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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DDFB0 it is the complementary color #F2204F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DDFB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DDFB0 shade: #12DFAB, #23F1BE, #34FFD1, #45FFE4 and #56FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DDFB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DDFB0 shade: #0DDFB0, #00CD9D, #00BB8A, #00A977 and #009764

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DDFB0 shade: #0DDEAF, #0DDE77, #0DDE3E, #14DE0D and #4CDE0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DDFB0 shade: #0DDEAF, #0DD4DE, #0D9CDE, #0D64DE and #0D2BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DDFB0 shade matches the following richer shades: #0DDEAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DDFB0 shade: #0DDEAF, #20CBA4, #33B89A, #46A590 and #599285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DDFB0 shade: #0DDE3E, #0DDE75, #0DDEAD, #0DD7DE and #0D9FDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DDFB0 shade: #089071, #0BB790, #0DDEAF, #22F2C3 and #49F4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DDFB0 shade: #0DDFB0, #0D14DE and #DE590D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DDFB0 shade: #0DDFB0, #AD0DDE and #DEAD0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DDFB0 shade: #0DDFB0, #0D14DE, #DE0D3E and #DED70D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DDFB0 shade: #0DDFB0, #450DDE, #DE0D3E and #A6DE0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 21 / 13

HEX #0DDFB0

RGB 13 223 176

HSL 166.57, 0.89%, 0.46%

LAB 79.61, -55.83, 10.47

 

Complementary color

CMYK 0 / 87 / 67 / 5

HEX #F2204F

RGB 242 32 79

HSL 346.57, 0.89%, 0.54%

LAB 52.37, 75.4, 29.74

 

CMYK 92 / 0 / 23 / 13

HEX #12DFAB

RGB 18 223 171

HSL 164.78, 0.85%, 0.47%

LAB 79.53, -56.85, 13

 

CMYK 85 / 0 / 21 / 5

HEX #23F1BE

RGB 35 241 190

HSL 165.15, 0.88%, 0.54%

LAB 85.5, -58.34, 11.52

 

CMYK 80 / 0 / 18 / 0

HEX #34FFD1

RGB 52 255 209

HSL 166.4, 1%, 0.6%

LAB 90.25, -57.94, 8.48

 

CMYK 73 / 0 / 11 / 0

HEX #45FFE4

RGB 69 255 228

HSL 171.29, 1%, 0.64%

LAB 90.96, -51.51, -0.31

 

CMYK 66 / 0 / 3 / 0

HEX #56FFF7

RGB 86 255 247

HSL 177.16, 1%, 0.67%

LAB 91.78, -44.44, -8.91

 

CMYK 94 / 0 / 21 / 13

HEX #0DDFB0

RGB 13 223 176

HSL 166.57, 0.89%, 0.46%

LAB 79.61, -55.83, 10.47

 

CMYK 100 / 0 / 23 / 20

HEX #00CD9D

RGB 0 205 157

HSL 165.95, 1%, 0.4%

LAB 73.61, -53.88, 12.07

 

CMYK 100 / 0 / 26 / 27

HEX #00BB8A

RGB 0 187 138

HSL 164.28, 1%, 0.37%

LAB 67.56, -51.51, 13.81

 

CMYK 100 / 0 / 30 / 34

HEX #00A977

RGB 0 169 119

HSL 162.25, 1%, 0.33%

LAB 61.4, -49.08, 15.62

 

CMYK 100 / 0 / 34 / 41

HEX #009764

RGB 0 151 100

HSL 159.74, 1%, 0.3%

LAB 55.13, -46.57, 17.53

 

CMYK 94 / 0 / 21 / 13

HEX #0DDEAF

RGB 13 222 175

HSL 166.51, 0.89%, 0.46%

LAB 79.28, -55.69, 10.54

 

CMYK 94 / 0 / 46 / 13

HEX #0DDE77

RGB 13 222 119

HSL 150.43, 0.89%, 0.46%

LAB 78.26, -67.33, 38.05

 

CMYK 94 / 0 / 72 / 13

HEX #0DDE3E

RGB 13 222 62

HSL 134.07, 0.89%, 0.46%

LAB 77.68, -74.49, 62.3

 

CMYK 91 / 0 / 94 / 13

HEX #14DE0D

RGB 20 222 13

HSL 117.99, 0.89%, 0.46%

LAB 77.53, -76.58, 73.81

 

CMYK 66 / 0 / 94 / 13

HEX #4CDE0D

RGB 76 222 13

HSL 101.91, 0.89%, 0.46%

LAB 78.35, -69.4, 74.82

 

CMYK 94 / 0 / 21 / 13

HEX #0DDEAF

RGB 13 222 175

HSL 166.51, 0.89%, 0.46%

LAB 79.28, -55.69, 10.54

 

CMYK 94 / 5 / 0 / 13

HEX #0DD4DE

RGB 13 212 222

HSL 182.87, 0.89%, 0.46%

LAB 77.55, -38.49, -17.12

 

CMYK 94 / 30 / 0 / 13

HEX #0D9CDE

RGB 13 156 222

HSL 198.95, 0.89%, 0.46%

LAB 60.9, -10.1, -42.78

 

CMYK 94 / 55 / 0 / 13

HEX #0D64DE

RGB 13 100 222

HSL 215.02, 0.89%, 0.46%

LAB 44.9, 24.12, -68.39

 

CMYK 94 / 81 / 0 / 13

HEX #0D2BDE

RGB 13 43 222

HSL 231.39, 0.89%, 0.46%

LAB 32, 58.48, -89.62

 

CMYK 94 / 0 / 21 / 13

HEX #0DDEAF

RGB 13 222 175

HSL 166.51, 0.89%, 0.46%

LAB 79.28, -55.69, 10.54

 

CMYK 94 / 0 / 21 / 13

HEX #0DDEAF

RGB 13 222 175

HSL 166.51, 0.89%, 0.46%

LAB 79.28, -55.69, 10.54

 

CMYK 84 / 0 / 19 / 20

HEX #20CBA4

RGB 32 203 164

HSL 166.32, 0.73%, 0.46%

LAB 73.35, -49.87, 7.97

 

CMYK 72 / 0 / 16 / 28

HEX #33B89A

RGB 51 184 154

HSL 166.47, 0.57%, 0.46%

LAB 67.51, -42.47, 5.07

 

CMYK 58 / 0 / 13 / 35

HEX #46A590

RGB 70 165 144

HSL 166.74, 0.4%, 0.46%

LAB 61.85, -33.21, 2.49

 

CMYK 39 / 0 / 9 / 43

HEX #599285

RGB 89 146 133

HSL 166.32, 0.24%, 0.46%

LAB 56.46, -21.88, 0.99

 

CMYK 94 / 0 / 72 / 13

HEX #0DDE3E

RGB 13 222 62

HSL 134.07, 0.89%, 0.46%

LAB 77.68, -74.49, 62.3

 

CMYK 94 / 0 / 47 / 13

HEX #0DDE75

RGB 13 222 117

HSL 149.86, 0.89%, 0.46%

LAB 78.24, -67.66, 39

 

CMYK 94 / 0 / 22 / 13

HEX #0DDEAD

RGB 13 222 173

HSL 165.93, 0.89%, 0.46%

LAB 79.24, -56.17, 11.53

 

CMYK 94 / 3 / 0 / 13

HEX #0DD7DE

RGB 13 215 222

HSL 182.01, 0.89%, 0.46%

LAB 78.44, -39.85, -15.77

 

CMYK 94 / 28 / 0 / 13

HEX #0D9FDE

RGB 13 159 222

HSL 198.09, 0.89%, 0.46%

LAB 61.79, -11.77, -41.38

 

CMYK 94 / 0 / 22 / 44

HEX #089071

RGB 8 144 113

HSL 166.32, 0.89%, 0.3%

LAB 53.16, -40.12, 7.43

 

CMYK 94 / 0 / 21 / 28

HEX #0BB790

RGB 11 183 144

HSL 166.4, 0.89%, 0.38%

LAB 66.48, -48.05, 9.02

 

CMYK 94 / 0 / 21 / 13

HEX #0DDEAF

RGB 13 222 175

HSL 166.51, 0.89%, 0.46%

LAB 79.28, -55.69, 10.54

 

CMYK 86 / 0 / 19 / 5

HEX #22F2C3

RGB 34 242 195

HSL 166.44, 0.89%, 0.54%

LAB 85.9, -57.59, 9.48

 

CMYK 70 / 0 / 16 / 4

HEX #49F4CE

RGB 73 244 206

HSL 166.67, 0.89%, 0.62%

LAB 87.28, -51.92, 5.8

 

CMYK 94 / 0 / 21 / 13

HEX #0DDFB0

RGB 13 223 176

HSL 166.57, 0.89%, 0.46%

LAB 79.61, -55.83, 10.47

 

CMYK 94 / 91 / 0 / 13

HEX #0D14DE

RGB 13 20 222

HSL 237.99, 0.89%, 0.46%

LAB 29.06, 67.32, -94.54

 

CMYK 0 / 60 / 94 / 13

HEX #DE590D

RGB 222 89 13

HSL 21.82, 0.89%, 0.46%

LAB 54.77, 49.11, 61.72

 

CMYK 94 / 0 / 21 / 13

HEX #0DDFB0

RGB 13 223 176

HSL 166.57, 0.89%, 0.46%

LAB 79.61, -55.83, 10.47

 

CMYK 22 / 94 / 0 / 13

HEX #AD0DDE

RGB 173 13 222

HSL 285.93, 0.89%, 0.46%

LAB 44.87, 80.19, -67.91

 

CMYK 0 / 22 / 94 / 13

HEX #DEAD0D

RGB 222 173 13

HSL 45.93, 0.89%, 0.46%

LAB 73.18, 5.69, 74.52

 

CMYK 94 / 0 / 21 / 13

HEX #0DDFB0

RGB 13 223 176

HSL 166.57, 0.89%, 0.46%

LAB 79.61, -55.83, 10.47

 

CMYK 94 / 91 / 0 / 13

HEX #0D14DE

RGB 13 20 222

HSL 237.99, 0.89%, 0.46%

LAB 29.06, 67.32, -94.54

 

CMYK 0 / 94 / 72 / 13

HEX #DE0D3E

RGB 222 13 62

HSL 345.93, 0.89%, 0.46%

LAB 47.19, 72.31, 32.69

 

CMYK 0 / 3 / 94 / 13

HEX #DED70D

RGB 222 215 13

HSL 57.99, 0.89%, 0.46%

LAB 84.05, -15.86, 82.59

 

CMYK 94 / 0 / 21 / 13

HEX #0DDFB0

RGB 13 223 176

HSL 166.57, 0.89%, 0.46%

LAB 79.61, -55.83, 10.47

 

CMYK 69 / 94 / 0 / 13

HEX #450DDE

RGB 69 13 222

HSL 256.08, 0.89%, 0.46%

LAB 31.41, 70.47, -90.54

 

CMYK 0 / 94 / 72 / 13

HEX #DE0D3E

RGB 222 13 62

HSL 345.93, 0.89%, 0.46%

LAB 47.19, 72.31, 32.69

 

CMYK 25 / 0 / 94 / 13

HEX #A6DE0D

RGB 166 222 13

HSL 76.08, 0.89%, 0.46%

LAB 82.04, -42.01, 79.33

 

Description

Color code: HEX #0DDFB0 | qconv.com Color code: HEX #0DDFB0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 223 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 223 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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