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Color name
HEX #0E8D64

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E8D64 it is the complementary color #F1729B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E8D64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E8D64 shade: #138D5F, #249F72, #35B185, #46C398 and #57D5AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E8D64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E8D64 shade: #0E8D64, #007B51, #00693E, #00572B and #004518

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E8D64 shade: #0E8B63, #0E8B41, #0E8B1F, #1E8B0E and #408B0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E8D64 shade: #0E8B63, #0E8B85, #0E708B, #0E4E8B and #0E2C8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E8D64 shade matches the following richer shades: #0E8B63 and #019867

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E8D64 shade: #0E8B63, #1A7F5E, #27725A, #336656 and #3F5A51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E8D64 shade: #0E8B1E, #0E8B40, #0E8B61, #0E8B83 and #0E728B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E8D64 shade: #06402D, #0A6648, #0E8B63, #11B17D and #15D698

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E8D64 shade: #0E8D64, #0E1E8B and #8B2F0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E8D64 shade: #0E8D64, #610E8B and #8B610E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E8D64 shade: #0E8D64, #0E1E8B, #8B0E38 and #8B7B0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E8D64 shade: #0E8D64, #230E8B, #8B0E38 and #768B0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 29 / 45

HEX #0E8D64

RGB 14 141 100

HSL 160.63, 0.82%, 0.3%

LAB 51.91, -41.83, 13.11

 

Complementary color

CMYK 0 / 53 / 36 / 5

HEX #F1729B

RGB 241 114 155

HSL 340.63, 0.82%, 0.7%

LAB 64.24, 52.87, 1.53

 

CMYK 87 / 0 / 33 / 45

HEX #138D5F

RGB 19 141 95

HSL 157.38, 0.76%, 0.31%

LAB 51.85, -42.63, 15.89

 

CMYK 77 / 0 / 28 / 38

HEX #249F72

RGB 36 159 114

HSL 158.05, 0.63%, 0.38%

LAB 58.4, -43.69, 14.29

 

CMYK 70 / 0 / 25 / 31

HEX #35B185

RGB 53 177 133

HSL 158.71, 0.54%, 0.45%

LAB 64.88, -44.32, 12.87

 

CMYK 64 / 0 / 22 / 24

HEX #46C398

RGB 70 195 152

HSL 159.36, 0.51%, 0.52%

LAB 71.28, -44.68, 11.59

 

CMYK 59 / 0 / 20 / 16

HEX #57D5AB

RGB 87 213 171

HSL 160, 0.6%, 0.59%

LAB 77.61, -44.86, 10.44

 

CMYK 90 / 0 / 29 / 45

HEX #0E8D64

RGB 14 141 100

HSL 160.63, 0.82%, 0.3%

LAB 51.91, -41.83, 13.11

 

CMYK 100 / 0 / 34 / 52

HEX #007B51

RGB 0 123 81

HSL 159.51, 1%, 0.24%

LAB 45.3, -40.05, 14.92

 

CMYK 100 / 0 / 41 / 59

HEX #00693E

RGB 0 105 62

HSL 155.43, 1%, 0.21%

LAB 38.64, -37.31, 17

 

CMYK 100 / 0 / 51 / 66

HEX #00572B

RGB 0 87 43

HSL 149.66, 1%, 0.17%

LAB 31.79, -34.34, 19.21

 

CMYK 100 / 0 / 65 / 73

HEX #004518

RGB 0 69 24

HSL 140.87, 1%, 0.14%

LAB 24.71, -31, 21.43

 

CMYK 90 / 0 / 29 / 45

HEX #0E8B63

RGB 14 139 99

HSL 160.8, 0.82%, 0.3%

LAB 51.22, -41.26, 12.73

 

CMYK 90 / 0 / 53 / 45

HEX #0E8B41

RGB 14 139 65

HSL 144.48, 0.82%, 0.3%

LAB 50.62, -48.24, 30.71

 

CMYK 90 / 0 / 78 / 45

HEX #0E8B1F

RGB 14 139 31

HSL 128.16, 0.82%, 0.3%

LAB 50.28, -52.36, 45.71

 

CMYK 78 / 0 / 90 / 45

HEX #1E8B0E

RGB 30 139 14

HSL 112.32, 0.82%, 0.3%

LAB 50.42, -51.46, 50.81

 

CMYK 54 / 0 / 90 / 45

HEX #408B0E

RGB 64 139 14

HSL 96, 0.82%, 0.3%

LAB 51.37, -43.61, 51.99

 

CMYK 90 / 0 / 29 / 45

HEX #0E8B63

RGB 14 139 99

HSL 160.8, 0.82%, 0.3%

LAB 51.22, -41.26, 12.73

 

CMYK 90 / 0 / 4 / 45

HEX #0E8B85

RGB 14 139 133

HSL 177.12, 0.82%, 0.3%

LAB 52.12, -31.8, -5.64

 

CMYK 90 / 19 / 0 / 45

HEX #0E708B

RGB 14 112 139

HSL 192.96, 0.82%, 0.3%

LAB 43.57, -15.85, -22.12

 

CMYK 90 / 44 / 0 / 45

HEX #0E4E8B

RGB 14 78 139

HSL 209.28, 0.82%, 0.3%

LAB 32.71, 5.11, -39.22

 

CMYK 90 / 68 / 0 / 45

HEX #0E2C8B

RGB 14 44 139

HSL 225.6, 0.82%, 0.3%

LAB 22.86, 28.7, -55.23

 

CMYK 90 / 0 / 29 / 45

HEX #0E8B63

RGB 14 139 99

HSL 160.8, 0.82%, 0.3%

LAB 51.22, -41.26, 12.73

 

CMYK 99 / 0 / 32 / 40

HEX #019867

RGB 1 152 103

HSL 160.53, 0.99%, 0.3%

LAB 55.52, -46.21, 16.4

 

CMYK 90 / 0 / 29 / 45

HEX #0E8B63

RGB 14 139 99

HSL 160.8, 0.82%, 0.3%

LAB 51.22, -41.26, 12.73

 

CMYK 80 / 0 / 26 / 50

HEX #1A7F5E

RGB 26 127 94

HSL 160.4, 0.66%, 0.3%

LAB 47.24, -36.28, 10.08

 

CMYK 66 / 0 / 21 / 55

HEX #27725A

RGB 39 114 90

HSL 160.8, 0.49%, 0.3%

LAB 43.07, -29.28, 6.59

 

CMYK 50 / 0 / 16 / 60

HEX #336656

RGB 51 102 86

HSL 161.18, 0.33%, 0.3%

LAB 39.37, -21.44, 3.78

 

CMYK 30 / 0 / 10 / 65

HEX #3F5A51

RGB 63 90 81

HSL 160, 0.18%, 0.3%

LAB 35.91, -12.29, 1.95

 

CMYK 90 / 0 / 78 / 45

HEX #0E8B1E

RGB 14 139 30

HSL 127.68, 0.82%, 0.3%

LAB 50.28, -52.44, 46.06

 

CMYK 90 / 0 / 54 / 45

HEX #0E8B40

RGB 14 139 64

HSL 144, 0.82%, 0.3%

LAB 50.6, -48.4, 31.21

 

CMYK 90 / 0 / 30 / 45

HEX #0E8B61

RGB 14 139 97

HSL 159.84, 0.82%, 0.3%

LAB 51.18, -41.75, 13.81

 

CMYK 90 / 0 / 6 / 45

HEX #0E8B83

RGB 14 139 131

HSL 176.16, 0.82%, 0.3%

LAB 52.06, -32.42, -4.56

 

CMYK 90 / 18 / 0 / 45

HEX #0E728B

RGB 14 114 139

HSL 192, 0.82%, 0.3%

LAB 44.22, -16.96, -21.13

 

CMYK 91 / 0 / 30 / 75

HEX #06402D

RGB 6 64 45

HSL 160.34, 0.83%, 0.14%

LAB 23.32, -23.16, 6.67

 

CMYK 90 / 0 / 29 / 60

HEX #0A6648

RGB 10 102 72

HSL 160.43, 0.82%, 0.22%

LAB 37.91, -32.75, 10.06

 

CMYK 90 / 0 / 29 / 45

HEX #0E8B63

RGB 14 139 99

HSL 160.8, 0.82%, 0.3%

LAB 51.22, -41.26, 12.73

 

CMYK 90 / 0 / 29 / 31

HEX #11B17D

RGB 17 177 125

HSL 160.5, 0.82%, 0.38%

LAB 64.2, -50, 16.22

 

CMYK 90 / 0 / 29 / 16

HEX #15D698

RGB 21 214 152

HSL 160.73, 0.82%, 0.46%

LAB 76.39, -57.7, 18.63

 

CMYK 90 / 0 / 29 / 45

HEX #0E8D64

RGB 14 141 100

HSL 160.63, 0.82%, 0.3%

LAB 51.91, -41.83, 13.11

 

CMYK 90 / 78 / 0 / 45

HEX #0E1E8B

RGB 14 30 139

HSL 232.32, 0.82%, 0.3%

LAB 19.58, 37.72, -60.63

 

CMYK 0 / 66 / 90 / 45

HEX #8B2F0E

RGB 139 47 14

HSL 15.84, 0.82%, 0.3%

LAB 33.04, 37.67, 39.37

 

CMYK 90 / 0 / 29 / 45

HEX #0E8D64

RGB 14 141 100

HSL 160.63, 0.82%, 0.3%

LAB 51.91, -41.83, 13.11

 

CMYK 30 / 90 / 0 / 45

HEX #610E8B

RGB 97 14 139

HSL 279.84, 0.82%, 0.3%

LAB 25.92, 53.34, -49.9

 

CMYK 0 / 30 / 90 / 45

HEX #8B610E

RGB 139 97 14

HSL 39.84, 0.82%, 0.3%

LAB 44.33, 10.15, 48.41

 

CMYK 90 / 0 / 29 / 45

HEX #0E8D64

RGB 14 141 100

HSL 160.63, 0.82%, 0.3%

LAB 51.91, -41.83, 13.11

 

CMYK 90 / 78 / 0 / 45

HEX #0E1E8B

RGB 14 30 139

HSL 232.32, 0.82%, 0.3%

LAB 19.58, 37.72, -60.63

 

CMYK 0 / 90 / 60 / 45

HEX #8B0E38

RGB 139 14 56

HSL 339.84, 0.82%, 0.3%

LAB 29.63, 50.73, 10.52

 

CMYK 0 / 12 / 90 / 45

HEX #8B7B0E

RGB 139 123 14

HSL 52.32, 0.82%, 0.3%

LAB 51.48, -4.75, 54.14

 

CMYK 90 / 0 / 29 / 45

HEX #0E8D64

RGB 14 141 100

HSL 160.63, 0.82%, 0.3%

LAB 51.91, -41.83, 13.11

 

CMYK 75 / 90 / 0 / 45

HEX #230E8B

RGB 35 14 139

HSL 250.08, 0.82%, 0.3%

LAB 18.08, 46.63, -63.1

 

CMYK 0 / 90 / 60 / 45

HEX #8B0E38

RGB 139 14 56

HSL 339.84, 0.82%, 0.3%

LAB 29.63, 50.73, 10.52

 

CMYK 15 / 0 / 90 / 45

HEX #768B0E

RGB 118 139 14

HSL 70.08, 0.82%, 0.3%

LAB 54.39, -22.92, 55.76

 

Description

Color code: HEX #0E8D64 | qconv.com Color code: HEX #0E8D64 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 141 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 141 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 29 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 29% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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