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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EAC4E it is the complementary color #F153B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EAC4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EAC4E shade: #13AC49, #24BE5C, #35D06F, #46E282 and #57F495

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EAC4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EAC4E shade: #0EAC4E, #009A3B, #008828, #007615 and #006402

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EAC4E shade: #0EAA4D, #0EAA23, #23AA0E, #4DAA0E and #77AA0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EAC4E shade: #0EAA4D, #0EAA77, #0EAAA1, #0E88AA and #0E5EAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EAC4E shade matches the following richer shades: #0EAA4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EAC4E shade: #0EAA4D, #1D9B50, #2B8C53, #3A7D55 and #496E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EAC4E shade: #23AA0E, #0EAA23, #0EAA4C, #0EAA76 and #0EAA9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EAC4E shade: #085E2A, #0B843C, #0EAA4D, #11D05E and #1DED71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EAC4E shade: #0EAC4E, #0E4CAA and #AA0E0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EAC4E shade: #0EAC4E, #4C0EAA and #AA4C0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EAC4E shade: #0EAC4E, #0E4CAA, #AA0E6B and #AA6B0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EAC4E shade: #0EAC4E, #0E1DAA, #AA0E6B and #AA9A0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 55 / 33

HEX #0EAC4E

RGB 14 172 78

HSL 144.3, 0.85%, 0.36%

LAB 61.78, -57.43, 37.77

 

Complementary color

CMYK 0 / 66 / 27 / 5

HEX #F153B1

RGB 241 83 177

HSL 324.3, 0.85%, 0.64%

LAB 59.94, 68.89, -17.5

 

CMYK 89 / 0 / 58 / 33

HEX #13AC49

RGB 19 172 73

HSL 141.18, 0.8%, 0.37%

LAB 61.76, -57.82, 40.19

 

CMYK 81 / 0 / 52 / 25

HEX #24BE5C

RGB 36 190 92

HSL 141.82, 0.68%, 0.44%

LAB 68, -59.46, 38.54

 

CMYK 75 / 0 / 47 / 18

HEX #35D06F

RGB 53 208 111

HSL 142.45, 0.62%, 0.51%

LAB 74.2, -60.54, 36.93

 

CMYK 69 / 0 / 42 / 11

HEX #46E282

RGB 70 226 130

HSL 143.08, 0.73%, 0.58%

LAB 80.35, -61.24, 35.4

 

CMYK 64 / 0 / 39 / 4

HEX #57F495

RGB 87 244 149

HSL 143.69, 0.88%, 0.65%

LAB 86.45, -61.66, 33.96

 

CMYK 92 / 0 / 55 / 33

HEX #0EAC4E

RGB 14 172 78

HSL 144.3, 0.85%, 0.36%

LAB 61.78, -57.43, 37.77

 

CMYK 100 / 0 / 62 / 40

HEX #009A3B

RGB 0 154 59

HSL 142.99, 1%, 0.3%

LAB 55.51, -55.02, 39.49

 

CMYK 100 / 0 / 71 / 47

HEX #008828

RGB 0 136 40

HSL 137.65, 1%, 0.27%

LAB 49.21, -51.59, 41.04

 

CMYK 100 / 0 / 82 / 54

HEX #007615

RGB 0 118 21

HSL 130.68, 1%, 0.23%

LAB 42.78, -47.71, 41.81

 

CMYK 100 / 0 / 98 / 61

HEX #006402

RGB 0 100 2

HSL 121.2, 1%, 0.2%

LAB 36.21, -43.26, 41.27

 

CMYK 92 / 0 / 55 / 33

HEX #0EAA4D

RGB 14 170 77

HSL 144.23, 0.85%, 0.36%

LAB 61.11, -56.92, 37.46

 

CMYK 92 / 0 / 79 / 33

HEX #0EAA23

RGB 14 170 35

HSL 128.08, 0.85%, 0.36%

LAB 60.75, -61.47, 54.57

 

CMYK 79 / 0 / 92 / 33

HEX #23AA0E

RGB 35 170 14

HSL 111.92, 0.85%, 0.36%

LAB 60.9, -60.4, 59.84

 

CMYK 55 / 0 / 92 / 33

HEX #4DAA0E

RGB 77 170 14

HSL 95.77, 0.85%, 0.36%

LAB 61.96, -51.52, 61.15

 

CMYK 30 / 0 / 92 / 33

HEX #77AA0E

RGB 119 170 14

HSL 79.62, 0.85%, 0.36%

LAB 63.92, -37.2, 63.57

 

CMYK 92 / 0 / 55 / 33

HEX #0EAA4D

RGB 14 170 77

HSL 144.23, 0.85%, 0.36%

LAB 61.11, -56.92, 37.46

 

CMYK 92 / 0 / 30 / 33

HEX #0EAA77

RGB 14 170 119

HSL 160.38, 0.85%, 0.36%

LAB 61.8, -48.84, 16.2

 

CMYK 92 / 0 / 5 / 33

HEX #0EAAA1

RGB 14 170 161

HSL 176.54, 0.85%, 0.36%

LAB 62.86, -37.68, -5.68

 

CMYK 92 / 20 / 0 / 33

HEX #0E88AA

RGB 14 136 170

HSL 193.08, 0.85%, 0.36%

LAB 52.51, -17.86, -26.47

 

CMYK 92 / 45 / 0 / 33

HEX #0E5EAA

RGB 14 94 170

HSL 209.23, 0.85%, 0.36%

LAB 39.58, 7.29, -46.87

 

CMYK 92 / 0 / 55 / 33

HEX #0EAA4D

RGB 14 170 77

HSL 144.23, 0.85%, 0.36%

LAB 61.11, -56.92, 37.46

 

CMYK 92 / 0 / 55 / 33

HEX #0EAA4D

RGB 14 170 77

HSL 144.23, 0.85%, 0.36%

LAB 61.11, -56.92, 37.46

 

CMYK 81 / 0 / 48 / 39

HEX #1D9B50

RGB 29 155 80

HSL 144.29, 0.68%, 0.36%

LAB 56.37, -49.93, 30.09

 

CMYK 69 / 0 / 41 / 45

HEX #2B8C53

RGB 43 140 83

HSL 144.74, 0.53%, 0.36%

LAB 51.72, -41.5, 22.51

 

CMYK 54 / 0 / 32 / 51

HEX #3A7D55

RGB 58 125 85

HSL 144.18, 0.37%, 0.36%

LAB 47.27, -31.13, 15.48

 

CMYK 34 / 0 / 20 / 57

HEX #496E58

RGB 73 110 88

HSL 144.32, 0.2%, 0.36%

LAB 43.17, -18.34, 8.14

 

CMYK 79 / 0 / 92 / 33

HEX #23AA0E

RGB 35 170 14

HSL 111.92, 0.85%, 0.36%

LAB 60.9, -60.4, 59.84

 

CMYK 92 / 0 / 79 / 33

HEX #0EAA23

RGB 14 170 35

HSL 128.08, 0.85%, 0.36%

LAB 60.75, -61.47, 54.57

 

CMYK 92 / 0 / 55 / 33

HEX #0EAA4C

RGB 14 170 76

HSL 143.85, 0.85%, 0.36%

LAB 61.1, -57.07, 37.93

 

CMYK 92 / 0 / 31 / 33

HEX #0EAA76

RGB 14 170 118

HSL 160, 0.85%, 0.36%

LAB 61.78, -49.07, 16.72

 

CMYK 92 / 0 / 6 / 33

HEX #0EAA9F

RGB 14 170 159

HSL 175.77, 0.85%, 0.36%

LAB 62.8, -38.27, -4.65

 

CMYK 91 / 0 / 55 / 63

HEX #085E2A

RGB 8 94 42

HSL 143.72, 0.84%, 0.2%

LAB 34.45, -36.28, 23.14

 

CMYK 92 / 0 / 55 / 48

HEX #0B843C

RGB 11 132 60

HSL 144.3, 0.85%, 0.28%

LAB 48.13, -46.83, 30.26

 

CMYK 92 / 0 / 55 / 33

HEX #0EAA4D

RGB 14 170 77

HSL 144.23, 0.85%, 0.36%

LAB 61.11, -56.92, 37.46

 

CMYK 92 / 0 / 55 / 18

HEX #11D05E

RGB 17 208 94

HSL 144.19, 0.85%, 0.44%

LAB 73.57, -66.55, 44.32

 

CMYK 88 / 0 / 52 / 7

HEX #1DED71

RGB 29 237 113

HSL 144.23, 0.85%, 0.52%

LAB 82.93, -72.26, 46.78

 

CMYK 92 / 0 / 55 / 33

HEX #0EAC4E

RGB 14 172 78

HSL 144.3, 0.85%, 0.36%

LAB 61.78, -57.43, 37.77

 

CMYK 92 / 55 / 0 / 33

HEX #0E4CAA

RGB 14 76 170

HSL 216.15, 0.85%, 0.36%

LAB 34.32, 19.3, -55.37

 

CMYK 0 / 92 / 92 / 33

HEX #AA0E0E

RGB 170 14 14

HSL 0, 0.85%, 0.36%

LAB 35.78, 57.51, 44.2

 

CMYK 92 / 0 / 55 / 33

HEX #0EAC4E

RGB 14 172 78

HSL 144.3, 0.85%, 0.36%

LAB 61.78, -57.43, 37.77

 

CMYK 55 / 92 / 0 / 33

HEX #4C0EAA

RGB 76 14 170

HSL 263.85, 0.85%, 0.36%

LAB 26.02, 57.98, -68.86

 

CMYK 0 / 55 / 92 / 33

HEX #AA4C0E

RGB 170 76 14

HSL 23.85, 0.85%, 0.36%

LAB 43.87, 35.54, 49.97

 

CMYK 92 / 0 / 55 / 33

HEX #0EAC4E

RGB 14 172 78

HSL 144.3, 0.85%, 0.36%

LAB 61.78, -57.43, 37.77

 

CMYK 92 / 55 / 0 / 33

HEX #0E4CAA

RGB 14 76 170

HSL 216.15, 0.85%, 0.36%

LAB 34.32, 19.3, -55.37

 

CMYK 0 / 92 / 37 / 33

HEX #AA0E6B

RGB 170 14 107

HSL 324.23, 0.85%, 0.36%

LAB 37.7, 62.86, -10.25

 

CMYK 0 / 37 / 92 / 33

HEX #AA6B0E

RGB 170 107 14

HSL 35.77, 0.85%, 0.36%

LAB 50.8, 18.68, 55.13

 

CMYK 92 / 0 / 55 / 33

HEX #0EAC4E

RGB 14 172 78

HSL 144.3, 0.85%, 0.36%

LAB 61.78, -57.43, 37.77

 

CMYK 92 / 83 / 0 / 33

HEX #0E1DAA

RGB 14 29 170

HSL 234.23, 0.85%, 0.36%

LAB 23.25, 48.8, -73.58

 

CMYK 0 / 92 / 37 / 33

HEX #AA0E6B

RGB 170 14 107

HSL 324.23, 0.85%, 0.36%

LAB 37.7, 62.86, -10.25

 

CMYK 0 / 9 / 92 / 33

HEX #AA9A0E

RGB 170 154 14

HSL 53.85, 0.85%, 0.36%

LAB 63.08, -7.35, 64.52

 

Description

Color code: HEX #0EAC4E | qconv.com Color code: HEX #0EAC4E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 172 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 172 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 55 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 55% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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