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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EB6A6 it is the complementary color #F14959. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EB6A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EB6A6 shade: #13B6A1, #24C8B4, #35DAC7, #46ECDA and #57FEED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EB6A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EB6A6 shade: #0EB6A6, #00A493, #009280, #00806D and #006E5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EB6A6 shade: #0EB4A4, #0EB477, #0EB44A, #0EB41E and #2BB40E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EB6A6 shade: #0EB4A4, #0E97B4, #0E6AB4, #0E3DB4 and #0E10B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EB6A6 shade matches the following richer shades: #0EB4A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EB6A6 shade: #0EB4A4, #1DA598, #2D958B, #3D857E and #4C7672

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EB6A6 shade: #0EB44B, #0EB477, #0EB4A4, #0E98B4 and #0E6CB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EB6A6 shade: #08675E, #0B8E81, #0EB4A4, #10DBC7 and #26EFDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EB6A6 shade: #0EB6A6, #1E0EB4 and #B4610E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EB6A6 shade: #0EB6A6, #A40EB4 and #B4A40E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EB6A6 shade: #0EB6A6, #1E0EB4, #B40E1E and #A4B40E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EB6A6 shade: #0EB6A6, #500EB4, #B40E1E and #72B40E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 9 / 29

HEX #0EB6A6

RGB 14 182 166

HSL 174.29, 0.86%, 0.38%

LAB 66.75, -41.57, -2.72

 

Complementary color

CMYK 0 / 70 / 63 / 5

HEX #F14959

RGB 241 73 89

HSL 354.29, 0.86%, 0.62%

LAB 56.27, 64.6, 28.76

 

CMYK 90 / 0 / 12 / 29

HEX #13B6A1

RGB 19 182 161

HSL 172.27, 0.81%, 0.39%

LAB 66.65, -42.73, -0.1

 

CMYK 82 / 0 / 10 / 22

HEX #24C8B4

RGB 36 200 180

HSL 172.68, 0.69%, 0.46%

LAB 72.88, -44.11, -1.37

 

CMYK 76 / 0 / 9 / 15

HEX #35DAC7

RGB 53 218 199

HSL 173.09, 0.69%, 0.53%

LAB 79.05, -45.13, -2.51

 

CMYK 70 / 0 / 8 / 7

HEX #46ECDA

RGB 70 236 218

HSL 173.49, 0.81%, 0.6%

LAB 85.18, -45.9, -3.55

 

CMYK 66 / 0 / 7 / 0

HEX #57FEED

RGB 87 254 237

HSL 173.89, 0.99%, 0.67%

LAB 91.25, -46.47, -4.51

 

CMYK 92 / 0 / 9 / 29

HEX #0EB6A6

RGB 14 182 166

HSL 174.29, 0.86%, 0.38%

LAB 66.75, -41.57, -2.72

 

CMYK 100 / 0 / 10 / 36

HEX #00A493

RGB 0 164 147

HSL 173.78, 1%, 0.32%

LAB 60.48, -39.66, -1.33

 

CMYK 100 / 0 / 12 / 43

HEX #009280

RGB 0 146 128

HSL 172.6, 1%, 0.29%

LAB 54.15, -37.22, 0.23

 

CMYK 100 / 0 / 15 / 50

HEX #00806D

RGB 0 128 109

HSL 171.09, 1%, 0.25%

LAB 47.68, -34.72, 1.87

 

CMYK 100 / 0 / 18 / 57

HEX #006E5A

RGB 0 110 90

HSL 169.09, 1%, 0.22%

LAB 41.04, -32.16, 3.6

HEX #006E5A

CMYK 92 / 0 / 9 / 29

HEX #0EB4A4

RGB 14 180 164

HSL 174.22, 0.86%, 0.38%

LAB 66.07, -41.26, -2.61

 

CMYK 92 / 0 / 34 / 29

HEX #0EB477

RGB 14 180 119

HSL 157.95, 0.86%, 0.38%

LAB 65.02, -52.65, 20.6

 

CMYK 92 / 0 / 59 / 29

HEX #0EB44A

RGB 14 180 74

HSL 141.69, 0.86%, 0.38%

LAB 64.35, -60.59, 42.75

 

CMYK 92 / 0 / 83 / 29

HEX #0EB41E

RGB 14 180 30

HSL 125.78, 0.86%, 0.38%

LAB 64.02, -64.67, 59.08

 

CMYK 76 / 0 / 92 / 29

HEX #2BB40E

RGB 43 180 14

HSL 109.52, 0.86%, 0.38%

LAB 64.31, -62.29, 62.77

 

CMYK 92 / 0 / 9 / 29

HEX #0EB4A4

RGB 14 180 164

HSL 174.22, 0.86%, 0.38%

LAB 66.07, -41.26, -2.61

 

CMYK 92 / 16 / 0 / 29

HEX #0E97B4

RGB 14 151 180

HSL 190.48, 0.86%, 0.38%

LAB 57.58, -22.33, -24.37

 

CMYK 92 / 41 / 0 / 29

HEX #0E6AB4

RGB 14 106 180

HSL 206.75, 0.86%, 0.38%

LAB 43.79, 3.61, -46

 

CMYK 92 / 66 / 0 / 29

HEX #0E3DB4

RGB 14 61 180

HSL 223.01, 0.86%, 0.38%

LAB 31.18, 33.39, -66.47

 

CMYK 92 / 91 / 0 / 29

HEX #0E10B4

RGB 14 16 180

HSL 239.28, 0.86%, 0.38%

LAB 22.86, 57.01, -80.25

 

CMYK 92 / 0 / 9 / 29

HEX #0EB4A4

RGB 14 180 164

HSL 174.22, 0.86%, 0.38%

LAB 66.07, -41.26, -2.61

 

CMYK 92 / 0 / 9 / 29

HEX #0EB4A4

RGB 14 180 164

HSL 174.22, 0.86%, 0.38%

LAB 66.07, -41.26, -2.61

 

CMYK 82 / 0 / 8 / 35

HEX #1DA598

RGB 29 165 152

HSL 174.26, 0.7%, 0.38%

LAB 61.17, -37.07, -3.11

 

CMYK 70 / 0 / 7 / 42

HEX #2D958B

RGB 45 149 139

HSL 174.23, 0.54%, 0.38%

LAB 56, -31.5, -3.3

 

CMYK 54 / 0 / 5 / 48

HEX #3D857E

RGB 61 133 126

HSL 174.17, 0.37%, 0.38%

LAB 51.01, -24.27, -3.09

 

CMYK 36 / 0 / 3 / 54

HEX #4C7672

RGB 76 118 114

HSL 174.29, 0.22%, 0.38%

LAB 46.59, -15.54, -2.45

 

CMYK 92 / 0 / 58 / 29

HEX #0EB44B

RGB 14 180 75

HSL 142.05, 0.86%, 0.38%

LAB 64.36, -60.45, 42.3

 

CMYK 92 / 0 / 34 / 29

HEX #0EB477

RGB 14 180 119

HSL 157.95, 0.86%, 0.38%

LAB 65.02, -52.65, 20.6

 

CMYK 92 / 0 / 9 / 29

HEX #0EB4A4

RGB 14 180 164

HSL 174.22, 0.86%, 0.38%

LAB 66.07, -41.26, -2.61

 

CMYK 92 / 16 / 0 / 29

HEX #0E98B4

RGB 14 152 180

HSL 190.12, 0.86%, 0.38%

LAB 57.89, -22.85, -23.9

 

CMYK 92 / 40 / 0 / 29

HEX #0E6CB4

RGB 14 108 180

HSL 206.02, 0.86%, 0.38%

LAB 44.4, 2.35, -45.04

 

CMYK 92 / 0 / 9 / 60

HEX #08675E

RGB 8 103 94

HSL 174.32, 0.86%, 0.22%

LAB 38.83, -27.04, -2.04

 

CMYK 92 / 0 / 9 / 44

HEX #0B8E81

RGB 11 142 129

HSL 174.05, 0.86%, 0.3%

LAB 52.95, -34.58, -2.09

 

CMYK 92 / 0 / 9 / 29

HEX #0EB4A4

RGB 14 180 164

HSL 174.22, 0.86%, 0.38%

LAB 66.07, -41.26, -2.61

 

CMYK 93 / 0 / 9 / 14

HEX #10DBC7

RGB 16 219 199

HSL 174.09, 0.86%, 0.46%

LAB 78.98, -48.13, -2.67

 

CMYK 84 / 0 / 8 / 6

HEX #26EFDC

RGB 38 239 220

HSL 174.33, 0.86%, 0.54%

LAB 85.66, -49.7, -3.95

 

CMYK 92 / 0 / 9 / 29

HEX #0EB6A6

RGB 14 182 166

HSL 174.29, 0.86%, 0.38%

LAB 66.75, -41.57, -2.72

 

CMYK 83 / 92 / 0 / 29

HEX #1E0EB4

RGB 30 14 180

HSL 245.78, 0.86%, 0.38%

LAB 23.29, 57.96, -79.52

 

CMYK 0 / 46 / 92 / 29

HEX #B4610E

RGB 180 97 14

HSL 30, 0.86%, 0.38%

LAB 49.84, 28.58, 55.03

 

CMYK 92 / 0 / 9 / 29

HEX #0EB6A6

RGB 14 182 166

HSL 174.29, 0.86%, 0.38%

LAB 66.75, -41.57, -2.72

 

CMYK 9 / 92 / 0 / 29

HEX #A40EB4

RGB 164 14 180

HSL 294.22, 0.86%, 0.38%

LAB 40.41, 71.57, -50.77

 

CMYK 0 / 9 / 92 / 29

HEX #B4A40E

RGB 180 164 14

HSL 54.22, 0.86%, 0.38%

LAB 66.74, -8.15, 67.73

 

CMYK 92 / 0 / 9 / 29

HEX #0EB6A6

RGB 14 182 166

HSL 174.29, 0.86%, 0.38%

LAB 66.75, -41.57, -2.72

 

CMYK 83 / 92 / 0 / 29

HEX #1E0EB4

RGB 30 14 180

HSL 245.78, 0.86%, 0.38%

LAB 23.29, 57.96, -79.52

 

CMYK 0 / 92 / 83 / 29

HEX #B40E1E

RGB 180 14 30

HSL 354.22, 0.86%, 0.38%

LAB 38.04, 60.51, 38.97

 

CMYK 9 / 0 / 92 / 29

HEX #A4B40E

RGB 164 180 14

HSL 65.78, 0.86%, 0.38%

LAB 69.87, -23.35, 69.59

 

CMYK 92 / 0 / 9 / 29

HEX #0EB6A6

RGB 14 182 166

HSL 174.29, 0.86%, 0.38%

LAB 66.75, -41.57, -2.72

 

CMYK 56 / 92 / 0 / 29

HEX #500EB4

RGB 80 14 180

HSL 263.86, 0.86%, 0.38%

LAB 27.61, 60.76, -72.21

 

CMYK 0 / 92 / 83 / 29

HEX #B40E1E

RGB 180 14 30

HSL 354.22, 0.86%, 0.38%

LAB 38.04, 60.51, 38.97

 

CMYK 37 / 0 / 92 / 29

HEX #72B40E

RGB 114 180 14

HSL 83.86, 0.86%, 0.38%

LAB 66.71, -43.41, 65.73

 

Description

Color code: HEX #0EB6A6 | qconv.com Color code: HEX #0EB6A6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 182 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 182 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 9 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 9% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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