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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E9831 it is the complementary color #F167CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E9831. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E9831 shade: #13982C, #24AA3F, #35BC52, #46CE65 and #57E078

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E9831. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E9831 shade: #0E9831, #00861E, #00740B, #006200 and #005000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E9831 shade: #0E9A32, #119A0E, #369A0E, #5C9A0E and #829A0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E9831 shade: #0E9A32, #0E9A57, #0E9A7D, #0E919A and #0E6C9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E9831 shade matches the following richer shades: #0E9A32 and #01A82B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E9831 shade: #0E9A32, #1C8C38, #2A7F3F, #377146 and #45644D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E9831 shade: #369A0E, #119A0E, #0E9A31, #0E9A56 and #0E9A7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E9831 shade: #074E19, #0B7426, #0E9A32, #12C03E and #15E54A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E9831 shade: #0E9831, #0E5B9A and #9A0E23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E9831 shade: #0E9831, #310E9A and #9A310E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E9831 shade: #0E9831, #0E5B9A, #9A0E77 and #9A4D0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E9831 shade: #0E9831, #0E319A, #9A0E77 and #9A770E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 68 / 40

HEX #0E9831

RGB 14 152 49

HSL 135.22, 0.83%, 0.33%

LAB 54.84, -54.75, 43.29

 

Complementary color

CMYK 0 / 57 / 15 / 5

HEX #F167CE

RGB 241 103 206

HSL 315.22, 0.83%, 0.67%

LAB 64.05, 64.61, -27.74

 

CMYK 88 / 0 / 71 / 40

HEX #13982C

RGB 19 152 44

HSL 131.28, 0.78%, 0.34%

LAB 54.84, -54.86, 45.41

 

CMYK 79 / 0 / 63 / 33

HEX #24AA3F

RGB 36 170 63

HSL 132.09, 0.65%, 0.4%

LAB 61.21, -56.71, 44.25

 

CMYK 72 / 0 / 56 / 26

HEX #35BC52

RGB 53 188 82

HSL 132.89, 0.56%, 0.47%

LAB 67.53, -57.88, 42.87

 

CMYK 66 / 0 / 51 / 19

HEX #46CE65

RGB 70 206 101

HSL 133.68, 0.58%, 0.54%

LAB 73.79, -58.58, 41.42

 

CMYK 61 / 0 / 46 / 12

HEX #57E078

RGB 87 224 120

HSL 134.45, 0.69%, 0.61%

LAB 80.01, -58.97, 40

 

CMYK 91 / 0 / 68 / 40

HEX #0E9831

RGB 14 152 49

HSL 135.22, 0.83%, 0.33%

LAB 54.84, -54.75, 43.29

 

CMYK 100 / 0 / 78 / 47

HEX #00861E

RGB 0 134 30

HSL 133.43, 1%, 0.26%

LAB 48.44, -51.91, 44.2

 

CMYK 100 / 0 / 91 / 55

HEX #00740B

RGB 0 116 11

HSL 125.69, 1%, 0.23%

LAB 42.02, -47.69, 43.96

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 100 / 0 / 100 / 69

HEX #005000

RGB 0 80 0

HSL 120, 1%, 0.16%

LAB 28.74, -37.17, 35.87

 

CMYK 91 / 0 / 68 / 40

HEX #0E9A32

RGB 14 154 50

HSL 135.43, 0.83%, 0.33%

LAB 55.52, -55.27, 43.6

 

CMYK 89 / 0 / 91 / 40

HEX #119A0E

RGB 17 154 14

HSL 118.71, 0.83%, 0.33%

LAB 55.34, -57.61, 55

 

CMYK 65 / 0 / 91 / 40

HEX #369A0E

RGB 54 154 14

HSL 102.86, 0.83%, 0.33%

LAB 56.01, -51.77, 55.84

 

CMYK 40 / 0 / 91 / 40

HEX #5C9A0E

RGB 92 154 14

HSL 86.57, 0.83%, 0.33%

LAB 57.48, -40.37, 57.67

 

CMYK 16 / 0 / 91 / 40

HEX #829A0E

RGB 130 154 14

HSL 70.29, 0.83%, 0.33%

LAB 59.79, -25.17, 60.51

 

CMYK 91 / 0 / 68 / 40

HEX #0E9A32

RGB 14 154 50

HSL 135.43, 0.83%, 0.33%

LAB 55.52, -55.27, 43.6

 

CMYK 91 / 0 / 44 / 40

HEX #0E9A57

RGB 14 154 87

HSL 151.29, 0.83%, 0.33%

LAB 55.98, -49.66, 25.83

 

CMYK 91 / 0 / 19 / 40

HEX #0E9A7D

RGB 14 154 125

HSL 167.57, 0.83%, 0.33%

LAB 56.77, -40.84, 5.74

 

CMYK 91 / 6 / 0 / 40

HEX #0E919A

RGB 14 145 154

HSL 183.86, 0.83%, 0.33%

LAB 54.74, -28.03, -13.85

 

CMYK 91 / 30 / 0 / 40

HEX #0E6C9A

RGB 14 108 154

HSL 199.71, 0.83%, 0.33%

LAB 42.99, -7.86, -31.97

 

CMYK 91 / 0 / 68 / 40

HEX #0E9A32

RGB 14 154 50

HSL 135.43, 0.83%, 0.33%

LAB 55.52, -55.27, 43.6

 

CMYK 99 / 0 / 74 / 34

HEX #01A82B

RGB 1 168 43

HSL 135.09, 0.99%, 0.33%

LAB 60.06, -60.96, 51.15

 

CMYK 91 / 0 / 68 / 40

HEX #0E9A32

RGB 14 154 50

HSL 135.43, 0.83%, 0.33%

LAB 55.52, -55.27, 43.6

 

CMYK 80 / 0 / 60 / 45

HEX #1C8C38

RGB 28 140 56

HSL 135, 0.67%, 0.33%

LAB 51.02, -48.44, 35.79

 

CMYK 67 / 0 / 50 / 50

HEX #2A7F3F

RGB 42 127 63

HSL 134.82, 0.5%, 0.33%

LAB 47.01, -40.05, 27.4

 

CMYK 51 / 0 / 38 / 56

HEX #377146

RGB 55 113 70

HSL 135.52, 0.35%, 0.33%

LAB 42.86, -29.36, 18.2

 

CMYK 31 / 0 / 23 / 61

HEX #45644D

RGB 69 100 77

HSL 135.48, 0.18%, 0.33%

LAB 39.44, -16.67, 9.48

 

CMYK 65 / 0 / 91 / 40

HEX #369A0E

RGB 54 154 14

HSL 102.86, 0.83%, 0.33%

LAB 56.01, -51.77, 55.84

 

CMYK 89 / 0 / 91 / 40

HEX #119A0E

RGB 17 154 14

HSL 118.71, 0.83%, 0.33%

LAB 55.34, -57.61, 55

 

CMYK 91 / 0 / 68 / 40

HEX #0E9A31

RGB 14 154 49

HSL 135, 0.83%, 0.33%

LAB 55.51, -55.38, 44.02

 

CMYK 91 / 0 / 44 / 40

HEX #0E9A56

RGB 14 154 86

HSL 150.86, 0.83%, 0.33%

LAB 55.96, -49.85, 26.34

 

CMYK 91 / 0 / 19 / 40

HEX #0E9A7C

RGB 14 154 124

HSL 167.14, 0.83%, 0.33%

LAB 56.74, -41.11, 6.28

 

CMYK 91 / 0 / 68 / 69

HEX #074E19

RGB 7 78 25

HSL 135.21, 0.84%, 0.17%

LAB 28.29, -33.09, 25.07

 

CMYK 91 / 0 / 67 / 55

HEX #0B7426

RGB 11 116 38

HSL 135.43, 0.83%, 0.25%

LAB 42.31, -44.45, 34.44

 

CMYK 91 / 0 / 68 / 40

HEX #0E9A32

RGB 14 154 50

HSL 135.43, 0.83%, 0.33%

LAB 55.52, -55.27, 43.6

 

CMYK 91 / 0 / 68 / 25

HEX #12C03E

RGB 18 192 62

HSL 135.17, 0.83%, 0.41%

LAB 68.15, -65.48, 52.3

 

CMYK 91 / 0 / 68 / 10

HEX #15E54A

RGB 21 229 74

HSL 135.29, 0.83%, 0.49%

LAB 80.01, -75.04, 60.29

 

CMYK 91 / 0 / 68 / 40

HEX #0E9831

RGB 14 152 49

HSL 135.22, 0.83%, 0.33%

LAB 54.84, -54.75, 43.29

 

CMYK 91 / 41 / 0 / 40

HEX #0E5B9A

RGB 14 91 154

HSL 207, 0.83%, 0.33%

LAB 37.68, 2.73, -40.38

 

CMYK 0 / 91 / 77 / 40

HEX #9A0E23

RGB 154 14 35

HSL 351, 0.83%, 0.33%

LAB 32.49, 53.69, 28.53

 

CMYK 91 / 0 / 68 / 40

HEX #0E9831

RGB 14 152 49

HSL 135.22, 0.83%, 0.33%

LAB 54.84, -54.75, 43.29

 

CMYK 68 / 91 / 0 / 40

HEX #310E9A

RGB 49 14 154

HSL 255, 0.83%, 0.33%

LAB 21.21, 51.73, -67.17

 

CMYK 0 / 68 / 91 / 40

HEX #9A310E

RGB 154 49 14

HSL 15, 0.83%, 0.33%

LAB 36.17, 42.31, 43.02

 

CMYK 91 / 0 / 68 / 40

HEX #0E9831

RGB 14 152 49

HSL 135.22, 0.83%, 0.33%

LAB 54.84, -54.75, 43.29

 

CMYK 91 / 41 / 0 / 40

HEX #0E5B9A

RGB 14 91 154

HSL 207, 0.83%, 0.33%

LAB 37.68, 2.73, -40.38

 

CMYK 0 / 91 / 23 / 40

HEX #9A0E77

RGB 154 14 119

HSL 315, 0.83%, 0.33%

LAB 35.04, 60.7, -22.2

 

CMYK 0 / 50 / 91 / 40

HEX #9A4D0E

RGB 154 77 14

HSL 27, 0.83%, 0.33%

LAB 41.55, 28.37, 47.11

 

CMYK 91 / 0 / 68 / 40

HEX #0E9831

RGB 14 152 49

HSL 135.22, 0.83%, 0.33%

LAB 54.84, -54.75, 43.29

 

CMYK 91 / 68 / 0 / 40

HEX #0E319A

RGB 14 49 154

HSL 225, 0.83%, 0.33%

LAB 25.63, 31.25, -59.92

 

CMYK 0 / 91 / 23 / 40

HEX #9A0E77

RGB 154 14 119

HSL 315, 0.83%, 0.33%

LAB 35.04, 60.7, -22.2

 

CMYK 0 / 23 / 91 / 40

HEX #9A770E

RGB 154 119 14

HSL 45, 0.83%, 0.33%

LAB 51.94, 4.54, 55.17

 

Description

Color code: HEX #0E9831 | qconv.com Color code: HEX #0E9831 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 152 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 152 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 68 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 68% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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