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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EE0F2 it is the complementary color #F11F0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EE0F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EE0F2 shade: #13E0ED, #24F2FF, #35FFFF, #46FFFF and #57FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EE0F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EE0F2 shade: #0EE0F2, #00CEDF, #00BCCC, #00AAB9 and #0098A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EE0F2 shade: #0DE0F2, #0DA2F2, #0D64F2, #0D26F2 and #310DF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EE0F2 shade: #0DE0F2, #0DA2F2, #0D64F2, #0D26F2 and #0D0DF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EE0F2 shade matches the following richer shades: #0DE0F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EE0F2 shade: #0DE0F2, #21CFDE, #36BDC9, #4BACB4 and #5F9BA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EE0F2 shade: #0DF287, #0DF2C4, #0DE3F2, #0DA6F2 and #0D69F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EE0F2 shade: #0998A4, #0BBCCB, #0DE0F2, #34E5F4 and #5BEAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EE0F2 shade: #0EE0F2, #4A0DF2 and #F2A60D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EE0F2 shade: #0EE0F2, #F20DE3 and #E3F20D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EE0F2 shade: #0EE0F2, #4A0DF2, #F21C0D and #B5F20D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EE0F2 shade: #0EE0F2, #8F0DF2, #F21C0D and #70F20D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 7 / 0 / 5

HEX #0EE0F2

RGB 14 224 242

HSL 184.74, 0.9%, 0.5%

LAB 81.74, -37.85, -21.44

 

Complementary color

CMYK 0 / 87 / 95 / 5

HEX #F11F0D

RGB 241 31 13

HSL 4.74, 0.9%, 0.5%

LAB 51.51, 73.57, 61.56

 

CMYK 92 / 5 / 0 / 7

HEX #13E0ED

RGB 19 224 237

HSL 183.58, 0.86%, 0.5%

LAB 81.6, -39.22, -19

 

CMYK 86 / 5 / 0 / 0

HEX #24F2FF

RGB 36 242 255

HSL 183.56, 1%, 0.57%

LAB 87.53, -41.22, -19.51

 

CMYK 79 / 0 / 0 / 0

HEX #35FFFF

RGB 53 255 255

HSL 180, 1%, 0.6%

LAB 91.46, -45.83, -13.59

 

CMYK 73 / 0 / 0 / 0

HEX #46FFFF

RGB 70 255 255

HSL 180, 1%, 0.64%

LAB 91.7, -44.24, -13.2

 

CMYK 66 / 0 / 0 / 0

HEX #57FFFF

RGB 87 255 255

HSL 180, 1%, 0.67%

LAB 92.03, -42.17, -12.68

 

CMYK 94 / 7 / 0 / 5

HEX #0EE0F2

RGB 14 224 242

HSL 184.74, 0.9%, 0.5%

LAB 81.74, -37.85, -21.44

 

CMYK 100 / 8 / 0 / 13

HEX #00CEDF

RGB 0 206 223

HSL 184.57, 1%, 0.44%

LAB 75.74, -35.73, -20.39

 

CMYK 100 / 8 / 0 / 20

HEX #00BCCC

RGB 0 188 204

HSL 184.71, 1%, 0.4%

LAB 69.7, -33.25, -19.24

 

CMYK 100 / 8 / 0 / 27

HEX #00AAB9

RGB 0 170 185

HSL 184.86, 1%, 0.36%

LAB 63.55, -30.72, -18.07

 

CMYK 100 / 8 / 0 / 35

HEX #0098A6

RGB 0 152 166

HSL 185.06, 1%, 0.33%

LAB 57.28, -28.14, -16.88

 

CMYK 95 / 7 / 0 / 5

HEX #0DE0F2

RGB 13 224 242

HSL 184.72, 0.9%, 0.5%

LAB 81.73, -37.88, -21.45

 

CMYK 95 / 33 / 0 / 5

HEX #0DA2F2

RGB 13 162 242

HSL 200.96, 0.9%, 0.5%

LAB 63.62, -6.15, -49.52

 

CMYK 95 / 59 / 0 / 5

HEX #0D64F2

RGB 13 100 242

HSL 217.21, 0.9%, 0.5%

LAB 46.46, 31.85, -77.13

 

CMYK 95 / 84 / 0 / 5

HEX #0D26F2

RGB 13 38 242

HSL 233.45, 0.9%, 0.5%

LAB 33.74, 66.7, -98.14

 

CMYK 80 / 95 / 0 / 5

HEX #310DF2

RGB 49 13 242

HSL 249.43, 0.9%, 0.5%

LAB 32.59, 74.65, -100.01

 

CMYK 95 / 7 / 0 / 5

HEX #0DE0F2

RGB 13 224 242

HSL 184.72, 0.9%, 0.5%

LAB 81.73, -37.88, -21.45

 

CMYK 95 / 33 / 0 / 5

HEX #0DA2F2

RGB 13 162 242

HSL 200.96, 0.9%, 0.5%

LAB 63.62, -6.15, -49.52

 

CMYK 95 / 59 / 0 / 5

HEX #0D64F2

RGB 13 100 242

HSL 217.21, 0.9%, 0.5%

LAB 46.46, 31.85, -77.13

 

CMYK 95 / 84 / 0 / 5

HEX #0D26F2

RGB 13 38 242

HSL 233.45, 0.9%, 0.5%

LAB 33.74, 66.7, -98.14

 

CMYK 95 / 95 / 0 / 5

HEX #0D0DF2

RGB 13 13 242

HSL 240, 0.9%, 0.5%

LAB 31.31, 74.08, -102.19

 

CMYK 95 / 7 / 0 / 5

HEX #0DE0F2

RGB 13 224 242

HSL 184.72, 0.9%, 0.5%

LAB 81.73, -37.88, -21.45

 

CMYK 95 / 7 / 0 / 5

HEX #0DE0F2

RGB 13 224 242

HSL 184.72, 0.9%, 0.5%

LAB 81.73, -37.88, -21.45

 

CMYK 85 / 7 / 0 / 13

HEX #21CFDE

RGB 33 207 222

HSL 184.76, 0.74%, 0.5%

LAB 76.21, -35.26, -19.13

 

CMYK 73 / 6 / 0 / 21

HEX #36BDC9

RGB 54 189 201

HSL 184.9, 0.58%, 0.5%

LAB 70.45, -31.22, -16.4

 

CMYK 58 / 4 / 0 / 29

HEX #4BACB4

RGB 75 172 180

HSL 184.57, 0.41%, 0.5%

LAB 65.2, -25.86, -12.68

 

CMYK 41 / 3 / 0 / 37

HEX #5F9BA0

RGB 95 155 160

HSL 184.62, 0.25%, 0.5%

LAB 60.26, -18.1, -8.76

 

CMYK 95 / 0 / 44 / 5

HEX #0DF287

RGB 13 242 135

HSL 151.97, 0.9%, 0.5%

LAB 84.66, -71.13, 38.37

 

CMYK 95 / 0 / 19 / 5

HEX #0DF2C4

RGB 13 242 196

HSL 167.95, 0.9%, 0.5%

LAB 85.79, -58.29, 8.8

 

CMYK 95 / 6 / 0 / 5

HEX #0DE3F2

RGB 13 227 242

HSL 183.93, 0.9%, 0.5%

LAB 82.61, -39.25, -20.12

 

CMYK 95 / 31 / 0 / 5

HEX #0DA6F2

RGB 13 166 242

HSL 199.91, 0.9%, 0.5%

LAB 64.78, -8.4, -47.69

 

CMYK 95 / 57 / 0 / 5

HEX #0D69F2

RGB 13 105 242

HSL 215.9, 0.9%, 0.5%

LAB 47.75, 28.65, -75.02

 

CMYK 95 / 7 / 0 / 36

HEX #0998A4

RGB 9 152 164

HSL 184.65, 0.9%, 0.34%

LAB 57.26, -28.44, -15.76

 

CMYK 95 / 7 / 0 / 20

HEX #0BBCCB

RGB 11 188 203

HSL 184.69, 0.9%, 0.42%

LAB 69.72, -33.25, -18.66

 

CMYK 95 / 7 / 0 / 5

HEX #0DE0F2

RGB 13 224 242

HSL 184.72, 0.9%, 0.5%

LAB 81.73, -37.88, -21.45

 

CMYK 79 / 6 / 0 / 4

HEX #34E5F4

RGB 52 229 244

HSL 184.69, 0.9%, 0.58%

LAB 83.6, -37.42, -19.65

 

CMYK 63 / 5 / 0 / 4

HEX #5BEAF6

RGB 91 234 246

HSL 184.65, 0.9%, 0.66%

LAB 85.87, -34.46, -17.21

 

CMYK 94 / 7 / 0 / 5

HEX #0EE0F2

RGB 14 224 242

HSL 184.74, 0.9%, 0.5%

LAB 81.74, -37.85, -21.44

 

CMYK 69 / 95 / 0 / 5

HEX #4A0DF2

RGB 74 13 242

HSL 255.98, 0.9%, 0.5%

LAB 34.3, 75.51, -97.12

 

CMYK 0 / 31 / 95 / 5

HEX #F2A60D

RGB 242 166 13

HSL 40.09, 0.9%, 0.5%

LAB 73.66, 18.03, 75.86

 

CMYK 94 / 7 / 0 / 5

HEX #0EE0F2

RGB 14 224 242

HSL 184.74, 0.9%, 0.5%

LAB 81.74, -37.85, -21.44

 

CMYK 0 / 95 / 6 / 5

HEX #F20DE3

RGB 242 13 227

HSL 303.93, 0.9%, 0.5%

LAB 56.79, 91.55, -50.95

 

CMYK 6 / 0 / 95 / 5

HEX #E3F20D

RGB 227 242 13

HSL 63.93, 0.9%, 0.5%

LAB 91.62, -26.79, 88.49

 

CMYK 94 / 7 / 0 / 5

HEX #0EE0F2

RGB 14 224 242

HSL 184.74, 0.9%, 0.5%

LAB 81.74, -37.85, -21.44

 

CMYK 69 / 95 / 0 / 5

HEX #4A0DF2

RGB 74 13 242

HSL 255.98, 0.9%, 0.5%

LAB 34.3, 75.51, -97.12

 

CMYK 0 / 88 / 95 / 5

HEX #F21C0D

RGB 242 28 13

HSL 3.93, 0.9%, 0.5%

LAB 51.54, 74.32, 61.69

 

CMYK 25 / 0 / 95 / 5

HEX #B5F20D

RGB 181 242 13

HSL 75.98, 0.9%, 0.5%

LAB 88.62, -44.95, 84.86

 

CMYK 94 / 7 / 0 / 5

HEX #0EE0F2

RGB 14 224 242

HSL 184.74, 0.9%, 0.5%

LAB 81.74, -37.85, -21.44

 

CMYK 41 / 95 / 0 / 5

HEX #8F0DF2

RGB 143 13 242

HSL 274.06, 0.9%, 0.5%

LAB 42.06, 80.44, -84.03

 

CMYK 0 / 88 / 95 / 5

HEX #F21C0D

RGB 242 28 13

HSL 3.93, 0.9%, 0.5%

LAB 51.54, 74.32, 61.69

 

CMYK 54 / 0 / 95 / 5

HEX #70F20D

RGB 112 242 13

HSL 94.06, 0.9%, 0.5%

LAB 85.49, -67.5, 81.06

 

Description

Color code: HEX #0EE0F2 | qconv.com Color code: HEX #0EE0F2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 224 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 224 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 7 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 7% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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