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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EB96E it is the complementary color #F14691. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EB96E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EB96E shade: #13B969, #24CB7C, #35DD8F, #46EFA2 and #57FFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EB96E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EB96E shade: #0EB96E, #00A75B, #009548, #008335 and #007122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EB96E shade: #0EB96E, #0EB940, #0EB912, #38B90E and #66B90E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EB96E shade: #0EB96E, #0EB99C, #0EA8B9, #0E7AB9 and #0E4CB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EB96E shade matches the following richer shades: #0EB96E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EB96E shade: #0EB96E, #1EA96C, #2E996A, #3E8968 and #4E7966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EB96E shade: #0EB911, #0EB93E, #0EB96C, #0EB99A and #0EABB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EB96E shade: #086C40, #0B9357, #0EB96E, #11DF85 and #2AEF99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EB96E shade: #0EB96E, #0E39B9 and #B9280E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EB96E shade: #0EB96E, #6C0EB9 and #B96C0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EB96E shade: #0EB96E, #0E39B9, #B90E5B and #B98E0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EB96E shade: #0EB96E, #160EB9, #B90E5B and #B0B90E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 41 / 27

HEX #0EB96E

RGB 14 185 110

HSL 153.68, 0.86%, 0.39%

LAB 66.46, -56.32, 27.33

 

Complementary color

CMYK 0 / 71 / 40 / 5

HEX #F14691

RGB 241 70 145

HSL 333.68, 0.86%, 0.61%

LAB 57.2, 70.04, -2.98

 

CMYK 90 / 0 / 43 / 27

HEX #13B969

RGB 19 185 105

HSL 151.08, 0.81%, 0.4%

LAB 66.41, -56.99, 29.89

 

CMYK 82 / 0 / 39 / 20

HEX #24CB7C

RGB 36 203 124

HSL 151.62, 0.7%, 0.47%

LAB 72.59, -58.44, 28.17

 

CMYK 76 / 0 / 35 / 13

HEX #35DD8F

RGB 53 221 143

HSL 152.14, 0.71%, 0.54%

LAB 78.73, -59.44, 26.58

 

CMYK 71 / 0 / 32 / 6

HEX #46EFA2

RGB 70 239 162

HSL 152.66, 0.84%, 0.61%

LAB 84.81, -60.12, 25.12

 

CMYK 66 / 0 / 29 / 0

HEX #57FFB5

RGB 87 255 181

HSL 153.57, 1%, 0.67%

LAB 90.27, -59.79, 22.96

 

CMYK 92 / 0 / 41 / 27

HEX #0EB96E

RGB 14 185 110

HSL 153.68, 0.86%, 0.39%

LAB 66.46, -56.32, 27.33

 

CMYK 100 / 0 / 46 / 35

HEX #00A75B

RGB 0 167 91

HSL 152.69, 1%, 0.33%

LAB 60.24, -54.25, 29.2

 

CMYK 100 / 0 / 52 / 42

HEX #009548

RGB 0 149 72

HSL 148.99, 1%, 0.29%

LAB 53.99, -51.42, 31.22

 

CMYK 100 / 0 / 60 / 49

HEX #008335

RGB 0 131 53

HSL 144.27, 1%, 0.26%

LAB 47.61, -48.34, 33.19

 

CMYK 100 / 0 / 70 / 56

HEX #007122

RGB 0 113 34

HSL 138.05, 1%, 0.22%

LAB 41.1, -44.9, 34.92

 

CMYK 92 / 0 / 41 / 27

HEX #0EB96E

RGB 14 185 110

HSL 153.68, 0.86%, 0.39%

LAB 66.46, -56.32, 27.33

 

CMYK 92 / 0 / 65 / 27

HEX #0EB940

RGB 14 185 64

HSL 137.54, 0.86%, 0.39%

LAB 65.87, -63.37, 48.97

 

CMYK 92 / 0 / 90 / 27

HEX #0EB912

RGB 14 185 18

HSL 121.4, 0.86%, 0.39%

LAB 65.62, -66.61, 63.1

 

CMYK 70 / 0 / 92 / 27

HEX #38B90E

RGB 56 185 14

HSL 105.26, 0.86%, 0.39%

LAB 66.19, -61.61, 64.45

 

CMYK 45 / 0 / 92 / 27

HEX #66B90E

RGB 102 185 14

HSL 89.12, 0.86%, 0.39%

LAB 67.69, -49.58, 66.3

 

CMYK 92 / 0 / 41 / 27

HEX #0EB96E

RGB 14 185 110

HSL 153.68, 0.86%, 0.39%

LAB 66.46, -56.32, 27.33

 

CMYK 92 / 0 / 16 / 27

HEX #0EB99C

RGB 14 185 156

HSL 169.82, 0.86%, 0.39%

LAB 67.42, -45.61, 3.77

 

CMYK 92 / 9 / 0 / 27

HEX #0EA8B9

RGB 14 168 185

HSL 185.96, 0.86%, 0.39%

LAB 63.01, -29.26, -18.88

 

CMYK 92 / 34 / 0 / 27

HEX #0E7AB9

RGB 14 122 185

HSL 202.11, 0.86%, 0.39%

LAB 48.9, -4.27, -40.78

 

CMYK 92 / 59 / 0 / 27

HEX #0E4CB9

RGB 14 76 185

HSL 218.25, 0.86%, 0.39%

LAB 35.53, 25.36, -62.29

 

CMYK 92 / 0 / 41 / 27

HEX #0EB96E

RGB 14 185 110

HSL 153.68, 0.86%, 0.39%

LAB 66.46, -56.32, 27.33

 

CMYK 92 / 0 / 41 / 27

HEX #0EB96E

RGB 14 185 110

HSL 153.68, 0.86%, 0.39%

LAB 66.46, -56.32, 27.33

 

CMYK 82 / 0 / 36 / 34

HEX #1EA96C

RGB 30 169 108

HSL 153.67, 0.7%, 0.39%

LAB 61.42, -49.66, 21.71

 

CMYK 70 / 0 / 31 / 40

HEX #2E996A

RGB 46 153 106

HSL 153.64, 0.54%, 0.39%

LAB 56.49, -41.54, 16.14

 

CMYK 55 / 0 / 24 / 46

HEX #3E8968

RGB 62 137 104

HSL 153.6, 0.38%, 0.39%

LAB 51.74, -31.56, 10.75

 

CMYK 36 / 0 / 16 / 53

HEX #4E7966

RGB 78 121 102

HSL 153.49, 0.22%, 0.39%

LAB 47.31, -19.43, 5.73

 

CMYK 92 / 0 / 91 / 27

HEX #0EB911

RGB 14 185 17

HSL 121.05, 0.86%, 0.39%

LAB 65.62, -66.64, 63.27

 

CMYK 92 / 0 / 66 / 27

HEX #0EB93E

RGB 14 185 62

HSL 136.84, 0.86%, 0.39%

LAB 65.86, -63.59, 49.8

 

CMYK 92 / 0 / 42 / 27

HEX #0EB96C

RGB 14 185 108

HSL 152.98, 0.86%, 0.39%

LAB 66.42, -56.71, 28.33

 

CMYK 92 / 0 / 17 / 27

HEX #0EB99A

RGB 14 185 154

HSL 169.12, 0.86%, 0.39%

LAB 67.37, -46.15, 4.8

 

CMYK 92 / 8 / 0 / 27

HEX #0EABB9

RGB 14 171 185

HSL 184.91, 0.86%, 0.39%

LAB 63.94, -30.72, -17.48

 

CMYK 93 / 0 / 41 / 58

HEX #086C40

RGB 8 108 64

HSL 153.6, 0.86%, 0.23%

LAB 39.83, -37.34, 17.43

 

CMYK 93 / 0 / 41 / 42

HEX #0B9357

RGB 11 147 87

HSL 153.53, 0.86%, 0.31%

LAB 53.63, -47.27, 22.73

 

CMYK 92 / 0 / 41 / 27

HEX #0EB96E

RGB 14 185 110

HSL 153.68, 0.86%, 0.39%

LAB 66.46, -56.32, 27.33

 

CMYK 92 / 0 / 40 / 13

HEX #11DF85

RGB 17 223 133

HSL 153.79, 0.86%, 0.47%

LAB 78.8, -65.01, 31.74

 

CMYK 82 / 0 / 36 / 6

HEX #2AEF99

RGB 42 239 153

HSL 153.81, 0.86%, 0.55%

LAB 84.24, -65.11, 28.86

 

CMYK 92 / 0 / 41 / 27

HEX #0EB96E

RGB 14 185 110

HSL 153.68, 0.86%, 0.39%

LAB 66.46, -56.32, 27.33

 

CMYK 92 / 69 / 0 / 27

HEX #0E39B9

RGB 14 57 185

HSL 224.91, 0.86%, 0.39%

LAB 30.69, 37.89, -70.22

 

CMYK 0 / 78 / 92 / 27

HEX #B9280E

RGB 185 40 14

HSL 9.12, 0.86%, 0.39%

LAB 41, 55.85, 49.22

 

CMYK 92 / 0 / 41 / 27

HEX #0EB96E

RGB 14 185 110

HSL 153.68, 0.86%, 0.39%

LAB 66.46, -56.32, 27.33

 

CMYK 42 / 92 / 0 / 27

HEX #6C0EB9

RGB 108 14 185

HSL 272.98, 0.86%, 0.39%

LAB 31.82, 64.68, -68.12

 

CMYK 0 / 42 / 92 / 27

HEX #B96C0E

RGB 185 108 14

HSL 32.98, 0.86%, 0.39%

LAB 53.03, 24.74, 57.67

 

CMYK 92 / 0 / 41 / 27

HEX #0EB96E

RGB 14 185 110

HSL 153.68, 0.86%, 0.39%

LAB 66.46, -56.32, 27.33

 

CMYK 92 / 69 / 0 / 27

HEX #0E39B9

RGB 14 57 185

HSL 224.91, 0.86%, 0.39%

LAB 30.69, 37.89, -70.22

 

CMYK 0 / 92 / 51 / 27

HEX #B90E5B

RGB 185 14 91

HSL 332.98, 0.86%, 0.39%

LAB 40.22, 64.92, 3.97

 

CMYK 0 / 23 / 92 / 27

HEX #B98E0E

RGB 185 142 14

HSL 44.91, 0.86%, 0.39%

LAB 61.39, 5.95, 63.88

 

CMYK 92 / 0 / 41 / 27

HEX #0EB96E

RGB 14 185 110

HSL 153.68, 0.86%, 0.39%

LAB 66.46, -56.32, 27.33

 

CMYK 88 / 92 / 0 / 27

HEX #160EB9

RGB 22 14 185

HSL 242.81, 0.86%, 0.39%

LAB 23.63, 59.13, -81.94

 

CMYK 0 / 92 / 51 / 27

HEX #B90E5B

RGB 185 14 91

HSL 332.98, 0.86%, 0.39%

LAB 40.22, 64.92, 3.97

 

CMYK 5 / 0 / 92 / 27

HEX #B0B90E

RGB 176 185 14

HSL 63.16, 0.86%, 0.39%

LAB 72.2, -20.66, 71.81

 

Description

Color code: HEX #0EB96E | qconv.com Color code: HEX #0EB96E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 185 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 185 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 41 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 41% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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