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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E708ACE it is the complementary color #F18F75CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E708ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E708ACE shade: #137085CE, #248298CE, #3594ABCE, #46A6BECE and #57B8D1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E708ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E708ACE shade: #0E708ACE, #005E77CE, #004C64CE, #003A51CE and #00283ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E708ACE shade: #0E718B, #0E4F8B, #0E2D8B, #100E8B and #320E8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E708ACE shade: #0E718B, #0E4F8B, #0E2D8B and #0E0E8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E708ACE shade matches the following richer shades: #0E718B and #017898

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E708ACE shade: #0E718B, #1A6A7F, #276372, #335B66 and #3F545A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E708ACE shade: #0E8B61, #0E8B83, #0E728B, #0E518B and #0E2F8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E708ACE shade: #063440, #0A5266, #0E718B, #118FB1 and #15AED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E708ACE shade: #0E708A, #400E8B and #8B720E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E708ACE shade: #0E708A, #8B0E72 and #728B0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E708ACE shade: #0E708A, #400E8B, #8B270E and #598B0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E708ACE shade: #0E708A, #660E8B, #8B270E and #338B0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 15 / 0 / 37

HEX #0E708ACE

RGBA 14 112 138 0.81

HSLA 192.58, 0.82%, 0.3%, 0.81

LABA 43.53, -16.21, -21.59, 0.81

 

Complementary color

CMYK 0 / 33 / 42 / 4

HEX #F18F75CE

RGBA 241 143 117 0.81

HSLA 12.58, 0.82%, 0.7%, 0.81

LABA 69.21, 34.5, 29.76, 0.81

 

CMYK 69 / 13 / 0 / 39

HEX #137085CE

RGBA 19 112 133 0.81

HSLA 191.05, 0.75%, 0.3%, 0.81

LABA 43.39, -17.64, -18.81, 0.81

 

CMYK 62 / 12 / 0 / 33

HEX #248298CE

RGBA 36 130 152 0.81

HSLA 191.38, 0.62%, 0.37%, 0.81

LABA 50.22, -19.04, -19.53, 0.81

 

CMYK 56 / 11 / 0 / 27

HEX #3594ABCE

RGBA 53 148 171 0.81

HSLA 191.69, 0.53%, 0.44%, 0.81

LABA 56.96, -20.03, -20.16, 0.81

 

CMYK 51 / 10 / 0 / 21

HEX #46A6BECE

RGBA 70 166 190 0.81

HSLA 192, 0.48%, 0.51%, 0.81

LABA 63.58, -20.74, -20.71, 0.81

 

CMYK 47 / 10 / 0 / 15

HEX #57B8D1CE

RGBA 87 184 209 0.81

HSLA 192.3, 0.57%, 0.58%, 0.81

LABA 70.11, -21.26, -21.22, 0.81

 

CMYK 73 / 15 / 0 / 37

HEX #0E708ACE

RGBA 14 112 138 0.81

HSLA 192.58, 0.82%, 0.3%, 0.81

LABA 43.53, -16.21, -21.59, 0.81

 

CMYK 81 / 17 / 0 / 43

HEX #005E77CE

RGBA 0 94 119 0.81

HSLA 192.61, 1%, 0.23%, 0.81

LABA 36.63, -13.99, -20.77, 0.81

 

CMYK 81 / 19 / 0 / 49

HEX #004C64CE

RGBA 0 76 100 0.81

HSLA 194.4, 1%, 0.2%, 0.81

LABA 29.64, -10.81, -19.74, 0.81

 

CMYK 81 / 23 / 0 / 55

HEX #003A51CE

RGBA 0 58 81 0.81

HSLA 197.04, 1%, 0.16%, 0.81

LABA 22.37, -7.42, -18.73, 0.81

 

CMYK 81 / 29 / 0 / 61

HEX #00283ECE

RGBA 0 40 62 0.81

HSLA 201.29, 1%, 0.12%, 0.81

LABA 14.76, -3.71, -17.76, 0.81

 

CMYK 90 / 19 / 0 / 45

HEX #0E718B

RGB 14 113 139

HSL 192.48, 0.82%, 0.3%

LAB 43.9, -16.41, -21.62

 

CMYK 90 / 43 / 0 / 45

HEX #0E4F8B

RGB 14 79 139

HSL 208.8, 0.82%, 0.3%

LAB 33.03, 4.44, -38.72

 

CMYK 90 / 68 / 0 / 45

HEX #0E2D8B

RGB 14 45 139

HSL 225.12, 0.82%, 0.3%

LAB 23.12, 28.02, -54.8

 

CMYK 88 / 90 / 0 / 45

HEX #100E8B

RGB 16 14 139

HSL 240.96, 0.82%, 0.3%

LAB 16.93, 45.78, -65.03

 

CMYK 64 / 90 / 0 / 45

HEX #320E8B

RGB 50 14 139

HSL 257.28, 0.82%, 0.3%

LAB 19.46, 47.7, -60.76

 

CMYK 90 / 19 / 0 / 45

HEX #0E718B

RGB 14 113 139

HSL 192.48, 0.82%, 0.3%

LAB 43.9, -16.41, -21.62

 

CMYK 90 / 43 / 0 / 45

HEX #0E4F8B

RGB 14 79 139

HSL 208.8, 0.82%, 0.3%

LAB 33.03, 4.44, -38.72

 

CMYK 90 / 68 / 0 / 45

HEX #0E2D8B

RGB 14 45 139

HSL 225.12, 0.82%, 0.3%

LAB 23.12, 28.02, -54.8

 

CMYK 90 / 90 / 0 / 45

HEX #0E0E8B

RGB 14 14 139

HSL 240, 0.82%, 0.3%

LAB 16.85, 45.72, -65.17

 

CMYK 90 / 19 / 0 / 45

HEX #0E718B

RGB 14 113 139

HSL 192.48, 0.82%, 0.3%

LAB 43.9, -16.41, -21.62

 

CMYK 99 / 21 / 0 / 40

HEX #017898

RGB 1 120 152

HSL 192.72, 0.99%, 0.3%

LAB 46.59, -16.21, -25.18

 

CMYK 90 / 19 / 0 / 45

HEX #0E718B

RGB 14 113 139

HSL 192.48, 0.82%, 0.3%

LAB 43.9, -16.41, -21.62

 

CMYK 80 / 17 / 0 / 50

HEX #1A6A7F

RGB 26 106 127

HSL 192.48, 0.66%, 0.3%

LAB 41.31, -15.72, -18.39

 

CMYK 66 / 13 / 0 / 55

HEX #276372

RGB 39 99 114

HSL 192, 0.49%, 0.3%

LAB 38.85, -14.26, -14.22

 

CMYK 50 / 11 / 0 / 60

HEX #335B66

RGB 51 91 102

HSL 192.94, 0.33%, 0.3%

LAB 36.26, -10.77, -10.69

 

CMYK 30 / 7 / 0 / 65

HEX #3F545A

RGB 63 84 90

HSL 193.33, 0.18%, 0.3%

LAB 34.26, -6.42, -6.12

 

CMYK 90 / 0 / 30 / 45

HEX #0E8B61

RGB 14 139 97

HSL 159.84, 0.82%, 0.3%

LAB 51.18, -41.75, 13.81

 

CMYK 90 / 0 / 6 / 45

HEX #0E8B83

RGB 14 139 131

HSL 176.16, 0.82%, 0.3%

LAB 52.06, -32.42, -4.56

 

CMYK 90 / 18 / 0 / 45

HEX #0E728B

RGB 14 114 139

HSL 192, 0.82%, 0.3%

LAB 44.22, -16.96, -21.13

 

CMYK 90 / 42 / 0 / 45

HEX #0E518B

RGB 14 81 139

HSL 207.84, 0.82%, 0.3%

LAB 33.65, 3.11, -37.72

 

CMYK 90 / 66 / 0 / 45

HEX #0E2F8B

RGB 14 47 139

HSL 224.16, 0.82%, 0.3%

LAB 23.64, 26.64, -53.94

 

CMYK 91 / 19 / 0 / 75

HEX #063440

RGB 6 52 64

HSL 192.41, 0.83%, 0.14%

LAB 19.49, -9.89, -11.76

 

CMYK 90 / 20 / 0 / 60

HEX #0A5266

RGB 10 82 102

HSL 193.04, 0.82%, 0.22%

LAB 31.94, -12.76, -17.42

 

CMYK 90 / 19 / 0 / 45

HEX #0E718B

RGB 14 113 139

HSL 192.48, 0.82%, 0.3%

LAB 43.9, -16.41, -21.62

 

CMYK 90 / 19 / 0 / 31

HEX #118FB1

RGB 17 143 177

HSL 192.75, 0.82%, 0.38%

LAB 55.01, -19, -26.63

 

CMYK 90 / 19 / 0 / 16

HEX #15AED6

RGB 21 174 214

HSL 192.44, 0.82%, 0.46%

LAB 65.97, -22.29, -30.44

 

CMYK 90 / 19 / 0 / 46

HEX #0E708A

RGB 14 112 138

HSL 192.58, 0.82%, 0.3%

LAB 43.53, -16.21, -21.59

 

CMYK 54 / 90 / 0 / 45

HEX #400E8B

RGB 64 14 139

HSL 264, 0.82%, 0.3%

LAB 21.09, 49.04, -58.02

 

CMYK 0 / 18 / 90 / 45

HEX #8B720E

RGB 139 114 14

HSL 48, 0.82%, 0.3%

LAB 48.95, 0.33, 52.11

 

CMYK 90 / 19 / 0 / 46

HEX #0E708A

RGB 14 112 138

HSL 192.58, 0.82%, 0.3%

LAB 43.53, -16.21, -21.59

 

CMYK 0 / 90 / 18 / 45

HEX #8B0E72

RGB 139 14 114

HSL 312, 0.82%, 0.3%

LAB 31.85, 56.82, -24.23

 

CMYK 18 / 0 / 90 / 45

HEX #728B0E

RGB 114 139 14

HSL 72, 0.82%, 0.3%

LAB 54.11, -24.67, 55.4

 

CMYK 90 / 19 / 0 / 46

HEX #0E708A

RGB 14 112 138

HSL 192.58, 0.82%, 0.3%

LAB 43.53, -16.21, -21.59

 

CMYK 54 / 90 / 0 / 45

HEX #400E8B

RGB 64 14 139

HSL 264, 0.82%, 0.3%

LAB 21.09, 49.04, -58.02

 

CMYK 0 / 72 / 90 / 45

HEX #8B270E

RGB 139 39 14

HSL 12, 0.82%, 0.3%

LAB 31.74, 41.17, 38.34

 

CMYK 36 / 0 / 90 / 45

HEX #598B0E

RGB 89 139 14

HSL 84, 0.82%, 0.3%

LAB 52.53, -34.96, 53.45

 

CMYK 90 / 19 / 0 / 46

HEX #0E708A

RGB 14 112 138

HSL 192.58, 0.82%, 0.3%

LAB 43.53, -16.21, -21.59

 

CMYK 27 / 90 / 0 / 45

HEX #660E8B

RGB 102 14 139

HSL 282.24, 0.82%, 0.3%

LAB 26.74, 54.12, -48.53

 

CMYK 0 / 72 / 90 / 45

HEX #8B270E

RGB 139 39 14

HSL 12, 0.82%, 0.3%

LAB 31.74, 41.17, 38.34

 

CMYK 63 / 0 / 90 / 45

HEX #338B0E

RGB 51 139 14

HSL 102.24, 0.82%, 0.3%

LAB 50.92, -47.2, 51.44

 

Description

Color code: HEX #0E708ACE | qconv.com Color code: HEX #0E708ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 112 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 112 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 15 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 15% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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