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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EA510 it is the complementary color #F15AEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EA510. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EA510 shade: #13A50B, #24B71E, #35C931, #46DB44 and #57ED57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EA510. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EA510 shade: #0EA510, #009300, #008100, #006F00 and #005D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EA510 shade: #0EA410, #35A40E, #5DA40E, #86A40E and #A49A0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EA510 shade: #0EA410, #0EA439, #0EA461, #0EA48A and #0E96A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EA510 shade matches the following richer shades: #0EA410

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EA510 shade: #0EA410, #1D961E, #2B872C, #3A793A and #486A48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EA510 shade: #5EA40E, #36A40E, #0EA40E, #0EA436 and #0EA45E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EA510 shade: #085809, #0B7E0C, #0EA410, #12CA14 and #1AEB1D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EA510 shade: #0EA510, #0E86A4 and #A40E4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EA510 shade: #0EA510, #0E0EA4 and #A40E0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EA510 shade: #0EA510, #0E86A4, #A40EA4 and #A42C0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EA510 shade: #0EA510, #0E59A4, #A40EA4 and #A4590E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 90 / 35

HEX #0EA510

RGB 14 165 16

HSL 120.79, 0.84%, 0.35%

LAB 59.01, -60.98, 57.78

 

Complementary color

CMYK 0 / 63 / 1 / 5

HEX #F15AEF

RGB 241 90 239

HSL 300.79, 0.84%, 0.65%

LAB 63.54, 75.08, -46.98

 

CMYK 88 / 0 / 93 / 35

HEX #13A50B

RGB 19 165 11

HSL 116.88, 0.88%, 0.35%

LAB 59.04, -60.76, 58.65

 

CMYK 80 / 0 / 84 / 28

HEX #24B71E

RGB 36 183 30

HSL 117.65, 0.72%, 0.42%

LAB 65.23, -63.55, 60.26

 

CMYK 74 / 0 / 76 / 21

HEX #35C931

RGB 53 201 49

HSL 118.42, 0.61%, 0.49%

LAB 71.39, -65.5, 60.58

 

CMYK 68 / 0 / 69 / 14

HEX #46DB44

RGB 70 219 68

HSL 119.21, 0.68%, 0.56%

LAB 77.51, -66.83, 60.14

 

CMYK 63 / 0 / 63 / 7

HEX #57ED57

RGB 87 237 87

HSL 120, 0.81%, 0.64%

LAB 83.59, -67.73, 59.29

 

CMYK 92 / 0 / 90 / 35

HEX #0EA510

RGB 14 165 16

HSL 120.79, 0.84%, 0.35%

LAB 59.01, -60.98, 57.78

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 100 / 0 / 100 / 64

HEX #005D00

RGB 0 93 0

HSL 120, 1%, 0.18%

LAB 33.62, -41.23, 39.79

 

CMYK 91 / 0 / 90 / 36

HEX #0EA410

RGB 14 164 16

HSL 120.8, 0.84%, 0.35%

LAB 58.68, -60.69, 57.49

 

CMYK 68 / 0 / 91 / 36

HEX #35A40E

RGB 53 164 14

HSL 104.4, 0.84%, 0.35%

LAB 59.29, -55.38, 58.61

 

CMYK 43 / 0 / 91 / 36

HEX #5DA40E

RGB 93 164 14

HSL 88.4, 0.84%, 0.35%

LAB 60.7, -44.18, 60.37

 

CMYK 18 / 0 / 91 / 36

HEX #86A40E

RGB 134 164 14

HSL 72, 0.84%, 0.35%

LAB 63.05, -28.33, 63.26

 

CMYK 0 / 6 / 91 / 36

HEX #A49A0E

RGB 164 154 14

HSL 56, 0.84%, 0.35%

LAB 62.54, -10.06, 63.86

 

CMYK 91 / 0 / 90 / 36

HEX #0EA410

RGB 14 164 16

HSL 120.8, 0.84%, 0.35%

LAB 58.68, -60.69, 57.49

 

CMYK 91 / 0 / 65 / 36

HEX #0EA439

RGB 14 164 57

HSL 137.2, 0.84%, 0.35%

LAB 58.92, -57.65, 44.29

 

CMYK 91 / 0 / 41 / 36

HEX #0EA461

RGB 14 164 97

HSL 153.2, 0.84%, 0.35%

LAB 59.44, -51.34, 24.98

 

CMYK 91 / 0 / 16 / 36

HEX #0EA48A

RGB 14 164 138

HSL 169.6, 0.84%, 0.35%

LAB 60.32, -41.6, 3.51

 

CMYK 91 / 9 / 0 / 36

HEX #0E96A4

RGB 14 150 164

HSL 185.6, 0.84%, 0.35%

LAB 56.67, -27.23, -16.66

 

CMYK 91 / 0 / 90 / 36

HEX #0EA410

RGB 14 164 16

HSL 120.8, 0.84%, 0.35%

LAB 58.68, -60.69, 57.49

 

CMYK 91 / 0 / 90 / 36

HEX #0EA410

RGB 14 164 16

HSL 120.8, 0.84%, 0.35%

LAB 58.68, -60.69, 57.49

 

CMYK 81 / 0 / 80 / 41

HEX #1D961E

RGB 29 150 30

HSL 120.5, 0.68%, 0.35%

LAB 54.2, -54.25, 49.94

 

CMYK 68 / 0 / 67 / 47

HEX #2B872C

RGB 43 135 44

HSL 120.65, 0.52%, 0.35%

LAB 49.52, -45.49, 39.82

 

CMYK 52 / 0 / 52 / 53

HEX #3A793A

RGB 58 121 58

HSL 120, 0.35%, 0.35%

LAB 45.47, -34.17, 28.29

 

CMYK 32 / 0 / 32 / 58

HEX #486A48

RGB 72 106 72

HSL 120, 0.19%, 0.35%

LAB 41.46, -19.8, 15.29

 

CMYK 43 / 0 / 91 / 36

HEX #5EA40E

RGB 94 164 14

HSL 88, 0.84%, 0.35%

LAB 60.75, -43.84, 60.43

 

CMYK 67 / 0 / 91 / 36

HEX #36A40E

RGB 54 164 14

HSL 104, 0.84%, 0.35%

LAB 59.31, -55.17, 58.64

 

CMYK 91 / 0 / 91 / 36

HEX #0EA40E

RGB 14 164 14

HSL 120, 0.84%, 0.35%

LAB 58.67, -60.76, 57.85

 

CMYK 91 / 0 / 67 / 36

HEX #0EA436

RGB 14 164 54

HSL 136, 0.84%, 0.35%

LAB 58.89, -57.98, 45.57

 

CMYK 91 / 0 / 43 / 36

HEX #0EA45E

RGB 14 164 94

HSL 152, 0.84%, 0.35%

LAB 59.39, -51.92, 26.52

 

CMYK 91 / 0 / 90 / 65

HEX #085809

RGB 8 88 9

HSL 120.75, 0.83%, 0.19%

LAB 31.92, -38.04, 35.46

 

CMYK 91 / 0 / 90 / 51

HEX #0B7E0C

RGB 11 126 12

HSL 120.52, 0.84%, 0.27%

LAB 45.66, -49.76, 46.98

 

CMYK 91 / 0 / 90 / 36

HEX #0EA410

RGB 14 164 16

HSL 120.8, 0.84%, 0.35%

LAB 58.68, -60.69, 57.49

 

CMYK 91 / 0 / 90 / 21

HEX #12CA14

RGB 18 202 20

HSL 120.65, 0.84%, 0.43%

LAB 71.16, -71.05, 67.51

 

CMYK 89 / 0 / 88 / 8

HEX #1AEB1D

RGB 26 235 29

HSL 120.86, 0.84%, 0.51%

LAB 81.69, -79.3, 75.03

 

CMYK 92 / 0 / 90 / 35

HEX #0EA510

RGB 14 165 16

HSL 120.79, 0.84%, 0.35%

LAB 59.01, -60.98, 57.78

 

CMYK 91 / 18 / 0 / 36

HEX #0E86A4

RGB 14 134 164

HSL 192, 0.84%, 0.35%

LAB 51.64, -18.92, -24.36

 

CMYK 0 / 91 / 55 / 36

HEX #A40E4A

RGB 164 14 74

HSL 336, 0.84%, 0.35%

LAB 35.4, 58.5, 7.46

 

CMYK 92 / 0 / 90 / 35

HEX #0EA510

RGB 14 165 16

HSL 120.79, 0.84%, 0.35%

LAB 59.01, -60.98, 57.78

 

CMYK 91 / 91 / 0 / 36

HEX #0E0EA4

RGB 14 14 164

HSL 240, 0.84%, 0.35%

LAB 20.39, 53.11, -74.71

 

CMYK 0 / 91 / 91 / 36

HEX #A40E0E

RGB 164 14 14

HSL 0, 0.84%, 0.35%

LAB 34.47, 55.88, 42.69

 

CMYK 92 / 0 / 90 / 35

HEX #0EA510

RGB 14 165 16

HSL 120.79, 0.84%, 0.35%

LAB 59.01, -60.98, 57.78

 

CMYK 91 / 18 / 0 / 36

HEX #0E86A4

RGB 14 134 164

HSL 192, 0.84%, 0.35%

LAB 51.64, -18.92, -24.36

 

CMYK 0 / 91 / 0 / 36

HEX #A40EA4

RGB 164 14 164

HSL 300, 0.84%, 0.35%

LAB 39.39, 69.03, -42.87

 

CMYK 0 / 73 / 91 / 36

HEX #A42C0E

RGB 164 44 14

HSL 12, 0.84%, 0.35%

LAB 37.35, 47.8, 44.74

 

CMYK 92 / 0 / 90 / 35

HEX #0EA510

RGB 14 165 16

HSL 120.79, 0.84%, 0.35%

LAB 59.01, -60.98, 57.78

 

CMYK 91 / 46 / 0 / 36

HEX #0E59A4

RGB 14 89 164

HSL 210, 0.84%, 0.35%

LAB 37.7, 8.12, -46.34

 

CMYK 0 / 91 / 0 / 36

HEX #A40EA4

RGB 164 14 164

HSL 300, 0.84%, 0.35%

LAB 39.39, 69.03, -42.87

 

CMYK 0 / 46 / 91 / 36

HEX #A4590E

RGB 164 89 14

HSL 30, 0.84%, 0.35%

LAB 45.73, 26.08, 50.94

 

Description

Color code: HEX #0EA510 | qconv.com Color code: HEX #0EA510 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 165 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 165 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 90 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 90% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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