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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ECE08 it is the complementary color #F131F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ECE08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ECE08 shade: #13CE03, #24E016, #35F229, #46FF3C and #57FF4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ECE08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ECE08 shade: #0ECE08, #00BC00, #00AA00, #009800 and #008600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ECE08 shade: #0ECF07, #43CF07, #79CF07, #AFCF07 and #CFB907

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ECE08 shade: #0ECF07, #07CF37, #07CF6D, #07CFA3 and #07C5CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ECE08 shade matches the following richer shades: #0ECF07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ECE08 shade: #0ECF07, #1EBD19, #2EAC2A, #3E9B3B and #4F894D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ECE08 shade: #78CF07, #43CF07, #0ECF07, #07CF36 and #07CF6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ECE08 shade: #087F05, #0BA706, #0ECF07, #11F609 and #37F831

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ECE08 shade: #0ECE08, #07AECF and #CF075E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ECE08 shade: #0ECE08, #070ECF and #CF070E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ECE08 shade: #0ECE08, #07AECF, #C807CF and #CF2907

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ECE08 shade: #0ECE08, #0772CF, #C807CF and #CF6407

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 96 / 19

HEX #0ECE08

RGB 14 206 8

HSL 118.18, 0.93%, 0.42%

LAB 72.4, -72.66, 70.08

 

Complementary color

CMYK 2 / 80 / 0 / 3

HEX #F131F7

RGB 241 49 247

HSL 298.18, 0.93%, 0.58%

LAB 59.54, 88.94, -57.79

 

CMYK 91 / 0 / 99 / 19

HEX #13CE03

RGB 19 206 3

HSL 115.27, 0.97%, 0.41%

LAB 72.42, -72.48, 70.62

 

CMYK 84 / 0 / 90 / 12

HEX #24E016

RGB 36 224 22

HSL 115.84, 0.82%, 0.48%

LAB 78.31, -75.71, 73.34

 

CMYK 78 / 0 / 83 / 5

HEX #35F229

RGB 53 242 41

HSL 116.42, 0.89%, 0.55%

LAB 84.18, -78.22, 74.86

 

CMYK 73 / 0 / 76 / 0

HEX #46FF3C

RGB 70 255 60

HSL 116.92, 1%, 0.62%

LAB 88.52, -78.64, 73.94

 

CMYK 66 / 0 / 69 / 0

HEX #57FF4F

RGB 87 255 79

HSL 117.27, 1%, 0.65%

LAB 88.97, -74.37, 68.19

 

CMYK 93 / 0 / 96 / 19

HEX #0ECE08

RGB 14 206 8

HSL 118.18, 0.93%, 0.42%

LAB 72.4, -72.66, 70.08

 

CMYK 100 / 0 / 100 / 26

HEX #00BC00

RGB 0 188 0

HSL 120, 1%, 0.37%

LAB 66.49, -68.54, 66.15

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 93 / 0 / 97 / 19

HEX #0ECF07

RGB 14 207 7

HSL 117.9, 0.93%, 0.42%

LAB 72.72, -72.95, 70.44

 

CMYK 68 / 0 / 97 / 19

HEX #43CF07

RGB 67 207 7

HSL 102, 0.93%, 0.42%

LAB 73.44, -66.58, 71.33

 

CMYK 42 / 0 / 97 / 19

HEX #79CF07

RGB 121 207 7

HSL 85.8, 0.93%, 0.42%

LAB 75.27, -52.07, 73.56

 

CMYK 15 / 0 / 97 / 19

HEX #AFCF07

RGB 175 207 7

HSL 69.6, 0.93%, 0.42%

LAB 78.32, -31.76, 77.25

 

CMYK 0 / 11 / 97 / 19

HEX #CFB907

RGB 207 185 7

HSL 53.4, 0.93%, 0.42%

LAB 74.81, -7.24, 75.74

 

CMYK 93 / 0 / 97 / 19

HEX #0ECF07

RGB 14 207 7

HSL 117.9, 0.93%, 0.42%

LAB 72.72, -72.95, 70.44

 

CMYK 97 / 0 / 73 / 19

HEX #07CF37

RGB 7 207 55

HSL 134.4, 0.93%, 0.42%

LAB 72.86, -71.02, 59.85

 

CMYK 97 / 0 / 47 / 19

HEX #07CF6D

RGB 7 207 109

HSL 150.6, 0.93%, 0.42%

LAB 73.4, -64.3, 36.82

 

CMYK 97 / 0 / 21 / 19

HEX #07CFA3

RGB 7 207 163

HSL 166.8, 0.93%, 0.42%

LAB 74.39, -52.97, 9.97

 

CMYK 97 / 5 / 0 / 19

HEX #07C5CF

RGB 7 197 207

HSL 183, 0.93%, 0.42%

LAB 72.55, -36.34, -16.56

 

CMYK 93 / 0 / 97 / 19

HEX #0ECF07

RGB 14 207 7

HSL 117.9, 0.93%, 0.42%

LAB 72.72, -72.95, 70.44

 

CMYK 93 / 0 / 97 / 19

HEX #0ECF07

RGB 14 207 7

HSL 117.9, 0.93%, 0.42%

LAB 72.72, -72.95, 70.44

 

CMYK 84 / 0 / 87 / 26

HEX #1EBD19

RGB 30 189 25

HSL 118.17, 0.77%, 0.42%

LAB 67.08, -66.23, 63.07

 

CMYK 73 / 0 / 76 / 33

HEX #2EAC2A

RGB 46 172 42

HSL 118.15, 0.61%, 0.42%

LAB 61.87, -57.88, 53.49

 

CMYK 60 / 0 / 62 / 39

HEX #3E9B3B

RGB 62 155 59

HSL 118.13, 0.45%, 0.42%

LAB 56.86, -46.92, 41.31

 

CMYK 42 / 0 / 44 / 46

HEX #4F894D

RGB 79 137 77

HSL 118, 0.28%, 0.42%

LAB 51.94, -31.9, 26.34

 

CMYK 42 / 0 / 97 / 19

HEX #78CF07

RGB 120 207 7

HSL 86.1, 0.93%, 0.42%

LAB 75.22, -52.4, 73.51

 

CMYK 68 / 0 / 97 / 19

HEX #43CF07

RGB 67 207 7

HSL 102, 0.93%, 0.42%

LAB 73.44, -66.58, 71.33

 

CMYK 93 / 0 / 97 / 19

HEX #0ECF07

RGB 14 207 7

HSL 117.9, 0.93%, 0.42%

LAB 72.72, -72.95, 70.44

 

CMYK 97 / 0 / 74 / 19

HEX #07CF36

RGB 7 207 54

HSL 134.1, 0.93%, 0.42%

LAB 72.85, -71.1, 60.19

 

CMYK 97 / 0 / 48 / 19

HEX #07CF6B

RGB 7 207 107

HSL 150, 0.93%, 0.42%

LAB 73.37, -64.63, 37.78

 

CMYK 94 / 0 / 96 / 50

HEX #087F05

RGB 8 127 5

HSL 118.52, 0.92%, 0.26%

LAB 45.96, -50.57, 48.66

 

CMYK 93 / 0 / 96 / 35

HEX #0BA706

RGB 11 167 6

HSL 118.14, 0.93%, 0.34%

LAB 59.64, -62.03, 59.83

 

CMYK 93 / 0 / 97 / 19

HEX #0ECF07

RGB 14 207 7

HSL 117.9, 0.93%, 0.42%

LAB 72.72, -72.95, 70.44

 

CMYK 93 / 0 / 96 / 4

HEX #11F609

RGB 17 246 9

HSL 117.97, 0.93%, 0.5%

LAB 85.02, -83.18, 80.31

 

CMYK 78 / 0 / 80 / 3

HEX #37F831

RGB 55 248 49

HSL 118.19, 0.93%, 0.58%

LAB 86.09, -79.3, 74.64

 

CMYK 93 / 0 / 96 / 19

HEX #0ECE08

RGB 14 206 8

HSL 118.18, 0.93%, 0.42%

LAB 72.4, -72.66, 70.08

 

CMYK 97 / 16 / 0 / 19

HEX #07AECF

RGB 7 174 207

HSL 189.9, 0.93%, 0.42%

LAB 65.61, -25.18, -27.14

 

CMYK 0 / 97 / 55 / 19

HEX #CF075E

RGB 207 7 94

HSL 333.9, 0.93%, 0.42%

LAB 44.55, 71, 8.87

 

CMYK 93 / 0 / 96 / 19

HEX #0ECE08

RGB 14 206 8

HSL 118.18, 0.93%, 0.42%

LAB 72.4, -72.66, 70.08

 

CMYK 97 / 93 / 0 / 19

HEX #070ECF

RGB 7 14 207

HSL 237.9, 0.93%, 0.42%

LAB 26.34, 64.83, -90.38

 

CMYK 0 / 97 / 93 / 19

HEX #CF070E

RGB 207 7 14

HSL 357.9, 0.93%, 0.42%

LAB 43.43, 67.93, 53.01

 

CMYK 93 / 0 / 96 / 19

HEX #0ECE08

RGB 14 206 8

HSL 118.18, 0.93%, 0.42%

LAB 72.4, -72.66, 70.08

 

CMYK 97 / 16 / 0 / 19

HEX #07AECF

RGB 7 174 207

HSL 189.9, 0.93%, 0.42%

LAB 65.61, -25.18, -27.14

 

CMYK 3 / 97 / 0 / 19

HEX #C807CF

RGB 200 7 207

HSL 297.9, 0.93%, 0.42%

LAB 48.18, 82.28, -53.72

 

CMYK 0 / 80 / 97 / 19

HEX #CF2907

RGB 207 41 7

HSL 10.2, 0.93%, 0.42%

LAB 45.45, 62.03, 56.25

 

CMYK 93 / 0 / 96 / 19

HEX #0ECE08

RGB 14 206 8

HSL 118.18, 0.93%, 0.42%

LAB 72.4, -72.66, 70.08

 

CMYK 97 / 45 / 0 / 19

HEX #0772CF

RGB 7 114 207

HSL 207.9, 0.93%, 0.42%

LAB 47.73, 9.02, -55.28

 

CMYK 3 / 97 / 0 / 19

HEX #C807CF

RGB 200 7 207

HSL 297.9, 0.93%, 0.42%

LAB 48.18, 82.28, -53.72

 

CMYK 0 / 52 / 97 / 19

HEX #CF6407

RGB 207 100 7

HSL 27.9, 0.93%, 0.42%

LAB 54.44, 38.03, 61.55

 

Description

Color code: HEX #0ECE08 | qconv.com Color code: HEX #0ECE08 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 206 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 206 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 96 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 96% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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