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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EDA6B it is the complementary color #F12594. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EDA6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EDA6B shade: #13DA66, #24EC79, #35FE8C, #46FF9F and #57FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EDA6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EDA6B shade: #0EDA6B, #00C858, #00B645, #00A432 and #00921F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EDA6B shade: #0ED86A, #0ED833, #1FD80E, #55D80E and #8CD80E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EDA6B shade: #0ED86A, #0ED8A0, #0ED8D7, #0EA2D8 and #0E6CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EDA6B shade matches the following richer shades: #0ED86A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EDA6B shade: #0ED86A, #20C56B, #33B36D, #45A06F and #588D70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EDA6B shade: #1FD80E, #0ED833, #0ED869, #0ED89F and #0ED8D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EDA6B shade: #098A44, #0BB157, #0ED86A, #1EF17E and #45F394

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EDA6B shade: #0EDA6B, #0E54D8 and #D8180E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EDA6B shade: #0EDA6B, #690ED8 and #D8690E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EDA6B shade: #0EDA6B, #0E54D8, #D80E7D and #D8910E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EDA6B shade: #0EDA6B, #0E18D8, #D80E7D and #D8CE0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 51 / 15

HEX #0EDA6B

RGB 14 218 107

HSL 147.35, 0.88%, 0.45%

LAB 76.86, -67.93, 42.14

 

Complementary color

CMYK 0 / 85 / 39 / 5

HEX #F12594

RGB 241 37 148

HSL 327.35, 0.88%, 0.55%

LAB 54.2, 79.11, -9.21

 

CMYK 91 / 0 / 53 / 15

HEX #13DA66

RGB 19 218 102

HSL 145.03, 0.84%, 0.46%

LAB 76.82, -68.45, 44.49

 

CMYK 85 / 0 / 49 / 7

HEX #24EC79

RGB 36 236 121

HSL 145.5, 0.84%, 0.53%

LAB 82.78, -70.23, 42.81

 

CMYK 79 / 0 / 45 / 0

HEX #35FE8C

RGB 53 254 140

HSL 145.97, 0.99%, 0.6%

LAB 88.7, -71.54, 41.19

 

CMYK 73 / 0 / 38 / 0

HEX #46FF9F

RGB 70 255 159

HSL 148.86, 1%, 0.64%

LAB 89.55, -66.56, 33.01

 

CMYK 66 / 0 / 30 / 0

HEX #57FFB2

RGB 87 255 178

HSL 152.5, 1%, 0.67%

LAB 90.21, -60.39, 24.4

 

CMYK 94 / 0 / 51 / 15

HEX #0EDA6B

RGB 14 218 107

HSL 147.35, 0.88%, 0.45%

LAB 76.86, -67.93, 42.14

 

CMYK 100 / 0 / 56 / 22

HEX #00C858

RGB 0 200 88

HSL 146.4, 1%, 0.39%

LAB 70.88, -65.57, 43.9

 

CMYK 100 / 0 / 62 / 29

HEX #00B645

RGB 0 182 69

HSL 142.75, 1%, 0.36%

LAB 64.87, -62.51, 45.63

 

CMYK 100 / 0 / 70 / 36

HEX #00A432

RGB 0 164 50

HSL 138.29, 1%, 0.32%

LAB 58.77, -59.17, 47.09

 

CMYK 100 / 0 / 79 / 43

HEX #00921F

RGB 0 146 31

HSL 132.74, 1%, 0.29%

LAB 52.57, -55.46, 47.93

 

CMYK 94 / 0 / 51 / 15

HEX #0ED86A

RGB 14 216 106

HSL 147.33, 0.88%, 0.45%

LAB 76.22, -67.45, 41.83

 

CMYK 94 / 0 / 76 / 15

HEX #0ED833

RGB 14 216 51

HSL 130.99, 0.88%, 0.45%

LAB 75.73, -73.59, 64.05

 

CMYK 86 / 0 / 94 / 15

HEX #1FD80E

RGB 31 216 14

HSL 114.95, 0.88%, 0.45%

LAB 75.72, -74.14, 72.23

 

CMYK 61 / 0 / 94 / 15

HEX #55D80E

RGB 85 216 14

HSL 98.91, 0.88%, 0.45%

LAB 76.72, -65.48, 73.47

 

CMYK 35 / 0 / 94 / 15

HEX #8CD80E

RGB 140 216 14

HSL 82.57, 0.88%, 0.45%

LAB 78.88, -49.05, 76.11

 

CMYK 94 / 0 / 51 / 15

HEX #0ED86A

RGB 14 216 106

HSL 147.33, 0.88%, 0.45%

LAB 76.22, -67.45, 41.83

 

CMYK 94 / 0 / 26 / 15

HEX #0ED8A0

RGB 14 216 160

HSL 163.37, 0.88%, 0.45%

LAB 77.13, -56.93, 15.43

 

CMYK 94 / 0 / 0 / 15

HEX #0ED8D7

RGB 14 216 215

HSL 179.7, 0.88%, 0.45%

LAB 78.53, -42.35, -11.9

 

CMYK 94 / 25 / 0 / 15

HEX #0EA2D8

RGB 14 162 216

HSL 196.04, 0.88%, 0.45%

LAB 62.42, -15.54, -37.07

 

CMYK 94 / 50 / 0 / 15

HEX #0E6CD8

RGB 14 108 216

HSL 212.08, 0.88%, 0.45%

LAB 46.68, 16.63, -62.1

 

CMYK 94 / 0 / 51 / 15

HEX #0ED86A

RGB 14 216 106

HSL 147.33, 0.88%, 0.45%

LAB 76.22, -67.45, 41.83

 

CMYK 94 / 0 / 51 / 15

HEX #0ED86A

RGB 14 216 106

HSL 147.33, 0.88%, 0.45%

LAB 76.22, -67.45, 41.83

 

CMYK 84 / 0 / 46 / 23

HEX #20C56B

RGB 32 197 107

HSL 147.27, 0.72%, 0.45%

LAB 70.39, -59.81, 34.02

 

CMYK 72 / 0 / 39 / 30

HEX #33B36D

RGB 51 179 109

HSL 147.19, 0.56%, 0.45%

LAB 65, -50.53, 26.02

 

CMYK 57 / 0 / 31 / 37

HEX #45A06F

RGB 69 160 111

HSL 147.69, 0.4%, 0.45%

LAB 59.48, -38.79, 17.58

 

CMYK 38 / 0 / 21 / 45

HEX #588D70

RGB 88 141 112

HSL 147.17, 0.23%, 0.45%

LAB 54.34, -24.4, 9.97

 

CMYK 86 / 0 / 94 / 15

HEX #1FD80E

RGB 31 216 14

HSL 114.95, 0.88%, 0.45%

LAB 75.72, -74.14, 72.23

 

CMYK 94 / 0 / 76 / 15

HEX #0ED833

RGB 14 216 51

HSL 130.99, 0.88%, 0.45%

LAB 75.73, -73.59, 64.05

 

CMYK 94 / 0 / 51 / 15

HEX #0ED869

RGB 14 216 105

HSL 147.03, 0.88%, 0.45%

LAB 76.21, -67.6, 42.3

 

CMYK 94 / 0 / 26 / 15

HEX #0ED89F

RGB 14 216 159

HSL 163.07, 0.88%, 0.45%

LAB 77.11, -57.16, 15.93

 

CMYK 94 / 0 / 2 / 15

HEX #0ED8D4

RGB 14 216 212

HSL 178.81, 0.88%, 0.45%

LAB 78.44, -43.23, -10.42

 

CMYK 93 / 0 / 51 / 46

HEX #098A44

RGB 9 138 68

HSL 147.44, 0.88%, 0.29%

LAB 50.28, -47.73, 28.7

 

CMYK 94 / 0 / 51 / 31

HEX #0BB157

RGB 11 177 87

HSL 147.47, 0.88%, 0.37%

LAB 63.51, -57.84, 35.41

 

CMYK 94 / 0 / 51 / 15

HEX #0ED86A

RGB 14 216 106

HSL 147.33, 0.88%, 0.45%

LAB 76.22, -67.45, 41.83

 

CMYK 88 / 0 / 48 / 5

HEX #1EF17E

RGB 30 241 126

HSL 147.3, 0.88%, 0.53%

LAB 84.33, -71.49, 42.34

 

CMYK 72 / 0 / 39 / 5

HEX #45F394

RGB 69 243 148

HSL 147.24, 0.88%, 0.61%

LAB 85.76, -64.39, 33.47

 

CMYK 94 / 0 / 51 / 15

HEX #0EDA6B

RGB 14 218 107

HSL 147.35, 0.88%, 0.45%

LAB 76.86, -67.93, 42.14

 

CMYK 94 / 61 / 0 / 15

HEX #0E54D8

RGB 14 84 216

HSL 219.21, 0.88%, 0.45%

LAB 40.23, 32.23, -72.59

 

CMYK 0 / 89 / 94 / 15

HEX #D8180E

RGB 216 24 14

HSL 2.97, 0.88%, 0.45%

LAB 46.02, 68.21, 55.5

 

CMYK 94 / 0 / 51 / 15

HEX #0EDA6B

RGB 14 218 107

HSL 147.35, 0.88%, 0.45%

LAB 76.86, -67.93, 42.14

 

CMYK 51 / 94 / 0 / 15

HEX #690ED8

RGB 105 14 216

HSL 267.03, 0.88%, 0.45%

LAB 34.55, 71.24, -81.76

 

CMYK 0 / 51 / 94 / 15

HEX #D8690E

RGB 216 105 14

HSL 27.03, 0.88%, 0.45%

LAB 56.82, 39.15, 62.4

 

CMYK 94 / 0 / 51 / 15

HEX #0EDA6B

RGB 14 218 107

HSL 147.35, 0.88%, 0.45%

LAB 76.86, -67.93, 42.14

 

CMYK 94 / 61 / 0 / 15

HEX #0E54D8

RGB 14 84 216

HSL 219.21, 0.88%, 0.45%

LAB 40.23, 32.23, -72.59

 

CMYK 0 / 94 / 42 / 15

HEX #D80E7D

RGB 216 14 125

HSL 327.03, 0.88%, 0.45%

LAB 47.49, 74.83, -5.86

 

CMYK 0 / 33 / 94 / 15

HEX #D8910E

RGB 216 145 14

HSL 38.91, 0.88%, 0.45%

LAB 65.66, 18.06, 68.61

 

CMYK 94 / 0 / 51 / 15

HEX #0EDA6B

RGB 14 218 107

HSL 147.35, 0.88%, 0.45%

LAB 76.86, -67.93, 42.14

 

CMYK 94 / 89 / 0 / 15

HEX #0E18D8

RGB 14 24 216

HSL 237.03, 0.88%, 0.45%

LAB 28.65, 64.49, -91.75

 

CMYK 0 / 94 / 42 / 15

HEX #D80E7D

RGB 216 14 125

HSL 327.03, 0.88%, 0.45%

LAB 47.49, 74.83, -5.86

 

CMYK 0 / 5 / 94 / 15

HEX #D8CE0E

RGB 216 206 14

HSL 57.03, 0.88%, 0.45%

LAB 81.17, -13.94, 80.09

 

Description

Color code: HEX #0EDA6B | qconv.com Color code: HEX #0EDA6B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 218 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 218 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 51 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 51% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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