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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ECF4E it is the complementary color #F130B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ECF4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ECF4E shade: #13CF49, #24E15C, #35F36F, #46FF82 and #57FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ECF4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ECF4E shade: #0ECF4E, #00BD3B, #00AB28, #009915 and #008702

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ECF4E shade: #0ECD4E, #0ECD1A, #36CD0E, #69CD0E and #9DCD0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ECF4E shade: #0ECD4E, #0ECD81, #0ECDB4, #0EB2CD and #0E7FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ECF4E shade matches the following richer shades: #0ECD4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ECF4E shade: #0ECD4E, #20BB54, #32AA59, #43985F and #558665

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ECF4E shade: #38CD0E, #0ECD18, #0ECD4B, #0ECD7E and #0ECDB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ECF4E shade: #098030, #0CA63F, #0ECD4E, #16EF5E and #3CF178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ECF4E shade: #0ECF4E, #0E6ACD and #CD0E1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ECF4E shade: #0ECF4E, #4B0ECD and #CD4B0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ECF4E shade: #0ECF4E, #0E6ACD, #CD0E91 and #CD710E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ECF4E shade: #0ECF4E, #0E31CD, #CD0E91 and #CDAA0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 62 / 19

HEX #0ECF4E

RGB 14 207 78

HSL 139.9, 0.87%, 0.43%

LAB 73.07, -68.46, 51

 

Complementary color

CMYK 0 / 80 / 27 / 5

HEX #F130B1

RGB 241 48 177

HSL 319.9, 0.87%, 0.57%

LAB 56.08, 79.8, -23.41

 

CMYK 91 / 0 / 65 / 19

HEX #13CF49

RGB 19 207 73

HSL 137.23, 0.83%, 0.44%

LAB 73.05, -68.77, 53.12

 

CMYK 84 / 0 / 59 / 12

HEX #24E15C

RGB 36 225 92

HSL 137.78, 0.76%, 0.51%

LAB 79.04, -70.8, 51.75

 

CMYK 78 / 0 / 54 / 5

HEX #35F36F

RGB 53 243 111

HSL 138.32, 0.89%, 0.58%

LAB 85, -72.28, 50.28

 

CMYK 73 / 0 / 49 / 0

HEX #46FF82

RGB 70 255 130

HSL 139.46, 1%, 0.64%

LAB 89.13, -71.35, 46.56

 

CMYK 66 / 0 / 42 / 0

HEX #57FF95

RGB 87 255 149

HSL 142.14, 1%, 0.67%

LAB 89.73, -65.69, 38.25

 

CMYK 93 / 0 / 62 / 19

HEX #0ECF4E

RGB 14 207 78

HSL 139.9, 0.87%, 0.43%

LAB 73.07, -68.46, 51

 

CMYK 100 / 0 / 69 / 26

HEX #00BD3B

RGB 0 189 59

HSL 138.73, 1%, 0.37%

LAB 67.06, -65.73, 52.31

 

CMYK 100 / 0 / 77 / 33

HEX #00AB28

RGB 0 171 40

HSL 134.04, 1%, 0.34%

LAB 61.03, -62.14, 53.18

 

CMYK 100 / 0 / 86 / 40

HEX #009915

RGB 0 153 21

HSL 128.24, 1%, 0.3%

LAB 54.9, -58.13, 53.05

 

CMYK 100 / 0 / 99 / 47

HEX #008702

RGB 0 135 2

HSL 120.89, 1%, 0.26%

LAB 48.68, -53.66, 51.47

 

CMYK 93 / 0 / 62 / 20

HEX #0ECD4E

RGB 14 205 78

HSL 140.1, 0.87%, 0.43%

LAB 72.43, -67.86, 50.27

 

CMYK 93 / 0 / 87 / 20

HEX #0ECD1A

RGB 14 205 26

HSL 123.77, 0.87%, 0.43%

LAB 72.12, -71.89, 67.23

 

CMYK 74 / 0 / 93 / 20

HEX #36CD0E

RGB 54 205 14

HSL 107.43, 0.87%, 0.43%

LAB 72.55, -68.15, 69.73

 

CMYK 49 / 0 / 93 / 20

HEX #69CD0E

RGB 105 205 14

HSL 91.41, 0.87%, 0.43%

LAB 74, -56.27, 71.51

 

CMYK 23 / 0 / 93 / 20

HEX #9DCD0E

RGB 157 205 14

HSL 75.08, 0.87%, 0.43%

LAB 76.6, -37.98, 74.69

 

CMYK 93 / 0 / 62 / 20

HEX #0ECD4E

RGB 14 205 78

HSL 140.1, 0.87%, 0.43%

LAB 72.43, -67.86, 50.27

 

CMYK 93 / 0 / 37 / 20

HEX #0ECD81

RGB 14 205 129

HSL 156.13, 0.87%, 0.43%

LAB 73.12, -59.65, 26.24

 

CMYK 93 / 0 / 12 / 20

HEX #0ECDB4

RGB 14 205 180

HSL 172.15, 0.87%, 0.43%

LAB 74.22, -47.51, 0.57

 

CMYK 93 / 13 / 0 / 20

HEX #0EB2CD

RGB 14 178 205

HSL 188.48, 0.87%, 0.43%

LAB 66.78, -27.64, -24.23

 

CMYK 93 / 38 / 0 / 20

HEX #0E7FCD

RGB 14 127 205

HSL 204.5, 0.87%, 0.43%

LAB 51.47, 0.44, -48.15

 

CMYK 93 / 0 / 62 / 20

HEX #0ECD4E

RGB 14 205 78

HSL 140.1, 0.87%, 0.43%

LAB 72.43, -67.86, 50.27

 

CMYK 93 / 0 / 62 / 20

HEX #0ECD4E

RGB 14 205 78

HSL 140.1, 0.87%, 0.43%

LAB 72.43, -67.86, 50.27

 

CMYK 83 / 0 / 55 / 27

HEX #20BB54

RGB 32 187 84

HSL 140.13, 0.71%, 0.43%

LAB 66.89, -60.06, 41.07

 

CMYK 71 / 0 / 48 / 33

HEX #32AA59

RGB 50 170 89

HSL 139.5, 0.55%, 0.43%

LAB 61.78, -50.86, 32.33

 

CMYK 56 / 0 / 38 / 40

HEX #43985F

RGB 67 152 95

HSL 139.76, 0.39%, 0.43%

LAB 56.56, -38.96, 22.44

 

CMYK 37 / 0 / 25 / 47

HEX #558665

RGB 85 134 101

HSL 139.59, 0.22%, 0.43%

LAB 51.75, -24.11, 12.63

 

CMYK 73 / 0 / 93 / 20

HEX #38CD0E

RGB 56 205 14

HSL 106.81, 0.87%, 0.43%

LAB 72.58, -67.83, 69.77

 

CMYK 93 / 0 / 88 / 20

HEX #0ECD18

RGB 14 205 24

HSL 123.14, 0.87%, 0.43%

LAB 72.11, -71.96, 67.61

 

CMYK 93 / 0 / 63 / 20

HEX #0ECD4B

RGB 14 205 75

HSL 139.16, 0.87%, 0.43%

LAB 72.4, -68.21, 51.54

 

CMYK 93 / 0 / 39 / 20

HEX #0ECD7E

RGB 14 205 126

HSL 155.18, 0.87%, 0.43%

LAB 73.06, -60.25, 27.73

 

CMYK 93 / 0 / 14 / 20

HEX #0ECDB0

RGB 14 205 176

HSL 170.89, 0.87%, 0.43%

LAB 74.12, -48.59, 2.58

 

CMYK 93 / 0 / 63 / 50

HEX #098030

RGB 9 128 48

HSL 139.66, 0.87%, 0.27%

LAB 46.59, -47.38, 34.49

 

CMYK 93 / 0 / 62 / 35

HEX #0CA63F

RGB 12 166 63

HSL 139.87, 0.87%, 0.35%

LAB 59.63, -57.67, 42.38

 

CMYK 93 / 0 / 62 / 20

HEX #0ECD4E

RGB 14 205 78

HSL 140.1, 0.87%, 0.43%

LAB 72.43, -67.86, 50.27

 

CMYK 91 / 0 / 61 / 6

HEX #16EF5E

RGB 22 239 94

HSL 139.91, 0.87%, 0.51%

LAB 83.29, -75.78, 55.74

 

CMYK 75 / 0 / 50 / 5

HEX #3CF178

RGB 60 241 120

HSL 139.89, 0.87%, 0.59%

LAB 84.6, -69.5, 45.63

 

CMYK 93 / 0 / 62 / 19

HEX #0ECF4E

RGB 14 207 78

HSL 139.9, 0.87%, 0.43%

LAB 73.07, -68.46, 51

 

CMYK 93 / 48 / 0 / 20

HEX #0E6ACD

RGB 14 106 205

HSL 211.1, 0.87%, 0.43%

LAB 45.37, 13.57, -57.93

 

CMYK 0 / 93 / 85 / 20

HEX #CD0E1E

RGB 205 14 30

HSL 354.97, 0.87%, 0.43%

LAB 43.34, 66.99, 45.74

 

CMYK 93 / 0 / 62 / 19

HEX #0ECF4E

RGB 14 207 78

HSL 139.9, 0.87%, 0.43%

LAB 73.07, -68.46, 51

 

CMYK 63 / 93 / 0 / 20

HEX #4B0ECD

RGB 75 14 205

HSL 259.16, 0.87%, 0.43%

LAB 29.96, 66.47, -83.09

 

CMYK 0 / 63 / 93 / 20

HEX #CD4B0E

RGB 205 75 14

HSL 19.16, 0.87%, 0.43%

LAB 49.55, 49.25, 56.67

 

CMYK 93 / 0 / 62 / 19

HEX #0ECF4E

RGB 14 207 78

HSL 139.9, 0.87%, 0.43%

LAB 73.07, -68.46, 51

 

CMYK 93 / 48 / 0 / 20

HEX #0E6ACD

RGB 14 106 205

HSL 211.1, 0.87%, 0.43%

LAB 45.37, 13.57, -57.93

 

CMYK 0 / 93 / 29 / 20

HEX #CD0E91

RGB 205 14 145

HSL 318.85, 0.87%, 0.43%

LAB 46.09, 74.46, -20.34

 

CMYK 0 / 45 / 93 / 20

HEX #CD710E

RGB 205 113 14

HSL 31.1, 0.87%, 0.43%

LAB 56.9, 30.54, 61.71

 

CMYK 93 / 0 / 62 / 19

HEX #0ECF4E

RGB 14 207 78

HSL 139.9, 0.87%, 0.43%

LAB 73.07, -68.46, 51

 

CMYK 93 / 76 / 0 / 20

HEX #0E31CD

RGB 14 49 205

HSL 229.01, 0.87%, 0.43%

LAB 31.11, 49.84, -81.28

 

CMYK 0 / 93 / 29 / 20

HEX #CD0E91

RGB 205 14 145

HSL 318.85, 0.87%, 0.43%

LAB 46.09, 74.46, -20.34

 

CMYK 0 / 17 / 93 / 20

HEX #CDAA0E

RGB 205 170 14

HSL 49.01, 0.87%, 0.43%

LAB 70.71, -0.19, 71.78

 

Description

Color code: HEX #0ECF4E | qconv.com Color code: HEX #0ECF4E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 207 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 207 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 62 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 62% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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