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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E4086 it is the complementary color #F1BF79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E4086. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E4086 shade: #134081, #245294, #3564A7, #4676BA and #5788CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E4086. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E4086 shade: #0E4086, #002E73, #001C60, #000A4D and #00003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E4086 shade: #0E4086, #0E2086, #1D0E86, #3D0E86 and #5D0E86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E4086 shade: #0E4086, #0E2086 and #0E0E86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E4086 shade matches the following richer shades: #0E4086 and #023E92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E4086 shade: #0E4086, #1A427A, #26446E, #324662 and #3E4856

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E4086 shade: #0E8086, #0E6086, #0E4086, #0E2086 and #1C0E86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E4086 shade: #061C3B, #0A2E61, #0E4086, #1252AB and #1664D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E4086 shade: #0E4086, #6C0E86 and #70860E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E4086 shade: #0E4086, #860E40 and #40860E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E4086 shade: #0E4086, #6C0E86, #86540E and #28860E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E4086 shade: #0E4086, #860E7C, #86540E and #0E8618

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 52 / 0 / 47

HEX #0E4086

RGB 14 64 134

HSL 215, 0.81%, 0.29%

LAB 28.06, 12.61, -43.62

 

Complementary color

CMYK 0 / 21 / 50 / 5

HEX #F1BF79

RGB 241 191 121

HSL 35, 0.81%, 0.71%

LAB 80.37, 9.57, 41.95

 

CMYK 85 / 50 / 0 / 49

HEX #134081

RGB 19 64 129

HSL 215.45, 0.74%, 0.29%

LAB 27.82, 10.92, -40.9

 

CMYK 76 / 45 / 0 / 42

HEX #245294

RGB 36 82 148

HSL 215.36, 0.61%, 0.36%

LAB 35.1, 8.4, -40.86

 

CMYK 68 / 40 / 0 / 35

HEX #3564A7

RGB 53 100 167

HSL 215.26, 0.52%, 0.43%

LAB 42.25, 6.55, -40.77

 

CMYK 62 / 37 / 0 / 27

HEX #4676BA

RGB 70 118 186

HSL 215.17, 0.46%, 0.5%

LAB 49.26, 5.14, -40.7

 

CMYK 58 / 34 / 0 / 20

HEX #5788CD

RGB 87 136 205

HSL 215.08, 0.54%, 0.57%

LAB 56.13, 4.04, -40.64

 

CMYK 90 / 52 / 0 / 47

HEX #0E4086

RGB 14 64 134

HSL 215, 0.81%, 0.29%

LAB 28.06, 12.61, -43.62

 

CMYK 100 / 60 / 0 / 55

HEX #002E73

RGB 0 46 115

HSL 216, 1%, 0.23%

LAB 20.8, 16.34, -43.45

 

CMYK 100 / 71 / 0 / 62

HEX #001C60

RGB 0 28 96

HSL 222.5, 1%, 0.19%

LAB 13.68, 21.29, -42.69

 

CMYK 100 / 87 / 0 / 70

HEX #000A4D

RGB 0 10 77

HSL 232.21, 1%, 0.15%

LAB 6.8, 25.67, -41.15

 

CMYK 100 / 100 / 0 / 77

HEX #00003A

RGB 0 0 58

HSL 240, 1%, 0.11%

LAB 2.76, 19.39, -34.26

 

CMYK 90 / 52 / 0 / 47

HEX #0E4086

RGB 14 64 134

HSL 215, 0.81%, 0.29%

LAB 28.06, 12.61, -43.62

 

CMYK 90 / 76 / 0 / 47

HEX #0E2086

RGB 14 32 134

HSL 231, 0.81%, 0.29%

LAB 19.42, 34.67, -57.76

 

CMYK 78 / 90 / 0 / 47

HEX #1D0E86

RGB 29 14 134

HSL 247.5, 0.81%, 0.29%

LAB 16.97, 44.81, -61.8

 

CMYK 54 / 90 / 0 / 47

HEX #3D0E86

RGB 61 14 134

HSL 263.5, 0.81%, 0.29%

LAB 20.15, 47.42, -56.44

 

CMYK 31 / 90 / 0 / 47

HEX #5D0E86

RGB 93 14 134

HSL 279.5, 0.81%, 0.29%

LAB 24.84, 51.67, -48.57

 

CMYK 90 / 52 / 0 / 47

HEX #0E4086

RGB 14 64 134

HSL 215, 0.81%, 0.29%

LAB 28.06, 12.61, -43.62

 

CMYK 90 / 76 / 0 / 47

HEX #0E2086

RGB 14 32 134

HSL 231, 0.81%, 0.29%

LAB 19.42, 34.67, -57.76

 

CMYK 90 / 90 / 0 / 47

HEX #0E0E86

RGB 14 14 134

HSL 240, 0.81%, 0.29%

LAB 16.15, 44.18, -63.2

 

CMYK 90 / 52 / 0 / 47

HEX #0E4086

RGB 14 64 134

HSL 215, 0.81%, 0.29%

LAB 28.06, 12.61, -43.62

 

CMYK 99 / 58 / 0 / 43

HEX #023E92

RGB 2 62 146

HSL 215, 0.97%, 0.29%

LAB 28.2, 18.41, -50.81

 

CMYK 90 / 52 / 0 / 47

HEX #0E4086

RGB 14 64 134

HSL 215, 0.81%, 0.29%

LAB 28.06, 12.61, -43.62

 

CMYK 79 / 46 / 0 / 52

HEX #1A427A

RGB 26 66 122

HSL 215, 0.65%, 0.29%

LAB 28.17, 7.44, -35.93

 

CMYK 65 / 38 / 0 / 57

HEX #26446E

RGB 38 68 110

HSL 215, 0.49%, 0.29%

LAB 28.57, 3.38, -27.69

 

CMYK 49 / 29 / 0 / 62

HEX #324662

RGB 50 70 98

HSL 215, 0.32%, 0.29%

LAB 29.26, 0.74, -18.91

 

CMYK 28 / 16 / 0 / 66

HEX #3E4856

RGB 62 72 86

HSL 215, 0.16%, 0.29%

LAB 30.23, -0.37, -9.65

 

CMYK 90 / 4 / 0 / 47

HEX #0E8086

RGB 14 128 134

HSL 183, 0.81%, 0.29%

LAB 48.58, -26.11, -11.52

 

CMYK 90 / 28 / 0 / 47

HEX #0E6086

RGB 14 96 134

HSL 199, 0.81%, 0.29%

LAB 38.16, -8.42, -27.53

 

CMYK 90 / 52 / 0 / 47

HEX #0E4086

RGB 14 64 134

HSL 215, 0.81%, 0.29%

LAB 28.06, 12.61, -43.62

 

CMYK 90 / 76 / 0 / 47

HEX #0E2086

RGB 14 32 134

HSL 231, 0.81%, 0.29%

LAB 19.42, 34.67, -57.76

 

CMYK 79 / 90 / 0 / 47

HEX #1C0E86

RGB 28 14 134

HSL 247, 0.81%, 0.29%

LAB 16.9, 44.76, -61.92

 

CMYK 90 / 53 / 0 / 77

HEX #061C3B

RGB 6 28 59

HSL 215.09, 0.82%, 0.13%

LAB 10.45, 4.96, -22.51

 

CMYK 90 / 53 / 0 / 62

HEX #0A2E61

RGB 10 46 97

HSL 215.17, 0.81%, 0.21%

LAB 19.56, 9.16, -33.75

 

CMYK 90 / 52 / 0 / 47

HEX #0E4086

RGB 14 64 134

HSL 215, 0.81%, 0.29%

LAB 28.06, 12.61, -43.62

 

CMYK 89 / 52 / 0 / 33

HEX #1252AB

RGB 18 82 171

HSL 214.9, 0.81%, 0.37%

LAB 36.18, 15.88, -52.94

 

CMYK 89 / 52 / 0 / 18

HEX #1664D1

RGB 22 100 209

HSL 214.97, 0.81%, 0.45%

LAB 44.07, 19.41, -62.32

 

CMYK 90 / 52 / 0 / 47

HEX #0E4086

RGB 14 64 134

HSL 215, 0.81%, 0.29%

LAB 28.06, 12.61, -43.62

 

CMYK 19 / 90 / 0 / 47

HEX #6C0E86

RGB 108 14 134

HSL 287, 0.81%, 0.29%

LAB 27.36, 54.1, -44.35

 

CMYK 16 / 0 / 90 / 47

HEX #70860E

RGB 112 134 14

HSL 71, 0.81%, 0.29%

LAB 52.43, -23.04, 53.95

 

CMYK 90 / 52 / 0 / 47

HEX #0E4086

RGB 14 64 134

HSL 215, 0.81%, 0.29%

LAB 28.06, 12.61, -43.62

 

CMYK 0 / 90 / 52 / 47

HEX #860E40

RGB 134 14 64

HSL 335, 0.81%, 0.29%

LAB 28.78, 50.01, 3.79

 

CMYK 52 / 0 / 90 / 47

HEX #40860E

RGB 64 134 14

HSL 95, 0.81%, 0.29%

LAB 49.7, -41.64, 50.56

 

CMYK 90 / 52 / 0 / 47

HEX #0E4086

RGB 14 64 134

HSL 215, 0.81%, 0.29%

LAB 28.06, 12.61, -43.62

 

CMYK 19 / 90 / 0 / 47

HEX #6C0E86

RGB 108 14 134

HSL 287, 0.81%, 0.29%

LAB 27.36, 54.1, -44.35

 

CMYK 0 / 37 / 90 / 47

HEX #86540E

RGB 134 84 14

HSL 35, 0.81%, 0.29%

LAB 40.31, 15.42, 44.91

 

CMYK 70 / 0 / 90 / 47

HEX #28860E

RGB 40 134 14

HSL 107, 0.81%, 0.29%

LAB 48.92, -47.97, 49.58

 

CMYK 90 / 52 / 0 / 47

HEX #0E4086

RGB 14 64 134

HSL 215, 0.81%, 0.29%

LAB 28.06, 12.61, -43.62

 

CMYK 0 / 90 / 7 / 47

HEX #860E7C

RGB 134 14 124

HSL 305, 0.81%, 0.29%

LAB 31.43, 57.23, -31.28

 

CMYK 0 / 37 / 90 / 47

HEX #86540E

RGB 134 84 14

HSL 35, 0.81%, 0.29%

LAB 40.31, 15.42, 44.91

 

CMYK 90 / 0 / 82 / 47

HEX #0E8618

RGB 14 134 24

HSL 125, 0.81%, 0.29%

LAB 48.52, -51.31, 46.36

 

Description

Color code: HEX #0E4086 | qconv.com Color code: HEX #0E4086 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 64 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 64 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 52 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 52% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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