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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EA138 it is the complementary color #F15EC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EA138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EA138 shade: #13A133, #24B346, #35C559, #46D76C and #57E97F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EA138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EA138 shade: #0EA138, #008F25, #007D12, #006B00 and #005900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EA138 shade: #0EA037, #0EA010, #33A00E, #5AA00E and #81A00E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EA138 shade: #0EA037, #0EA05F, #0EA086, #0E92A0 and #0E6AA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EA138 shade matches the following richer shades: #0EA037

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EA138 shade: #0EA037, #1C913D, #2A8344, #38754A and #466750

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EA138 shade: #32A00E, #0EA010, #0EA037, #0EA05E and #0EA085

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EA138 shade: #07541D, #0B7A2A, #0EA037, #11C545 and #15EB52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EA138 shade: #0EA138, #0E59A0 and #A00E1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EA138 shade: #0EA138, #370EA0 and #A0370E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EA138 shade: #0EA138, #0E59A0, #A00E76 and #A0540E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EA138 shade: #0EA138, #0E2DA0, #A00E76 and #A0800E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 65 / 37

HEX #0EA138

RGB 14 161 56

HSL 137.14, 0.84%, 0.34%

LAB 57.91, -56.81, 43.61

 

Complementary color

CMYK 0 / 61 / 17 / 5

HEX #F15EC7

RGB 241 94 199

HSL 317.14, 0.84%, 0.66%

LAB 62.36, 67.43, -26.38

 

CMYK 88 / 0 / 68 / 37

HEX #13A133

RGB 19 161 51

HSL 133.52, 0.79%, 0.35%

LAB 57.91, -56.99, 45.79

 

CMYK 80 / 0 / 61 / 30

HEX #24B346

RGB 36 179 70

HSL 134.27, 0.67%, 0.42%

LAB 64.21, -58.84, 44.5

 

CMYK 73 / 0 / 55 / 23

HEX #35C559

RGB 53 197 89

HSL 135, 0.58%, 0.49%

LAB 70.46, -60.04, 43.05

 

CMYK 67 / 0 / 50 / 16

HEX #46D76C

RGB 70 215 108

HSL 135.72, 0.64%, 0.56%

LAB 76.67, -60.78, 41.58

 

CMYK 63 / 0 / 45 / 9

HEX #57E97F

RGB 87 233 127

HSL 136.44, 0.77%, 0.63%

LAB 82.83, -61.22, 40.15

 

CMYK 91 / 0 / 65 / 37

HEX #0EA138

RGB 14 161 56

HSL 137.14, 0.84%, 0.34%

LAB 57.91, -56.81, 43.61

 

CMYK 100 / 0 / 74 / 44

HEX #008F25

RGB 0 143 37

HSL 135.52, 1%, 0.28%

LAB 51.59, -54.05, 44.75

 

CMYK 100 / 0 / 86 / 51

HEX #007D12

RGB 0 125 18

HSL 128.64, 1%, 0.25%

LAB 45.24, -50.03, 45.04

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 91 / 0 / 66 / 37

HEX #0EA037

RGB 14 160 55

HSL 136.85, 0.84%, 0.34%

LAB 57.57, -56.61, 43.67

 

CMYK 91 / 0 / 90 / 37

HEX #0EA010

RGB 14 160 16

HSL 120.82, 0.84%, 0.34%

LAB 57.34, -59.53, 56.33

 

CMYK 68 / 0 / 91 / 37

HEX #33A00E

RGB 51 160 14

HSL 104.79, 0.84%, 0.34%

LAB 57.92, -54.47, 57.43

 

CMYK 44 / 0 / 91 / 37

HEX #5AA00E

RGB 90 160 14

HSL 88.77, 0.84%, 0.34%

LAB 59.29, -43.57, 59.14

 

CMYK 19 / 0 / 91 / 37

HEX #81A00E

RGB 129 160 14

HSL 72.74, 0.84%, 0.34%

LAB 61.52, -28.51, 61.88

 

CMYK 91 / 0 / 66 / 37

HEX #0EA037

RGB 14 160 55

HSL 136.85, 0.84%, 0.34%

LAB 57.57, -56.61, 43.67

 

CMYK 91 / 0 / 41 / 37

HEX #0EA05F

RGB 14 160 95

HSL 153.29, 0.84%, 0.34%

LAB 58.1, -50.27, 24.28

 

CMYK 91 / 0 / 16 / 37

HEX #0EA086

RGB 14 160 134

HSL 169.32, 0.84%, 0.34%

LAB 58.93, -40.97, 3.77

 

CMYK 91 / 9 / 0 / 37

HEX #0E92A0

RGB 14 146 160

HSL 185.75, 0.84%, 0.34%

LAB 55.27, -26.55, -16.5

 

CMYK 91 / 34 / 0 / 37

HEX #0E6AA0

RGB 14 106 160

HSL 202.19, 0.84%, 0.34%

LAB 42.67, -4.31, -36.03

 

CMYK 91 / 0 / 66 / 37

HEX #0EA037

RGB 14 160 55

HSL 136.85, 0.84%, 0.34%

LAB 57.57, -56.61, 43.67

 

CMYK 91 / 0 / 66 / 37

HEX #0EA037

RGB 14 160 55

HSL 136.85, 0.84%, 0.34%

LAB 57.57, -56.61, 43.67

 

CMYK 81 / 0 / 58 / 43

HEX #1C913D

RGB 28 145 61

HSL 136.92, 0.68%, 0.34%

LAB 52.77, -49.5, 35.39

 

CMYK 68 / 0 / 48 / 49

HEX #2A8344

RGB 42 131 68

HSL 137.53, 0.51%, 0.34%

LAB 48.44, -40.81, 26.49

 

CMYK 52 / 0 / 37 / 54

HEX #38754A

RGB 56 117 74

HSL 137.7, 0.35%, 0.34%

LAB 44.32, -30.17, 17.83

 

CMYK 32 / 0 / 22 / 60

HEX #466750

RGB 70 103 80

HSL 138.18, 0.19%, 0.34%

LAB 40.54, -17.32, 9.22

 

CMYK 69 / 0 / 91 / 37

HEX #32A00E

RGB 50 160 14

HSL 105.21, 0.84%, 0.34%

LAB 57.9, -54.68, 57.4

 

CMYK 91 / 0 / 90 / 37

HEX #0EA010

RGB 14 160 16

HSL 120.82, 0.84%, 0.34%

LAB 57.34, -59.53, 56.33

 

CMYK 91 / 0 / 66 / 37

HEX #0EA037

RGB 14 160 55

HSL 136.85, 0.84%, 0.34%

LAB 57.57, -56.61, 43.67

 

CMYK 91 / 0 / 41 / 37

HEX #0EA05E

RGB 14 160 94

HSL 152.88, 0.84%, 0.34%

LAB 58.08, -50.47, 24.8

 

CMYK 91 / 0 / 17 / 37

HEX #0EA085

RGB 14 160 133

HSL 168.9, 0.84%, 0.34%

LAB 58.91, -41.25, 4.29

 

CMYK 92 / 0 / 65 / 67

HEX #07541D

RGB 7 84 29

HSL 137.14, 0.85%, 0.18%

LAB 30.58, -34.75, 25.6

 

CMYK 91 / 0 / 66 / 52

HEX #0B7A2A

RGB 11 122 42

HSL 136.76, 0.83%, 0.26%

LAB 44.46, -45.99, 34.95

 

CMYK 91 / 0 / 66 / 37

HEX #0EA037

RGB 14 160 55

HSL 136.85, 0.84%, 0.34%

LAB 57.57, -56.61, 43.67

 

CMYK 91 / 0 / 65 / 23

HEX #11C545

RGB 17 197 69

HSL 137.33, 0.84%, 0.42%

LAB 69.81, -66.31, 51.21

 

CMYK 91 / 0 / 65 / 8

HEX #15EB52

RGB 21 235 82

HSL 137.1, 0.84%, 0.5%

LAB 81.94, -75.99, 59.22

 

CMYK 91 / 0 / 65 / 37

HEX #0EA138

RGB 14 161 56

HSL 137.14, 0.84%, 0.34%

LAB 57.91, -56.81, 43.61

 

CMYK 91 / 44 / 0 / 37

HEX #0E59A0

RGB 14 89 160

HSL 209.18, 0.84%, 0.34%

LAB 37.44, 6.48, -44.36

 

CMYK 0 / 91 / 81 / 37

HEX #A00E1F

RGB 160 14 31

HSL 353.01, 0.84%, 0.34%

LAB 33.75, 55.19, 32.71

 

CMYK 91 / 0 / 65 / 37

HEX #0EA138

RGB 14 161 56

HSL 137.14, 0.84%, 0.34%

LAB 57.91, -56.81, 43.61

 

CMYK 66 / 91 / 0 / 37

HEX #370EA0

RGB 55 14 160

HSL 256.85, 0.84%, 0.34%

LAB 22.53, 53.76, -68.64

 

CMYK 0 / 66 / 91 / 37

HEX #A0370E

RGB 160 55 14

HSL 16.85, 0.84%, 0.34%

LAB 38.27, 41.84, 45.08

 

CMYK 91 / 0 / 65 / 37

HEX #0EA138

RGB 14 161 56

HSL 137.14, 0.84%, 0.34%

LAB 57.91, -56.81, 43.61

 

CMYK 91 / 44 / 0 / 37

HEX #0E59A0

RGB 14 89 160

HSL 209.18, 0.84%, 0.34%

LAB 37.44, 6.48, -44.36

 

CMYK 0 / 91 / 26 / 37

HEX #A00E76

RGB 160 14 118

HSL 317.26, 0.84%, 0.34%

LAB 36.17, 61.87, -19.72

 

CMYK 0 / 48 / 91 / 37

HEX #A0540E

RGB 160 84 14

HSL 28.77, 0.84%, 0.34%

LAB 44.01, 27.11, 49.39

 

CMYK 91 / 0 / 65 / 37

HEX #0EA138

RGB 14 161 56

HSL 137.14, 0.84%, 0.34%

LAB 57.91, -56.81, 43.61

 

CMYK 91 / 72 / 0 / 37

HEX #0E2DA0

RGB 14 45 160

HSL 227.26, 0.84%, 0.34%

LAB 25.29, 36.17, -64.15

 

CMYK 0 / 91 / 26 / 37

HEX #A00E76

RGB 160 14 118

HSL 317.26, 0.84%, 0.34%

LAB 36.17, 61.87, -19.72

 

CMYK 0 / 20 / 91 / 37

HEX #A0800E

RGB 160 128 14

HSL 46.85, 0.84%, 0.34%

LAB 55.01, 2.27, 57.84

 

Description

Color code: HEX #0EA138 | qconv.com Color code: HEX #0EA138 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 161 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 161 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 65 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 65% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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