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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ECE3B it is the complementary color #F131C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ECE3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ECE3B shade: #13CE36, #24E049, #35F25C, #46FF6F and #57FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ECE3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ECE3B shade: #0ECE3B, #00BC28, #00AA15, #009802 and #008600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ECE3B shade: #0ECD3A, #14CD0E, #48CD0E, #7BCD0E and #AFCD0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ECE3B shade: #0ECD3A, #0ECD6E, #0ECDA1, #0EC4CD and #0E91CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ECE3B shade matches the following richer shades: #0ECD3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ECE3B shade: #0ECD3A, #1FBB44, #31A94D, #439757 and #558660

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ECE3B shade: #47CD0E, #14CD0E, #0ECD3A, #0ECD6D and #0ECDA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ECE3B shade: #087F24, #0BA62F, #0ECD3A, #15EE48 and #3CF166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ECE3B shade: #0ECE3B, #0E7ACD and #CD0E2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ECE3B shade: #0ECE3B, #3A0ECD and #CD3A0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ECE3B shade: #0ECE3B, #0E7ACD, #CD0EA0 and #CD600E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ECE3B shade: #0ECE3B, #0E41CD, #CD0EA0 and #CD9A0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 71 / 19

HEX #0ECE3B

RGB 14 206 59

HSL 134.06, 0.87%, 0.43%

LAB 72.6, -70.11, 58.15

 

Complementary color

CMYK 0 / 80 / 19 / 5

HEX #F131C4

RGB 241 49 196

HSL 314.06, 0.87%, 0.57%

LAB 56.96, 81.84, -33.03

 

CMYK 91 / 0 / 74 / 19

HEX #13CE36

RGB 19 206 54

HSL 131.23, 0.83%, 0.44%

LAB 72.59, -70.26, 59.95

 

CMYK 84 / 0 / 67 / 12

HEX #24E049

RGB 36 224 73

HSL 131.81, 0.75%, 0.51%

LAB 78.56, -72.59, 59.16

 

CMYK 78 / 0 / 62 / 5

HEX #35F25C

RGB 53 242 92

HSL 132.38, 0.88%, 0.58%

LAB 84.5, -74.29, 58.05

 

CMYK 73 / 0 / 56 / 0

HEX #46FF6F

RGB 70 255 111

HSL 133.3, 1%, 0.64%

LAB 88.91, -73.92, 55

 

CMYK 66 / 0 / 49 / 0

HEX #57FF82

RGB 87 255 130

HSL 135.36, 1%, 0.67%

LAB 89.47, -68.63, 47.06

 

CMYK 93 / 0 / 71 / 19

HEX #0ECE3B

RGB 14 206 59

HSL 134.06, 0.87%, 0.43%

LAB 72.6, -70.11, 58.15

 

CMYK 100 / 0 / 79 / 26

HEX #00BC28

RGB 0 188 40

HSL 132.77, 1%, 0.37%

LAB 66.61, -67.02, 58.63

 

CMYK 100 / 0 / 88 / 33

HEX #00AA15

RGB 0 170 21

HSL 127.41, 1%, 0.33%

LAB 60.61, -62.98, 58.13

 

CMYK 100 / 0 / 99 / 40

HEX #009802

RGB 0 152 2

HSL 120.79, 1%, 0.3%

LAB 54.51, -58.52, 56.21

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 93 / 0 / 72 / 20

HEX #0ECD3A

RGB 14 205 58

HSL 133.82, 0.87%, 0.43%

LAB 72.27, -69.91, 58.18

 

CMYK 90 / 0 / 93 / 20

HEX #14CD0E

RGB 20 205 14

HSL 118.12, 0.87%, 0.43%

LAB 72.12, -71.92, 69.2

 

CMYK 65 / 0 / 93 / 20

HEX #48CD0E

RGB 72 205 14

HSL 101.78, 0.87%, 0.43%

LAB 72.94, -64.79, 70.21

 

CMYK 40 / 0 / 93 / 20

HEX #7BCD0E

RGB 123 205 14

HSL 85.76, 0.87%, 0.43%

LAB 74.77, -50.5, 72.46

 

CMYK 15 / 0 / 93 / 20

HEX #AFCD0E

RGB 175 205 14

HSL 69.42, 0.87%, 0.43%

LAB 77.76, -30.74, 76.11

 

CMYK 93 / 0 / 72 / 20

HEX #0ECD3A

RGB 14 205 58

HSL 133.82, 0.87%, 0.43%

LAB 72.27, -69.91, 58.18

 

CMYK 93 / 0 / 46 / 20

HEX #0ECD6E

RGB 14 205 110

HSL 150.16, 0.87%, 0.43%

LAB 72.81, -63.2, 35.58

 

CMYK 93 / 0 / 21 / 20

HEX #0ECDA1

RGB 14 205 161

HSL 166.18, 0.87%, 0.43%

LAB 73.76, -52.44, 10.14

 

CMYK 93 / 4 / 0 / 20

HEX #0EC4CD

RGB 14 196 205

HSL 182.83, 0.87%, 0.43%

LAB 72.22, -36.29, -15.97

 

CMYK 93 / 29 / 0 / 20

HEX #0E91CD

RGB 14 145 205

HSL 198.85, 0.87%, 0.43%

LAB 56.83, -10.11, -39.67

 

CMYK 93 / 0 / 72 / 20

HEX #0ECD3A

RGB 14 205 58

HSL 133.82, 0.87%, 0.43%

LAB 72.27, -69.91, 58.18

 

CMYK 93 / 0 / 72 / 20

HEX #0ECD3A

RGB 14 205 58

HSL 133.82, 0.87%, 0.43%

LAB 72.27, -69.91, 58.18

 

CMYK 83 / 0 / 64 / 27

HEX #1FBB44

RGB 31 187 68

HSL 134.23, 0.72%, 0.43%

LAB 66.71, -62.22, 48.22

 

CMYK 71 / 0 / 54 / 34

HEX #31A94D

RGB 49 169 77

HSL 134, 0.55%, 0.43%

LAB 61.28, -52.52, 37.77

 

CMYK 56 / 0 / 42 / 41

HEX #439757

RGB 67 151 87

HSL 134.29, 0.39%, 0.43%

LAB 56.1, -39.98, 26.2

 

CMYK 37 / 0 / 28 / 47

HEX #558660

RGB 85 134 96

HSL 133.47, 0.22%, 0.43%

LAB 51.64, -25.11, 15.35

 

CMYK 65 / 0 / 93 / 20

HEX #47CD0E

RGB 71 205 14

HSL 102.09, 0.87%, 0.43%

LAB 72.91, -65, 70.18

 

CMYK 90 / 0 / 93 / 20

HEX #14CD0E

RGB 20 205 14

HSL 118.12, 0.87%, 0.43%

LAB 72.12, -71.92, 69.2

 

CMYK 93 / 0 / 72 / 20

HEX #0ECD3A

RGB 14 205 58

HSL 133.82, 0.87%, 0.43%

LAB 72.27, -69.91, 58.18

 

CMYK 93 / 0 / 47 / 20

HEX #0ECD6D

RGB 14 205 109

HSL 149.84, 0.87%, 0.43%

LAB 72.8, -63.37, 36.06

 

CMYK 93 / 0 / 22 / 20

HEX #0ECDA0

RGB 14 205 160

HSL 165.86, 0.87%, 0.43%

LAB 73.74, -52.69, 10.65

 

CMYK 94 / 0 / 72 / 50

HEX #087F24

RGB 8 127 36

HSL 134.12, 0.88%, 0.26%

LAB 46.12, -48.56, 39.47

 

CMYK 93 / 0 / 72 / 35

HEX #0BA62F

RGB 11 166 47

HSL 133.94, 0.88%, 0.35%

LAB 59.48, -59.49, 49.06

 

CMYK 93 / 0 / 72 / 20

HEX #0ECD3A

RGB 14 205 58

HSL 133.82, 0.87%, 0.43%

LAB 72.27, -69.91, 58.18

 

CMYK 91 / 0 / 70 / 7

HEX #15EE48

RGB 21 238 72

HSL 134.1, 0.86%, 0.51%

LAB 82.79, -77.81, 64

 

CMYK 75 / 0 / 58 / 5

HEX #3CF166

RGB 60 241 102

HSL 133.92, 0.87%, 0.59%

LAB 84.4, -71.93, 53.64

 

CMYK 93 / 0 / 71 / 19

HEX #0ECE3B

RGB 14 206 59

HSL 134.06, 0.87%, 0.43%

LAB 72.6, -70.11, 58.15

 

CMYK 93 / 40 / 0 / 20

HEX #0E7ACD

RGB 14 122 205

HSL 206.07, 0.87%, 0.43%

LAB 50, 3.49, -50.5

 

CMYK 0 / 93 / 78 / 20

HEX #CD0E2E

RGB 205 14 46

HSL 349.95, 0.87%, 0.43%

LAB 43.49, 67.42, 37.06

 

CMYK 93 / 0 / 71 / 19

HEX #0ECE3B

RGB 14 206 59

HSL 134.06, 0.87%, 0.43%

LAB 72.6, -70.11, 58.15

 

CMYK 72 / 93 / 0 / 20

HEX #3A0ECD

RGB 58 14 205

HSL 253.82, 0.87%, 0.43%

LAB 28.44, 65.56, -85.66

 

CMYK 0 / 72 / 93 / 20

HEX #CD3A0E

RGB 205 58 14

HSL 13.82, 0.87%, 0.43%

LAB 47.02, 56.09, 55.02

 

CMYK 93 / 0 / 71 / 19

HEX #0ECE3B

RGB 14 206 59

HSL 134.06, 0.87%, 0.43%

LAB 72.6, -70.11, 58.15

 

CMYK 93 / 40 / 0 / 20

HEX #0E7ACD

RGB 14 122 205

HSL 206.07, 0.87%, 0.43%

LAB 50, 3.49, -50.5

 

CMYK 0 / 93 / 22 / 20

HEX #CD0EA0

RGB 205 14 160

HSL 314.14, 0.87%, 0.43%

LAB 46.75, 76.18, -28.34

 

CMYK 0 / 53 / 93 / 20

HEX #CD600E

RGB 205 96 14

HSL 25.76, 0.87%, 0.43%

LAB 53.36, 39.33, 59.25

 

CMYK 93 / 0 / 71 / 19

HEX #0ECE3B

RGB 14 206 59

HSL 134.06, 0.87%, 0.43%

LAB 72.6, -70.11, 58.15

 

CMYK 93 / 68 / 0 / 20

HEX #0E41CD

RGB 14 65 205

HSL 223.98, 0.87%, 0.43%

LAB 34.56, 40.27, -75.57

 

CMYK 0 / 93 / 22 / 20

HEX #CD0EA0

RGB 205 14 160

HSL 314.14, 0.87%, 0.43%

LAB 46.75, 76.18, -28.34

 

CMYK 0 / 25 / 93 / 20

HEX #CD9A0E

RGB 205 154 14

HSL 43.98, 0.87%, 0.43%

LAB 66.61, 8.37, 68.74

 

Description

Color code: HEX #0ECE3B | qconv.com Color code: HEX #0ECE3B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 206 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 206 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 71% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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