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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E7C91 it is the complementary color #F1836E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E7C91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E7C91 shade: #137C8C, #248E9F, #35A0B2, #46B2C5 and #57C4D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E7C91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E7C91 shade: #0E7C91, #006A7E, #00586B, #004658 and #003445

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E7C91 shade: #0E7B90, #0E5890, #0E3590, #0E1290 and #2D0E90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E7C91 shade: #0E7B90, #0E5890, #0E3590, #0E1290 and #0E0E90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E7C91 shade matches the following richer shades: #0E7B90 and #01849D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E7C91 shade: #0E7B90, #1B7283, #286A76, #35616A and #41585D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E7C91 shade: #0E905E, #0E9081, #0E7C90, #0E5A90 and #0E3790

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E7C91 shade: #073B45, #0B5B6A, #0E7B90, #129BB5 and #16BBDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E7C91 shade: #0E7C91, #3C0E90 and #906F0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E7C91 shade: #0E7C91, #900E7C and #7C900E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E7C91 shade: #0E7C91, #3C0E90, #90220E and #62900E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E7C91 shade: #0E7C91, #620E90, #90220E and #3C900E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 14 / 0 / 43

HEX #0E7C91

RGB 14 124 145

HSL 189.62, 0.82%, 0.31%

LAB 47.69, -20.27, -19.34

 

Complementary color

CMYK 0 / 46 / 54 / 5

HEX #F1836E

RGB 241 131 110

HSL 9.62, 0.82%, 0.69%

LAB 66.57, 40.08, 30.15

 

CMYK 86 / 11 / 0 / 45

HEX #137C8C

RGB 19 124 140

HSL 187.93, 0.76%, 0.31%

LAB 47.56, -21.66, -16.6

 

CMYK 77 / 11 / 0 / 38

HEX #248E9F

RGB 36 142 159

HSL 188.29, 0.63%, 0.38%

LAB 54.26, -23.05, -17.42

 

CMYK 70 / 10 / 0 / 30

HEX #35A0B2

RGB 53 160 178

HSL 188.64, 0.54%, 0.45%

LAB 60.88, -24.04, -18.14

 

CMYK 64 / 10 / 0 / 23

HEX #46B2C5

RGB 70 178 197

HSL 188.98, 0.52%, 0.52%

LAB 67.41, -24.76, -18.78

 

CMYK 60 / 9 / 0 / 15

HEX #57C4D8

RGB 87 196 216

HSL 189.3, 0.62%, 0.59%

LAB 73.85, -25.28, -19.36

 

CMYK 90 / 14 / 0 / 43

HEX #0E7C91

RGB 14 124 145

HSL 189.62, 0.82%, 0.31%

LAB 47.69, -20.27, -19.34

 

CMYK 100 / 16 / 0 / 51

HEX #006A7E

RGB 0 106 126

HSL 189.52, 1%, 0.25%

LAB 40.92, -18.12, -18.41

 

CMYK 100 / 18 / 0 / 58

HEX #00586B

RGB 0 88 107

HSL 190.65, 1%, 0.21%

LAB 34.07, -15.15, -17.29

 

CMYK 100 / 20 / 0 / 65

HEX #004658

RGB 0 70 88

HSL 192.27, 1%, 0.17%

LAB 26.98, -12.02, -16.16

 

CMYK 100 / 25 / 0 / 73

HEX #003445

RGB 0 52 69

HSL 194.78, 1%, 0.14%

LAB 19.58, -8.7, -15.04

 

CMYK 90 / 15 / 0 / 44

HEX #0E7B90

RGB 14 123 144

HSL 189.69, 0.82%, 0.31%

LAB 47.33, -20.08, -19.31

 

CMYK 90 / 39 / 0 / 44

HEX #0E5890

RGB 14 88 144

HSL 205.85, 0.82%, 0.31%

LAB 36.15, 0.59, -36.78

 

CMYK 90 / 63 / 0 / 44

HEX #0E3590

RGB 14 53 144

HSL 222, 0.82%, 0.31%

LAB 25.72, 24.51, -53.62

 

CMYK 90 / 88 / 0 / 44

HEX #0E1290

RGB 14 18 144

HSL 238.15, 0.82%, 0.31%

LAB 18.1, 45.62, -66.22

 

CMYK 69 / 90 / 0 / 44

HEX #2D0E90

RGB 45 14 144

HSL 254.31, 0.82%, 0.31%

LAB 19.58, 48.7, -63.7

 

CMYK 90 / 15 / 0 / 44

HEX #0E7B90

RGB 14 123 144

HSL 189.69, 0.82%, 0.31%

LAB 47.33, -20.08, -19.31

 

CMYK 90 / 39 / 0 / 44

HEX #0E5890

RGB 14 88 144

HSL 205.85, 0.82%, 0.31%

LAB 36.15, 0.59, -36.78

 

CMYK 90 / 63 / 0 / 44

HEX #0E3590

RGB 14 53 144

HSL 222, 0.82%, 0.31%

LAB 25.72, 24.51, -53.62

 

CMYK 90 / 88 / 0 / 44

HEX #0E1290

RGB 14 18 144

HSL 238.15, 0.82%, 0.31%

LAB 18.1, 45.62, -66.22

 

CMYK 90 / 90 / 0 / 44

HEX #0E0E90

RGB 14 14 144

HSL 240, 0.82%, 0.31%

LAB 17.56, 47.24, -67.12

 

CMYK 90 / 15 / 0 / 44

HEX #0E7B90

RGB 14 123 144

HSL 189.69, 0.82%, 0.31%

LAB 47.33, -20.08, -19.31

 

CMYK 99 / 16 / 0 / 38

HEX #01849D

RGB 1 132 157

HSL 189.62, 0.99%, 0.31%

LAB 50.62, -20.92, -21.88

 

CMYK 90 / 15 / 0 / 44

HEX #0E7B90

RGB 14 123 144

HSL 189.69, 0.82%, 0.31%

LAB 47.33, -20.08, -19.31

 

CMYK 79 / 13 / 0 / 49

HEX #1B7283

RGB 27 114 131

HSL 189.81, 0.66%, 0.31%

LAB 44.1, -18.63, -16.52

 

CMYK 66 / 10 / 0 / 54

HEX #286A76

RGB 40 106 118

HSL 189.23, 0.49%, 0.31%

LAB 41.32, -16.69, -12.89

 

CMYK 50 / 8 / 0 / 58

HEX #35616A

RGB 53 97 106

HSL 190.19, 0.33%, 0.31%

LAB 38.46, -12.51, -9.84

 

CMYK 30 / 5 / 0 / 64

HEX #41585D

RGB 65 88 93

HSL 190.71, 0.18%, 0.31%

LAB 35.78, -7.35, -5.73

 

CMYK 90 / 0 / 35 / 44

HEX #0E905E

RGB 14 144 94

HSL 156.92, 0.82%, 0.31%

LAB 52.78, -44.43, 17.71

 

CMYK 90 / 0 / 10 / 44

HEX #0E9081

RGB 14 144 129

HSL 173.08, 0.82%, 0.31%

LAB 53.63, -35.32, -1.1

 

CMYK 90 / 14 / 0 / 44

HEX #0E7C90

RGB 14 124 144

HSL 189.23, 0.82%, 0.31%

LAB 47.65, -20.62, -18.82

 

CMYK 90 / 38 / 0 / 44

HEX #0E5A90

RGB 14 90 144

HSL 204.92, 0.82%, 0.31%

LAB 36.78, -0.69, -35.78

 

CMYK 90 / 62 / 0 / 44

HEX #0E3790

RGB 14 55 144

HSL 221.08, 0.82%, 0.31%

LAB 26.27, 23.11, -52.73

 

CMYK 90 / 14 / 0 / 73

HEX #073B45

RGB 7 59 69

HSL 189.68, 0.82%, 0.15%

LAB 22.31, -12.09, -10.81

 

CMYK 90 / 14 / 0 / 58

HEX #0B5B6A

RGB 11 91 106

HSL 189.47, 0.81%, 0.23%

LAB 35.19, -16.38, -14.93

 

CMYK 90 / 15 / 0 / 44

HEX #0E7B90

RGB 14 123 144

HSL 189.69, 0.82%, 0.31%

LAB 47.33, -20.08, -19.31

 

CMYK 90 / 14 / 0 / 29

HEX #129BB5

RGB 18 155 181

HSL 189.57, 0.82%, 0.39%

LAB 58.89, -23.87, -22.93

 

CMYK 90 / 15 / 0 / 14

HEX #16BBDB

RGB 22 187 219

HSL 189.75, 0.82%, 0.47%

LAB 70.05, -27.16, -26.89

 

CMYK 90 / 14 / 0 / 43

HEX #0E7C91

RGB 14 124 145

HSL 189.62, 0.82%, 0.31%

LAB 47.69, -20.27, -19.34

 

CMYK 58 / 90 / 0 / 44

HEX #3C0E90

RGB 60 14 144

HSL 261.23, 0.82%, 0.31%

LAB 21.16, 49.94, -61.03

 

CMYK 0 / 23 / 90 / 44

HEX #906F0E

RGB 144 111 14

HSL 44.77, 0.82%, 0.31%

LAB 48.67, 4.41, 52.12

 

CMYK 90 / 14 / 0 / 43

HEX #0E7C91

RGB 14 124 145

HSL 189.62, 0.82%, 0.31%

LAB 47.69, -20.27, -19.34

 

CMYK 0 / 90 / 14 / 44

HEX #900E7C

RGB 144 14 124

HSL 309.23, 0.82%, 0.31%

LAB 33.35, 59.27, -28.13

 

CMYK 14 / 0 / 90 / 44

HEX #7C900E

RGB 124 144 14

HSL 69.23, 0.82%, 0.31%

LAB 56.35, -22.8, 57.54

 

CMYK 90 / 14 / 0 / 43

HEX #0E7C91

RGB 14 124 145

HSL 189.62, 0.82%, 0.31%

LAB 47.69, -20.27, -19.34

 

CMYK 58 / 90 / 0 / 44

HEX #3C0E90

RGB 60 14 144

HSL 261.23, 0.82%, 0.31%

LAB 21.16, 49.94, -61.03

 

CMYK 0 / 76 / 90 / 44

HEX #90220E

RGB 144 34 14

HSL 9.23, 0.82%, 0.31%

LAB 32.04, 44.8, 39

 

CMYK 32 / 0 / 90 / 44

HEX #62900E

RGB 98 144 14

HSL 81.23, 0.82%, 0.31%

LAB 54.63, -33.71, 55.42

 

CMYK 90 / 14 / 0 / 43

HEX #0E7C91

RGB 14 124 145

HSL 189.62, 0.82%, 0.31%

LAB 47.69, -20.27, -19.34

 

CMYK 32 / 90 / 0 / 44

HEX #620E90

RGB 98 14 144

HSL 278.77, 0.82%, 0.31%

LAB 26.52, 54.56, -52.03

 

CMYK 0 / 76 / 90 / 44

HEX #90220E

RGB 144 34 14

HSL 9.23, 0.82%, 0.31%

LAB 32.04, 44.8, 39

 

CMYK 58 / 0 / 90 / 44

HEX #3C900E

RGB 60 144 14

HSL 98.77, 0.82%, 0.31%

LAB 52.88, -46.66, 53.24

 

Description

Color code: HEX #0E7C91 | qconv.com Color code: HEX #0E7C91 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 124 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 124 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 14 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 14% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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