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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DCE48 it is the complementary color #F231B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DCE48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DCE48 shade: #12CE43, #23E056, #34F269, #45FF7C and #56FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DCE48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DCE48 shade: #0DCE48, #00BC35, #00AA22, #00980F and #008600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DCE48 shade: #0DCE48, #0DCE14, #3ACE0D, #6ECE0D and #A2CE0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DCE48 shade: #0DCE48, #0DCE7C, #0DCEB0, #0DB8CE and #0D84CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DCE48 shade matches the following richer shades: #0DCE48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DCE48 shade: #0DCE48, #1FBC4F, #31AB56, #42995D and #548764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DCE48 shade: #3ACE0D, #0DCE14, #0DCE47, #0DCE7B and #0DCEAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DCE48 shade: #08812D, #0BA73B, #0DCE48, #15F058 and #3BF373

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DCE48 shade: #0DCE48, #0D6ECE and #CE0D20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DCE48 shade: #0DCE48, #470DCE and #CE470D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DCE48 shade: #0DCE48, #0D6ECE, #CE0D94 and #CE6E0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DCE48 shade: #0DCE48, #0D34CE, #CE0D94 and #CEA80D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 65 / 19

HEX #0DCE48

RGB 13 206 72

HSL 138.34, 0.88%, 0.43%

LAB 72.69, -68.89, 53.13

 

Complementary color

CMYK 0 / 80 / 24 / 5

HEX #F231B7

RGB 242 49 183

HSL 318.34, 0.88%, 0.57%

LAB 56.58, 80.48, -26.11

 

CMYK 91 / 0 / 67 / 19

HEX #12CE43

RGB 18 206 67

HSL 135.64, 0.84%, 0.44%

LAB 72.68, -69.16, 55.17

 

CMYK 84 / 0 / 62 / 12

HEX #23E056

RGB 35 224 86

HSL 136.19, 0.75%, 0.51%

LAB 78.66, -71.3, 53.92

 

CMYK 79 / 0 / 57 / 5

HEX #34F269

RGB 52 242 105

HSL 136.74, 0.88%, 0.58%

LAB 84.61, -72.87, 52.53

 

CMYK 73 / 0 / 51 / 0

HEX #45FF7C

RGB 69 255 124

HSL 137.74, 1%, 0.64%

LAB 89.04, -72.35, 49.25

 

CMYK 66 / 0 / 44 / 0

HEX #56FF8F

RGB 86 255 143

HSL 140.24, 1%, 0.67%

LAB 89.62, -66.84, 41.03

 

CMYK 94 / 0 / 65 / 19

HEX #0DCE48

RGB 13 206 72

HSL 138.34, 0.88%, 0.43%

LAB 72.69, -68.89, 53.13

 

CMYK 100 / 0 / 72 / 26

HEX #00BC35

RGB 0 188 53

HSL 136.91, 1%, 0.37%

LAB 66.69, -66, 54.24

 

CMYK 100 / 0 / 80 / 33

HEX #00AA22

RGB 0 170 34

HSL 132, 1%, 0.33%

LAB 60.66, -62.28, 54.77

 

CMYK 100 / 0 / 90 / 40

HEX #00980F

RGB 0 152 15

HSL 125.92, 1%, 0.3%

LAB 54.54, -58.11, 54.07

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 94 / 0 / 65 / 19

HEX #0DCE48

RGB 13 206 72

HSL 138.34, 0.88%, 0.43%

LAB 72.69, -68.89, 53.13

 

CMYK 94 / 0 / 90 / 19

HEX #0DCE14

RGB 13 206 20

HSL 122.18, 0.88%, 0.43%

LAB 72.41, -72.42, 68.57

 

CMYK 72 / 0 / 94 / 19

HEX #3ACE0D

RGB 58 206 13

HSL 106.01, 0.88%, 0.43%

LAB 72.94, -67.82, 70.2

 

CMYK 47 / 0 / 94 / 19

HEX #6ECE0D

RGB 110 206 13

HSL 89.84, 0.88%, 0.43%

LAB 74.5, -55.13, 72.13

 

CMYK 21 / 0 / 94 / 19

HEX #A2CE0D

RGB 162 206 13

HSL 73.68, 0.88%, 0.43%

LAB 77.19, -36.47, 75.41

 

CMYK 94 / 0 / 65 / 19

HEX #0DCE48

RGB 13 206 72

HSL 138.34, 0.88%, 0.43%

LAB 72.69, -68.89, 53.13

 

CMYK 94 / 0 / 40 / 19

HEX #0DCE7C

RGB 13 206 124

HSL 154.51, 0.88%, 0.43%

LAB 73.34, -61.03, 29.13

 

CMYK 94 / 0 / 15 / 19

HEX #0DCEB0

RGB 13 206 176

HSL 170.67, 0.88%, 0.43%

LAB 74.42, -49.04, 3.02

 

CMYK 94 / 11 / 0 / 19

HEX #0DB8CE

RGB 13 184 206

HSL 186.84, 0.88%, 0.43%

LAB 68.62, -30.3, -21.97

 

CMYK 94 / 36 / 0 / 19

HEX #0D84CE

RGB 13 132 206

HSL 203.01, 0.88%, 0.43%

LAB 53, -2.22, -46.29

 

CMYK 94 / 0 / 65 / 19

HEX #0DCE48

RGB 13 206 72

HSL 138.34, 0.88%, 0.43%

LAB 72.69, -68.89, 53.13

 

CMYK 94 / 0 / 65 / 19

HEX #0DCE48

RGB 13 206 72

HSL 138.34, 0.88%, 0.43%

LAB 72.69, -68.89, 53.13

 

CMYK 84 / 0 / 58 / 26

HEX #1FBC4F

RGB 31 188 79

HSL 138.34, 0.72%, 0.43%

LAB 67.14, -61.18, 43.74

 

CMYK 71 / 0 / 50 / 33

HEX #31AB56

RGB 49 171 86

HSL 138.2, 0.55%, 0.43%

LAB 62.04, -51.89, 34.19

 

CMYK 57 / 0 / 39 / 40

HEX #42995D

RGB 66 153 93

HSL 138.62, 0.4%, 0.43%

LAB 56.81, -40.01, 23.86

 

CMYK 38 / 0 / 26 / 47

HEX #548764

RGB 84 135 100

HSL 138.82, 0.23%, 0.43%

LAB 51.99, -25.15, 13.53

 

CMYK 72 / 0 / 94 / 19

HEX #3ACE0D

RGB 58 206 13

HSL 106.01, 0.88%, 0.43%

LAB 72.94, -67.82, 70.2

 

CMYK 94 / 0 / 90 / 19

HEX #0DCE14

RGB 13 206 20

HSL 122.18, 0.88%, 0.43%

LAB 72.41, -72.42, 68.57

 

CMYK 94 / 0 / 66 / 19

HEX #0DCE47

RGB 13 206 71

HSL 138.03, 0.88%, 0.43%

LAB 72.68, -68.99, 53.53

 

CMYK 94 / 0 / 40 / 19

HEX #0DCE7B

RGB 13 206 123

HSL 154.2, 0.88%, 0.43%

LAB 73.32, -61.22, 29.62

 

CMYK 94 / 0 / 16 / 19

HEX #0DCEAE

RGB 13 206 174

HSL 170.05, 0.88%, 0.43%

LAB 74.37, -49.56, 4.03

 

CMYK 94 / 0 / 65 / 49

HEX #08812D

RGB 8 129 45

HSL 138.35, 0.88%, 0.27%

LAB 46.9, -48.18, 36.28

 

CMYK 93 / 0 / 65 / 35

HEX #0BA73B

RGB 11 167 59

HSL 138.46, 0.88%, 0.35%

LAB 59.91, -58.53, 44.51

 

CMYK 94 / 0 / 65 / 19

HEX #0DCE48

RGB 13 206 72

HSL 138.34, 0.88%, 0.43%

LAB 72.69, -68.89, 53.13

 

CMYK 91 / 0 / 63 / 6

HEX #15F058

RGB 21 240 88

HSL 138.36, 0.88%, 0.51%

LAB 83.54, -76.81, 58.55

 

CMYK 76 / 0 / 53 / 5

HEX #3BF373

RGB 59 243 115

HSL 138.26, 0.88%, 0.59%

LAB 85.13, -71.01, 48.62

 

CMYK 94 / 0 / 65 / 19

HEX #0DCE48

RGB 13 206 72

HSL 138.34, 0.88%, 0.43%

LAB 72.69, -68.89, 53.13

 

CMYK 94 / 47 / 0 / 19

HEX #0D6ECE

RGB 13 110 206

HSL 209.84, 0.88%, 0.43%

LAB 46.57, 11.36, -56.57

 

CMYK 0 / 94 / 84 / 19

HEX #CE0D20

RGB 206 13 32

HSL 354.09, 0.88%, 0.43%

LAB 43.53, 67.4, 44.95

 

CMYK 94 / 0 / 65 / 19

HEX #0DCE48

RGB 13 206 72

HSL 138.34, 0.88%, 0.43%

LAB 72.69, -68.89, 53.13

 

CMYK 66 / 94 / 0 / 19

HEX #470DCE

RGB 71 13 206

HSL 258.03, 0.88%, 0.43%

LAB 29.62, 66.67, -84.24

 

CMYK 0 / 66 / 94 / 19

HEX #CE470D

RGB 206 71 13

HSL 18.03, 0.88%, 0.43%

LAB 49.08, 51.31, 56.72

 

CMYK 94 / 0 / 65 / 19

HEX #0DCE48

RGB 13 206 72

HSL 138.34, 0.88%, 0.43%

LAB 72.69, -68.89, 53.13

 

CMYK 94 / 47 / 0 / 19

HEX #0D6ECE

RGB 13 110 206

HSL 209.84, 0.88%, 0.43%

LAB 46.57, 11.36, -56.57

 

CMYK 0 / 94 / 28 / 19

HEX #CE0D94

RGB 206 13 148

HSL 318.03, 0.88%, 0.43%

LAB 46.38, 75.1, -21.71

 

CMYK 0 / 47 / 94 / 19

HEX #CE6E0D

RGB 206 110 13

HSL 30.16, 0.88%, 0.43%

LAB 56.39, 32.53, 61.63

 

CMYK 94 / 0 / 65 / 19

HEX #0DCE48

RGB 13 206 72

HSL 138.34, 0.88%, 0.43%

LAB 72.69, -68.89, 53.13

 

CMYK 94 / 75 / 0 / 19

HEX #0D34CE

RGB 13 52 206

HSL 227.88, 0.88%, 0.43%

LAB 31.8, 48.46, -80.71

 

CMYK 0 / 94 / 28 / 19

HEX #CE0D94

RGB 206 13 148

HSL 318.03, 0.88%, 0.43%

LAB 46.38, 75.1, -21.71

 

CMYK 0 / 18 / 94 / 19

HEX #CEA80D

RGB 206 168 13

HSL 48.19, 0.88%, 0.43%

LAB 70.29, 1.3, 71.65

 

Description

Color code: HEX #0DCE48 | qconv.com Color code: HEX #0DCE48 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 206 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 206 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 65 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 65% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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