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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EBE40 it is the complementary color #F141BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EBE40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EBE40 shade: #13BE3B, #24D04E, #35E261, #46F474 and #57FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EBE40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EBE40 shade: #0EBE40, #00AC2D, #009A1A, #008807 and #007600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EBE40 shade: #0EBE40, #0EBE11, #3BBE0E, #6ABE0E and #9ABE0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EBE40 shade: #0EBE40, #0EBE6F, #0EBE9F, #0EADBE and #0E7EBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EBE40 shade matches the following richer shades: #0EBE40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EBE40 shade: #0EBE40, #1FAD47, #2F9D4E, #408C56 and #507C5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EBE40 shade: #3ABE0E, #0EBE11, #0EBE40, #0EBE6F and #0EBE9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EBE40 shade: #097126, #0B9733, #0EBE40, #11E44D and #2FEF66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EBE40 shade: #0EBE40, #0E69BE and #BE0E23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EBE40 shade: #0EBE40, #400EBE and #BE400E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EBE40 shade: #0EBE40, #0E69BE, #BE0E8C and #BE630E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EBE40 shade: #0EBE40, #0E34BE, #BE0E8C and #BE980E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 66 / 25

HEX #0EBE40

RGB 14 190 64

HSL 137.05, 0.86%, 0.4%

LAB 67.49, -64.89, 50.75

 

Complementary color

CMYK 0 / 73 / 21 / 5

HEX #F141BF

RGB 241 65 191

HSL 317.05, 0.86%, 0.6%

LAB 58.27, 76.86, -28.13

 

CMYK 90 / 0 / 69 / 25

HEX #13BE3B

RGB 19 190 59

HSL 134.04, 0.82%, 0.41%

LAB 67.49, -65.11, 52.79

 

CMYK 83 / 0 / 63 / 18

HEX #24D04E

RGB 36 208 78

HSL 134.65, 0.7%, 0.48%

LAB 73.57, -67.18, 51.61

 

CMYK 77 / 0 / 57 / 11

HEX #35E261

RGB 53 226 97

HSL 135.26, 0.75%, 0.55%

LAB 79.62, -68.65, 50.24

 

CMYK 71 / 0 / 52 / 4

HEX #46F474

RGB 70 244 116

HSL 135.86, 0.89%, 0.62%

LAB 85.64, -69.66, 48.81

 

CMYK 66 / 0 / 47 / 0

HEX #57FF87

RGB 87 255 135

HSL 137.14, 1%, 0.67%

LAB 89.53, -67.9, 44.77

 

CMYK 93 / 0 / 66 / 25

HEX #0EBE40

RGB 14 190 64

HSL 137.05, 0.86%, 0.4%

LAB 67.49, -64.89, 50.75

 

CMYK 100 / 0 / 74 / 33

HEX #00AC2D

RGB 0 172 45

HSL 135.7, 1%, 0.34%

LAB 61.39, -62.02, 51.77

 

CMYK 100 / 0 / 83 / 40

HEX #009A1A

RGB 0 154 26

HSL 130.13, 1%, 0.3%

LAB 55.26, -58.15, 52.05

 

CMYK 100 / 0 / 95 / 47

HEX #008807

RGB 0 136 7

HSL 123.09, 1%, 0.27%

LAB 49.04, -53.77, 50.82

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 93 / 0 / 66 / 25

HEX #0EBE40

RGB 14 190 64

HSL 137.05, 0.86%, 0.4%

LAB 67.49, -64.89, 50.75

 

CMYK 93 / 0 / 91 / 25

HEX #0EBE11

RGB 14 190 17

HSL 121.02, 0.86%, 0.4%

LAB 67.25, -68.04, 64.65

 

CMYK 69 / 0 / 93 / 25

HEX #3BBE0E

RGB 59 190 14

HSL 104.66, 0.86%, 0.4%

LAB 67.86, -62.63, 65.87

 

CMYK 44 / 0 / 93 / 25

HEX #6ABE0E

RGB 106 190 14

HSL 88.64, 0.86%, 0.4%

LAB 69.41, -50.23, 67.79

 

CMYK 19 / 0 / 93 / 25

HEX #9ABE0E

RGB 154 190 14

HSL 72.27, 0.86%, 0.4%

LAB 72.05, -32.33, 71.01

 

CMYK 93 / 0 / 66 / 25

HEX #0EBE40

RGB 14 190 64

HSL 137.05, 0.86%, 0.4%

LAB 67.49, -64.89, 50.75

 

CMYK 93 / 0 / 42 / 25

HEX #0EBE6F

RGB 14 190 111

HSL 153.07, 0.86%, 0.4%

LAB 68.07, -57.89, 28.93

 

CMYK 93 / 0 / 16 / 25

HEX #0EBE9F

RGB 14 190 159

HSL 169.43, 0.86%, 0.4%

LAB 69.06, -46.9, 4.49

 

CMYK 93 / 9 / 0 / 25

HEX #0EADBE

RGB 14 173 190

HSL 185.8, 0.86%, 0.4%

LAB 64.72, -30.08, -19.07

 

CMYK 93 / 34 / 0 / 25

HEX #0E7EBE

RGB 14 126 190

HSL 201.82, 0.86%, 0.4%

LAB 50.37, -4.73, -41.33

 

CMYK 93 / 0 / 66 / 25

HEX #0EBE40

RGB 14 190 64

HSL 137.05, 0.86%, 0.4%

LAB 67.49, -64.89, 50.75

 

CMYK 93 / 0 / 66 / 25

HEX #0EBE40

RGB 14 190 64

HSL 137.05, 0.86%, 0.4%

LAB 67.49, -64.89, 50.75

 

CMYK 82 / 0 / 59 / 32

HEX #1FAD47

RGB 31 173 71

HSL 136.9, 0.7%, 0.4%

LAB 62.2, -57.31, 41.68

 

CMYK 70 / 0 / 50 / 38

HEX #2F9D4E

RGB 47 157 78

HSL 136.91, 0.54%, 0.4%

LAB 57.34, -48.3, 32.41

 

CMYK 54 / 0 / 39 / 45

HEX #408C56

RGB 64 140 86

HSL 137.37, 0.37%, 0.4%

LAB 52.42, -36.16, 21.89

 

CMYK 35 / 0 / 25 / 51

HEX #507C5D

RGB 80 124 93

HSL 137.73, 0.22%, 0.4%

LAB 48.15, -22.29, 12.21

 

CMYK 69 / 0 / 93 / 25

HEX #3ABE0E

RGB 58 190 14

HSL 105, 0.86%, 0.4%

LAB 67.84, -62.82, 65.84

 

CMYK 93 / 0 / 91 / 25

HEX #0EBE11

RGB 14 190 17

HSL 121.02, 0.86%, 0.4%

LAB 67.25, -68.04, 64.65

 

CMYK 93 / 0 / 66 / 25

HEX #0EBE40

RGB 14 190 64

HSL 137.05, 0.86%, 0.4%

LAB 67.49, -64.89, 50.75

 

CMYK 93 / 0 / 42 / 25

HEX #0EBE6F

RGB 14 190 111

HSL 153.07, 0.86%, 0.4%

LAB 68.07, -57.89, 28.93

 

CMYK 93 / 0 / 17 / 25

HEX #0EBE9E

RGB 14 190 158

HSL 169.09, 0.86%, 0.4%

LAB 69.03, -47.16, 5

 

CMYK 92 / 0 / 66 / 56

HEX #097126

RGB 9 113 38

HSL 136.73, 0.85%, 0.24%

LAB 41.23, -43.61, 33.22

 

CMYK 93 / 0 / 66 / 41

HEX #0B9733

RGB 11 151 51

HSL 137.14, 0.86%, 0.32%

LAB 54.49, -54.41, 42.03

 

CMYK 93 / 0 / 66 / 25

HEX #0EBE40

RGB 14 190 64

HSL 137.05, 0.86%, 0.4%

LAB 67.49, -64.89, 50.75

 

CMYK 93 / 0 / 66 / 11

HEX #11E44D

RGB 17 228 77

HSL 137.06, 0.86%, 0.48%

LAB 79.69, -74.66, 58.77

 

CMYK 80 / 0 / 57 / 6

HEX #2FEF66

RGB 47 239 102

HSL 137.19, 0.86%, 0.56%

LAB 83.6, -72.85, 52.66

 

CMYK 93 / 0 / 66 / 25

HEX #0EBE40

RGB 14 190 64

HSL 137.05, 0.86%, 0.4%

LAB 67.49, -64.89, 50.75

 

CMYK 93 / 45 / 0 / 25

HEX #0E69BE

RGB 14 105 190

HSL 208.98, 0.86%, 0.4%

LAB 44.11, 8.24, -51.31

 

CMYK 0 / 93 / 82 / 25

HEX #BE0E23

RGB 190 14 35

HSL 352.84, 0.86%, 0.4%

LAB 40.22, 63.26, 39.01

 

CMYK 93 / 0 / 66 / 25

HEX #0EBE40

RGB 14 190 64

HSL 137.05, 0.86%, 0.4%

LAB 67.49, -64.89, 50.75

 

CMYK 66 / 93 / 0 / 25

HEX #400EBE

RGB 64 14 190

HSL 257.05, 0.86%, 0.4%

LAB 27.08, 62.08, -79.09

 

CMYK 0 / 66 / 93 / 25

HEX #BE400E

RGB 190 64 14

HSL 17.05, 0.86%, 0.4%

LAB 45.14, 48.69, 52.46

 

CMYK 93 / 0 / 66 / 25

HEX #0EBE40

RGB 14 190 64

HSL 137.05, 0.86%, 0.4%

LAB 67.49, -64.89, 50.75

 

CMYK 93 / 45 / 0 / 25

HEX #0E69BE

RGB 14 105 190

HSL 208.98, 0.86%, 0.4%

LAB 44.11, 8.24, -51.31

 

CMYK 0 / 93 / 26 / 25

HEX #BE0E8C

RGB 190 14 140

HSL 317.05, 0.86%, 0.4%

LAB 43, 70.81, -22.32

 

CMYK 0 / 48 / 93 / 25

HEX #BE630E

RGB 190 99 14

HSL 28.98, 0.86%, 0.4%

LAB 51.73, 31.72, 57.05

 

CMYK 93 / 0 / 66 / 25

HEX #0EBE40

RGB 14 190 64

HSL 137.05, 0.86%, 0.4%

LAB 67.49, -64.89, 50.75

 

CMYK 93 / 73 / 0 / 25

HEX #0E34BE

RGB 14 52 190

HSL 227.05, 0.86%, 0.4%

LAB 30.08, 42.85, -74.2

 

CMYK 0 / 93 / 26 / 25

HEX #BE0E8C

RGB 190 14 140

HSL 317.05, 0.86%, 0.4%

LAB 43, 70.81, -22.32

 

CMYK 0 / 20 / 93 / 25

HEX #BE980E

RGB 190 152 14

HSL 47.05, 0.86%, 0.4%

LAB 64.51, 2.76, 66.47

 

Description

Color code: HEX #0EBE40 | qconv.com Color code: HEX #0EBE40 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 190 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 190 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 66% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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