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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EC997 it is the complementary color #F13668. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EC997. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EC997 shade: #13C992, #24DBA5, #35EDB8, #46FFCB and #57FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EC997. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EC997 shade: #0EC997, #00B784, #00A571, #00935E and #00814B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EC997 shade: #0EC896, #0EC864, #0EC832, #1CC80E and #4EC80E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EC997 shade: #0EC896, #0EC8C8, #0E96C8, #0E63C8 and #0E31C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EC997 shade matches the following richer shades: #0EC896

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EC997 shade: #0EC896, #1FB78E, #31A686, #42947E and #538376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EC997 shade: #0EC830, #0EC862, #0EC893, #0EC8C5 and #0E9AC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EC997 shade: #097B5C, #0BA279, #0EC896, #11EEB3 and #38F1C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EC997 shade: #0EC997, #0E1DC8 and #C8490E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EC997 shade: #0EC997, #930EC8 and #C8930E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EC997 shade: #0EC997, #0E1DC8, #C80E43 and #C8B90E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EC997 shade: #0EC997, #360EC8, #C80E43 and #A0C80E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 25 / 21

HEX #0EC997

RGB 14 201 151

HSL 163.96, 0.87%, 0.42%

LAB 72.3, -53.31, 13.45

 

Complementary color

CMYK 0 / 78 / 57 / 5

HEX #F13668

RGB 241 54 104

HSL 343.96, 0.87%, 0.58%

LAB 54.38, 71.6, 17.39

 

CMYK 91 / 0 / 27 / 21

HEX #13C992

RGB 19 201 146

HSL 161.87, 0.83%, 0.43%

LAB 72.22, -54.26, 16.02

 

CMYK 84 / 0 / 25 / 14

HEX #24DBA5

RGB 36 219 165

HSL 162.3, 0.72%, 0.5%

LAB 78.32, -55.65, 14.48

 

CMYK 78 / 0 / 22 / 7

HEX #35EDB8

RGB 53 237 184

HSL 162.72, 0.84%, 0.57%

LAB 84.37, -56.69, 13.08

 

CMYK 73 / 0 / 20 / 0

HEX #46FFCB

RGB 70 255 203

HSL 163.14, 1%, 0.64%

LAB 90.38, -57.45, 11.8

 

CMYK 66 / 0 / 13 / 0

HEX #57FFDE

RGB 87 255 222

HSL 168.21, 1%, 0.67%

LAB 91.15, -50.65, 3.13

 

CMYK 93 / 0 / 25 / 21

HEX #0EC997

RGB 14 201 151

HSL 163.96, 0.87%, 0.42%

LAB 72.3, -53.31, 13.45

 

CMYK 100 / 0 / 28 / 28

HEX #00B784

RGB 0 183 132

HSL 163.28, 1%, 0.36%

LAB 66.16, -51.4, 15.12

 

CMYK 100 / 0 / 32 / 35

HEX #00A571

RGB 0 165 113

HSL 161.09, 1%, 0.32%

LAB 59.98, -48.94, 16.97

 

CMYK 100 / 0 / 36 / 42

HEX #00935E

RGB 0 147 94

HSL 158.37, 1%, 0.29%

LAB 53.68, -46.39, 18.91

 

CMYK 100 / 0 / 42 / 49

HEX #00814B

RGB 0 129 75

HSL 154.88, 1%, 0.25%

LAB 47.25, -43.71, 20.95

 

CMYK 93 / 0 / 25 / 22

HEX #0EC896

RGB 14 200 150

HSL 163.87, 0.87%, 0.42%

LAB 71.96, -53.17, 13.51

 

CMYK 93 / 0 / 50 / 22

HEX #0EC864

RGB 14 200 100

HSL 147.74, 0.87%, 0.42%

LAB 71.09, -63.21, 38.39

 

CMYK 93 / 0 / 75 / 22

HEX #0EC832

RGB 14 200 50

HSL 131.61, 0.87%, 0.42%

LAB 70.62, -69.12, 59.33

 

CMYK 86 / 0 / 93 / 22

HEX #1CC80E

RGB 28 200 14

HSL 115.48, 0.87%, 0.42%

LAB 70.59, -69.93, 67.95

 

CMYK 61 / 0 / 93 / 22

HEX #4EC80E

RGB 78 200 14

HSL 99.35, 0.87%, 0.42%

LAB 71.53, -61.79, 69.11

 

CMYK 93 / 0 / 25 / 22

HEX #0EC896

RGB 14 200 150

HSL 163.87, 0.87%, 0.42%

LAB 71.96, -53.17, 13.51

 

CMYK 93 / 0 / 0 / 22

HEX #0EC8C8

RGB 14 200 200

HSL 180, 0.87%, 0.42%

LAB 73.27, -39.64, -11.68

 

CMYK 93 / 25 / 0 / 22

HEX #0E96C8

RGB 14 150 200

HSL 196.13, 0.87%, 0.42%

LAB 58.11, -14.72, -34.86

 

CMYK 93 / 51 / 0 / 22

HEX #0E63C8

RGB 14 99 200

HSL 212.58, 0.87%, 0.42%

LAB 43.04, 16.11, -58.82

 

CMYK 93 / 76 / 0 / 22

HEX #0E31C8

RGB 14 49 200

HSL 228.71, 0.87%, 0.42%

LAB 30.54, 48.13, -79.3

 

CMYK 93 / 0 / 25 / 22

HEX #0EC896

RGB 14 200 150

HSL 163.87, 0.87%, 0.42%

LAB 71.96, -53.17, 13.51

 

CMYK 93 / 0 / 25 / 22

HEX #0EC896

RGB 14 200 150

HSL 163.87, 0.87%, 0.42%

LAB 71.96, -53.17, 13.51

 

CMYK 83 / 0 / 22 / 28

HEX #1FB78E

RGB 31 183 142

HSL 163.82, 0.71%, 0.42%

LAB 66.6, -47.3, 10.31

 

CMYK 70 / 0 / 19 / 35

HEX #31A686

RGB 49 166 134

HSL 163.59, 0.54%, 0.42%

LAB 61.35, -39.99, 7.3

 

CMYK 55 / 0 / 15 / 42

HEX #42947E

RGB 66 148 126

HSL 163.9, 0.38%, 0.42%

LAB 55.93, -30.55, 4.11

 

CMYK 37 / 0 / 10 / 49

HEX #538376

RGB 83 131 118

HSL 163.75, 0.22%, 0.42%

LAB 51.13, -19.42, 1.88

 

CMYK 93 / 0 / 76 / 22

HEX #0EC830

RGB 14 200 48

HSL 130.97, 0.87%, 0.42%

LAB 70.6, -69.27, 59.99

 

CMYK 93 / 0 / 51 / 22

HEX #0EC862

RGB 14 200 98

HSL 147.1, 0.87%, 0.42%

LAB 71.07, -63.53, 39.34

 

CMYK 93 / 0 / 27 / 22

HEX #0EC893

RGB 14 200 147

HSL 162.9, 0.87%, 0.42%

LAB 71.9, -53.88, 15.04

 

CMYK 93 / 0 / 1 / 22

HEX #0EC8C5

RGB 14 200 197

HSL 179.03, 0.87%, 0.42%

LAB 73.18, -40.53, -10.18

 

CMYK 93 / 23 / 0 / 22

HEX #0E9AC8

RGB 14 154 200

HSL 194.84, 0.87%, 0.42%

LAB 59.32, -16.91, -32.97

 

CMYK 93 / 0 / 25 / 52

HEX #097B5C

RGB 9 123 92

HSL 163.68, 0.86%, 0.26%

LAB 45.63, -36.68, 8.95

 

CMYK 93 / 0 / 25 / 36

HEX #0BA279

RGB 11 162 121

HSL 163.71, 0.87%, 0.34%

LAB 59.24, -45.35, 11.51

 

CMYK 93 / 0 / 25 / 22

HEX #0EC896

RGB 14 200 150

HSL 163.87, 0.87%, 0.42%

LAB 71.96, -53.17, 13.51

 

CMYK 93 / 0 / 25 / 7

HEX #11EEB3

RGB 17 238 179

HSL 163.98, 0.87%, 0.5%

LAB 84.24, -60.69, 15.45

 

CMYK 77 / 0 / 20 / 5

HEX #38F1C0

RGB 56 241 192

HSL 164.11, 0.87%, 0.58%

LAB 85.78, -56.08, 10.92

 

CMYK 93 / 0 / 25 / 21

HEX #0EC997

RGB 14 201 151

HSL 163.96, 0.87%, 0.42%

LAB 72.3, -53.31, 13.45

 

CMYK 93 / 86 / 0 / 22

HEX #0E1DC8

RGB 14 29 200

HSL 235.16, 0.87%, 0.42%

LAB 27.14, 58.07, -84.96

 

CMYK 0 / 64 / 93 / 22

HEX #C8490E

RGB 200 73 14

HSL 19.03, 0.87%, 0.42%

LAB 48.36, 48.35, 55.46

 

CMYK 93 / 0 / 25 / 21

HEX #0EC997

RGB 14 201 151

HSL 163.96, 0.87%, 0.42%

LAB 72.3, -53.31, 13.45

 

CMYK 27 / 93 / 0 / 22

HEX #930EC8

RGB 147 14 200

HSL 282.9, 0.87%, 0.42%

LAB 39.05, 72.55, -64.86

 

CMYK 0 / 27 / 93 / 22

HEX #C8930E

RGB 200 147 14

HSL 42.9, 0.87%, 0.42%

LAB 64.31, 9.95, 66.79

 

CMYK 93 / 0 / 25 / 21

HEX #0EC997

RGB 14 201 151

HSL 163.96, 0.87%, 0.42%

LAB 72.3, -53.31, 13.45

 

CMYK 93 / 86 / 0 / 22

HEX #0E1DC8

RGB 14 29 200

HSL 235.16, 0.87%, 0.42%

LAB 27.14, 58.07, -84.96

 

CMYK 0 / 93 / 67 / 22

HEX #C80E43

RGB 200 14 67

HSL 342.9, 0.87%, 0.42%

LAB 42.76, 67.03, 23.14

 

CMYK 0 / 8 / 93 / 22

HEX #C8B90E

RGB 200 185 14

HSL 55.16, 0.87%, 0.42%

LAB 74.2, -10.22, 74.2

 

CMYK 93 / 0 / 25 / 21

HEX #0EC997

RGB 14 201 151

HSL 163.96, 0.87%, 0.42%

LAB 72.3, -53.31, 13.45

 

CMYK 73 / 93 / 0 / 22

HEX #360EC8

RGB 54 14 200

HSL 252.9, 0.87%, 0.42%

LAB 27.49, 64.11, -84.33

 

CMYK 0 / 93 / 67 / 22

HEX #C80E43

RGB 200 14 67

HSL 342.9, 0.87%, 0.42%

LAB 42.76, 67.03, 23.14

 

CMYK 20 / 0 / 93 / 22

HEX #A0C80E

RGB 160 200 14

HSL 72.9, 0.87%, 0.42%

LAB 75.34, -34.52, 73.78

 

Description

Color code: HEX #0EC997 | qconv.com Color code: HEX #0EC997 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 201 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 201 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 25 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 25% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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