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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DF660 it is the complementary color #F2099F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DF660. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DF660 shade: #12F65B, #23FF6E, #34FF81, #45FF94 and #56FFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DF660. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DF660 shade: #0DF660, #00E44D, #00D23A, #00C027 and #00AE14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DF660 shade: #0EF661, #0EF622, #38F60E, #77F60E and #B6F60E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DF660 shade: #0EF661, #0EF69F, #0EF6DE, #0ED0F6 and #0E91F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DF660 shade matches the following richer shades: #0EF661

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DF660 shade: #0EF661, #22E266, #36CE6C, #4ABA72 and #5FA578

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DF660 shade: #38F60E, #0EF621, #0EF65F, #0EF69D and #0EF6DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DF660 shade: #06AB41, #08D350, #0EF661, #36F87B and #5DF995

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DF660 shade: #0DF660, #0E76F6 and #F60E19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DF660 shade: #0DF660, #5F0EF6 and #F65F0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DF660 shade: #0DF660, #0E76F6, #F60EA5 and #F68E0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DF660 shade: #0DF660, #0E31F6, #F60EA5 and #F6D30E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 61 / 4

HEX #0DF660

RGB 13 246 96

HSL 141.37, 0.93%, 0.51%

LAB 85.42, -78, 57.31

 

Complementary color

CMYK 0 / 96 / 34 / 5

HEX #F2099F

RGB 242 9 159

HSL 321.37, 0.93%, 0.49%

LAB 53.57, 83.87, -16.66

 

CMYK 93 / 0 / 63 / 4

HEX #12F65B

RGB 18 246 91

HSL 139.21, 0.93%, 0.52%

LAB 85.4, -78.37, 59.38

 

CMYK 86 / 0 / 57 / 0

HEX #23FF6E

RGB 35 255 110

HSL 140.45, 1%, 0.57%

LAB 88.45, -77.82, 54.79

 

CMYK 80 / 0 / 49 / 0

HEX #34FF81

RGB 52 255 129

HSL 142.76, 1%, 0.6%

LAB 88.84, -73.7, 46.62

 

CMYK 73 / 0 / 42 / 0

HEX #45FF94

RGB 69 255 148

HSL 145.48, 1%, 0.64%

LAB 89.36, -68.63, 38.19

 

CMYK 66 / 0 / 35 / 0

HEX #56FFA7

RGB 86 255 167

HSL 148.76, 1%, 0.67%

LAB 89.99, -62.68, 29.66

 

CMYK 95 / 0 / 61 / 4

HEX #0DF660

RGB 13 246 96

HSL 141.37, 0.93%, 0.51%

LAB 85.42, -78, 57.31

 

CMYK 100 / 0 / 66 / 11

HEX #00E44D

RGB 0 228 77

HSL 140.26, 1%, 0.45%

LAB 79.63, -75.26, 58.67

 

CMYK 100 / 0 / 72 / 18

HEX #00D23A

RGB 0 210 58

HSL 136.57, 1%, 0.41%

LAB 73.8, -71.89, 59.74

 

CMYK 100 / 0 / 80 / 25

HEX #00C027

RGB 0 192 39

HSL 132.19, 1%, 0.38%

LAB 67.91, -68.21, 60.17

 

CMYK 100 / 0 / 89 / 32

HEX #00AE14

RGB 0 174 20

HSL 126.9, 1%, 0.34%

LAB 61.93, -64.14, 59.5

 

CMYK 94 / 0 / 61 / 4

HEX #0EF661

RGB 14 246 97

HSL 141.47, 0.93%, 0.51%

LAB 85.44, -77.84, 56.9

 

CMYK 94 / 0 / 86 / 4

HEX #0EF622

RGB 14 246 34

HSL 125.17, 0.93%, 0.51%

LAB 85.06, -82.67, 77

 

CMYK 77 / 0 / 94 / 4

HEX #38F60E

RGB 56 246 14

HSL 109.14, 0.93%, 0.51%

LAB 85.39, -79.81, 80.34

 

CMYK 52 / 0 / 94 / 4

HEX #77F60E

RGB 119 246 14

HSL 92.84, 0.93%, 0.51%

LAB 86.93, -66.98, 82.22

 

CMYK 26 / 0 / 94 / 4

HEX #B6F60E

RGB 182 246 14

HSL 76.55, 0.93%, 0.51%

LAB 89.81, -46.27, 85.73

 

CMYK 94 / 0 / 61 / 4

HEX #0EF661

RGB 14 246 97

HSL 141.47, 0.93%, 0.51%

LAB 85.44, -77.84, 56.9

 

CMYK 94 / 0 / 35 / 4

HEX #0EF69F

RGB 14 246 159

HSL 157.5, 0.93%, 0.51%

LAB 86.26, -67.98, 28.51

 

CMYK 94 / 0 / 10 / 4

HEX #0EF6DE

RGB 14 246 222

HSL 173.79, 0.93%, 0.51%

LAB 87.62, -53.16, -2.13

 

CMYK 94 / 15 / 0 / 4

HEX #0ED0F6

RGB 14 208 246

HSL 189.83, 0.93%, 0.51%

LAB 77.2, -28.99, -30.51

 

CMYK 94 / 41 / 0 / 4

HEX #0E91F6

RGB 14 145 246

HSL 206.12, 0.93%, 0.51%

LAB 58.97, 5.29, -59.11

 

CMYK 94 / 0 / 61 / 4

HEX #0EF661

RGB 14 246 97

HSL 141.47, 0.93%, 0.51%

LAB 85.44, -77.84, 56.9

 

CMYK 94 / 0 / 61 / 4

HEX #0EF661

RGB 14 246 97

HSL 141.47, 0.93%, 0.51%

LAB 85.44, -77.84, 56.9

 

CMYK 85 / 0 / 55 / 11

HEX #22E266

RGB 34 226 102

HSL 141.25, 0.77%, 0.51%

LAB 79.44, -69.98, 47.68

 

CMYK 74 / 0 / 48 / 19

HEX #36CE6C

RGB 54 206 108

HSL 141.32, 0.61%, 0.51%

LAB 73.55, -60.18, 37.61

 

CMYK 60 / 0 / 39 / 27

HEX #4ABA72

RGB 74 186 114

HSL 141.43, 0.45%, 0.51%

LAB 67.86, -48.02, 27.27

 

CMYK 42 / 0 / 27 / 35

HEX #5FA578

RGB 95 165 120

HSL 141.43, 0.28%, 0.51%

LAB 62.25, -32.34, 16.58

 

CMYK 77 / 0 / 94 / 4

HEX #38F60E

RGB 56 246 14

HSL 109.14, 0.93%, 0.51%

LAB 85.39, -79.81, 80.34

 

CMYK 94 / 0 / 87 / 4

HEX #0EF621

RGB 14 246 33

HSL 124.91, 0.93%, 0.51%

LAB 85.05, -82.71, 77.19

 

CMYK 94 / 0 / 61 / 4

HEX #0EF65F

RGB 14 246 95

HSL 140.95, 0.93%, 0.51%

LAB 85.42, -78.08, 57.73

 

CMYK 94 / 0 / 36 / 4

HEX #0EF69D

RGB 14 246 157

HSL 156.98, 0.93%, 0.51%

LAB 86.23, -68.38, 29.47

 

CMYK 94 / 0 / 11 / 4

HEX #0EF6DB

RGB 14 246 219

HSL 173.02, 0.93%, 0.51%

LAB 87.54, -53.96, -0.68

 

CMYK 96 / 0 / 62 / 33

HEX #06AB41

RGB 6 171 65

HSL 141.45, 0.93%, 0.35%

LAB 61.26, -59.31, 43.33

 

CMYK 96 / 0 / 62 / 17

HEX #08D350

RGB 8 211 80

HSL 141.28, 0.93%, 0.43%

LAB 74.33, -69.67, 51.55

 

CMYK 94 / 0 / 61 / 4

HEX #0EF661

RGB 14 246 97

HSL 141.47, 0.93%, 0.51%

LAB 85.44, -77.84, 56.9

 

CMYK 78 / 0 / 50 / 3

HEX #36F87B

RGB 54 248 123

HSL 141.34, 0.93%, 0.59%

LAB 86.68, -72.1, 46.76

 

CMYK 63 / 0 / 40 / 2

HEX #5DF995

RGB 93 249 149

HSL 141.54, 0.93%, 0.67%

LAB 88.09, -62.41, 36.14

 

CMYK 95 / 0 / 61 / 4

HEX #0DF660

RGB 13 246 96

HSL 141.37, 0.93%, 0.51%

LAB 85.42, -78, 57.31

 

CMYK 94 / 52 / 0 / 4

HEX #0E76F6

RGB 14 118 246

HSL 213.1, 0.93%, 0.51%

LAB 51.5, 21.95, -71.15

 

CMYK 0 / 94 / 90 / 4

HEX #F60E19

RGB 246 14 25

HSL 357.16, 0.93%, 0.51%

LAB 51.81, 77.14, 58.2

 

CMYK 95 / 0 / 61 / 4

HEX #0DF660

RGB 13 246 96

HSL 141.37, 0.93%, 0.51%

LAB 85.42, -78, 57.31

 

CMYK 61 / 94 / 0 / 4

HEX #5F0EF6

RGB 95 14 246

HSL 260.95, 0.93%, 0.51%

LAB 36.74, 77.35, -95.26

 

CMYK 0 / 61 / 94 / 4

HEX #F65F0E

RGB 246 95 14

HSL 20.95, 0.93%, 0.51%

LAB 59.72, 55.01, 66.59

 

CMYK 95 / 0 / 61 / 4

HEX #0DF660

RGB 13 246 96

HSL 141.37, 0.93%, 0.51%

LAB 85.42, -78, 57.31

 

CMYK 94 / 52 / 0 / 4

HEX #0E76F6

RGB 14 118 246

HSL 213.1, 0.93%, 0.51%

LAB 51.5, 21.95, -71.15

 

CMYK 0 / 94 / 33 / 4

HEX #F60EA5

RGB 246 14 165

HSL 320.95, 0.93%, 0.51%

LAB 54.68, 84.9, -18.44

 

CMYK 0 / 42 / 94 / 4

HEX #F68E0E

RGB 246 142 14

HSL 33.1, 0.93%, 0.51%

LAB 68.73, 32.29, 72.51

 

CMYK 95 / 0 / 61 / 4

HEX #0DF660

RGB 13 246 96

HSL 141.37, 0.93%, 0.51%

LAB 85.42, -78, 57.31

 

CMYK 94 / 80 / 0 / 4

HEX #0E31F6

RGB 14 49 246

HSL 230.95, 0.93%, 0.51%

LAB 35.88, 63.07, -96.83

 

CMYK 0 / 94 / 33 / 4

HEX #F60EA5

RGB 246 14 165

HSL 320.95, 0.93%, 0.51%

LAB 54.68, 84.9, -18.44

 

CMYK 0 / 14 / 94 / 4

HEX #F6D30E

RGB 246 211 14

HSL 50.95, 0.93%, 0.51%

LAB 85.1, -3.62, 84.2

 

Description

Color code: HEX #0DF660 | qconv.com Color code: HEX #0DF660 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 246 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 246 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 61 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 61% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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