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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EBB7B it is the complementary color #F14484. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EBB7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EBB7B shade: #13BB76, #24CD89, #35DF9C, #46F1AF and #57FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EBB7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EBB7B shade: #0EBB7B, #00A968, #009755, #008542 and #00732F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EBB7B shade: #0EB97A, #0EB94C, #0EB91D, #2DB90E and #5BB90E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EBB7B shade: #0EB97A, #0EB9A8, #0E9CB9, #0E6EB9 and #0E40B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EBB7B shade matches the following richer shades: #0EB97A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EBB7B shade: #0EB97A, #1EA976, #2E9971, #3E896D and #4E7969

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EBB7B shade: #0EB91C, #0EB94A, #0EB977, #0EB9A5 and #0E9FB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EBB7B shade: #086C47, #0B9360, #0EB97A, #11DF93 and #2AEFA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EBB7B shade: #0EBB7B, #0E2DB9 and #B9330E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EBB7B shade: #0EBB7B, #770EB9 and #B9770E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EBB7B shade: #0EBB7B, #0E2DB9, #B90E4F and #B99A0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EBB7B shade: #0EBB7B, #220EB9, #B90E4F and #A5B90E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 34 / 27

HEX #0EBB7B

RGB 14 187 123

HSL 157.8, 0.86%, 0.39%

LAB 67.33, -54.38, 21.59

 

Complementary color

CMYK 0 / 72 / 45 / 5

HEX #F14484

RGB 241 68 132

HSL 337.8, 0.86%, 0.61%

LAB 56.59, 69.5, 3.8

 

CMYK 90 / 0 / 37 / 27

HEX #13BB76

RGB 19 187 118

HSL 155.36, 0.82%, 0.4%

LAB 67.27, -55.16, 24.19

 

CMYK 82 / 0 / 33 / 20

HEX #24CD89

RGB 36 205 137

HSL 155.86, 0.7%, 0.47%

LAB 73.44, -56.55, 22.52

 

CMYK 76 / 0 / 30 / 13

HEX #35DF9C

RGB 53 223 156

HSL 156.35, 0.73%, 0.54%

LAB 79.58, -57.53, 20.99

 

CMYK 71 / 0 / 27 / 5

HEX #46F1AF

RGB 70 241 175

HSL 156.84, 0.86%, 0.61%

LAB 85.66, -58.2, 19.6

 

CMYK 66 / 0 / 24 / 0

HEX #57FFC2

RGB 87 255 194

HSL 158.21, 1%, 0.67%

LAB 90.52, -57.07, 16.67

 

CMYK 93 / 0 / 34 / 27

HEX #0EBB7B

RGB 14 187 123

HSL 157.8, 0.86%, 0.39%

LAB 67.33, -54.38, 21.59

 

CMYK 100 / 0 / 38 / 34

HEX #00A968

RGB 0 169 104

HSL 156.92, 1%, 0.33%

LAB 61.11, -52.41, 23.41

 

CMYK 100 / 0 / 44 / 41

HEX #009755

RGB 0 151 85

HSL 153.77, 1%, 0.3%

LAB 54.85, -49.75, 25.42

 

CMYK 100 / 0 / 50 / 48

HEX #008542

RGB 0 133 66

HSL 149.77, 1%, 0.26%

LAB 48.47, -46.91, 27.48

 

CMYK 100 / 0 / 59 / 55

HEX #00732F

RGB 0 115 47

HSL 144.52, 1%, 0.23%

LAB 41.95, -43.81, 29.53

 

CMYK 92 / 0 / 34 / 27

HEX #0EB97A

RGB 14 185 122

HSL 157.89, 0.86%, 0.39%

LAB 66.67, -53.86, 21.24

 

CMYK 92 / 0 / 59 / 27

HEX #0EB94C

RGB 14 185 76

HSL 141.75, 0.86%, 0.39%

LAB 65.99, -61.91, 43.75

 

CMYK 92 / 0 / 84 / 27

HEX #0EB91D

RGB 14 185 29

HSL 125.26, 0.86%, 0.39%

LAB 65.66, -66.16, 60.82

 

CMYK 76 / 0 / 92 / 27

HEX #2DB90E

RGB 45 185 14

HSL 109.12, 0.86%, 0.39%

LAB 65.97, -63.51, 64.18

 

CMYK 51 / 0 / 92 / 27

HEX #5BB90E

RGB 91 185 14

HSL 92.98, 0.86%, 0.39%

LAB 67.24, -53.01, 65.75

 

CMYK 92 / 0 / 34 / 27

HEX #0EB97A

RGB 14 185 122

HSL 157.89, 0.86%, 0.39%

LAB 66.67, -53.86, 21.24

 

CMYK 92 / 0 / 9 / 27

HEX #0EB9A8

RGB 14 185 168

HSL 174.04, 0.86%, 0.39%

LAB 67.74, -42.31, -2.37

 

CMYK 92 / 16 / 0 / 27

HEX #0E9CB9

RGB 14 156 185

HSL 190.18, 0.86%, 0.39%

LAB 59.32, -23.21, -24.53

 

CMYK 92 / 41 / 0 / 27

HEX #0E6EB9

RGB 14 110 185

HSL 206.32, 0.86%, 0.39%

LAB 45.29, 3.08, -46.53

 

CMYK 92 / 65 / 0 / 27

HEX #0E40B9

RGB 14 64 185

HSL 222.46, 0.86%, 0.39%

LAB 32.4, 33.35, -67.42

 

CMYK 92 / 0 / 34 / 27

HEX #0EB97A

RGB 14 185 122

HSL 157.89, 0.86%, 0.39%

LAB 66.67, -53.86, 21.24

 

CMYK 92 / 0 / 34 / 27

HEX #0EB97A

RGB 14 185 122

HSL 157.89, 0.86%, 0.39%

LAB 66.67, -53.86, 21.24

 

CMYK 82 / 0 / 30 / 34

HEX #1EA976

RGB 30 169 118

HSL 157.99, 0.7%, 0.39%

LAB 61.62, -47.47, 16.51

 

CMYK 70 / 0 / 26 / 40

HEX #2E9971

RGB 46 153 113

HSL 157.57, 0.54%, 0.39%

LAB 56.64, -39.94, 12.42

 

CMYK 55 / 0 / 20 / 46

HEX #3E896D

RGB 62 137 109

HSL 157.6, 0.38%, 0.39%

LAB 51.86, -30.39, 8.03

 

CMYK 36 / 0 / 13 / 53

HEX #4E7969

RGB 78 121 105

HSL 157.67, 0.22%, 0.39%

LAB 47.38, -18.74, 4.07

 

CMYK 92 / 0 / 85 / 27

HEX #0EB91C

RGB 14 185 28

HSL 124.91, 0.86%, 0.39%

LAB 65.65, -66.2, 61.06

 

CMYK 92 / 0 / 60 / 27

HEX #0EB94A

RGB 14 185 74

HSL 141.05, 0.86%, 0.39%

LAB 65.97, -62.17, 44.65

 

CMYK 92 / 0 / 36 / 27

HEX #0EB977

RGB 14 185 119

HSL 156.84, 0.86%, 0.39%

LAB 66.61, -54.5, 22.77

 

CMYK 92 / 0 / 11 / 27

HEX #0EB9A5

RGB 14 185 165

HSL 172.98, 0.86%, 0.39%

LAB 67.66, -43.15, -0.84

 

CMYK 92 / 14 / 0 / 27

HEX #0E9FB9

RGB 14 159 185

HSL 189.12, 0.86%, 0.39%

LAB 60.24, -24.75, -23.11

 

CMYK 93 / 0 / 34 / 58

HEX #086C47

RGB 8 108 71

HSL 157.8, 0.86%, 0.23%

LAB 39.97, -35.73, 13.5

 

CMYK 93 / 0 / 35 / 42

HEX #0B9360

RGB 11 147 96

HSL 157.5, 0.86%, 0.31%

LAB 53.8, -45.34, 17.97

 

CMYK 92 / 0 / 34 / 27

HEX #0EB97A

RGB 14 185 122

HSL 157.89, 0.86%, 0.39%

LAB 66.67, -53.86, 21.24

 

CMYK 92 / 0 / 34 / 13

HEX #11DF93

RGB 17 223 147

HSL 157.86, 0.86%, 0.47%

LAB 79.04, -62.24, 24.88

 

CMYK 82 / 0 / 31 / 6

HEX #2AEFA6

RGB 42 239 166

HSL 157.77, 0.86%, 0.55%

LAB 84.47, -62.47, 22.53

 

CMYK 93 / 0 / 34 / 27

HEX #0EBB7B

RGB 14 187 123

HSL 157.8, 0.86%, 0.39%

LAB 67.33, -54.38, 21.59

 

CMYK 92 / 76 / 0 / 27

HEX #0E2DB9

RGB 14 45 185

HSL 229.12, 0.86%, 0.39%

LAB 28.04, 45.23, -74.61

 

CMYK 0 / 72 / 92 / 27

HEX #B9330E

RGB 185 51 14

HSL 12.98, 0.86%, 0.39%

LAB 42.33, 52.15, 50.11

 

CMYK 93 / 0 / 34 / 27

HEX #0EBB7B

RGB 14 187 123

HSL 157.8, 0.86%, 0.39%

LAB 67.33, -54.38, 21.59

 

CMYK 36 / 92 / 0 / 27

HEX #770EB9

RGB 119 14 185

HSL 276.84, 0.86%, 0.39%

LAB 33.43, 65.97, -65.41

 

CMYK 0 / 36 / 92 / 27

HEX #B9770E

RGB 185 119 14

HSL 36.84, 0.86%, 0.39%

LAB 55.62, 18.67, 59.58

 

CMYK 93 / 0 / 34 / 27

HEX #0EBB7B

RGB 14 187 123

HSL 157.8, 0.86%, 0.39%

LAB 67.33, -54.38, 21.59

 

CMYK 92 / 76 / 0 / 27

HEX #0E2DB9

RGB 14 45 185

HSL 229.12, 0.86%, 0.39%

LAB 28.04, 45.23, -74.61

 

CMYK 0 / 92 / 57 / 27

HEX #B90E4F

RGB 185 14 79

HSL 337.19, 0.86%, 0.39%

LAB 39.9, 64.05, 11.18

 

CMYK 0 / 17 / 92 / 27

HEX #B99A0E

RGB 185 154 14

HSL 49.12, 0.86%, 0.39%

LAB 64.53, -0.57, 66.26

 

CMYK 93 / 0 / 34 / 27

HEX #0EBB7B

RGB 14 187 123

HSL 157.8, 0.86%, 0.39%

LAB 67.33, -54.38, 21.59

 

CMYK 82 / 92 / 0 / 27

HEX #220EB9

RGB 34 14 185

HSL 247.02, 0.86%, 0.39%

LAB 24.18, 59.43, -81

 

CMYK 0 / 92 / 57 / 27

HEX #B90E4F

RGB 185 14 79

HSL 337.19, 0.86%, 0.39%

LAB 39.9, 64.05, 11.18

 

CMYK 11 / 0 / 92 / 27

HEX #A5B90E

RGB 165 185 14

HSL 67.02, 0.86%, 0.39%

LAB 71.37, -25.37, 70.8

 

Description

Color code: HEX #0EBB7B | qconv.com Color code: HEX #0EBB7B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 187 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 187 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 34 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 34% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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