62

 

CMYK 94 / 93 / 0 / 7

HEX #0E11EC

RGB 14 17 236

HSL 239.19, 0.89%, 0.49%

LAB 30.76, 71.74, -99.7

 

CMYK 0 / 94 / 74 / 7

HEX #EC0E3E

RGB 236 14 62

HSL 347.03, 0.89%, 0.49%

LAB 50.09, 75.61, 36.8

 

CMYK 0 / 2 / 94 / 7

HEX #ECE80E

RGB 236 232 14

HSL 58.92, 0.89%, 0.49%

LAB 89.66, -18.28, 87.22

 

CMYK 94 / 0 / 19 / 7

HEX #0EEDC0

RGB 14 237 192

HSL 167.89, 0.89%, 0.49%

LAB 84.21, -57.3, 8.62

 

CMYK 67 / 94 / 0 / 7

HEX #4D0EEC

RGB 77 14 236

HSL 257.03, 0.89%, 0.49%

LAB 33.87, 74.05, -94.42

 

CMYK 0 / 94 / 74 / 7

HEX #EC0E3E

RGB 236 14 62

HSL 347.03, 0.89%, 0.49%

LAB 50.09, 75.61, 36.8

 

CMYK 27 / 0 / 94 / 7

HEX #ADEC0E

RGB 173 236 14

HSL 77.03, 0.89%, 0.49%

LAB 86.46, -45.38, 82.88

 

Description

Color code: HEX #0EEDC0 | qconv.com Color code: HEX #0EEDC0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 237 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 237 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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