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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EB009 it is the complementary color #F14FF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EB009. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EB009 shade: #13B004, #24C217, #35D42A, #46E63D and #57F850

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EB009. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EB009 shade: #0EB009, #009E00, #008C00, #007A00 and #006800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EB009 shade: #0EAE09, #3BAE09, #67AE09, #94AE09 and #AE9C09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EB009 shade: #0EAE09, #09AE31, #09AE5D, #09AE8A and #09A6AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EB009 shade matches the following richer shades: #0EAE09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EB009 shade: #0EAE09, #1CA018, #2A9127, #388236 and #467345

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EB009 shade: #67AE09, #3BAE09, #0FAE09, #09AE30 and #09AE5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EB009 shade: #086005, #0B8707, #0EAE09, #11D60B and #1EF317

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EB009 shade: #0EB009, #0993AE and #AE0951

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EB009 shade: #0EB009, #090FAE and #AE090F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EB009 shade: #0EB009, #0993AE, #A909AE and #AE2509

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EB009 shade: #0EB009, #0961AE, #A909AE and #AE5609

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 95 / 31

HEX #0EB009

RGB 14 176 9

HSL 118.2, 0.9%, 0.36%

LAB 62.65, -64.32, 61.92

 

Complementary color

CMYK 2 / 68 / 0 / 4

HEX #F14FF6

RGB 241 79 246

HSL 298.2, 0.9%, 0.64%

LAB 62.46, 80.23, -52.57

 

CMYK 89 / 0 / 98 / 31

HEX #13B004

RGB 19 176 4

HSL 114.77, 0.96%, 0.35%

LAB 62.67, -64.1, 62.61

 

CMYK 81 / 0 / 88 / 24

HEX #24C217

RGB 36 194 23

HSL 115.44, 0.79%, 0.43%

LAB 68.77, -67.12, 64.98

 

CMYK 75 / 0 / 80 / 17

HEX #35D42A

RGB 53 212 42

HSL 116.12, 0.67%, 0.5%

LAB 74.83, -69.33, 66.02

 

CMYK 70 / 0 / 73 / 10

HEX #46E63D

RGB 70 230 61

HSL 116.8, 0.77%, 0.57%

LAB 80.87, -70.92, 66.1

 

CMYK 65 / 0 / 68 / 3

HEX #57F850

RGB 87 248 80

HSL 117.5, 0.92%, 0.64%

LAB 86.87, -72.03, 65.6

 

CMYK 92 / 0 / 95 / 31

HEX #0EB009

RGB 14 176 9

HSL 118.2, 0.9%, 0.36%

LAB 62.65, -64.32, 61.92

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 92 / 0 / 95 / 32

HEX #0EAE09

RGB 14 174 9

HSL 118.18, 0.9%, 0.36%

LAB 61.99, -63.76, 61.37

 

CMYK 66 / 0 / 95 / 32

HEX #3BAE09

RGB 59 174 9

HSL 101.82, 0.9%, 0.36%

LAB 62.69, -57.55, 62.25

 

CMYK 41 / 0 / 95 / 32

HEX #67AE09

RGB 103 174 9

HSL 85.82, 0.9%, 0.36%

LAB 64.3, -44.93, 64.22

 

CMYK 15 / 0 / 95 / 32

HEX #94AE09

RGB 148 174 9

HSL 69.45, 0.9%, 0.36%

LAB 66.97, -27.32, 67.46

 

CMYK 0 / 10 / 95 / 32

HEX #AE9C09

RGB 174 156 9

HSL 53.45, 0.9%, 0.36%

LAB 63.99, -6.68, 66.11

 

CMYK 92 / 0 / 95 / 32

HEX #0EAE09

RGB 14 174 9

HSL 118.18, 0.9%, 0.36%

LAB 61.99, -63.76, 61.37

 

CMYK 95 / 0 / 72 / 32

HEX #09AE31

RGB 9 174 49

HSL 134.55, 0.9%, 0.36%

LAB 62.13, -61.82, 51.04

 

CMYK 95 / 0 / 47 / 32

HEX #09AE5D

RGB 9 174 93

HSL 150.55, 0.9%, 0.36%

LAB 62.61, -55.89, 31.21

 

CMYK 95 / 0 / 21 / 32

HEX #09AE8A

RGB 9 174 138

HSL 166.91, 0.9%, 0.36%

LAB 63.48, -46, 8.05

 

CMYK 95 / 5 / 0 / 32

HEX #09A6AE

RGB 9 166 174

HSL 182.91, 0.9%, 0.36%

LAB 61.99, -32.02, -14.28

 

CMYK 92 / 0 / 95 / 32

HEX #0EAE09

RGB 14 174 9

HSL 118.18, 0.9%, 0.36%

LAB 61.99, -63.76, 61.37

 

CMYK 92 / 0 / 95 / 32

HEX #0EAE09

RGB 14 174 9

HSL 118.18, 0.9%, 0.36%

LAB 61.99, -63.76, 61.37

 

CMYK 83 / 0 / 85 / 37

HEX #1CA018

RGB 28 160 24

HSL 118.24, 0.74%, 0.36%

LAB 57.52, -57.85, 54.75

 

CMYK 71 / 0 / 73 / 43

HEX #2A9127

RGB 42 145 39

HSL 118.3, 0.58%, 0.36%

LAB 52.83, -49.76, 45.42

 

CMYK 57 / 0 / 58 / 49

HEX #388236

RGB 56 130 54

HSL 118.42, 0.41%, 0.36%

LAB 48.35, -39.15, 33.83

 

CMYK 39 / 0 / 40 / 55

HEX #467345

RGB 70 115 69

HSL 118.7, 0.25%, 0.36%

LAB 44.22, -25.68, 20.71

 

CMYK 41 / 0 / 95 / 32

HEX #67AE09

RGB 103 174 9

HSL 85.82, 0.9%, 0.36%

LAB 64.3, -44.93, 64.22

 

CMYK 66 / 0 / 95 / 32

HEX #3BAE09

RGB 59 174 9

HSL 101.82, 0.9%, 0.36%

LAB 62.69, -57.55, 62.25

 

CMYK 91 / 0 / 95 / 32

HEX #0FAE09

RGB 15 174 9

HSL 117.82, 0.9%, 0.36%

LAB 61.99, -63.7, 61.38

 

CMYK 95 / 0 / 72 / 32

HEX #09AE30

RGB 9 174 48

HSL 134.18, 0.9%, 0.36%

LAB 62.12, -61.91, 51.41

 

CMYK 95 / 0 / 47 / 32

HEX #09AE5C

RGB 9 174 92

HSL 150.18, 0.9%, 0.36%

LAB 62.59, -56.06, 31.7

 

CMYK 92 / 0 / 95 / 62

HEX #086005

RGB 8 96 5

HSL 118.02, 0.9%, 0.2%

LAB 34.86, -40.92, 39.29

 

CMYK 92 / 0 / 95 / 47

HEX #0B8707

RGB 11 135 7

HSL 118.13, 0.9%, 0.28%

LAB 48.78, -52.67, 50.64

 

CMYK 92 / 0 / 95 / 32

HEX #0EAE09

RGB 14 174 9

HSL 118.18, 0.9%, 0.36%

LAB 61.99, -63.76, 61.37

 

CMYK 92 / 0 / 95 / 16

HEX #11D60B

RGB 17 214 11

HSL 118.23, 0.9%, 0.44%

LAB 74.97, -74.62, 71.9

 

CMYK 88 / 0 / 91 / 5

HEX #1EF317

RGB 30 243 23

HSL 118.09, 0.9%, 0.52%

LAB 84.19, -81.37, 78.15

 

CMYK 92 / 0 / 95 / 31

HEX #0EB009

RGB 14 176 9

HSL 118.2, 0.9%, 0.36%

LAB 62.65, -64.32, 61.92

 

CMYK 95 / 16 / 0 / 32

HEX #0993AE

RGB 9 147 174

HSL 189.82, 0.9%, 0.36%

LAB 56.07, -22.52, -23.29

 

CMYK 0 / 95 / 53 / 32

HEX #AE0951

RGB 174 9 81

HSL 333.82, 0.9%, 0.36%

LAB 37.46, 62.12, 6.13

 

CMYK 92 / 0 / 95 / 31

HEX #0EB009

RGB 14 176 9

HSL 118.2, 0.9%, 0.36%

LAB 62.65, -64.32, 61.92

 

CMYK 95 / 91 / 0 / 32

HEX #090FAE

RGB 9 15 174

HSL 237.82, 0.9%, 0.36%

LAB 21.78, 55.56, -78.45

 

CMYK 0 / 95 / 91 / 32

HEX #AE090F

RGB 174 9 15

HSL 357.82, 0.9%, 0.36%

LAB 36.42, 59.25, 44.63

 

CMYK 92 / 0 / 95 / 31

HEX #0EB009

RGB 14 176 9

HSL 118.2, 0.9%, 0.36%

LAB 62.65, -64.32, 61.92

 

CMYK 95 / 16 / 0 / 32

HEX #0993AE

RGB 9 147 174

HSL 189.82, 0.9%, 0.36%

LAB 56.07, -22.52, -23.29

 

CMYK 3 / 95 / 0 / 32

HEX #A909AE

RGB 169 9 174

HSL 298.18, 0.9%, 0.36%

LAB 40.71, 72.01, -46.68

 

CMYK 0 / 79 / 95 / 32

HEX #AE2509

RGB 174 37 9

HSL 10.18, 0.9%, 0.36%

LAB 38.45, 53.32, 48.2

 

CMYK 92 / 0 / 95 / 31

HEX #0EB009

RGB 14 176 9

HSL 118.2, 0.9%, 0.36%

LAB 62.65, -64.32, 61.92

 

CMYK 95 / 44 / 0 / 32

HEX #0961AE

RGB 9 97 174

HSL 208, 0.9%, 0.36%

LAB 40.68, 6.73, -47.48

 

CMYK 3 / 95 / 0 / 32

HEX #A909AE

RGB 169 9 174

HSL 298.18, 0.9%, 0.36%

LAB 40.71, 72.01, -46.68

 

CMYK 0 / 51 / 95 / 32

HEX #AE5609

RGB 174 86 9

HSL 28, 0.9%, 0.36%

LAB 46.54, 31.88, 53.48

 

Description

Color code: HEX #0EB009 | qconv.com Color code: HEX #0EB009 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 176 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 176 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 95 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 95% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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