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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E4669 it is the complementary color #F1B996. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E4669. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E4669 shade: #134664, #245877, #356A8A, #467C9D and #578EB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E4669. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E4669 shade: #0E4669, #003456, #002243, #001030 and #00001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E4669 shade: #0E4567, #0E2D67, #0E1567, #1F0E67 and #370E67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E4669 shade: #0E4567, #0E2D67, #0E1567 and #0E0E67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E4669 shade matches the following richer shades: #0E4567 and #054771

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E4669 shade: #0E4567, #18435E, #214154, #2B3E4B and #343C41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E4669 shade: #0E675A, #0E5D67, #0E4567, #0E2D67 and #0E1667

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E4669 shade: #04141F, #092D43, #0E4567, #135D8C and #1875B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E4669 shade: #0E4669, #420E67 and #67660E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E4669 shade: #0E4669, #670E45 and #45670E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E4669 shade: #0E4669, #420E67, #67300E and #33670E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E4669 shade: #0E4669, #5D0E67, #67300E and #18670E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 33 / 0 / 59

HEX #0E4669

RGB 14 70 105

HSL 203.08, 0.76%, 0.23%

LAB 28.1, -3.72, -25.31

 

Complementary color

CMYK 0 / 23 / 38 / 5

HEX #F1B996

RGB 241 185 150

HSL 23.08, 0.76%, 0.77%

LAB 79.39, 15.69, 25.56

 

CMYK 81 / 30 / 0 / 61

HEX #134664

RGB 19 70 100

HSL 202.22, 0.68%, 0.23%

LAB 27.95, -5.15, -22.34

 

CMYK 70 / 26 / 0 / 53

HEX #245877

RGB 36 88 119

HSL 202.41, 0.54%, 0.3%

LAB 35.37, -6.53, -22.66

 

CMYK 62 / 23 / 0 / 46

HEX #356A8A

RGB 53 106 138

HSL 202.59, 0.45%, 0.37%

LAB 42.61, -7.44, -22.94

 

CMYK 55 / 21 / 0 / 38

HEX #467C9D

RGB 70 124 157

HSL 202.76, 0.38%, 0.45%

LAB 49.68, -8.07, -23.2

 

CMYK 51 / 19 / 0 / 31

HEX #578EB0

RGB 87 142 176

HSL 202.92, 0.36%, 0.52%

LAB 56.59, -8.53, -23.46

 

CMYK 87 / 33 / 0 / 59

HEX #0E4669

RGB 14 70 105

HSL 203.08, 0.76%, 0.23%

LAB 28.1, -3.72, -25.31

 

CMYK 100 / 40 / 0 / 66

HEX #003456

RGB 0 52 86

HSL 203.72, 1%, 0.17%

LAB 20.55, -1.16, -24.92

 

CMYK 100 / 49 / 0 / 74

HEX #002243

RGB 0 34 67

HSL 209.55, 1%, 0.13%

LAB 12.92, 3.1, -24.19

 

CMYK 100 / 67 / 0 / 81

HEX #001030

RGB 0 16 48

HSL 220, 1%, 0.09%

LAB 5.28, 6.71, -22.85

 

CMYK 100 / 100 / 0 / 89

HEX #00001D

RGB 0 0 29

HSL 240, 1%, 0.06%

LAB 0.8, 5.63, -15.14

 

CMYK 86 / 33 / 0 / 60

HEX #0E4567

RGB 14 69 103

HSL 202.92, 0.76%, 0.23%

LAB 27.65, -3.89, -24.74

 

CMYK 86 / 56 / 0 / 60

HEX #0E2D67

RGB 14 45 103

HSL 219.1, 0.76%, 0.23%

LAB 19.84, 12.93, -37.22

 

CMYK 86 / 80 / 0 / 60

HEX #0E1567

RGB 14 21 103

HSL 235.28, 0.76%, 0.23%

LAB 13.28, 29.97, -47.97

 

CMYK 70 / 86 / 0 / 60

HEX #1F0E67

RGB 31 14 103

HSL 251.46, 0.76%, 0.23%

LAB 13.14, 35.36, -48.17

 

CMYK 47 / 86 / 0 / 60

HEX #370E67

RGB 55 14 103

HSL 267.64, 0.76%, 0.23%

LAB 16.03, 38.43, -43.3

 

CMYK 86 / 33 / 0 / 60

HEX #0E4567

RGB 14 69 103

HSL 202.92, 0.76%, 0.23%

LAB 27.65, -3.89, -24.74

 

CMYK 86 / 56 / 0 / 60

HEX #0E2D67

RGB 14 45 103

HSL 219.1, 0.76%, 0.23%

LAB 19.84, 12.93, -37.22

 

CMYK 86 / 80 / 0 / 60

HEX #0E1567

RGB 14 21 103

HSL 235.28, 0.76%, 0.23%

LAB 13.28, 29.97, -47.97

 

CMYK 86 / 86 / 0 / 60

HEX #0E0E67

RGB 14 14 103

HSL 240, 0.76%, 0.23%

LAB 11.87, 34.05, -50.31

 

CMYK 86 / 33 / 0 / 60

HEX #0E4567

RGB 14 69 103

HSL 202.92, 0.76%, 0.23%

LAB 27.65, -3.89, -24.74

 

CMYK 96 / 37 / 0 / 56

HEX #054771

RGB 5 71 113

HSL 203.33, 0.92%, 0.23%

LAB 28.72, -1.79, -29.41

 

CMYK 86 / 33 / 0 / 60

HEX #0E4567

RGB 14 69 103

HSL 202.92, 0.76%, 0.23%

LAB 27.65, -3.89, -24.74

 

CMYK 74 / 29 / 0 / 63

HEX #18435E

RGB 24 67 94

HSL 203.14, 0.59%, 0.23%

LAB 26.78, -4.82, -20.3

 

CMYK 61 / 23 / 0 / 67

HEX #214154

RGB 33 65 84

HSL 202.35, 0.44%, 0.23%

LAB 25.99, -5.4, -15

 

CMYK 43 / 17 / 0 / 71

HEX #2B3E4B

RGB 43 62 75

HSL 204.38, 0.27%, 0.23%

LAB 25.16, -3.65, -10.32

 

CMYK 20 / 8 / 0 / 75

HEX #343C41

RGB 52 60 65

HSL 203.08, 0.11%, 0.23%

LAB 24.78, -2.04, -4.2

 

CMYK 86 / 0 / 13 / 60

HEX #0E675A

RGB 14 103 90

HSL 171.24, 0.76%, 0.23%

LAB 38.78, -27.78, 0.34

 

CMYK 86 / 10 / 0 / 60

HEX #0E5D67

RGB 14 93 103

HSL 186.74, 0.76%, 0.23%

LAB 35.79, -18.32, -12.14

 

CMYK 86 / 33 / 0 / 60

HEX #0E4567

RGB 14 69 103

HSL 202.92, 0.76%, 0.23%

LAB 27.65, -3.89, -24.74

 

CMYK 86 / 56 / 0 / 60

HEX #0E2D67

RGB 14 45 103

HSL 219.1, 0.76%, 0.23%

LAB 19.84, 12.93, -37.22

 

CMYK 86 / 79 / 0 / 60

HEX #0E1667

RGB 14 22 103

HSL 234.61, 0.76%, 0.23%

LAB 13.51, 29.33, -47.59

 

CMYK 87 / 35 / 0 / 88

HEX #04141F

RGB 4 20 31

HSL 204.44, 0.77%, 0.07%

LAB 5.65, -1.91, -9.4

 

CMYK 87 / 33 / 0 / 74

HEX #092D43

RGB 9 45 67

HSL 202.76, 0.76%, 0.15%

LAB 17.18, -3.52, -17.41

 

CMYK 86 / 33 / 0 / 60

HEX #0E4567

RGB 14 69 103

HSL 202.92, 0.76%, 0.23%

LAB 27.65, -3.89, -24.74

 

CMYK 86 / 34 / 0 / 45

HEX #135D8C

RGB 19 93 140

HSL 203.31, 0.76%, 0.31%

LAB 37.59, -3.81, -32.07

 

CMYK 86 / 34 / 0 / 31

HEX #1875B0

RGB 24 117 176

HSL 203.29, 0.76%, 0.39%

LAB 47.04, -4.11, -38.5

 

CMYK 87 / 33 / 0 / 59

HEX #0E4669

RGB 14 70 105

HSL 203.08, 0.76%, 0.23%

LAB 28.1, -3.72, -25.31

 

CMYK 36 / 86 / 0 / 60

HEX #420E67

RGB 66 14 103

HSL 275.06, 0.76%, 0.23%

LAB 17.7, 40.23, -40.51

 

CMYK 0 / 1 / 86 / 60

HEX #67660E

RGB 103 102 14

HSL 59.33, 0.76%, 0.23%

LAB 41.87, -10.12, 44.79

 

CMYK 87 / 33 / 0 / 59

HEX #0E4669

RGB 14 70 105

HSL 203.08, 0.76%, 0.23%

LAB 28.1, -3.72, -25.31

 

CMYK 0 / 86 / 33 / 60

HEX #670E45

RGB 103 14 69

HSL 322.92, 0.76%, 0.23%

LAB 22.4, 42.31, -9.78

 

CMYK 33 / 0 / 86 / 60

HEX #45670E

RGB 69 103 14

HSL 82.92, 0.76%, 0.23%

LAB 39.58, -26.21, 41.77

 

CMYK 87 / 33 / 0 / 59

HEX #0E4669

RGB 14 70 105

HSL 203.08, 0.76%, 0.23%

LAB 28.1, -3.72, -25.31

 

CMYK 36 / 86 / 0 / 60

HEX #420E67

RGB 66 14 103

HSL 275.06, 0.76%, 0.23%

LAB 17.7, 40.23, -40.51

 

CMYK 0 / 53 / 86 / 60

HEX #67300E

RGB 103 48 14

HSL 22.92, 0.76%, 0.23%

LAB 26.82, 22.29, 31.5

 

CMYK 50 / 0 / 86 / 60

HEX #33670E

RGB 51 103 14

HSL 95.06, 0.76%, 0.23%

LAB 38.61, -33.11, 40.54

 

CMYK 87 / 33 / 0 / 59

HEX #0E4669

RGB 14 70 105

HSL 203.08, 0.76%, 0.23%

LAB 28.1, -3.72, -25.31

 

CMYK 10 / 86 / 0 / 60

HEX #5D0E67

RGB 93 14 103

HSL 293.26, 0.76%, 0.23%

LAB 22.37, 45.36, -32.71

 

CMYK 0 / 53 / 86 / 60

HEX #67300E

RGB 103 48 14

HSL 22.92, 0.76%, 0.23%

LAB 26.82, 22.29, 31.5

 

CMYK 77 / 0 / 86 / 60

HEX #18670E

RGB 24 103 14

HSL 113.26, 0.76%, 0.23%

LAB 37.71, -40.41, 39.38

 

Description

Color code: HEX #0E4669 | qconv.com Color code: HEX #0E4669 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 70 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 70 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 33 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 33% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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