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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EB30B it is the complementary color #F14CF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EB30B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EB30B shade: #13B306, #24C519, #35D72C, #46E93F and #57FB52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EB30B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EB30B shade: #0EB30B, #00A100, #008F00, #007D00 and #006B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EB30B shade: #0EB10B, #3BB10B, #68B10B, #95B10B and #B1A10B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EB30B shade: #0EB10B, #0BB135, #0BB162, #0BB18F and #0BA7B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EB30B shade matches the following richer shades: #0EB10B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EB30B shade: #0EB10B, #1DA21B, #2C932A, #3A8439 and #497448

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EB30B shade: #69B10B, #3DB10B, #11B10B, #0BB132 and #0BB15E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EB30B shade: #086406, #0B8B09, #0EB10B, #11D80E and #22F11F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EB30B shade: #0EB30B, #0B96B1 and #B10B53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EB30B shade: #0EB30B, #0B11B1 and #B10B11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EB30B shade: #0EB30B, #0B96B1, #AC0BB1 and #B1270B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EB30B shade: #0EB30B, #0B64B1, #AC0BB1 and #B1590B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 94 / 30

HEX #0EB30B

RGB 14 179 11

HSL 118.93, 0.88%, 0.37%

LAB 63.64, -65.12, 62.49

 

Complementary color

CMYK 1 / 69 / 0 / 4

HEX #F14CF4

RGB 241 76 244

HSL 298.93, 0.88%, 0.63%

LAB 62, 80.93, -52.2

 

CMYK 89 / 0 / 97 / 30

HEX #13B306

RGB 19 179 6

HSL 115.49, 0.94%, 0.36%

LAB 63.67, -64.9, 63.16

 

CMYK 82 / 0 / 87 / 23

HEX #24C519

RGB 36 197 25

HSL 116.16, 0.77%, 0.44%

LAB 69.74, -67.92, 65.43

 

CMYK 75 / 0 / 80 / 16

HEX #35D72C

RGB 53 215 44

HSL 116.84, 0.68%, 0.51%

LAB 75.79, -70.13, 66.35

 

CMYK 70 / 0 / 73 / 9

HEX #46E93F

RGB 70 233 63

HSL 117.53, 0.79%, 0.58%

LAB 81.8, -71.71, 66.37

 

CMYK 65 / 0 / 67 / 2

HEX #57FB52

RGB 87 251 82

HSL 118.22, 0.95%, 0.65%

LAB 87.79, -72.83, 65.82

 

CMYK 92 / 0 / 94 / 30

HEX #0EB30B

RGB 14 179 11

HSL 118.93, 0.88%, 0.37%

LAB 63.64, -65.12, 62.49

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 92 / 0 / 94 / 31

HEX #0EB10B

RGB 14 177 11

HSL 118.92, 0.88%, 0.37%

LAB 62.98, -64.56, 61.94

 

CMYK 67 / 0 / 94 / 31

HEX #3BB10B

RGB 59 177 11

HSL 102.65, 0.88%, 0.37%

LAB 63.67, -58.49, 62.8

 

CMYK 41 / 0 / 94 / 31

HEX #68B10B

RGB 104 177 11

HSL 86.39, 0.88%, 0.37%

LAB 65.29, -45.77, 64.79

 

CMYK 16 / 0 / 94 / 31

HEX #95B10B

RGB 149 177 11

HSL 70.12, 0.88%, 0.37%

LAB 67.92, -28.31, 67.99

 

CMYK 0 / 9 / 94 / 31

HEX #B1A10B

RGB 177 161 11

HSL 54.22, 0.88%, 0.37%

LAB 65.64, -7.96, 67.21

 

CMYK 92 / 0 / 94 / 31

HEX #0EB10B

RGB 14 177 11

HSL 118.92, 0.88%, 0.37%

LAB 62.98, -64.56, 61.94

 

CMYK 94 / 0 / 70 / 31

HEX #0BB135

RGB 11 177 53

HSL 135.18, 0.88%, 0.37%

LAB 63.15, -62.24, 50.56

 

CMYK 94 / 0 / 45 / 31

HEX #0BB162

RGB 11 177 98

HSL 151.45, 0.88%, 0.37%

LAB 63.67, -55.93, 29.97

 

CMYK 94 / 0 / 19 / 31

HEX #0BB18F

RGB 11 177 143

HSL 167.71, 0.88%, 0.37%

LAB 64.56, -45.86, 6.83

 

CMYK 94 / 6 / 0 / 31

HEX #0BA7B1

RGB 11 167 177

HSL 183.61, 0.88%, 0.37%

LAB 62.41, -31.47, -15.32

 

CMYK 92 / 0 / 94 / 31

HEX #0EB10B

RGB 14 177 11

HSL 118.92, 0.88%, 0.37%

LAB 62.98, -64.56, 61.94

 

CMYK 92 / 0 / 94 / 31

HEX #0EB10B

RGB 14 177 11

HSL 118.92, 0.88%, 0.37%

LAB 62.98, -64.56, 61.94

 

CMYK 82 / 0 / 83 / 36

HEX #1DA21B

RGB 29 162 27

HSL 119.11, 0.71%, 0.37%

LAB 58.21, -58.19, 54.59

 

CMYK 70 / 0 / 71 / 42

HEX #2C932A

RGB 44 147 42

HSL 118.86, 0.56%, 0.37%

LAB 53.57, -49.8, 45.01

 

CMYK 56 / 0 / 57 / 48

HEX #3A8439

RGB 58 132 57

HSL 119.2, 0.4%, 0.37%

LAB 49.13, -39.03, 33.25

 

CMYK 37 / 0 / 38 / 55

HEX #497448

RGB 73 116 72

HSL 118.64, 0.23%, 0.37%

LAB 44.77, -24.61, 19.73

 

CMYK 41 / 0 / 94 / 31

HEX #69B10B

RGB 105 177 11

HSL 86.02, 0.88%, 0.37%

LAB 65.34, -45.42, 64.85

 

CMYK 66 / 0 / 94 / 31

HEX #3DB10B

RGB 61 177 11

HSL 101.93, 0.88%, 0.37%

LAB 63.72, -58.06, 62.86

 

CMYK 90 / 0 / 94 / 31

HEX #11B10B

RGB 17 177 11

HSL 117.83, 0.88%, 0.37%

LAB 63, -64.36, 61.97

 

CMYK 94 / 0 / 72 / 31

HEX #0BB132

RGB 11 177 50

HSL 134.1, 0.88%, 0.37%

LAB 63.13, -62.53, 51.71

 

CMYK 94 / 0 / 47 / 31

HEX #0BB15E

RGB 11 177 94

HSL 150, 0.88%, 0.37%

LAB 63.61, -56.65, 31.97

 

CMYK 92 / 0 / 94 / 61

HEX #086406

RGB 8 100 6

HSL 118.72, 0.89%, 0.21%

LAB 36.33, -42.15, 40.26

 

CMYK 92 / 0 / 94 / 45

HEX #0B8B09

RGB 11 139 9

HSL 119.08, 0.88%, 0.29%

LAB 50.16, -53.8, 51.45

 

CMYK 92 / 0 / 94 / 31

HEX #0EB10B

RGB 14 177 11

HSL 118.92, 0.88%, 0.37%

LAB 62.98, -64.56, 61.94

 

CMYK 92 / 0 / 94 / 15

HEX #11D80E

RGB 17 216 14

HSL 119.11, 0.88%, 0.45%

LAB 75.61, -75.1, 72.1

 

CMYK 86 / 0 / 87 / 5

HEX #22F11F

RGB 34 241 31

HSL 119.14, 0.88%, 0.53%

LAB 83.63, -80.28, 76.37

 

CMYK 92 / 0 / 94 / 30

HEX #0EB30B

RGB 14 179 11

HSL 118.93, 0.88%, 0.37%

LAB 63.64, -65.12, 62.49

 

CMYK 94 / 15 / 0 / 31

HEX #0B96B1

RGB 11 150 177

HSL 189.76, 0.88%, 0.37%

LAB 57.13, -22.97, -23.36

 

CMYK 0 / 94 / 53 / 31

HEX #B10B53

RGB 177 11 83

HSL 333.98, 0.88%, 0.37%

LAB 38.22, 62.76, 6

 

CMYK 92 / 0 / 94 / 30

HEX #0EB30B

RGB 14 179 11

HSL 118.93, 0.88%, 0.37%

LAB 63.64, -65.12, 62.49

 

CMYK 94 / 90 / 0 / 31

HEX #0B11B1

RGB 11 17 177

HSL 237.83, 0.88%, 0.37%

LAB 22.47, 55.8, -79.11

 

CMYK 0 / 94 / 90 / 31

HEX #B10B11

RGB 177 11 17

HSL 357.83, 0.88%, 0.37%

LAB 37.16, 59.84, 44.57

 

CMYK 92 / 0 / 94 / 30

HEX #0EB30B

RGB 14 179 11

HSL 118.93, 0.88%, 0.37%

LAB 63.64, -65.12, 62.49

 

CMYK 94 / 15 / 0 / 31

HEX #0B96B1

RGB 11 150 177

HSL 189.76, 0.88%, 0.37%

LAB 57.13, -22.97, -23.36

 

CMYK 3 / 94 / 0 / 31

HEX #AC0BB1

RGB 172 11 177

HSL 298.19, 0.88%, 0.37%

LAB 41.51, 72.78, -47.16

 

CMYK 0 / 78 / 94 / 31

HEX #B1270B

RGB 177 39 11

HSL 10.12, 0.88%, 0.37%

LAB 39.28, 53.66, 48.36

 

CMYK 92 / 0 / 94 / 30

HEX #0EB30B

RGB 14 179 11

HSL 118.93, 0.88%, 0.37%

LAB 63.64, -65.12, 62.49

 

CMYK 94 / 44 / 0 / 31

HEX #0B64B1

RGB 11 100 177

HSL 207.83, 0.88%, 0.37%

LAB 41.78, 6.09, -47.47

 

CMYK 3 / 94 / 0 / 31

HEX #AC0BB1

RGB 172 11 177

HSL 298.19, 0.88%, 0.37%

LAB 41.51, 72.78, -47.16

 

CMYK 0 / 50 / 94 / 31

HEX #B1590B

RGB 177 89 11

HSL 28.19, 0.88%, 0.37%

LAB 47.64, 31.57, 53.99

 

Description

Color code: HEX #0EB30B | qconv.com Color code: HEX #0EB30B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 179 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 179 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 94 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 94% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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