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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EDC3E it is the complementary color #F123C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EDC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EDC3E shade: #13DC39, #24EE4C, #35FF5F, #46FF72 and #57FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EDC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EDC3E shade: #0EDC3E, #00CA2B, #00B818, #00A605 and #009400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EDC3E shade: #0EDC3E, #15DC0E, #4DDC0E, #84DC0E and #BCDC0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EDC3E shade: #0EDC3E, #0EDC75, #0EDCAD, #0ED3DC and #0E9CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EDC3E shade matches the following richer shades: #0EDC3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EDC3E shade: #0EDC3E, #21C948, #34B652, #47A35C and #599066

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EDC3E shade: #4FDC0E, #18DC0E, #0EDC3A, #0EDC71 and #0EDCA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EDC3E shade: #098E28, #0BB533, #0EDC3E, #22F052 and #49F371

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EDC3E shade: #0EDC3E, #0E86DC and #DC0E33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EDC3E shade: #0EDC3E, #3A0EDC and #DC3A0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EDC3E shade: #0EDC3E, #0E86DC, #DC0EAF and #DC640E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EDC3E shade: #0EDC3E, #0E48DC, #DC0EAF and #DCA20E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

Complementary color

CMYK 0 / 85 / 20 / 5

HEX #F123C1

RGB 241 35 193

HSL 313.98, 0.88%, 0.54%

LAB 55.84, 84.33, -33.05

 

CMYK 91 / 0 / 74 / 14

HEX #13DC39

RGB 19 220 57

HSL 131.34, 0.84%, 0.47%

LAB 77.05, -74.04, 63.41

 

CMYK 85 / 0 / 68 / 7

HEX #24EE4C

RGB 36 238 76

HSL 131.88, 0.86%, 0.54%

LAB 82.94, -76.44, 62.69

 

CMYK 79 / 0 / 63 / 0

HEX #35FF5F

RGB 53 255 95

HSL 132.48, 1%, 0.6%

LAB 88.5, -77.94, 61.29

 

CMYK 73 / 0 / 55 / 0

HEX #46FF72

RGB 70 255 114

HSL 134.27, 1%, 0.64%

LAB 88.94, -73.55, 53.7

 

CMYK 66 / 0 / 48 / 0

HEX #57FF85

RGB 87 255 133

HSL 136.43, 1%, 0.67%

LAB 89.51, -68.2, 45.69

 

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

CMYK 100 / 0 / 79 / 21

HEX #00CA2B

RGB 0 202 43

HSL 132.77, 1%, 0.4%

LAB 71.16, -70.76, 62.08

 

CMYK 100 / 0 / 87 / 28

HEX #00B818

RGB 0 184 24

HSL 127.83, 1%, 0.36%

LAB 65.24, -66.77, 61.57

 

CMYK 100 / 0 / 97 / 35

HEX #00A605

RGB 0 166 5

HSL 121.81, 1%, 0.33%

LAB 59.24, -62.37, 59.61

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

CMYK 90 / 0 / 94 / 14

HEX #15DC0E

RGB 21 220 14

HSL 117.96, 0.88%, 0.46%

LAB 76.91, -75.96, 73.18

 

CMYK 65 / 0 / 94 / 14

HEX #4DDC0E

RGB 77 220 14

HSL 101.65, 0.88%, 0.46%

LAB 77.75, -68.54, 74.23

 

CMYK 40 / 0 / 94 / 14

HEX #84DC0E

RGB 132 220 14

HSL 85.63, 0.88%, 0.46%

LAB 79.68, -53.41, 76.6

 

CMYK 15 / 0 / 94 / 14

HEX #BCDC0E

RGB 188 220 14

HSL 69.32, 0.88%, 0.46%

LAB 82.87, -32.41, 80.47

 

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

CMYK 94 / 0 / 47 / 14

HEX #0EDC75

RGB 14 220 117

HSL 150, 0.88%, 0.46%

LAB 77.62, -66.97, 38.21

 

CMYK 94 / 0 / 21 / 14

HEX #0EDCAD

RGB 14 220 173

HSL 166.31, 0.88%, 0.46%

LAB 78.63, -55.36, 10.67

 

CMYK 94 / 4 / 0 / 14

HEX #0ED3DC

RGB 14 211 220

HSL 182.62, 0.88%, 0.46%

LAB 77.19, -38.61, -16.58

 

CMYK 94 / 29 / 0 / 14

HEX #0E9CDC

RGB 14 156 220

HSL 198.64, 0.88%, 0.46%

LAB 60.81, -10.79, -41.8

 

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

CMYK 84 / 0 / 64 / 21

HEX #21C948

RGB 33 201 72

HSL 133.93, 0.72%, 0.46%

LAB 71.26, -65.97, 51.58

 

CMYK 71 / 0 / 55 / 29

HEX #34B652

RGB 52 182 82

HSL 133.85, 0.56%, 0.46%

LAB 65.59, -55.94, 40.54

 

CMYK 56 / 0 / 44 / 36

HEX #47A35C

RGB 71 163 92

HSL 133.7, 0.39%, 0.46%

LAB 60.16, -43.16, 28.81

 

CMYK 38 / 0 / 29 / 44

HEX #599066

RGB 89 144 102

HSL 134.18, 0.24%, 0.46%

LAB 55.1, -27.6, 16.73

 

CMYK 64 / 0 / 94 / 14

HEX #4FDC0E

RGB 79 220 14

HSL 101.07, 0.88%, 0.46%

LAB 77.8, -68.12, 74.29

 

CMYK 89 / 0 / 94 / 14

HEX #18DC0E

RGB 24 220 14

HSL 117.09, 0.88%, 0.46%

LAB 76.93, -75.77, 73.21

 

CMYK 94 / 0 / 74 / 14

HEX #0EDC3A

RGB 14 220 58

HSL 132.82, 0.88%, 0.46%

LAB 77.03, -74.2, 63.04

 

CMYK 94 / 0 / 49 / 14

HEX #0EDC71

RGB 14 220 113

HSL 148.83, 0.88%, 0.46%

LAB 77.56, -67.63, 40.11

 

CMYK 94 / 0 / 24 / 14

HEX #0EDCA8

RGB 14 220 168

HSL 164.85, 0.88%, 0.46%

LAB 78.52, -56.57, 13.16

 

CMYK 94 / 0 / 72 / 44

HEX #098E28

RGB 9 142 40

HSL 133.98, 0.88%, 0.3%

LAB 51.33, -52.87, 43.31

 

CMYK 94 / 0 / 72 / 29

HEX #0BB533

RGB 11 181 51

HSL 134.12, 0.89%, 0.38%

LAB 64.45, -63.63, 52.69

 

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

CMYK 86 / 0 / 66 / 6

HEX #22F052

RGB 34 240 82

HSL 133.98, 0.87%, 0.54%

LAB 83.58, -76.61, 61.05

 

CMYK 70 / 0 / 53 / 5

HEX #49F371

RGB 73 243 113

HSL 134.12, 0.88%, 0.62%

LAB 85.36, -69.26, 49.87

 

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

CMYK 94 / 39 / 0 / 14

HEX #0E86DC

RGB 14 134 220

HSL 205.05, 0.88%, 0.46%

LAB 54.36, 1.98, -52.03

 

CMYK 0 / 94 / 77 / 14

HEX #DC0E33

RGB 220 14 51

HSL 349.22, 0.88%, 0.46%

LAB 46.67, 71.32, 38.49

 

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

CMYK 74 / 94 / 0 / 14

HEX #3A0EDC

RGB 58 14 220

HSL 252.82, 0.88%, 0.46%

LAB 30.35, 69.32, -91.17

 

CMYK 0 / 74 / 94 / 14

HEX #DC3A0E

RGB 220 58 14

HSL 12.82, 0.88%, 0.46%

LAB 49.83, 60.84, 58.18

 

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

CMYK 94 / 39 / 0 / 14

HEX #0E86DC

RGB 14 134 220

HSL 205.05, 0.88%, 0.46%

LAB 54.36, 1.98, -52.03

 

CMYK 0 / 94 / 20 / 14

HEX #DC0EAF

RGB 220 14 175

HSL 313.11, 0.88%, 0.46%

LAB 50.25, 80.89, -31.58

 

CMYK 0 / 55 / 94 / 14

HEX #DC640E

RGB 220 100 14

HSL 25.05, 0.88%, 0.46%

LAB 56.45, 43.19, 62.44

 

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

CMYK 94 / 67 / 0 / 14

HEX #0E48DC

RGB 14 72 220

HSL 223.11, 0.88%, 0.46%

LAB 37.65, 41.41, -79.12

 

CMYK 0 / 94 / 20 / 14

HEX #DC0EAF

RGB 220 14 175

HSL 313.11, 0.88%, 0.46%

LAB 50.25, 80.89, -31.58

 

CMYK 0 / 26 / 94 / 14

HEX #DCA20E

RGB 220 162 14

HSL 43.11, 0.88%, 0.46%

LAB 70.24, 10.67, 72.13

 

Description

Color code: HEX #0EDC3E | qconv.com Color code: HEX #0EDC3E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 220 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 220 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 72 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 72% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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