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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DF043 it is the complementary color #F20FBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DF043. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DF043 shade: #12F03E, #23FF51, #34FF64, #45FF77 and #56FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DF043. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DF043 shade: #0DF043, #00DE30, #00CC1D, #00BA0A and #00A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DF043 shade: #0DF243, #14F20D, #52F20D, #90F20D and #CEF20D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DF043 shade: #0DF243, #0DF281, #0DF2BF, #0DE8F2 and #0DAAF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DF043 shade matches the following richer shades: #0DF243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DF043 shade: #0DF243, #21DE4E, #36C959, #4BB464 and #5FA06F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DF043 shade: #52F20D, #14F20D, #0DF242, #0DF280 and #0DF2BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DF043 shade: #09A42E, #0BCB38, #0DF243, #34F462 and #5BF680

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DF043 shade: #0DF043, #0D8FF2 and #F20D33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DF043 shade: #0DF043, #420DF2 and #F2420D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DF043 shade: #0DF043, #0D8FF2, #F20DBD and #F2700D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DF043 shade: #0DF043, #0D4AF2, #F20DBD and #F2B50D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 72 / 6

HEX #0DF043

RGB 13 240 67

HSL 134.27, 0.9%, 0.5%

LAB 83.34, -79.14, 66.34

 

Complementary color

CMYK 0 / 94 / 22 / 5

HEX #F20FBC

RGB 242 15 188

HSL 314.27, 0.9%, 0.5%

LAB 54.92, 86.5, -31.59

 

CMYK 93 / 0 / 74 / 6

HEX #12F03E

RGB 18 240 62

HSL 131.89, 0.88%, 0.51%

LAB 83.34, -79.33, 68.03

 

CMYK 86 / 0 / 68 / 0

HEX #23FF51

RGB 35 255 81

HSL 132.55, 1%, 0.57%

LAB 88.2, -80.97, 66.39

 

CMYK 80 / 0 / 61 / 0

HEX #34FF64

RGB 52 255 100

HSL 134.19, 1%, 0.6%

LAB 88.53, -77.5, 59.24

 

CMYK 73 / 0 / 53 / 0

HEX #45FF77

RGB 69 255 119

HSL 136.13, 1%, 0.64%

LAB 88.98, -73.04, 51.48

 

CMYK 66 / 0 / 46 / 0

HEX #56FF8A

RGB 86 255 138

HSL 138.46, 1%, 0.67%

LAB 89.55, -67.62, 43.36

 

CMYK 95 / 0 / 72 / 6

HEX #0DF043

RGB 13 240 67

HSL 134.27, 0.9%, 0.5%

LAB 83.34, -79.14, 66.34

 

CMYK 100 / 0 / 78 / 13

HEX #00DE30

RGB 0 222 48

HSL 132.97, 1%, 0.44%

LAB 77.55, -75.97, 66.71

 

CMYK 100 / 0 / 86 / 20

HEX #00CC1D

RGB 0 204 29

HSL 128.53, 1%, 0.4%

LAB 71.74, -72.06, 66.25

 

CMYK 100 / 0 / 95 / 27

HEX #00BA0A

RGB 0 186 10

HSL 123.23, 1%, 0.36%

LAB 65.86, -67.77, 64.43

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 95 / 0 / 72 / 5

HEX #0DF243

RGB 13 242 67

HSL 134.15, 0.9%, 0.5%

LAB 83.96, -79.7, 66.97

 

CMYK 92 / 0 / 95 / 5

HEX #14F20D

RGB 20 242 13

HSL 118.17, 0.9%, 0.5%

LAB 83.8, -81.93, 78.98

 

CMYK 66 / 0 / 95 / 5

HEX #52F20D

RGB 82 242 13

HSL 101.92, 0.9%, 0.5%

LAB 84.65, -74.43, 80.03

 

CMYK 40 / 0 / 95 / 5

HEX #90F20D

RGB 144 242 13

HSL 85.68, 0.9%, 0.5%

LAB 86.73, -58.01, 82.57

 

CMYK 15 / 0 / 95 / 5

HEX #CEF20D

RGB 206 242 13

HSL 69.43, 0.9%, 0.5%

LAB 90.16, -35.27, 86.73

 

CMYK 95 / 0 / 72 / 5

HEX #0DF243

RGB 13 242 67

HSL 134.15, 0.9%, 0.5%

LAB 83.96, -79.7, 66.97

 

CMYK 95 / 0 / 47 / 5

HEX #0DF281

RGB 13 242 129

HSL 150.39, 0.9%, 0.5%

LAB 84.57, -72.14, 41.19

 

CMYK 95 / 0 / 21 / 5

HEX #0DF2BF

RGB 13 242 191

HSL 166.64, 0.9%, 0.5%

LAB 85.68, -59.5, 11.24

 

CMYK 95 / 4 / 0 / 5

HEX #0DE8F2

RGB 13 232 242

HSL 182.62, 0.9%, 0.5%

LAB 84.07, -41.52, -17.91

 

CMYK 95 / 30 / 0 / 5

HEX #0DAAF2

RGB 13 170 242

HSL 198.86, 0.9%, 0.5%

LAB 65.94, -10.62, -45.86

 

CMYK 95 / 0 / 72 / 5

HEX #0DF243

RGB 13 242 67

HSL 134.15, 0.9%, 0.5%

LAB 83.96, -79.7, 66.97

 

CMYK 95 / 0 / 72 / 5

HEX #0DF243

RGB 13 242 67

HSL 134.15, 0.9%, 0.5%

LAB 83.96, -79.7, 66.97

 

CMYK 85 / 0 / 65 / 13

HEX #21DE4E

RGB 33 222 78

HSL 134.29, 0.74%, 0.5%

LAB 77.94, -71.75, 56.48

 

CMYK 73 / 0 / 56 / 21

HEX #36C959

RGB 54 201 89

HSL 134.29, 0.58%, 0.5%

LAB 71.74, -61.25, 44.59

 

CMYK 58 / 0 / 44 / 29

HEX #4BB464

RGB 75 180 100

HSL 134.29, 0.41%, 0.5%

LAB 65.79, -47.8, 31.89

 

CMYK 41 / 0 / 31 / 37

HEX #5FA06F

RGB 95 160 111

HSL 134.77, 0.25%, 0.5%

LAB 60.54, -31.71, 19.18

 

CMYK 66 / 0 / 95 / 5

HEX #52F20D

RGB 82 242 13

HSL 101.92, 0.9%, 0.5%

LAB 84.65, -74.43, 80.03

 

CMYK 92 / 0 / 95 / 5

HEX #14F20D

RGB 20 242 13

HSL 118.17, 0.9%, 0.5%

LAB 83.8, -81.93, 78.98

 

CMYK 95 / 0 / 73 / 5

HEX #0DF242

RGB 13 242 66

HSL 133.89, 0.9%, 0.5%

LAB 83.96, -79.78, 67.31

 

CMYK 95 / 0 / 47 / 5

HEX #0DF280

RGB 13 242 128

HSL 150.13, 0.9%, 0.5%

LAB 84.56, -72.31, 41.65

 

CMYK 95 / 0 / 22 / 5

HEX #0DF2BD

RGB 13 242 189

HSL 166.11, 0.9%, 0.5%

LAB 85.64, -59.98, 12.22

 

CMYK 95 / 0 / 72 / 36

HEX #09A42E

RGB 9 164 46

HSL 134.32, 0.9%, 0.34%

LAB 58.79, -59.08, 48.73

 

CMYK 95 / 0 / 72 / 20

HEX #0BCB38

RGB 11 203 56

HSL 134.06, 0.9%, 0.42%

LAB 71.6, -69.63, 58.22

 

CMYK 95 / 0 / 72 / 5

HEX #0DF243

RGB 13 242 67

HSL 134.15, 0.9%, 0.5%

LAB 83.96, -79.7, 66.97

 

CMYK 79 / 0 / 60 / 4

HEX #34F462

RGB 52 244 98

HSL 134.38, 0.9%, 0.58%

LAB 85.16, -74.35, 56.24

 

CMYK 63 / 0 / 48 / 4

HEX #5BF680

RGB 91 246 128

HSL 134.32, 0.9%, 0.66%

LAB 86.85, -65, 44.76

 

CMYK 95 / 0 / 72 / 6

HEX #0DF043

RGB 13 240 67

HSL 134.27, 0.9%, 0.5%

LAB 83.34, -79.14, 66.34

 

CMYK 95 / 41 / 0 / 5

HEX #0D8FF2

RGB 13 143 242

HSL 205.94, 0.9%, 0.5%

LAB 58.17, 4.94, -58.19

 

CMYK 0 / 95 / 79 / 5

HEX #F20D33

RGB 242 13 51

HSL 350.04, 0.9%, 0.5%

LAB 51.16, 76.79, 44.61

 

CMYK 95 / 0 / 72 / 6

HEX #0DF043

RGB 13 240 67

HSL 134.27, 0.9%, 0.5%

LAB 83.34, -79.14, 66.34

 

CMYK 73 / 95 / 0 / 5

HEX #420DF2

RGB 66 13 242

HSL 253.89, 0.9%, 0.5%

LAB 33.68, 75.18, -98.17

 

CMYK 0 / 73 / 95 / 5

HEX #F2420D

RGB 242 66 13

HSL 13.89, 0.9%, 0.5%

LAB 54.87, 64.93, 63.54

 

CMYK 95 / 0 / 72 / 6

HEX #0DF043

RGB 13 240 67

HSL 134.27, 0.9%, 0.5%

LAB 83.34, -79.14, 66.34

 

CMYK 95 / 41 / 0 / 5

HEX #0D8FF2

RGB 13 143 242

HSL 205.94, 0.9%, 0.5%

LAB 58.17, 4.94, -58.19

 

CMYK 0 / 95 / 22 / 5

HEX #F20DBD

RGB 242 13 189

HSL 313.89, 0.9%, 0.5%

LAB 54.91, 86.78, -32.18

 

CMYK 0 / 54 / 95 / 5

HEX #F2700D

RGB 242 112 13

HSL 25.94, 0.9%, 0.5%

LAB 62.08, 45.75, 67.98

 

CMYK 95 / 0 / 72 / 6

HEX #0DF043

RGB 13 240 67

HSL 134.27, 0.9%, 0.5%

LAB 83.34, -79.14, 66.34

 

CMYK 95 / 69 / 0 / 5

HEX #0D4AF2

RGB 13 74 242

HSL 224.02, 0.9%, 0.5%

LAB 40.24, 48.11, -87.36

 

CMYK 0 / 95 / 22 / 5

HEX #F20DBD

RGB 242 13 189

HSL 313.89, 0.9%, 0.5%

LAB 54.91, 86.78, -32.18

 

CMYK 0 / 25 / 95 / 5

HEX #F2B50D

RGB 242 181 13

HSL 44.02, 0.9%, 0.5%

LAB 77.25, 10.14, 78.42

 

Description

Color code: HEX #0DF043 | qconv.com Color code: HEX #0DF043 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 240 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 240 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 72 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 72% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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