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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EEB75 it is the complementary color #F1148A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EEB75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EEB75 shade: #13EB70, #24FD83, #35FF96, #46FFA9 and #57FFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EEB75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EEB75 shade: #0EEB75, #00D962, #00C74F, #00B53C and #00A329

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EEB75 shade: #0EEC75, #0EEC39, #1EEC0E, #5AEC0E and #96EC0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EEB75 shade: #0EEC75, #0EECB1, #0EEBEC, #0EAFEC and #0E73EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EEB75 shade matches the following richer shades: #0EEC75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EEB75 shade: #0EEC75, #22D877, #36C478, #4AB07A and #5F9B7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EEB75 shade: #20EC0E, #0EEC37, #0EEC72, #0EECAD and #0EECE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EEB75 shade: #099E4F, #0BC562, #0EEC75, #30F38B and #57F5A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EEB75 shade: #0EEB75, #0E5CEC and #EC190E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EEB75 shade: #0EEB75, #720EEC and #EC720E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EEB75 shade: #0EEB75, #0E5CEC, #EC0E88 and #EC9E0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EEB75 shade: #0EEB75, #0E19EC, #EC0E88 and #ECE10E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 50 / 8

HEX #0EEB75

RGB 14 235 117

HSL 147.96, 0.89%, 0.49%

LAB 82.27, -71.79, 44.06

 

Complementary color

CMYK 0 / 92 / 43 / 5

HEX #F1148A

RGB 241 20 138

HSL 327.96, 0.89%, 0.51%

LAB 52.99, 80.77, -5.03

 

CMYK 92 / 0 / 52 / 8

HEX #13EB70

RGB 19 235 112

HSL 145.83, 0.85%, 0.5%

LAB 82.23, -72.34, 46.38

 

CMYK 86 / 0 / 48 / 1

HEX #24FD83

RGB 36 253 131

HSL 146.27, 0.98%, 0.57%

LAB 88.1, -74.15, 44.71

 

CMYK 79 / 0 / 41 / 0

HEX #35FF96

RGB 53 255 150

HSL 148.81, 1%, 0.6%

LAB 89.15, -70.18, 36.89

 

CMYK 73 / 0 / 34 / 0

HEX #46FFA9

RGB 70 255 169

HSL 152.11, 1%, 0.64%

LAB 89.71, -64.68, 28.22

 

CMYK 66 / 0 / 26 / 0

HEX #57FFBC

RGB 87 255 188

HSL 156.07, 1%, 0.67%

LAB 90.4, -58.35, 19.57

 

CMYK 94 / 0 / 50 / 8

HEX #0EEB75

RGB 14 235 117

HSL 147.96, 0.89%, 0.49%

LAB 82.27, -71.79, 44.06

 

CMYK 100 / 0 / 55 / 15

HEX #00D962

RGB 0 217 98

HSL 147.1, 1%, 0.43%

LAB 76.38, -69.43, 45.81

 

CMYK 100 / 0 / 60 / 22

HEX #00C74F

RGB 0 199 79

HSL 143.82, 1%, 0.39%

LAB 70.46, -66.46, 47.56

 

CMYK 100 / 0 / 67 / 29

HEX #00B53C

RGB 0 181 60

HSL 139.89, 1%, 0.35%

LAB 64.46, -63.25, 49.09

 

CMYK 100 / 0 / 75 / 36

HEX #00A329

RGB 0 163 41

HSL 135.09, 1%, 0.32%

LAB 58.37, -59.71, 50.17

 

CMYK 94 / 0 / 50 / 7

HEX #0EEC75

RGB 14 236 117

HSL 147.84, 0.89%, 0.49%

LAB 82.58, -72.11, 44.44

 

CMYK 94 / 0 / 76 / 7

HEX #0EEC39

RGB 14 236 57

HSL 131.62, 0.89%, 0.49%

LAB 82.04, -78.74, 68.35

 

CMYK 87 / 0 / 94 / 7

HEX #1EEC0E

RGB 30 236 14

HSL 115.68, 0.89%, 0.49%

LAB 82, -79.69, 77.42

 

CMYK 62 / 0 / 94 / 7

HEX #5AEC0E

RGB 90 236 14

HSL 99.46, 0.89%, 0.49%

LAB 83.02, -70.85, 78.68

 

CMYK 36 / 0 / 94 / 7

HEX #96EC0E

RGB 150 236 14

HSL 83.24, 0.89%, 0.49%

LAB 85.25, -53.64, 81.42

 

CMYK 94 / 0 / 50 / 7

HEX #0EEC75

RGB 14 236 117

HSL 147.84, 0.89%, 0.49%

LAB 82.58, -72.11, 44.44

 

CMYK 94 / 0 / 25 / 7

HEX #0EECB1

RGB 14 236 177

HSL 164.05, 0.89%, 0.49%

LAB 83.58, -60.51, 15.56

 

CMYK 94 / 0 / 0 / 7

HEX #0EEBEC

RGB 14 235 236

HSL 180.27, 0.89%, 0.49%

LAB 84.77, -44.59, -13.7

 

CMYK 94 / 26 / 0 / 7

HEX #0EAFEC

RGB 14 175 236

HSL 196.49, 0.89%, 0.49%

LAB 67.13, -15.46, -40.71

 

CMYK 94 / 51 / 0 / 7

HEX #0E73EC

RGB 14 115 236

HSL 212.7, 0.89%, 0.49%

LAB 49.99, 19.98, -68.02

 

CMYK 94 / 0 / 50 / 7

HEX #0EEC75

RGB 14 236 117

HSL 147.84, 0.89%, 0.49%

LAB 82.58, -72.11, 44.44

 

CMYK 94 / 0 / 50 / 7

HEX #0EEC75

RGB 14 236 117

HSL 147.84, 0.89%, 0.49%

LAB 82.58, -72.11, 44.44

 

CMYK 84 / 0 / 45 / 15

HEX #22D877

RGB 34 216 119

HSL 148.02, 0.73%, 0.49%

LAB 76.55, -64.07, 35.88

 

CMYK 72 / 0 / 39 / 23

HEX #36C478

RGB 54 196 120

HSL 147.89, 0.57%, 0.49%

LAB 70.61, -54.45, 27.67

 

CMYK 58 / 0 / 31 / 31

HEX #4AB07A

RGB 74 176 122

HSL 148.24, 0.41%, 0.49%

LAB 64.89, -42.32, 18.98

 

CMYK 39 / 0 / 21 / 39

HEX #5F9B7B

RGB 95 155 123

HSL 148, 0.24%, 0.49%

LAB 59.26, -26.91, 10.72

 

CMYK 86 / 0 / 94 / 7

HEX #20EC0E

RGB 32 236 14

HSL 115.14, 0.89%, 0.49%

LAB 82.02, -79.54, 77.44

 

CMYK 94 / 0 / 77 / 7

HEX #0EEC37

RGB 14 236 55

HSL 131.08, 0.89%, 0.49%

LAB 82.03, -78.88, 68.96

 

CMYK 94 / 0 / 52 / 7

HEX #0EEC72

RGB 14 236 114

HSL 147.03, 0.89%, 0.49%

LAB 82.54, -72.56, 45.81

 

CMYK 94 / 0 / 27 / 7

HEX #0EECAD

RGB 14 236 173

HSL 162.97, 0.89%, 0.49%

LAB 83.5, -61.43, 17.53

 

CMYK 94 / 0 / 2 / 7

HEX #0EECE8

RGB 14 236 232

HSL 178.92, 0.89%, 0.49%

LAB 84.95, -46.18, -11.33

 

CMYK 94 / 0 / 50 / 38

HEX #099E4F

RGB 9 158 79

HSL 148.19, 0.89%, 0.33%

LAB 57.15, -52.82, 31.55

 

CMYK 94 / 0 / 50 / 23

HEX #0BC562

RGB 11 197 98

HSL 148.06, 0.89%, 0.41%

LAB 70.1, -62.68, 38.13

 

CMYK 94 / 0 / 50 / 7

HEX #0EEC75

RGB 14 236 117

HSL 147.84, 0.89%, 0.49%

LAB 82.58, -72.11, 44.44

 

CMYK 80 / 0 / 43 / 5

HEX #30F38B

RGB 48 243 139

HSL 148, 0.89%, 0.57%

LAB 85.3, -68.52, 37.28

 

CMYK 64 / 0 / 34 / 4

HEX #57F5A1

RGB 87 245 161

HSL 148.1, 0.89%, 0.65%

LAB 86.95, -59.87, 28.59

 

CMYK 94 / 0 / 50 / 8

HEX #0EEB75

RGB 14 235 117

HSL 147.96, 0.89%, 0.49%

LAB 82.27, -71.79, 44.06

 

CMYK 94 / 61 / 0 / 7

HEX #0E5CEC

RGB 14 92 236

HSL 218.92, 0.89%, 0.49%

LAB 43.95, 34.71, -77.87

 

CMYK 0 / 89 / 94 / 7

HEX #EC190E

RGB 236 25 14

HSL 2.97, 0.89%, 0.49%

LAB 50.17, 73.24, 60.01

 

CMYK 94 / 0 / 50 / 8

HEX #0EEB75

RGB 14 235 117

HSL 147.96, 0.89%, 0.49%

LAB 82.27, -71.79, 44.06

 

CMYK 52 / 94 / 0 / 7

HEX #720EEC

RGB 114 14 236

HSL 267.03, 0.89%, 0.49%

LAB 37.75, 76.42, -87.88

 

CMYK 0 / 52 / 94 / 7

HEX #EC720E

RGB 236 114 14

HSL 27.03, 0.89%, 0.49%

LAB 61.57, 42.49, 67.02

 

CMYK 94 / 0 / 50 / 8

HEX #0EEB75

RGB 14 235 117

HSL 147.96, 0.89%, 0.49%

LAB 82.27, -71.79, 44.06

 

CMYK 94 / 61 / 0 / 7

HEX #0E5CEC

RGB 14 92 236

HSL 218.92, 0.89%, 0.49%

LAB 43.95, 34.71, -77.87

 

CMYK 0 / 94 / 42 / 7

HEX #EC0E88

RGB 236 14 136

HSL 327.03, 0.89%, 0.49%

LAB 51.75, 80.12, -5.77

 

CMYK 0 / 33 / 94 / 7

HEX #EC9E0E

RGB 236 158 14

HSL 38.92, 0.89%, 0.49%

LAB 71.09, 19.71, 73.58

 

CMYK 94 / 0 / 50 / 8

HEX #0EEB75

RGB 14 235 117

HSL 147.96, 0.89%, 0.49%

LAB 82.27, -71.79, 44.06

 

CMYK 94 / 89 / 0 / 7

HEX #0E19EC

RGB 14 25 236

HSL 237.03, 0.89%, 0.49%

LAB 31.45, 69.63, -98.55

 

CMYK 0 / 94 / 42 / 7

HEX #EC0E88

RGB 236 14 136

HSL 327.03, 0.89%, 0.49%

LAB 51.75, 80.12, -5.77

 

CMYK 0 / 5 / 94 / 7

HEX #ECE10E

RGB 236 225 14

HSL 57.03, 0.89%, 0.49%

LAB 87.83, -14.86, 85.84

 

Description

Color code: HEX #0EEB75 | qconv.com Color code: HEX #0EEB75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 235 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 235 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 50 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 50% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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