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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DD413 it is the complementary color #F22BEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DD413. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DD413 shade: #12D40E, #23E621, #34F834, #45FF47 and #56FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DD413. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DD413 shade: #0DD413, #00C200, #00B000, #009E00 and #008C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DD413 shade: #0DD313, #3DD30D, #72D30D, #A7D30D and #D3C90D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DD413 shade: #0DD313, #0DD349, #0DD37E, #0DD3B3 and #0DBDD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DD413 shade matches the following richer shades: #0DD313

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DD413 shade: #0DD313, #20C124, #32AF36, #449C47 and #568A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DD413 shade: #73D30D, #3FD30D, #0DD311, #0DD345 and #0DD37A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DD413 shade: #09850C, #0BAC10, #0DD313, #19F020 and #40F345

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DD413 shade: #0DD413, #0DA8D3 and #D30D59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DD413 shade: #0DD413, #110DD3 and #D3110D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DD413 shade: #0DD413, #0DA8D3, #D30DD0 and #D3380D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DD413 shade: #0DD413, #0D6DD3, #D30DD0 and #D3730D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 91 / 17

HEX #0DD413

RGB 13 212 19

HSL 121.81, 0.88%, 0.44%

LAB 74.33, -74.09, 70.35

 

Complementary color

CMYK 0 / 82 / 2 / 5

HEX #F22BEC

RGB 242 43 236

HSL 301.81, 0.88%, 0.56%

LAB 58.66, 88.76, -53.04

 

CMYK 92 / 0 / 93 / 17

HEX #12D40E

RGB 18 212 14

HSL 118.79, 0.88%, 0.44%

LAB 74.35, -73.96, 71.05

 

CMYK 85 / 0 / 86 / 10

HEX #23E621

RGB 35 230 33

HSL 119.39, 0.8%, 0.52%

LAB 80.21, -77.09, 72.99

 

CMYK 79 / 0 / 79 / 3

HEX #34F834

RGB 52 248 52

HSL 120, 0.93%, 0.59%

LAB 86.06, -79.5, 73.79

 

CMYK 73 / 0 / 72 / 0

HEX #45FF47

RGB 69 255 71

HSL 120.65, 1%, 0.64%

LAB 88.56, -78.04, 70.46

 

CMYK 66 / 0 / 65 / 0

HEX #56FF5A

RGB 86 255 90

HSL 121.42, 1%, 0.67%

LAB 89.03, -73.59, 64.06

 

CMYK 94 / 0 / 91 / 17

HEX #0DD413

RGB 13 212 19

HSL 121.81, 0.88%, 0.44%

LAB 74.33, -74.09, 70.35

 

CMYK 100 / 0 / 100 / 24

HEX #00C200

RGB 0 194 0

HSL 120, 1%, 0.38%

LAB 68.45, -70.16, 67.71

 

CMYK 100 / 0 / 100 / 31

HEX #00B000

RGB 0 176 0

HSL 120, 1%, 0.35%

LAB 62.55, -65.26, 62.99

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 94 / 0 / 91 / 17

HEX #0DD313

RGB 13 211 19

HSL 121.82, 0.88%, 0.44%

LAB 74.01, -73.81, 70.08

 

CMYK 71 / 0 / 94 / 17

HEX #3DD30D

RGB 61 211 13

HSL 105.45, 0.88%, 0.44%

LAB 74.58, -68.82, 71.58

 

CMYK 46 / 0 / 94 / 17

HEX #72D30D

RGB 114 211 13

HSL 89.39, 0.88%, 0.44%

LAB 76.19, -55.78, 73.56

 

CMYK 21 / 0 / 94 / 17

HEX #A7D30D

RGB 167 211 13

HSL 73.33, 0.88%, 0.44%

LAB 78.95, -36.74, 76.92

 

CMYK 0 / 5 / 94 / 17

HEX #D3C90D

RGB 211 201 13

HSL 56.97, 0.88%, 0.44%

LAB 79.41, -13.59, 78.69

 

CMYK 94 / 0 / 91 / 17

HEX #0DD313

RGB 13 211 19

HSL 121.82, 0.88%, 0.44%

LAB 74.01, -73.81, 70.08

 

CMYK 94 / 0 / 65 / 17

HEX #0DD349

RGB 13 211 73

HSL 138.18, 0.88%, 0.44%

LAB 74.29, -70.26, 54.47

 

CMYK 94 / 0 / 40 / 17

HEX #0DD37E

RGB 13 211 126

HSL 154.24, 0.88%, 0.44%

LAB 74.94, -62.38, 30.21

 

CMYK 94 / 0 / 15 / 17

HEX #0DD3B3

RGB 13 211 179

HSL 170.3, 0.88%, 0.44%

LAB 76.03, -50.29, 3.73

 

CMYK 94 / 10 / 0 / 17

HEX #0DBDD3

RGB 13 189 211

HSL 186.67, 0.88%, 0.44%

LAB 70.3, -31.11, -22.14

 

CMYK 94 / 0 / 91 / 17

HEX #0DD313

RGB 13 211 19

HSL 121.82, 0.88%, 0.44%

LAB 74.01, -73.81, 70.08

 

CMYK 94 / 0 / 91 / 17

HEX #0DD313

RGB 13 211 19

HSL 121.82, 0.88%, 0.44%

LAB 74.01, -73.81, 70.08

 

CMYK 83 / 0 / 81 / 24

HEX #20C124

RGB 32 193 36

HSL 121.49, 0.72%, 0.44%

LAB 68.44, -66.66, 61.61

 

CMYK 71 / 0 / 69 / 31

HEX #32AF36

RGB 50 175 54

HSL 121.92, 0.56%, 0.44%

LAB 63.01, -57.16, 50.16

 

CMYK 56 / 0 / 54 / 39

HEX #449C47

RGB 68 156 71

HSL 122.05, 0.39%, 0.44%

LAB 57.52, -44.26, 36.34

 

CMYK 38 / 0 / 36 / 46

HEX #568A58

RGB 86 138 88

HSL 122.31, 0.23%, 0.44%

LAB 52.8, -28.22, 21.45

 

CMYK 45 / 0 / 94 / 17

HEX #73D30D

RGB 115 211 13

HSL 89.09, 0.88%, 0.44%

LAB 76.23, -55.47, 73.61

 

CMYK 70 / 0 / 94 / 17

HEX #3FD30D

RGB 63 211 13

HSL 104.85, 0.88%, 0.44%

LAB 74.62, -68.47, 71.63

 

CMYK 94 / 0 / 92 / 17

HEX #0DD311

RGB 13 211 17

HSL 121.21, 0.88%, 0.44%

LAB 74.01, -73.87, 70.36

 

CMYK 94 / 0 / 67 / 17

HEX #0DD345

RGB 13 211 69

HSL 136.97, 0.88%, 0.44%

LAB 74.26, -70.68, 56.06

 

CMYK 94 / 0 / 42 / 17

HEX #0DD37A

RGB 13 211 122

HSL 153.03, 0.88%, 0.44%

LAB 74.87, -63.13, 32.17

 

CMYK 93 / 0 / 91 / 48

HEX #09850C

RGB 9 133 12

HSL 121.45, 0.87%, 0.28%

LAB 48.08, -52.04, 49.09

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 94 / 0 / 91 / 17

HEX #0DD313

RGB 13 211 19

HSL 121.82, 0.88%, 0.44%

LAB 74.01, -73.81, 70.08

 

CMYK 90 / 0 / 87 / 6

HEX #19F020

RGB 25 240 32

HSL 121.95, 0.88%, 0.52%

LAB 83.25, -80.6, 75.82

 

CMYK 74 / 0 / 72 / 5

HEX #40F345

RGB 64 243 69

HSL 121.68, 0.88%, 0.6%

LAB 84.8, -75.3, 67.3

 

CMYK 94 / 0 / 91 / 17

HEX #0DD413

RGB 13 212 19

HSL 121.81, 0.88%, 0.44%

LAB 74.33, -74.09, 70.35

 

CMYK 94 / 20 / 0 / 17

HEX #0DA8D3

RGB 13 168 211

HSL 193.03, 0.88%, 0.44%

LAB 63.99, -20.53, -31.85

 

CMYK 0 / 94 / 58 / 17

HEX #D30D59

RGB 211 13 89

HSL 336.97, 0.88%, 0.44%

LAB 45.44, 71.05, 13.35

 

CMYK 94 / 0 / 91 / 17

HEX #0DD413

RGB 13 212 19

HSL 121.81, 0.88%, 0.44%

LAB 74.33, -74.09, 70.35

 

CMYK 92 / 94 / 0 / 17

HEX #110DD3

RGB 17 13 211

HSL 241.21, 0.88%, 0.44%

LAB 27.05, 66.21, -91.53

 

CMYK 0 / 92 / 94 / 17

HEX #D3110D

RGB 211 17 13

HSL 1.21, 0.88%, 0.44%

LAB 44.63, 67.9, 54.48

 

CMYK 94 / 0 / 91 / 17

HEX #0DD413

RGB 13 212 19

HSL 121.81, 0.88%, 0.44%

LAB 74.33, -74.09, 70.35

 

CMYK 94 / 20 / 0 / 17

HEX #0DA8D3

RGB 13 168 211

HSL 193.03, 0.88%, 0.44%

LAB 63.99, -20.53, -31.85

 

CMYK 0 / 94 / 1 / 17

HEX #D30DD0

RGB 211 13 208

HSL 300.91, 0.88%, 0.44%

LAB 50.32, 83.73, -50.76

 

CMYK 0 / 73 / 94 / 17

HEX #D3380D

RGB 211 56 13

HSL 13.03, 0.88%, 0.44%

LAB 47.89, 58.7, 56.42

 

CMYK 94 / 0 / 91 / 17

HEX #0DD413

RGB 13 212 19

HSL 121.81, 0.88%, 0.44%

LAB 74.33, -74.09, 70.35

 

CMYK 94 / 48 / 0 / 17

HEX #0D6DD3

RGB 13 109 211

HSL 210.91, 0.88%, 0.44%

LAB 46.61, 13.98, -59.36

 

CMYK 0 / 94 / 1 / 17

HEX #D30DD0

RGB 211 13 208

HSL 300.91, 0.88%, 0.44%

LAB 50.32, 83.73, -50.76

 

CMYK 0 / 45 / 94 / 17

HEX #D3730D

RGB 211 115 13

HSL 30.91, 0.88%, 0.44%

LAB 58.17, 31.97, 63.19

 

Description

Color code: HEX #0DD413 | qconv.com Color code: HEX #0DD413 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 212 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 212 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 91 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 91% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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