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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DC87B it is the complementary color #F23784. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DC87B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DC87B shade: #12C876, #23DA89, #34EC9C, #45FEAF and #56FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DC87B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DC87B shade: #0DC87B, #00B668, #00A455, #009242 and #00802F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DC87B shade: #0DC97C, #0DC949, #0DC916, #36C90D and #69C90D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DC87B shade: #0DC97C, #0DC9AF, #0DB1C9, #0D7EC9 and #0D4CC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DC87B shade matches the following richer shades: #0DC97C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DC87B shade: #0DC97C, #1EB879, #30A776, #419573 and #52846F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DC87B shade: #0DC916, #0DC949, #0DC97B, #0DC9AD and #0DB3C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DC87B shade: #087C4C, #0AA364, #0DC97C, #10F093 and #37F2A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DC87B shade: #0DC87B, #0D36C9 and #C92F0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DC87B shade: #0DC87B, #7B0DC9 and #C97B0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DC87B shade: #0DC87B, #0D36C9, #C90D5B and #C9A10D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DC87B shade: #0DC87B, #1D0DC9, #C90D5B and #BAC90D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 39 / 22

HEX #0DC87B

RGB 13 200 123

HSL 155.29, 0.88%, 0.42%

LAB 71.44, -59.12, 27.12

 

Complementary color

CMYK 0 / 77 / 45 / 5

HEX #F23784

RGB 242 55 132

HSL 335.29, 0.88%, 0.58%

LAB 55.36, 73.72, 2.04

 

CMYK 91 / 0 / 41 / 22

HEX #12C876

RGB 18 200 118

HSL 152.97, 0.83%, 0.43%

LAB 71.38, -59.85, 29.65

 

CMYK 84 / 0 / 37 / 15

HEX #23DA89

RGB 35 218 137

HSL 153.44, 0.72%, 0.5%

LAB 77.46, -61.37, 27.94

 

CMYK 78 / 0 / 34 / 7

HEX #34EC9C

RGB 52 236 156

HSL 153.91, 0.83%, 0.56%

LAB 83.51, -62.47, 26.36

 

CMYK 73 / 0 / 31 / 0

HEX #45FEAF

RGB 69 254 175

HSL 154.38, 0.99%, 0.63%

LAB 89.51, -63.25, 24.9

 

CMYK 66 / 0 / 24 / 0

HEX #56FFC2

RGB 86 255 194

HSL 158.34, 1%, 0.67%

LAB 90.5, -57.23, 16.64

 

CMYK 94 / 0 / 39 / 22

HEX #0DC87B

RGB 13 200 123

HSL 155.29, 0.88%, 0.42%

LAB 71.44, -59.12, 27.12

 

CMYK 100 / 0 / 43 / 29

HEX #00B668

RGB 0 182 104

HSL 154.29, 1%, 0.36%

LAB 65.32, -57.02, 28.97

 

CMYK 100 / 0 / 48 / 36

HEX #00A455

RGB 0 164 85

HSL 151.1, 1%, 0.32%

LAB 59.17, -54.3, 30.96

 

CMYK 100 / 0 / 55 / 43

HEX #009242

RGB 0 146 66

HSL 147.12, 1%, 0.29%

LAB 52.9, -51.38, 32.96

 

CMYK 100 / 0 / 63 / 50

HEX #00802F

RGB 0 128 47

HSL 142.03, 1%, 0.25%

LAB 46.5, -48.19, 34.86

 

CMYK 94 / 0 / 38 / 21

HEX #0DC97C

RGB 13 201 124

HSL 155.43, 0.88%, 0.42%

LAB 71.77, -59.28, 27.04

 

CMYK 94 / 0 / 64 / 21

HEX #0DC949

RGB 13 201 73

HSL 139.15, 0.88%, 0.42%

LAB 71.1, -67.27, 50.94

 

CMYK 94 / 0 / 89 / 21

HEX #0DC916

RGB 13 201 22

HSL 122.87, 0.88%, 0.42%

LAB 70.81, -70.98, 66.86

 

CMYK 73 / 0 / 94 / 21

HEX #36C90D

RGB 54 201 13

HSL 106.91, 0.88%, 0.42%

LAB 71.27, -66.96, 68.79

 

CMYK 48 / 0 / 94 / 21

HEX #69C90D

RGB 105 201 13

HSL 90.64, 0.88%, 0.42%

LAB 72.76, -54.79, 70.63

 

CMYK 94 / 0 / 38 / 21

HEX #0DC97C

RGB 13 201 124

HSL 155.43, 0.88%, 0.42%

LAB 71.77, -59.28, 27.04

 

CMYK 94 / 0 / 13 / 21

HEX #0DC9AF

RGB 13 201 175

HSL 171.7, 0.88%, 0.42%

LAB 72.86, -47.23, 1.29

 

CMYK 94 / 12 / 0 / 21

HEX #0DB1C9

RGB 13 177 201

HSL 187.66, 0.88%, 0.42%

LAB 66.33, -28.5, -22.72

 

CMYK 94 / 37 / 0 / 21

HEX #0D7EC9

RGB 13 126 201

HSL 203.94, 0.88%, 0.42%

LAB 50.95, -0.54, -46.71

 

CMYK 94 / 62 / 0 / 21

HEX #0D4CC9

RGB 13 76 201

HSL 219.89, 0.88%, 0.42%

LAB 36.88, 31.62, -69.44

 

CMYK 94 / 0 / 38 / 21

HEX #0DC97C

RGB 13 201 124

HSL 155.43, 0.88%, 0.42%

LAB 71.77, -59.28, 27.04

 

CMYK 94 / 0 / 38 / 21

HEX #0DC97C

RGB 13 201 124

HSL 155.43, 0.88%, 0.42%

LAB 71.77, -59.28, 27.04

 

CMYK 84 / 0 / 34 / 28

HEX #1EB879

RGB 30 184 121

HSL 155.45, 0.72%, 0.42%

LAB 66.47, -52.6, 21.53

 

CMYK 71 / 0 / 29 / 35

HEX #30A776

RGB 48 167 118

HSL 155.29, 0.55%, 0.42%

LAB 61.28, -44.37, 16.1

 

CMYK 56 / 0 / 23 / 42

HEX #419573

RGB 65 149 115

HSL 155.71, 0.39%, 0.42%

LAB 55.94, -33.9, 10.39

 

CMYK 38 / 0 / 16 / 48

HEX #52846F

RGB 82 132 111

HSL 154.8, 0.23%, 0.42%

LAB 51.2, -21.89, 6.06

 

CMYK 94 / 0 / 89 / 21

HEX #0DC916

RGB 13 201 22

HSL 122.87, 0.88%, 0.42%

LAB 70.81, -70.98, 66.86

 

CMYK 94 / 0 / 64 / 21

HEX #0DC949

RGB 13 201 73

HSL 139.15, 0.88%, 0.42%

LAB 71.1, -67.27, 50.94

 

CMYK 94 / 0 / 39 / 21

HEX #0DC97B

RGB 13 201 123

HSL 155.11, 0.88%, 0.42%

LAB 71.75, -59.47, 27.54

 

CMYK 94 / 0 / 14 / 21

HEX #0DC9AD

RGB 13 201 173

HSL 171.06, 0.88%, 0.42%

LAB 72.81, -47.77, 2.3

 

CMYK 94 / 11 / 0 / 21

HEX #0DB3C9

RGB 13 179 201

HSL 187.02, 0.88%, 0.42%

LAB 66.93, -29.48, -21.8

 

CMYK 94 / 0 / 39 / 51

HEX #087C4C

RGB 8 124 76

HSL 155.17, 0.88%, 0.26%

LAB 45.62, -41.02, 18.23

 

CMYK 94 / 0 / 39 / 36

HEX #0AA364

RGB 10 163 100

HSL 155.29, 0.88%, 0.34%

LAB 59.14, -50.57, 22.96

 

CMYK 94 / 0 / 38 / 21

HEX #0DC97C

RGB 13 201 124

HSL 155.43, 0.88%, 0.42%

LAB 71.77, -59.28, 27.04

 

CMYK 93 / 0 / 39 / 6

HEX #10F093

RGB 16 240 147

HSL 155.09, 0.88%, 0.5%

LAB 84.24, -68.19, 31.86

 

CMYK 77 / 0 / 32 / 5

HEX #37F2A5

RGB 55 242 165

HSL 155.29, 0.88%, 0.58%

LAB 85.52, -62.52, 24.51

 

CMYK 94 / 0 / 39 / 22

HEX #0DC87B

RGB 13 200 123

HSL 155.29, 0.88%, 0.42%

LAB 71.44, -59.12, 27.12

 

CMYK 94 / 73 / 0 / 21

HEX #0D36C9

RGB 13 54 201

HSL 226.91, 0.88%, 0.42%

LAB 31.67, 45.54, -78.01

 

CMYK 0 / 77 / 94 / 21

HEX #C92F0D

RGB 201 47 13

HSL 10.85, 0.88%, 0.42%

LAB 44.91, 58.56, 53.62

 

CMYK 94 / 0 / 39 / 22

HEX #0DC87B

RGB 13 200 123

HSL 155.29, 0.88%, 0.42%

LAB 71.44, -59.12, 27.12

 

CMYK 39 / 94 / 0 / 21

HEX #7B0DC9

RGB 123 13 201

HSL 275.11, 0.88%, 0.42%

LAB 35.43, 69.92, -71.52

 

CMYK 0 / 39 / 94 / 21

HEX #C97B0D

RGB 201 123 13

HSL 35.11, 0.88%, 0.42%

LAB 58.61, 23.46, 62.88

 

CMYK 94 / 0 / 39 / 22

HEX #0DC87B

RGB 13 200 123

HSL 155.29, 0.88%, 0.42%

LAB 71.44, -59.12, 27.12

 

CMYK 94 / 73 / 0 / 21

HEX #0D36C9

RGB 13 54 201

HSL 226.91, 0.88%, 0.42%

LAB 31.67, 45.54, -78.01

 

CMYK 0 / 94 / 55 / 21

HEX #C90D5B

RGB 201 13 91

HSL 335.11, 0.88%, 0.42%

LAB 43.45, 68.82, 9.02

 

CMYK 0 / 20 / 94 / 21

HEX #C9A10D

RGB 201 161 13

HSL 47.23, 0.88%, 0.42%

LAB 67.97, 2.81, 69.71

 

CMYK 94 / 0 / 39 / 22

HEX #0DC87B

RGB 13 200 123

HSL 155.29, 0.88%, 0.42%

LAB 71.44, -59.12, 27.12

 

CMYK 86 / 94 / 0 / 21

HEX #1D0DC9

RGB 29 13 201

HSL 245.11, 0.88%, 0.42%

LAB 26.06, 63.8, -87.33

 

CMYK 0 / 94 / 55 / 21

HEX #C90D5B

RGB 201 13 91

HSL 335.11, 0.88%, 0.42%

LAB 43.45, 68.82, 9.02

 

CMYK 7 / 0 / 94 / 21

HEX #BAC90D

RGB 186 201 13

HSL 64.79, 0.88%, 0.42%

LAB 77.42, -24.26, 76.3

 

Description

Color code: HEX #0DC87B | qconv.com Color code: HEX #0DC87B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 200 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 200 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 39% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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