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Color name
HEX #0E960F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E960F it is the complementary color #F169F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E960F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E960F shade: #13960A, #24A81D, #35BA30, #46CC43 and #57DE56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E960F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E960F shade: #0E960F, #008400, #007200, #006000 and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E960F shade: #0E950F, #31950E, #56950E, #7A950E and #958C0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E960F shade: #0E950F, #0E9533, #0E9558, #0E957C and #0E8A95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E960F shade matches the following richer shades: #0E950F and #01A302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E960F shade: #0E950F, #1B881C, #287B29, #356E36 and #436143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E960F shade: #56950E, #32950E, #0E950E, #0E9532 and #0E9556

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E960F shade: #074A07, #0A700B, #0E950F, #11BB13 and #15E116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E960F shade: #0E960F, #0E7A95 and #950E44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E960F shade: #0E960F, #0E0E95 and #950E0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E960F shade: #0E960F, #0E7A95, #950E95 and #95290E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E960F shade: #0E960F, #0E5295, #950E95 and #95520E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 90 / 41

HEX #0E960F

RGB 14 150 15

HSL 120.44, 0.83%, 0.32%

LAB 53.96, -56.63, 53.6

 

Complementary color

CMYK 0 / 56 / 0 / 5

HEX #F169F0

RGB 241 105 240

HSL 300.44, 0.83%, 0.68%

LAB 65.82, 69.1, -43.95

 

CMYK 87 / 0 / 93 / 41

HEX #13960A

RGB 19 150 10

HSL 116.14, 0.88%, 0.31%

LAB 54, -56.37, 54.55

 

CMYK 79 / 0 / 83 / 34

HEX #24A81D

RGB 36 168 29

HSL 116.98, 0.71%, 0.39%

LAB 60.31, -59.01, 56.02

 

CMYK 72 / 0 / 74 / 27

HEX #35BA30

RGB 53 186 48

HSL 117.83, 0.59%, 0.46%

LAB 66.59, -60.78, 56.15

 

CMYK 66 / 0 / 67 / 20

HEX #46CC43

RGB 70 204 67

HSL 118.69, 0.57%, 0.53%

LAB 72.82, -61.93, 55.55

 

CMYK 61 / 0 / 61 / 13

HEX #57DE56

RGB 87 222 86

HSL 119.56, 0.67%, 0.6%

LAB 79.01, -62.65, 54.58

 

CMYK 91 / 0 / 90 / 41

HEX #0E960F

RGB 14 150 15

HSL 120.44, 0.83%, 0.32%

LAB 53.96, -56.63, 53.6

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 91 / 0 / 90 / 42

HEX #0E950F

RGB 14 149 15

HSL 120.44, 0.83%, 0.32%

LAB 53.62, -56.33, 53.31

 

CMYK 67 / 0 / 91 / 42

HEX #31950E

RGB 49 149 14

HSL 104.44, 0.83%, 0.32%

LAB 54.22, -51.18, 54.25

 

CMYK 42 / 0 / 91 / 42

HEX #56950E

RGB 86 149 14

HSL 88, 0.83%, 0.32%

LAB 55.59, -40.4, 55.96

 

CMYK 18 / 0 / 91 / 42

HEX #7A950E

RGB 122 149 14

HSL 72, 0.83%, 0.32%

LAB 57.72, -26.15, 58.59

 

CMYK 0 / 6 / 91 / 42

HEX #958C0E

RGB 149 140 14

HSL 56, 0.83%, 0.32%

LAB 57.25, -9.42, 59.13

 

CMYK 91 / 0 / 90 / 42

HEX #0E950F

RGB 14 149 15

HSL 120.44, 0.83%, 0.32%

LAB 53.62, -56.33, 53.31

 

CMYK 91 / 0 / 66 / 42

HEX #0E9533

RGB 14 149 51

HSL 136.44, 0.83%, 0.32%

LAB 53.84, -53.56, 41.31

 

CMYK 91 / 0 / 41 / 42

HEX #0E9558

RGB 14 149 88

HSL 152.89, 0.83%, 0.32%

LAB 54.34, -47.62, 23.13

 

CMYK 91 / 0 / 17 / 42

HEX #0E957C

RGB 14 149 124

HSL 168.89, 0.83%, 0.32%

LAB 55.12, -38.97, 3.94

 

CMYK 91 / 7 / 0 / 42

HEX #0E8A95

RGB 14 138 149

HSL 184.89, 0.83%, 0.32%

LAB 52.33, -26.18, -14.61

 

CMYK 91 / 0 / 90 / 42

HEX #0E950F

RGB 14 149 15

HSL 120.44, 0.83%, 0.32%

LAB 53.62, -56.33, 53.31

 

CMYK 99 / 0 / 99 / 36

HEX #01A302

RGB 1 163 2

HSL 120.37, 0.99%, 0.32%

LAB 58.23, -61.55, 59.23

 

CMYK 91 / 0 / 90 / 42

HEX #0E950F

RGB 14 149 15

HSL 120.44, 0.83%, 0.32%

LAB 53.62, -56.33, 53.31

 

CMYK 80 / 0 / 79 / 47

HEX #1B881C

RGB 27 136 28

HSL 120.55, 0.67%, 0.32%

LAB 49.41, -50.16, 45.95

 

CMYK 67 / 0 / 67 / 52

HEX #287B29

RGB 40 123 41

HSL 120.72, 0.51%, 0.32%

LAB 45.33, -42, 36.54

 

CMYK 52 / 0 / 51 / 57

HEX #356E36

RGB 53 110 54

HSL 121.05, 0.35%, 0.32%

LAB 41.49, -31.37, 25.49

 

CMYK 31 / 0 / 31 / 62

HEX #436143

RGB 67 97 67

HSL 120, 0.18%, 0.32%

LAB 38.11, -17.79, 13.67

 

CMYK 42 / 0 / 91 / 42

HEX #56950E

RGB 86 149 14

HSL 88, 0.83%, 0.32%

LAB 55.59, -40.4, 55.96

 

CMYK 66 / 0 / 91 / 42

HEX #32950E

RGB 50 149 14

HSL 104, 0.83%, 0.32%

LAB 54.24, -50.95, 54.28

 

CMYK 91 / 0 / 91 / 42

HEX #0E950E

RGB 14 149 14

HSL 120, 0.83%, 0.32%

LAB 53.62, -56.37, 53.5

 

CMYK 91 / 0 / 66 / 42

HEX #0E9532

RGB 14 149 50

HSL 136, 0.83%, 0.32%

LAB 53.83, -53.68, 41.75

 

CMYK 91 / 0 / 42 / 42

HEX #0E9556

RGB 14 149 86

HSL 152, 0.83%, 0.32%

LAB 54.3, -48.02, 24.17

 

CMYK 91 / 0 / 91 / 71

HEX #074A07

RGB 7 74 7

HSL 120, 0.83%, 0.16%

LAB 26.61, -33.52, 31.28

 

CMYK 91 / 0 / 90 / 56

HEX #0A700B

RGB 10 112 11

HSL 120.59, 0.84%, 0.24%

LAB 40.7, -45.53, 42.83

 

CMYK 91 / 0 / 90 / 42

HEX #0E950F

RGB 14 149 15

HSL 120.44, 0.83%, 0.32%

LAB 53.62, -56.33, 53.31

 

CMYK 91 / 0 / 90 / 27

HEX #11BB13

RGB 17 187 19

HSL 120.71, 0.83%, 0.4%

LAB 66.3, -66.96, 63.51

 

CMYK 91 / 0 / 90 / 12

HEX #15E116

RGB 21 225 22

HSL 120.29, 0.83%, 0.48%

LAB 78.5, -77.12, 73.45

 

CMYK 91 / 0 / 90 / 41

HEX #0E960F

RGB 14 150 15

HSL 120.44, 0.83%, 0.32%

LAB 53.96, -56.63, 53.6

 

CMYK 91 / 18 / 0 / 42

HEX #0E7A95

RGB 14 122 149

HSL 192, 0.83%, 0.32%

LAB 47.21, -17.76, -22.44

 

CMYK 0 / 91 / 54 / 42

HEX #950E44

RGB 149 14 68

HSL 336, 0.83%, 0.32%

LAB 32.08, 54.24, 6.26

 

CMYK 91 / 0 / 90 / 41

HEX #0E960F

RGB 14 150 15

HSL 120.44, 0.83%, 0.32%

LAB 53.96, -56.63, 53.6

 

CMYK 91 / 91 / 0 / 42

HEX #0E0E95

RGB 14 14 149

HSL 240, 0.83%, 0.32%

LAB 18.26, 48.74, -69.05

 

CMYK 0 / 91 / 91 / 42

HEX #950E0E

RGB 149 14 14

HSL 0, 0.83%, 0.32%

LAB 31.2, 51.72, 38.81

 

CMYK 91 / 0 / 90 / 41

HEX #0E960F

RGB 14 150 15

HSL 120.44, 0.83%, 0.32%

LAB 53.96, -56.63, 53.6

 

CMYK 91 / 18 / 0 / 42

HEX #0E7A95

RGB 14 122 149

HSL 192, 0.83%, 0.32%

LAB 47.21, -17.76, -22.44

 

CMYK 0 / 91 / 0 / 42

HEX #950E95

RGB 149 14 149

HSL 300, 0.83%, 0.32%

LAB 35.74, 63.99, -39.77

 

CMYK 0 / 72 / 91 / 42

HEX #95290E

RGB 149 41 14

HSL 12, 0.83%, 0.32%

LAB 34, 43.86, 40.94

 

CMYK 91 / 0 / 90 / 41

HEX #0E960F

RGB 14 150 15

HSL 120.44, 0.83%, 0.32%

LAB 53.96, -56.63, 53.6

 

CMYK 91 / 45 / 0 / 42

HEX #0E5295

RGB 14 82 149

HSL 209.78, 0.83%, 0.32%

LAB 34.6, 6.59, -42.3

 

CMYK 0 / 91 / 0 / 42

HEX #950E95

RGB 149 14 149

HSL 300, 0.83%, 0.32%

LAB 35.74, 63.99, -39.77

 

CMYK 0 / 45 / 91 / 42

HEX #95520E

RGB 149 82 14

HSL 30.22, 0.83%, 0.32%

LAB 41.93, 23.41, 47.08

 

Description

Color code: HEX #0E960F | qconv.com Color code: HEX #0E960F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 150 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 150 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 90 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 90% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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