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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EB790CE it is the complementary color #F1486FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EB790CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EB790CE shade: #13B78BCE, #24C99ECE, #35DBB1CE, #46EDC4CE and #57FFD7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EB790CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EB790CE shade: #0EB790CE, #00A57DCE, #00936ACE, #008157CE and #006F44CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EB790CE shade: #0EB991, #0EB963, #0EB935, #15B90E and #43B90E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EB790CE shade: #0EB991, #0EB2B9, #0E84B9, #0E56B9 and #0E28B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EB790CE shade matches the following richer shades: #0EB991

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EB790CE shade: #0EB991, #1EA989, #2E9980, #3E8978 and #4E796F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EB790CE shade: #0EB936, #0EB963, #0EB991, #0EB3B9 and #0E86B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EB790CE shade: #086C55, #0B9373, #0EB991, #11DFB0 and #2AEFC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EB790CE shade: #0EB790, #0E14B9 and #B94D0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EB790CE shade: #0EB790, #910EB9 and #B9910E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EB790CE shade: #0EB790, #0E14B9, #B90E36 and #B9B30E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EB790CE shade: #0EB790, #3C0EB9, #B90E36 and #8BB90E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 17 / 23

HEX #0EB790CE

RGBA 14 183 144 0.81

HSLA 166.15, 0.86%, 0.39%, 0.81

LABA 66.5, -47.92, 9.05, 0.81

 

Complementary color

CMYK 0 / 57 / 44 / 4

HEX #F1486FCE

RGBA 241 72 111 0.81

HSLA 346.15, 0.86%, 0.61%, 0.81

LABA 56.57, 66.41, 16.21, 0.81

 

CMYK 73 / 0 / 19 / 23

HEX #13B78BCE

RGBA 19 183 139 0.81

HSLA 163.9, 0.81%, 0.4%, 0.81

LABA 66.42, -48.91, 11.68, 0.81

 

CMYK 66 / 0 / 17 / 17

HEX #24C99ECE

RGBA 36 201 158 0.81

HSLA 164.36, 0.7%, 0.46%, 0.81

LABA 72.64, -50.22, 10.19, 0.81

 

CMYK 61 / 0 / 16 / 11

HEX #35DBB1CE

RGBA 53 219 177 0.81

HSLA 164.82, 0.7%, 0.53%, 0.81

LABA 78.81, -51.17, 8.85, 0.81

 

CMYK 57 / 0 / 14 / 6

HEX #46EDC4CE

RGBA 70 237 196 0.81

HSLA 165.27, 0.82%, 0.6%, 0.81

LABA 84.92, -51.85, 7.63, 0.81

 

CMYK 53 / 0 / 13 / 0

HEX #57FFD7CE

RGBA 87 255 215 0.81

HSLA 165.71, 1%, 0.67%, 0.81

LABA 90.99, -52.32, 6.51, 0.81

 

CMYK 75 / 0 / 17 / 23

HEX #0EB790CE

RGBA 14 183 144 0.81

HSLA 166.15, 0.86%, 0.39%, 0.81

LABA 66.5, -47.92, 9.05, 0.81

 

CMYK 81 / 0 / 20 / 29

HEX #00A57DCE

RGBA 0 165 125 0.81

HSLA 165.45, 1%, 0.32%, 0.81

LABA 60.24, -46.05, 10.67, 0.81

 

CMYK 81 / 0 / 23 / 34

HEX #00936ACE

RGBA 0 147 106 0.81

HSLA 163.27, 1%, 0.29%, 0.81

LABA 53.93, -43.57, 12.5, 0.81

 

CMYK 81 / 0 / 26 / 40

HEX #008157CE

RGBA 0 129 87 0.81

HSLA 160.47, 1%, 0.25%, 0.81

LABA 47.48, -41.01, 14.43, 0.81

 

CMYK 81 / 0 / 31 / 46

HEX #006F44CE

RGBA 0 111 68 0.81

HSLA 156.76, 1%, 0.22%, 0.81

LABA 40.87, -38.32, 16.48, 0.81

HEX #006F44CE

CMYK 92 / 0 / 22 / 27

HEX #0EB991

RGB 14 185 145

HSL 165.96, 0.86%, 0.39%

LAB 67.15, -48.47, 9.43

 

CMYK 92 / 0 / 46 / 27

HEX #0EB963

RGB 14 185 99

HSL 149.82, 0.86%, 0.39%

LAB 66.28, -58.36, 32.82

 

CMYK 92 / 0 / 71 / 27

HEX #0EB935

RGB 14 185 53

HSL 133.68, 0.86%, 0.39%

LAB 65.79, -64.48, 53.33

 

CMYK 89 / 0 / 92 / 27

HEX #15B90E

RGB 21 185 14

HSL 117.54, 0.86%, 0.39%

LAB 65.66, -66.26, 63.79

 

CMYK 64 / 0 / 92 / 27

HEX #43B90E

RGB 67 185 14

HSL 101.4, 0.86%, 0.39%

LAB 66.46, -59.32, 64.78

 

CMYK 92 / 0 / 22 / 27

HEX #0EB991

RGB 14 185 145

HSL 165.96, 0.86%, 0.39%

LAB 67.15, -48.47, 9.43

 

CMYK 92 / 4 / 0 / 27

HEX #0EB2B9

RGB 14 178 185

HSL 182.46, 0.86%, 0.39%

LAB 66.09, -34.07, -14.23

 

CMYK 92 / 29 / 0 / 27

HEX #0E84B9

RGB 14 132 185

HSL 198.6, 0.86%, 0.39%

LAB 51.95, -10.13, -35.98

 

CMYK 92 / 54 / 0 / 27

HEX #0E56B9

RGB 14 86 185

HSL 214.74, 0.86%, 0.39%

LAB 38.29, 18.66, -57.79

 

CMYK 92 / 78 / 0 / 27

HEX #0E28B9

RGB 14 40 185

HSL 230.88, 0.86%, 0.39%

LAB 27.06, 48.05, -76.24

 

CMYK 92 / 0 / 22 / 27

HEX #0EB991

RGB 14 185 145

HSL 165.96, 0.86%, 0.39%

LAB 67.15, -48.47, 9.43

 

CMYK 92 / 0 / 22 / 27

HEX #0EB991

RGB 14 185 145

HSL 165.96, 0.86%, 0.39%

LAB 67.15, -48.47, 9.43

 

CMYK 82 / 0 / 19 / 34

HEX #1EA989

RGB 30 169 137

HSL 166.19, 0.7%, 0.39%

LAB 62.05, -42.84, 6.58

 

CMYK 70 / 0 / 16 / 40

HEX #2E9980

RGB 46 153 128

HSL 165.98, 0.54%, 0.39%

LAB 57, -36.21, 4.43

 

CMYK 55 / 0 / 12 / 46

HEX #3E8978

RGB 62 137 120

HSL 166.4, 0.38%, 0.39%

LAB 52.14, -27.65, 2.07

 

CMYK 36 / 0 / 8 / 53

HEX #4E796F

RGB 78 121 111

HSL 166.05, 0.22%, 0.39%

LAB 47.55, -17.31, 0.75

 

CMYK 92 / 0 / 71 / 27

HEX #0EB936

RGB 14 185 54

HSL 134.04, 0.86%, 0.39%

LAB 65.79, -64.39, 52.95

 

CMYK 92 / 0 / 46 / 27

HEX #0EB963

RGB 14 185 99

HSL 149.82, 0.86%, 0.39%

LAB 66.28, -58.36, 32.82

 

CMYK 92 / 0 / 22 / 27

HEX #0EB991

RGB 14 185 145

HSL 165.96, 0.86%, 0.39%

LAB 67.15, -48.47, 9.43

 

CMYK 92 / 3 / 0 / 27

HEX #0EB3B9

RGB 14 179 185

HSL 182.11, 0.86%, 0.39%

LAB 66.39, -34.54, -13.76

 

CMYK 92 / 28 / 0 / 27

HEX #0E86B9

RGB 14 134 185

HSL 197.89, 0.86%, 0.39%

LAB 52.56, -11.27, -35.02

 

CMYK 93 / 0 / 21 / 58

HEX #086C55

RGB 8 108 85

HSL 166.2, 0.86%, 0.23%

LAB 40.3, -32.07, 5.57

 

CMYK 93 / 0 / 22 / 42

HEX #0B9373

RGB 11 147 115

HSL 165.88, 0.86%, 0.31%

LAB 54.21, -40.7, 7.79

 

CMYK 92 / 0 / 22 / 27

HEX #0EB991

RGB 14 185 145

HSL 165.96, 0.86%, 0.39%

LAB 67.15, -48.47, 9.43

 

CMYK 92 / 0 / 21 / 13

HEX #11DFB0

RGB 17 223 176

HSL 166.31, 0.86%, 0.47%

LAB 79.63, -55.69, 10.5

 

CMYK 82 / 0 / 19 / 6

HEX #2AEFC2

RGB 42 239 194

HSL 166.29, 0.86%, 0.55%

LAB 85.06, -56.09, 8.81

 

CMYK 92 / 0 / 21 / 28

HEX #0EB790

RGB 14 183 144

HSL 166.15, 0.86%, 0.39%

LAB 66.5, -47.92, 9.05

 

CMYK 92 / 89 / 0 / 27

HEX #0E14B9

RGB 14 20 185

HSL 237.89, 0.86%, 0.39%

LAB 23.99, 57.11, -81.35

 

CMYK 0 / 58 / 92 / 27

HEX #B94D0E

RGB 185 77 14

HSL 22.11, 0.86%, 0.39%

LAB 46.52, 40.93, 53

 

CMYK 92 / 0 / 21 / 28

HEX #0EB790

RGB 14 183 144

HSL 166.15, 0.86%, 0.39%

LAB 66.5, -47.92, 9.05

 

CMYK 22 / 92 / 0 / 27

HEX #910EB9

RGB 145 14 185

HSL 285.96, 0.86%, 0.39%

LAB 37.55, 69.49, -58.52

 

CMYK 0 / 22 / 92 / 27

HEX #B9910E

RGB 185 145 14

HSL 45.96, 0.86%, 0.39%

LAB 62.17, 4.31, 64.47

 

CMYK 92 / 0 / 21 / 28

HEX #0EB790

RGB 14 183 144

HSL 166.15, 0.86%, 0.39%

LAB 66.5, -47.92, 9.05

 

CMYK 92 / 89 / 0 / 27

HEX #0E14B9

RGB 14 20 185

HSL 237.89, 0.86%, 0.39%

LAB 23.99, 57.11, -81.35

 

CMYK 0 / 92 / 71 / 27

HEX #B90E36

RGB 185 14 54

HSL 345.96, 0.86%, 0.39%

LAB 39.4, 62.65, 26.4

 

CMYK 0 / 3 / 92 / 27

HEX #B9B30E

RGB 185 179 14

HSL 57.89, 0.86%, 0.39%

LAB 71.27, -13.72, 71.41

 

CMYK 92 / 0 / 21 / 28

HEX #0EB790

RGB 14 183 144

HSL 166.15, 0.86%, 0.39%

LAB 66.5, -47.92, 9.05

 

CMYK 68 / 92 / 0 / 27

HEX #3C0EB9

RGB 60 14 185

HSL 256.14, 0.86%, 0.39%

LAB 26.09, 60.58, -77.77

 

CMYK 0 / 92 / 71 / 27

HEX #B90E36

RGB 185 14 54

HSL 345.96, 0.86%, 0.39%

LAB 39.4, 62.65, 26.4

 

CMYK 25 / 0 / 92 / 27

HEX #8BB90E

RGB 139 185 14

HSL 76.14, 0.86%, 0.39%

LAB 69.62, -36.08, 68.68

 

Description

Color code: HEX #0EB790CE | qconv.com Color code: HEX #0EB790CE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 183 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 183 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 17 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 17% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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