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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EB0BF it is the complementary color #F14F40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EB0BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EB0BF shade: #13B0BA, #24C2CD, #35D4E0, #46E6F3 and #57F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EB0BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EB0BF shade: #0EB0BF, #009EAC, #008C99, #007A86 and #006873

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EB0BF shade: #0EAFBE, #0E80BE, #0E50BE, #0E21BE and #2B0EBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EB0BF shade: #0EAFBE, #0E80BE, #0E50BE, #0E21BE and #0E0EBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EB0BF shade matches the following richer shades: #0EAFBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EB0BF shade: #0EAFBE, #1FA1AD, #2F939D, #40868C and #50787C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EB0BF shade: #0EBE6F, #0EBE9E, #0EAFBE, #0E80BE and #0E52BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EB0BF shade: #096871, #0B8B97, #0EAFBE, #11D2E4 and #2FDFEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EB0BF shade: #0EB0BF, #400EBE and #BE860E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EB0BF shade: #0EB0BF, #BE0EAF and #AFBE0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EB0BF shade: #0EB0BF, #400EBE, #BE1D0E and #8CBE0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EB0BF shade: #0EB0BF, #750EBE, #BE1D0E and #57BE0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 8 / 0 / 25

HEX #0EB0BF

RGB 14 176 191

HSL 185.08, 0.86%, 0.4%

LAB 65.68, -31.22, -18.18

 

Complementary color

CMYK 0 / 67 / 73 / 5

HEX #F14F40

RGB 241 79 64

HSL 5.08, 0.86%, 0.6%

LAB 56.75, 61.13, 43.43

 

CMYK 90 / 5 / 0 / 27

HEX #13B0BA

RGB 19 176 186

HSL 183.59, 0.81%, 0.4%

LAB 65.54, -32.58, -15.6

 

CMYK 82 / 5 / 0 / 20

HEX #24C2CD

RGB 36 194 205

HSL 183.91, 0.7%, 0.47%

LAB 71.8, -34.14, -16.58

 

CMYK 76 / 5 / 0 / 12

HEX #35D4E0

RGB 53 212 224

HSL 184.21, 0.73%, 0.54%

LAB 78.01, -35.36, -17.46

 

CMYK 71 / 5 / 0 / 5

HEX #46E6F3

RGB 70 230 243

HSL 184.51, 0.88%, 0.61%

LAB 84.16, -36.32, -18.25

 

CMYK 66 / 3 / 0 / 0

HEX #57F8FF

RGB 87 248 255

HSL 182.5, 1%, 0.67%

LAB 90.04, -39.02, -15.66

 

CMYK 93 / 8 / 0 / 25

HEX #0EB0BF

RGB 14 176 191

HSL 185.08, 0.86%, 0.4%

LAB 65.68, -31.22, -18.18

 

CMYK 100 / 8 / 0 / 33

HEX #009EAC

RGB 0 158 172

HSL 184.88, 1%, 0.34%

LAB 59.37, -29.11, -17.11

 

CMYK 100 / 8 / 0 / 40

HEX #008C99

RGB 0 140 153

HSL 185.1, 1%, 0.3%

LAB 53.01, -26.49, -15.9

 

CMYK 100 / 9 / 0 / 47

HEX #007A86

RGB 0 122 134

HSL 185.37, 1%, 0.26%

LAB 46.5, -23.81, -14.68

 

CMYK 100 / 10 / 0 / 55

HEX #006873

RGB 0 104 115

HSL 185.74, 1%, 0.23%

LAB 39.81, -21.04, -13.43

 

CMYK 93 / 8 / 0 / 25

HEX #0EAFBE

RGB 14 175 190

HSL 185.11, 0.86%, 0.4%

LAB 65.33, -31.06, -18.14

 

CMYK 93 / 33 / 0 / 25

HEX #0E80BE

RGB 14 128 190

HSL 201.14, 0.86%, 0.4%

LAB 50.98, -5.91, -40.37

 

CMYK 93 / 58 / 0 / 25

HEX #0E50BE

RGB 14 80 190

HSL 217.5, 0.86%, 0.4%

LAB 37.02, 24.68, -62.79

 

CMYK 93 / 83 / 0 / 25

HEX #0E21BE

RGB 14 33 190

HSL 233.52, 0.86%, 0.4%

LAB 26.44, 53.24, -80.22

 

CMYK 77 / 93 / 0 / 25

HEX #2B0EBE

RGB 43 14 190

HSL 249.89, 0.86%, 0.4%

LAB 25.4, 61.07, -81.93

 

CMYK 93 / 8 / 0 / 25

HEX #0EAFBE

RGB 14 175 190

HSL 185.11, 0.86%, 0.4%

LAB 65.33, -31.06, -18.14

 

CMYK 93 / 33 / 0 / 25

HEX #0E80BE

RGB 14 128 190

HSL 201.14, 0.86%, 0.4%

LAB 50.98, -5.91, -40.37

 

CMYK 93 / 58 / 0 / 25

HEX #0E50BE

RGB 14 80 190

HSL 217.5, 0.86%, 0.4%

LAB 37.02, 24.68, -62.79

 

CMYK 93 / 83 / 0 / 25

HEX #0E21BE

RGB 14 33 190

HSL 233.52, 0.86%, 0.4%

LAB 26.44, 53.24, -80.22

 

CMYK 93 / 93 / 0 / 25

HEX #0E0EBE

RGB 14 14 190

HSL 240, 0.86%, 0.4%

LAB 24.08, 60.35, -84.16

 

CMYK 93 / 8 / 0 / 25

HEX #0EAFBE

RGB 14 175 190

HSL 185.11, 0.86%, 0.4%

LAB 65.33, -31.06, -18.14

 

CMYK 93 / 8 / 0 / 25

HEX #0EAFBE

RGB 14 175 190

HSL 185.11, 0.86%, 0.4%

LAB 65.33, -31.06, -18.14

 

CMYK 82 / 7 / 0 / 32

HEX #1FA1AD

RGB 31 161 173

HSL 185.07, 0.7%, 0.4%

LAB 60.6, -28.62, -15.78

 

CMYK 70 / 6 / 0 / 38

HEX #2F939D

RGB 47 147 157

HSL 185.45, 0.54%, 0.4%

LAB 55.99, -24.83, -13.63

 

CMYK 54 / 4 / 0 / 45

HEX #40868C

RGB 64 134 140

HSL 184.74, 0.37%, 0.4%

LAB 51.88, -20.14, -9.96

 

CMYK 35 / 3 / 0 / 51

HEX #50787C

RGB 80 120 124

HSL 185.45, 0.22%, 0.4%

LAB 47.74, -12.84, -6.65

 

CMYK 93 / 0 / 42 / 25

HEX #0EBE6F

RGB 14 190 111

HSL 153.07, 0.86%, 0.4%

LAB 68.07, -57.89, 28.93

 

CMYK 93 / 0 / 17 / 25

HEX #0EBE9E

RGB 14 190 158

HSL 169.09, 0.86%, 0.4%

LAB 69.03, -47.16, 5

 

CMYK 93 / 8 / 0 / 25

HEX #0EAFBE

RGB 14 175 190

HSL 185.11, 0.86%, 0.4%

LAB 65.33, -31.06, -18.14

 

CMYK 93 / 33 / 0 / 25

HEX #0E80BE

RGB 14 128 190

HSL 201.14, 0.86%, 0.4%

LAB 50.98, -5.91, -40.37

 

CMYK 93 / 57 / 0 / 25

HEX #0E52BE

RGB 14 82 190

HSL 216.82, 0.86%, 0.4%

LAB 37.56, 23.34, -61.9

 

CMYK 92 / 8 / 0 / 56

HEX #096871

RGB 9 104 113

HSL 185.19, 0.85%, 0.24%

LAB 39.83, -21.14, -12.17

 

CMYK 93 / 8 / 0 / 41

HEX #0B8B97

RGB 11 139 151

HSL 185.14, 0.86%, 0.32%

LAB 52.7, -26.17, -15.22

 

CMYK 93 / 8 / 0 / 25

HEX #0EAFBE

RGB 14 175 190

HSL 185.11, 0.86%, 0.4%

LAB 65.33, -31.06, -18.14

 

CMYK 93 / 8 / 0 / 11

HEX #11D2E4

RGB 17 210 228

HSL 185.12, 0.86%, 0.48%

LAB 77.17, -35.59, -20.91

 

CMYK 80 / 7 / 0 / 6

HEX #2FDFEF

RGB 47 223 239

HSL 185, 0.86%, 0.56%

LAB 81.63, -36.55, -19.99

 

CMYK 93 / 8 / 0 / 25

HEX #0EB0BF

RGB 14 176 191

HSL 185.08, 0.86%, 0.4%

LAB 65.68, -31.22, -18.18

 

CMYK 66 / 93 / 0 / 25

HEX #400EBE

RGB 64 14 190

HSL 257.05, 0.86%, 0.4%

LAB 27.08, 62.08, -79.09

 

CMYK 0 / 29 / 93 / 25

HEX #BE860E

RGB 190 134 14

HSL 40.91, 0.86%, 0.4%

LAB 59.91, 12.6, 63.03

 

CMYK 93 / 8 / 0 / 25

HEX #0EB0BF

RGB 14 176 191

HSL 185.08, 0.86%, 0.4%

LAB 65.68, -31.22, -18.18

 

CMYK 0 / 93 / 8 / 25

HEX #BE0EAF

RGB 190 14 175

HSL 305.11, 0.86%, 0.4%

LAB 44.74, 75.3, -40.63

 

CMYK 8 / 0 / 93 / 25

HEX #AFBE0E

RGB 175 190 14

HSL 65.11, 0.86%, 0.4%

LAB 73.53, -23.56, 72.8

 

CMYK 93 / 8 / 0 / 25

HEX #0EB0BF

RGB 14 176 191

HSL 185.08, 0.86%, 0.4%

LAB 65.68, -31.22, -18.18

 

CMYK 66 / 93 / 0 / 25

HEX #400EBE

RGB 64 14 190

HSL 257.05, 0.86%, 0.4%

LAB 27.08, 62.08, -79.09

 

CMYK 0 / 85 / 93 / 25

HEX #BE1D0E

RGB 190 29 14

HSL 5.11, 0.86%, 0.4%

LAB 40.99, 60.2, 49.71

 

CMYK 26 / 0 / 93 / 25

HEX #8CBE0E

RGB 140 190 14

HSL 77.05, 0.86%, 0.4%

LAB 71.17, -37.93, 69.94

 

CMYK 93 / 8 / 0 / 25

HEX #0EB0BF

RGB 14 176 191

HSL 185.08, 0.86%, 0.4%

LAB 65.68, -31.22, -18.18

 

CMYK 38 / 93 / 0 / 25

HEX #750EBE

RGB 117 14 190

HSL 275.11, 0.86%, 0.4%

LAB 33.59, 66.78, -68.11

 

CMYK 0 / 85 / 93 / 25

HEX #BE1D0E

RGB 190 29 14

HSL 5.11, 0.86%, 0.4%

LAB 40.99, 60.2, 49.71

 

CMYK 54 / 0 / 93 / 25

HEX #57BE0E

RGB 87 190 14

HSL 95.11, 0.86%, 0.4%

LAB 68.67, -56, 66.87

 

Description

Color code: HEX #0EB0BF | qconv.com Color code: HEX #0EB0BF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 176 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 176 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 8 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 8% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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