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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E901D it is the complementary color #F16FE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E901D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E901D shade: #139018, #24A22B, #35B43E, #46C651 and #57D864

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E901D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E901D shade: #0E901D, #007E0A, #006C00, #005A00 and #004800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E901D shade: #0E901D, #22900E, #45900E, #68900E and #8B900E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E901D shade: #0E901D, #0E9040, #0E9063, #0E9086 and #0E7790

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E901D shade matches the following richer shades: #0E901D and #019D13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E901D shade: #0E901D, #1B8327, #287631, #356A3B and #415D45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E901D shade: #46900E, #24900E, #0E901B, #0E903E and #0E9060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E901D shade: #07450E, #0B6A16, #0E901D, #12B525 and #16DB2C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E901D shade: #0E901D, #0E6990 and #900E35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E901D shade: #0E901D, #1B0E90 and #901B0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E901D shade: #0E901D, #0E6990, #900E83 and #90350E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E901D shade: #0E901D, #0E4290, #900E83 and #905C0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 80 / 44

HEX #0E901D

RGB 14 144 29

HSL 126.92, 0.82%, 0.31%

LAB 51.98, -54.06, 48.06

 

Complementary color

CMYK 0 / 54 / 6 / 5

HEX #F16FE2

RGB 241 111 226

HSL 306.92, 0.82%, 0.69%

LAB 66.18, 64.15, -35.62

 

CMYK 87 / 0 / 83 / 44

HEX #139018

RGB 19 144 24

HSL 122.4, 0.77%, 0.32%

LAB 52.01, -53.94, 49.65

 

CMYK 78 / 0 / 73 / 36

HEX #24A22B

RGB 36 162 43

HSL 123.33, 0.64%, 0.39%

LAB 58.41, -56.13, 49.57

 

CMYK 71 / 0 / 66 / 29

HEX #35B43E

RGB 53 180 62

HSL 124.25, 0.55%, 0.46%

LAB 64.76, -57.52, 48.74

 

CMYK 65 / 0 / 59 / 22

HEX #46C651

RGB 70 198 81

HSL 125.16, 0.53%, 0.53%

LAB 71.07, -58.36, 47.58

 

CMYK 60 / 0 / 54 / 15

HEX #57D864

RGB 87 216 100

HSL 126.05, 0.62%, 0.59%

LAB 77.32, -58.84, 46.29

 

CMYK 90 / 0 / 80 / 44

HEX #0E901D

RGB 14 144 29

HSL 126.92, 0.82%, 0.31%

LAB 51.98, -54.06, 48.06

 

CMYK 100 / 0 / 92 / 51

HEX #007E0A

RGB 0 126 10

HSL 124.76, 1%, 0.25%

LAB 45.56, -50.72, 47.27

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 90 / 0 / 80 / 44

HEX #0E901D

RGB 14 144 29

HSL 126.92, 0.82%, 0.31%

LAB 51.98, -54.06, 48.06

 

CMYK 76 / 0 / 90 / 44

HEX #22900E

RGB 34 144 14

HSL 110.77, 0.82%, 0.31%

LAB 52.2, -52.43, 52.38

 

CMYK 52 / 0 / 90 / 44

HEX #45900E

RGB 69 144 14

HSL 94.62, 0.82%, 0.31%

LAB 53.21, -44.02, 53.65

 

CMYK 28 / 0 / 90 / 44

HEX #68900E

RGB 104 144 14

HSL 78.46, 0.82%, 0.31%

LAB 54.99, -31.3, 55.86

 

CMYK 3 / 0 / 90 / 44

HEX #8B900E

RGB 139 144 14

HSL 62.31, 0.82%, 0.31%

LAB 57.53, -16.11, 58.98

 

CMYK 90 / 0 / 80 / 44

HEX #0E901D

RGB 14 144 29

HSL 126.92, 0.82%, 0.31%

LAB 51.98, -54.06, 48.06

 

CMYK 90 / 0 / 56 / 44

HEX #0E9040

RGB 14 144 64

HSL 143.08, 0.82%, 0.31%

LAB 52.3, -50.14, 33.27

 

CMYK 90 / 0 / 31 / 44

HEX #0E9063

RGB 14 144 99

HSL 159.23, 0.82%, 0.31%

LAB 52.88, -43.28, 15.03

 

CMYK 90 / 0 / 7 / 44

HEX #0E9086

RGB 14 144 134

HSL 175.38, 0.82%, 0.31%

LAB 53.77, -33.84, -3.77

 

CMYK 90 / 17 / 0 / 44

HEX #0E7790

RGB 14 119 144

HSL 191.54, 0.82%, 0.31%

LAB 46.04, -17.91, -21.29

 

CMYK 90 / 0 / 80 / 44

HEX #0E901D

RGB 14 144 29

HSL 126.92, 0.82%, 0.31%

LAB 51.98, -54.06, 48.06

 

CMYK 99 / 0 / 88 / 38

HEX #019D13

RGB 1 157 19

HSL 126.92, 0.99%, 0.31%

LAB 56.26, -59.31, 54.73

 

CMYK 90 / 0 / 80 / 44

HEX #0E901D

RGB 14 144 29

HSL 126.92, 0.82%, 0.31%

LAB 51.98, -54.06, 48.06

 

CMYK 79 / 0 / 70 / 49

HEX #1B8327

RGB 27 131 39

HSL 126.92, 0.66%, 0.31%

LAB 47.77, -47.52, 40.01

 

CMYK 66 / 0 / 58 / 54

HEX #287631

RGB 40 118 49

HSL 126.92, 0.49%, 0.31%

LAB 43.7, -39.04, 30.74

 

CMYK 50 / 0 / 44 / 58

HEX #356A3B

RGB 53 106 59

HSL 126.79, 0.33%, 0.31%

LAB 40.21, -28.69, 21.05

 

CMYK 30 / 0 / 26 / 64

HEX #415D45

RGB 65 93 69

HSL 128.57, 0.18%, 0.31%

LAB 36.71, -15.95, 10.52

 

CMYK 51 / 0 / 90 / 44

HEX #46900E

RGB 70 144 14

HSL 94.15, 0.82%, 0.31%

LAB 53.25, -43.71, 53.7

 

CMYK 75 / 0 / 90 / 44

HEX #24900E

RGB 36 144 14

HSL 109.85, 0.82%, 0.31%

LAB 52.23, -52.09, 52.43

 

CMYK 90 / 0 / 81 / 44

HEX #0E901B

RGB 14 144 27

HSL 126, 0.82%, 0.31%

LAB 51.97, -54.2, 48.69

 

CMYK 90 / 0 / 57 / 44

HEX #0E903E

RGB 14 144 62

HSL 142.15, 0.82%, 0.31%

LAB 52.27, -50.44, 34.25

 

CMYK 90 / 0 / 33 / 44

HEX #0E9060

RGB 14 144 96

HSL 157.85, 0.82%, 0.31%

LAB 52.82, -43.98, 16.64

 

CMYK 90 / 0 / 80 / 73

HEX #07450E

RGB 7 69 14

HSL 126.77, 0.82%, 0.15%

LAB 24.74, -31.1, 26.61

 

CMYK 90 / 0 / 79 / 58

HEX #0B6A16

RGB 11 106 22

HSL 126.95, 0.81%, 0.23%

LAB 38.62, -42.76, 37.42

 

CMYK 90 / 0 / 80 / 44

HEX #0E901D

RGB 14 144 29

HSL 126.92, 0.82%, 0.31%

LAB 51.98, -54.06, 48.06

 

CMYK 90 / 0 / 80 / 29

HEX #12B525

RGB 18 181 37

HSL 126.99, 0.82%, 0.39%

LAB 64.41, -64.3, 57.47

 

CMYK 90 / 0 / 80 / 14

HEX #16DB2C

RGB 22 219 44

HSL 126.7, 0.82%, 0.47%

LAB 76.69, -74.46, 67.08

 

CMYK 90 / 0 / 80 / 44

HEX #0E901D

RGB 14 144 29

HSL 126.92, 0.82%, 0.31%

LAB 51.98, -54.06, 48.06

 

CMYK 90 / 27 / 0 / 44

HEX #0E6990

RGB 14 105 144

HSL 198, 0.82%, 0.31%

LAB 41.55, -9.93, -28.27

 

CMYK 0 / 90 / 63 / 44

HEX #900E35

RGB 144 14 53

HSL 342, 0.82%, 0.31%

LAB 30.64, 51.87, 14.07

 

CMYK 90 / 0 / 80 / 44

HEX #0E901D

RGB 14 144 29

HSL 126.92, 0.82%, 0.31%

LAB 51.98, -54.06, 48.06

 

CMYK 81 / 90 / 0 / 44

HEX #1B0E90

RGB 27 14 144

HSL 246, 0.82%, 0.31%

LAB 18.19, 47.68, -66.05

 

CMYK 0 / 81 / 90 / 44

HEX #901B0E

RGB 144 27 14

HSL 6, 0.82%, 0.31%

LAB 31.22, 47.11, 38.36

 

CMYK 90 / 0 / 80 / 44

HEX #0E901D

RGB 14 144 29

HSL 126.92, 0.82%, 0.31%

LAB 51.98, -54.06, 48.06

 

CMYK 90 / 27 / 0 / 44

HEX #0E6990

RGB 14 105 144

HSL 198, 0.82%, 0.31%

LAB 41.55, -9.93, -28.27

 

CMYK 0 / 90 / 9 / 44

HEX #900E83

RGB 144 14 131

HSL 306, 0.82%, 0.31%

LAB 33.74, 60.28, -31.9

 

CMYK 0 / 63 / 90 / 44

HEX #90350E

RGB 144 53 14

HSL 18, 0.82%, 0.31%

LAB 35.02, 36.74, 41.33

 

CMYK 90 / 0 / 80 / 44

HEX #0E901D

RGB 14 144 29

HSL 126.92, 0.82%, 0.31%

LAB 51.98, -54.06, 48.06

 

CMYK 90 / 54 / 0 / 44

HEX #0E4290

RGB 14 66 144

HSL 216, 0.82%, 0.31%

LAB 29.42, 15.42, -47.6

 

CMYK 0 / 90 / 9 / 44

HEX #900E83

RGB 144 14 131

HSL 306, 0.82%, 0.31%

LAB 33.74, 60.28, -31.9

 

CMYK 0 / 36 / 90 / 44

HEX #905C0E

RGB 144 92 14

HSL 36, 0.82%, 0.31%

LAB 43.68, 15.4, 48.16

 

Description

Color code: HEX #0E901D | qconv.com Color code: HEX #0E901D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 144 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 144 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 80 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 80% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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