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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ECE2E it is the complementary color #F131D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ECE2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ECE2E shade: #13CE29, #24E03C, #35F24F, #46FF62 and #57FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ECE2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ECE2E shade: #0ECE2E, #00BC1B, #00AA08, #009800 and #008600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ECE2E shade: #0ECD2E, #22CD0E, #55CD0E, #89CD0E and #BCCD0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ECE2E shade: #0ECD2E, #0ECD62, #0ECD95, #0ECDC8 and #0E9ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ECE2E shade matches the following richer shades: #0ECD2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ECE2E shade: #0ECD2E, #20BB3A, #32AA46, #439852 and #55865D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ECE2E shade: #54CD0E, #21CD0E, #0ECD2E, #0ECD61 and #0ECD94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ECE2E shade: #09801D, #0CA625, #0ECD2E, #16EF3A and #3CF15B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ECE2E shade: #0ECE2E, #0E87CD and #CD0E3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ECE2E shade: #0ECE2E, #2E0ECD and #CD2E0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ECE2E shade: #0ECE2E, #0E87CD, #CD0EAD and #CD540E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ECE2E shade: #0ECE2E, #0E4ECD, #CD0EAD and #CD8D0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 78 / 19

HEX #0ECE2E

RGB 14 206 46

HSL 130, 0.87%, 0.43%

LAB 72.52, -71.11, 62.49

 

Complementary color

CMYK 0 / 80 / 13 / 5

HEX #F131D1

RGB 241 49 209

HSL 310, 0.87%, 0.57%

LAB 57.56, 83.53, -39.54

 

CMYK 91 / 0 / 80 / 19

HEX #13CE29

RGB 19 206 41

HSL 127.06, 0.83%, 0.44%

LAB 72.52, -71.16, 63.99

 

CMYK 84 / 0 / 73 / 12

HEX #24E03C

RGB 36 224 60

HSL 127.66, 0.75%, 0.51%

LAB 78.47, -73.72, 63.86

 

CMYK 78 / 0 / 67 / 5

HEX #35F24F

RGB 53 242 79

HSL 128.25, 0.88%, 0.58%

LAB 84.39, -75.61, 63.16

 

CMYK 73 / 0 / 62 / 0

HEX #46FF62

RGB 70 255 98

HSL 129.08, 1%, 0.64%

LAB 88.78, -75.43, 60.44

 

CMYK 66 / 0 / 54 / 0

HEX #57FF75

RGB 87 255 117

HSL 130.71, 1%, 0.67%

LAB 89.31, -70.39, 52.88

 

CMYK 93 / 0 / 78 / 19

HEX #0ECE2E

RGB 14 206 46

HSL 130, 0.87%, 0.43%

LAB 72.52, -71.11, 62.49

 

CMYK 100 / 0 / 86 / 26

HEX #00BC1B

RGB 0 188 27

HSL 128.62, 1%, 0.37%

LAB 66.55, -67.75, 62.08

 

CMYK 100 / 0 / 95 / 33

HEX #00AA08

RGB 0 170 8

HSL 122.82, 1%, 0.33%

LAB 60.58, -63.4, 60.3

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 93 / 0 / 78 / 20

HEX #0ECD2E

RGB 14 205 46

HSL 130.05, 0.87%, 0.43%

LAB 72.2, -70.83, 62.18

 

CMYK 83 / 0 / 93 / 20

HEX #22CD0E

RGB 34 205 14

HSL 113.72, 0.87%, 0.43%

LAB 72.25, -70.77, 69.36

 

CMYK 59 / 0 / 93 / 20

HEX #55CD0E

RGB 85 205 14

HSL 97.7, 0.87%, 0.43%

LAB 73.3, -61.78, 70.66

 

CMYK 33 / 0 / 93 / 20

HEX #89CD0E

RGB 137 205 14

HSL 81.36, 0.87%, 0.43%

LAB 75.46, -45.56, 73.31

 

CMYK 8 / 0 / 93 / 20

HEX #BCCD0E

RGB 188 205 14

HSL 65.34, 0.87%, 0.43%

LAB 78.69, -25.34, 77.23

 

CMYK 93 / 0 / 78 / 20

HEX #0ECD2E

RGB 14 205 46

HSL 130.05, 0.87%, 0.43%

LAB 72.2, -70.83, 62.18

 

CMYK 93 / 0 / 52 / 20

HEX #0ECD62

RGB 14 205 98

HSL 146.39, 0.87%, 0.43%

LAB 72.65, -65.14, 41.29

 

CMYK 93 / 0 / 27 / 20

HEX #0ECD95

RGB 14 205 149

HSL 162.41, 0.87%, 0.43%

LAB 73.5, -55.32, 16.2

 

CMYK 93 / 0 / 2 / 20

HEX #0ECDC8

RGB 14 205 200

HSL 178.43, 0.87%, 0.43%

LAB 74.78, -41.87, -9.42

 

CMYK 93 / 23 / 0 / 20

HEX #0E9ECD

RGB 14 158 205

HSL 194.76, 0.87%, 0.43%

LAB 60.74, -17.29, -33.56

 

CMYK 93 / 0 / 78 / 20

HEX #0ECD2E

RGB 14 205 46

HSL 130.05, 0.87%, 0.43%

LAB 72.2, -70.83, 62.18

 

CMYK 93 / 0 / 78 / 20

HEX #0ECD2E

RGB 14 205 46

HSL 130.05, 0.87%, 0.43%

LAB 72.2, -70.83, 62.18

 

CMYK 83 / 0 / 69 / 27

HEX #20BB3A

RGB 32 187 58

HSL 130.06, 0.71%, 0.43%

LAB 66.64, -63.18, 52.32

 

CMYK 71 / 0 / 59 / 33

HEX #32AA46

RGB 50 170 70

HSL 130, 0.55%, 0.43%

LAB 61.54, -53.65, 41.47

 

CMYK 56 / 0 / 46 / 40

HEX #439852

RGB 67 152 82

HSL 130.59, 0.39%, 0.43%

LAB 56.35, -41.24, 29.19

 

CMYK 37 / 0 / 31 / 47

HEX #55865D

RGB 85 134 93

HSL 129.8, 0.22%, 0.43%

LAB 51.58, -25.68, 16.98

 

CMYK 59 / 0 / 93 / 20

HEX #54CD0E

RGB 84 205 14

HSL 98.01, 0.87%, 0.43%

LAB 73.27, -62.03, 70.62

 

CMYK 84 / 0 / 93 / 20

HEX #21CD0E

RGB 33 205 14

HSL 114.03, 0.87%, 0.43%

LAB 72.24, -70.87, 69.35

 

CMYK 93 / 0 / 78 / 20

HEX #0ECD2E

RGB 14 205 46

HSL 130.05, 0.87%, 0.43%

LAB 72.2, -70.83, 62.18

 

CMYK 93 / 0 / 53 / 20

HEX #0ECD61

RGB 14 205 97

HSL 146.07, 0.87%, 0.43%

LAB 72.64, -65.3, 41.76

 

CMYK 93 / 0 / 28 / 20

HEX #0ECD94

RGB 14 205 148

HSL 162.09, 0.87%, 0.43%

LAB 73.48, -55.55, 16.7

 

CMYK 93 / 0 / 77 / 50

HEX #09801D

RGB 9 128 29

HSL 130.08, 0.87%, 0.27%

LAB 46.43, -49.46, 42.58

 

CMYK 93 / 0 / 78 / 35

HEX #0CA625

RGB 12 166 37

HSL 129.74, 0.87%, 0.35%

LAB 59.42, -60.26, 52.63

 

CMYK 93 / 0 / 78 / 20

HEX #0ECD2E

RGB 14 205 46

HSL 130.05, 0.87%, 0.43%

LAB 72.2, -70.83, 62.18

 

CMYK 91 / 0 / 76 / 6

HEX #16EF3A

RGB 22 239 58

HSL 129.95, 0.87%, 0.51%

LAB 83.02, -79.14, 69.01

 

CMYK 75 / 0 / 62 / 5

HEX #3CF15B

RGB 60 241 91

HSL 130.28, 0.87%, 0.59%

LAB 84.29, -73.2, 58.26

 

CMYK 93 / 0 / 78 / 19

HEX #0ECE2E

RGB 14 206 46

HSL 130, 0.87%, 0.43%

LAB 72.52, -71.11, 62.49

 

CMYK 93 / 34 / 0 / 20

HEX #0E87CD

RGB 14 135 205

HSL 201.99, 0.87%, 0.43%

LAB 53.85, -4.33, -44.38

 

CMYK 0 / 93 / 71 / 20

HEX #CD0E3B

RGB 205 14 59

HSL 345.86, 0.87%, 0.43%

LAB 43.67, 67.9, 29.45

 

CMYK 93 / 0 / 78 / 19

HEX #0ECE2E

RGB 14 206 46

HSL 130, 0.87%, 0.43%

LAB 72.52, -71.11, 62.49

 

CMYK 78 / 93 / 0 / 20

HEX #2E0ECD

RGB 46 14 205

HSL 250.05, 0.87%, 0.43%

LAB 27.58, 65.08, -87.11

 

CMYK 0 / 78 / 93 / 20

HEX #CD2E0E

RGB 205 46 14

HSL 10.05, 0.87%, 0.43%

LAB 45.59, 60.09, 54.11

 

CMYK 93 / 0 / 78 / 19

HEX #0ECE2E

RGB 14 206 46

HSL 130, 0.87%, 0.43%

LAB 72.52, -71.11, 62.49

 

CMYK 93 / 34 / 0 / 20

HEX #0E87CD

RGB 14 135 205

HSL 201.99, 0.87%, 0.43%

LAB 53.85, -4.33, -44.38

 

CMYK 0 / 93 / 16 / 20

HEX #CD0EAD

RGB 205 14 173

HSL 310.05, 0.87%, 0.43%

LAB 47.38, 77.8, -35.09

 

CMYK 0 / 59 / 93 / 20

HEX #CD540E

RGB 205 84 14

HSL 21.99, 0.87%, 0.43%

LAB 51.1, 45.17, 57.71

 

CMYK 93 / 0 / 78 / 19

HEX #0ECE2E

RGB 14 206 46

HSL 130, 0.87%, 0.43%

LAB 72.52, -71.11, 62.49

 

CMYK 93 / 62 / 0 / 20

HEX #0E4ECD

RGB 14 78 205

HSL 219.9, 0.87%, 0.43%

LAB 37.75, 31.89, -70.32

 

CMYK 0 / 93 / 16 / 20

HEX #CD0EAD

RGB 205 14 173

HSL 310.05, 0.87%, 0.43%

LAB 47.38, 77.8, -35.09

 

CMYK 0 / 31 / 93 / 20

HEX #CD8D0E

RGB 205 141 14

HSL 39.9, 0.87%, 0.43%

LAB 63.39, 15.42, 66.38

 

Description

Color code: HEX #0ECE2E | qconv.com Color code: HEX #0ECE2E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 206 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 206 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 78 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 78% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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