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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EE144 it is the complementary color #F11EBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EE144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EE144 shade: #13E13F, #24F352, #35FF65, #46FF78 and #57FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EE144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EE144 shade: #0EE144, #00CF31, #00BD1E, #00AB0B and #009900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EE144 shade: #0EE144, #11E10E, #4AE10E, #83E10E and #BCE10E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EE144 shade: #0EE144, #0EE17D, #0EE1B6, #0ED4E1 and #0E9BE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EE144 shade matches the following richer shades: #0EE144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EE144 shade: #0EE144, #22CE4E, #35BB57, #49A761 and #5C946A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EE144 shade: #4AE10E, #12E10E, #0EE143, #0EE17B and #0EE1B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EE144 shade: #09942D, #0CBB39, #0EE144, #28F15B and #4EF479

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EE144 shade: #0EE144, #0E82E1 and #E10E2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EE144 shade: #0EE144, #430EE1 and #E1430E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EE144 shade: #0EE144, #0E82E1, #E10EAD and #E16D0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EE144 shade: #0EE144, #0E43E1, #E10EAD and #E1AD0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 70 / 12

HEX #0EE144

RGB 14 225 68

HSL 135.36, 0.88%, 0.47%

LAB 78.67, -74.78, 61.15

 

Complementary color

CMYK 0 / 88 / 22 / 5

HEX #F11EBB

RGB 241 30 187

HSL 315.36, 0.88%, 0.53%

LAB 55.3, 84.43, -30.43

 

CMYK 92 / 0 / 72 / 12

HEX #13E13F

RGB 19 225 63

HSL 132.82, 0.84%, 0.48%

LAB 78.66, -74.98, 62.97

 

CMYK 85 / 0 / 66 / 5

HEX #24F352

RGB 36 243 82

HSL 133.33, 0.9%, 0.55%

LAB 84.53, -77.33, 62.08

 

CMYK 79 / 0 / 60 / 0

HEX #35FF65

RGB 53 255 101

HSL 134.26, 1%, 0.6%

LAB 88.55, -77.28, 58.85

 

CMYK 73 / 0 / 53 / 0

HEX #46FF78

RGB 70 255 120

HSL 136.22, 1%, 0.64%

LAB 89.01, -72.76, 51.06

 

CMYK 66 / 0 / 45 / 0

HEX #57FF8B

RGB 87 255 139

HSL 138.57, 1%, 0.67%

LAB 89.58, -67.29, 42.93

 

CMYK 94 / 0 / 70 / 12

HEX #0EE144

RGB 14 225 68

HSL 135.36, 0.88%, 0.47%

LAB 78.67, -74.78, 61.15

 

CMYK 100 / 0 / 76 / 19

HEX #00CF31

RGB 0 207 49

HSL 134.2, 1%, 0.41%

LAB 72.79, -71.74, 61.79

 

CMYK 100 / 0 / 84 / 26

HEX #00BD1E

RGB 0 189 30

HSL 129.52, 1%, 0.37%

LAB 66.89, -67.88, 61.67

 

CMYK 100 / 0 / 94 / 33

HEX #00AB0B

RGB 0 171 11

HSL 123.86, 1%, 0.34%

LAB 60.91, -63.6, 60.18

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 94 / 0 / 70 / 12

HEX #0EE144

RGB 14 225 68

HSL 135.36, 0.88%, 0.47%

LAB 78.67, -74.78, 61.15

 

CMYK 92 / 0 / 94 / 12

HEX #11E10E

RGB 17 225 14

HSL 119.15, 0.88%, 0.47%

LAB 78.46, -77.53, 74.46

 

CMYK 67 / 0 / 94 / 12

HEX #4AE10E

RGB 74 225 14

HSL 102.94, 0.88%, 0.47%

LAB 79.24, -70.72, 75.42

 

CMYK 42 / 0 / 94 / 12

HEX #83E10E

RGB 131 225 14

HSL 86.73, 0.88%, 0.47%

LAB 81.13, -55.69, 77.74

 

CMYK 16 / 0 / 94 / 12

HEX #BCE10E

RGB 188 225 14

HSL 70.52, 0.88%, 0.47%

LAB 84.26, -34.71, 81.55

 

CMYK 94 / 0 / 70 / 12

HEX #0EE144

RGB 14 225 68

HSL 135.36, 0.88%, 0.47%

LAB 78.67, -74.78, 61.15

 

CMYK 94 / 0 / 44 / 12

HEX #0EE17D

RGB 14 225 125

HSL 151.56, 0.88%, 0.47%

LAB 79.29, -67.25, 36.38

 

CMYK 94 / 0 / 19 / 12

HEX #0EE1B6

RGB 14 225 182

HSL 167.77, 0.88%, 0.47%

LAB 80.36, -55.1, 8.37

 

CMYK 94 / 6 / 0 / 12

HEX #0ED4E1

RGB 14 212 225

HSL 183.7, 0.88%, 0.47%

LAB 77.65, -37.54, -18.57

 

CMYK 94 / 31 / 0 / 12

HEX #0E9BE1

RGB 14 155 225

HSL 199.91, 0.88%, 0.47%

LAB 60.76, -8.4, -44.67

 

CMYK 94 / 0 / 70 / 12

HEX #0EE144

RGB 14 225 68

HSL 135.36, 0.88%, 0.47%

LAB 78.67, -74.78, 61.15

 

CMYK 94 / 0 / 70 / 12

HEX #0EE144

RGB 14 225 68

HSL 135.36, 0.88%, 0.47%

LAB 78.67, -74.78, 61.15

 

CMYK 83 / 0 / 62 / 19

HEX #22CE4E

RGB 34 206 78

HSL 135.35, 0.72%, 0.47%

LAB 72.91, -66.75, 50.86

 

CMYK 72 / 0 / 53 / 27

HEX #35BB57

RGB 53 187 87

HSL 135.22, 0.56%, 0.47%

LAB 67.27, -56.83, 40.15

 

CMYK 56 / 0 / 42 / 35

HEX #49A761

RGB 73 167 97

HSL 135.32, 0.39%, 0.47%

LAB 61.58, -43.48, 28.01

 

CMYK 38 / 0 / 28 / 42

HEX #5C946A

RGB 92 148 106

HSL 135, 0.23%, 0.47%

LAB 56.58, -27.83, 16.53

 

CMYK 67 / 0 / 94 / 12

HEX #4AE10E

RGB 74 225 14

HSL 102.94, 0.88%, 0.47%

LAB 79.24, -70.72, 75.42

 

CMYK 92 / 0 / 94 / 12

HEX #12E10E

RGB 18 225 14

HSL 118.86, 0.88%, 0.47%

LAB 78.47, -77.48, 74.47

 

CMYK 94 / 0 / 70 / 12

HEX #0EE143

RGB 14 225 67

HSL 135.07, 0.88%, 0.47%

LAB 78.66, -74.87, 61.51

 

CMYK 94 / 0 / 45 / 12

HEX #0EE17B

RGB 14 225 123

HSL 151, 0.88%, 0.47%

LAB 79.26, -67.6, 37.34

 

CMYK 94 / 0 / 20 / 12

HEX #0EE1B4

RGB 14 225 180

HSL 167.2, 0.88%, 0.47%

LAB 80.31, -55.59, 9.36

 

CMYK 94 / 0 / 70 / 42

HEX #09942D

RGB 9 148 45

HSL 135.54, 0.89%, 0.31%

LAB 53.41, -54.24, 43.45

 

CMYK 94 / 0 / 70 / 27

HEX #0CBB39

RGB 12 187 57

HSL 135.43, 0.88%, 0.39%

LAB 66.45, -64.8, 52.47

 

CMYK 94 / 0 / 70 / 12

HEX #0EE144

RGB 14 225 68

HSL 135.36, 0.88%, 0.47%

LAB 78.67, -74.78, 61.15

 

CMYK 83 / 0 / 62 / 5

HEX #28F15B

RGB 40 241 91

HSL 135.22, 0.88%, 0.55%

LAB 84.03, -75.45, 57.89

 

CMYK 68 / 0 / 50 / 4

HEX #4EF479

RGB 78 244 121

HSL 135.54, 0.88%, 0.63%

LAB 85.86, -67.67, 46.78

 

CMYK 94 / 0 / 70 / 12

HEX #0EE144

RGB 14 225 68

HSL 135.36, 0.88%, 0.47%

LAB 78.67, -74.78, 61.15

 

CMYK 94 / 42 / 0 / 12

HEX #0E82E1

RGB 14 130 225

HSL 207.01, 0.88%, 0.47%

LAB 53.49, 6.34, -56.22

 

CMYK 0 / 94 / 80 / 12

HEX #E10E2E

RGB 225 14 46

HSL 350.9, 0.88%, 0.47%

LAB 47.65, 72.41, 42.69

 

CMYK 94 / 0 / 70 / 12

HEX #0EE144

RGB 14 225 68

HSL 135.36, 0.88%, 0.47%

LAB 78.67, -74.78, 61.15

 

CMYK 70 / 94 / 0 / 12

HEX #430EE1

RGB 67 14 225

HSL 255.07, 0.88%, 0.47%

LAB 31.68, 70.93, -91.82

 

CMYK 0 / 70 / 94 / 12

HEX #E1430E

RGB 225 67 14

HSL 15.07, 0.88%, 0.47%

LAB 51.9, 59.25, 59.92

 

CMYK 94 / 0 / 70 / 12

HEX #0EE144

RGB 14 225 68

HSL 135.36, 0.88%, 0.47%

LAB 78.67, -74.78, 61.15

 

CMYK 94 / 42 / 0 / 12

HEX #0E82E1

RGB 14 130 225

HSL 207.01, 0.88%, 0.47%

LAB 53.49, 6.34, -56.22

 

CMYK 0 / 94 / 23 / 12

HEX #E10EAD

RGB 225 14 173

HSL 314.79, 0.88%, 0.47%

LAB 51.08, 81.61, -29.03

 

CMYK 0 / 52 / 94 / 12

HEX #E16D0E

RGB 225 109 14

HSL 27.01, 0.88%, 0.47%

LAB 58.95, 40.69, 64.49

 

CMYK 94 / 0 / 70 / 12

HEX #0EE144

RGB 14 225 68

HSL 135.36, 0.88%, 0.47%

LAB 78.67, -74.78, 61.15

 

CMYK 94 / 70 / 0 / 12

HEX #0E43E1

RGB 14 67 225

HSL 224.93, 0.88%, 0.47%

LAB 37.01, 46.3, -83.04

 

CMYK 0 / 94 / 23 / 12

HEX #E10EAD

RGB 225 14 173

HSL 314.79, 0.88%, 0.47%

LAB 51.08, 81.61, -29.03

 

CMYK 0 / 23 / 94 / 12

HEX #E1AD0E

RGB 225 173 14

HSL 45.21, 0.88%, 0.47%

LAB 73.5, 7.01, 74.76

 

Description

Color code: HEX #0EE144 | qconv.com Color code: HEX #0EE144 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 225 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 225 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 70 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 70% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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