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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DC82C it is the complementary color #F237D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DC82C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DC82C shade: #12C827, #23DA3A, #34EC4D, #45FE60 and #56FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DC82C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DC82C shade: #0DC82C, #00B619, #00A406, #009200 and #008000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DC82C shade: #0CC92C, #20C90C, #53C90C, #86C90C and #B8C90C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DC82C shade: #0CC92C, #0CC95E, #0CC991, #0CC9C4 and #0C9BC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DC82C shade matches the following richer shades: #0CC92C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DC82C shade: #0CC92C, #1EB837, #2FA643, #40954E and #52845A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DC82C shade: #55C90C, #22C90C, #0CC929, #0CC95B and #0CC98D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DC82C shade: #077B1B, #0AA223, #0CC92C, #0FEF34 and #36F255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DC82C shade: #0DC82C, #0C87C9 and #C90C3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DC82C shade: #0DC82C, #290CC9 and #C9290C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DC82C shade: #0DC82C, #0C87C9, #C90CAD and #C94E0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DC82C shade: #0DC82C, #0C4EC9, #C90CAD and #C9870C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 78 / 22

HEX #0DC82C

RGB 13 200 44

HSL 129.95, 0.88%, 0.42%

LAB 70.58, -69.59, 61.24

 

Complementary color

CMYK 0 / 77 / 13 / 5

HEX #F237D3

RGB 242 55 211

HSL 309.95, 0.88%, 0.58%

LAB 58.33, 82.53, -39.45

 

CMYK 91 / 0 / 81 / 22

HEX #12C827

RGB 18 200 39

HSL 126.92, 0.83%, 0.43%

LAB 70.58, -69.64, 62.73

 

CMYK 84 / 0 / 73 / 15

HEX #23DA3A

RGB 35 218 58

HSL 127.54, 0.72%, 0.5%

LAB 76.56, -72.21, 62.62

 

CMYK 78 / 0 / 67 / 7

HEX #34EC4D

RGB 52 236 77

HSL 128.15, 0.83%, 0.56%

LAB 82.52, -74.1, 61.91

 

CMYK 73 / 0 / 62 / 0

HEX #45FE60

RGB 69 254 96

HSL 128.76, 0.99%, 0.63%

LAB 88.44, -75.47, 60.88

 

CMYK 66 / 0 / 55 / 0

HEX #56FF73

RGB 86 255 115

HSL 130.3, 1%, 0.67%

LAB 89.27, -70.83, 53.72

 

CMYK 94 / 0 / 78 / 22

HEX #0DC82C

RGB 13 200 44

HSL 129.95, 0.88%, 0.42%

LAB 70.58, -69.59, 61.24

 

CMYK 100 / 0 / 86 / 29

HEX #00B619

RGB 0 182 25

HSL 128.24, 1%, 0.36%

LAB 64.58, -66.17, 60.77

 

CMYK 100 / 0 / 96 / 36

HEX #00A406

RGB 0 164 6

HSL 122.2, 1%, 0.32%

LAB 58.57, -61.78, 58.92

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 94 / 0 / 78 / 21

HEX #0CC92C

RGB 12 201 44

HSL 130.16, 0.89%, 0.42%

LAB 70.89, -69.92, 61.54

 

CMYK 84 / 0 / 94 / 21

HEX #20C90C

RGB 32 201 12

HSL 113.65, 0.89%, 0.42%

LAB 70.94, -69.88, 68.51

 

CMYK 59 / 0 / 94 / 21

HEX #53C90C

RGB 83 201 12

HSL 97.46, 0.89%, 0.42%

LAB 71.99, -60.95, 69.79

 

CMYK 33 / 0 / 94 / 21

HEX #86C90C

RGB 134 201 12

HSL 81.27, 0.89%, 0.42%

LAB 74.11, -45.01, 72.39

 

CMYK 8 / 0 / 94 / 21

HEX #B8C90C

RGB 184 201 12

HSL 65.4, 0.89%, 0.42%

LAB 77.27, -25.12, 76.23

 

CMYK 94 / 0 / 78 / 21

HEX #0CC92C

RGB 12 201 44

HSL 130.16, 0.89%, 0.42%

LAB 70.89, -69.92, 61.54

 

CMYK 94 / 0 / 53 / 21

HEX #0CC95E

RGB 12 201 94

HSL 146.03, 0.89%, 0.42%

LAB 71.32, -64.55, 41.59

 

CMYK 94 / 0 / 28 / 21

HEX #0CC991

RGB 12 201 145

HSL 162.22, 0.89%, 0.42%

LAB 72.16, -54.8, 16.47

 

CMYK 94 / 0 / 2 / 21

HEX #0CC9C4

RGB 12 201 196

HSL 178.41, 0.89%, 0.42%

LAB 73.44, -41.33, -9.25

 

CMYK 94 / 23 / 0 / 21

HEX #0C9BC9

RGB 12 155 201

HSL 194.6, 0.89%, 0.42%

LAB 59.65, -17.17, -33.02

 

CMYK 94 / 0 / 78 / 21

HEX #0CC92C

RGB 12 201 44

HSL 130.16, 0.89%, 0.42%

LAB 70.89, -69.92, 61.54

 

CMYK 94 / 0 / 78 / 21

HEX #0CC92C

RGB 12 201 44

HSL 130.16, 0.89%, 0.42%

LAB 70.89, -69.92, 61.54

 

CMYK 84 / 0 / 70 / 28

HEX #1EB837

RGB 30 184 55

HSL 129.74, 0.72%, 0.42%

LAB 65.62, -62.74, 52.42

 

CMYK 72 / 0 / 60 / 35

HEX #2FA643

RGB 47 166 67

HSL 130.08, 0.56%, 0.42%

LAB 60.14, -53.15, 41.24

 

CMYK 57 / 0 / 48 / 42

HEX #40954E

RGB 64 149 78

HSL 129.88, 0.4%, 0.42%

LAB 55.21, -41.4, 29.85

 

CMYK 38 / 0 / 32 / 48

HEX #52845A

RGB 82 132 90

HSL 129.6, 0.23%, 0.42%

LAB 50.73, -26.25, 17.51

 

CMYK 58 / 0 / 94 / 21

HEX #55C90C

RGB 85 201 12

HSL 96.83, 0.89%, 0.42%

LAB 72.05, -60.45, 69.87

 

CMYK 83 / 0 / 94 / 21

HEX #22C90C

RGB 34 201 12

HSL 113.02, 0.89%, 0.42%

LAB 70.97, -69.68, 68.54

 

CMYK 94 / 0 / 80 / 21

HEX #0CC929

RGB 12 201 41

HSL 129.21, 0.89%, 0.42%

LAB 70.88, -70.12, 62.42

 

CMYK 94 / 0 / 55 / 21

HEX #0CC95B

RGB 12 201 91

HSL 145.08, 0.89%, 0.42%

LAB 71.29, -64.99, 42.98

 

CMYK 94 / 0 / 30 / 21

HEX #0CC98D

RGB 12 201 141

HSL 160.95, 0.89%, 0.42%

LAB 72.08, -55.71, 18.49

 

CMYK 94 / 0 / 78 / 52

HEX #077B1B

RGB 7 123 27

HSL 130.34, 0.89%, 0.25%

LAB 44.65, -48.21, 41.54

 

CMYK 94 / 0 / 78 / 36

HEX #0AA223

RGB 10 162 35

HSL 129.87, 0.88%, 0.34%

LAB 58.06, -59.33, 51.97

 

CMYK 94 / 0 / 78 / 21

HEX #0CC92C

RGB 12 201 44

HSL 130.16, 0.89%, 0.42%

LAB 70.89, -69.92, 61.54

 

CMYK 94 / 0 / 78 / 6

HEX #0FEF34

RGB 15 239 52

HSL 129.91, 0.88%, 0.5%

LAB 82.96, -79.86, 70.73

 

CMYK 78 / 0 / 65 / 5

HEX #36F255

RGB 54 242 85

HSL 129.89, 0.88%, 0.58%

LAB 84.46, -74.91, 60.87

 

CMYK 94 / 0 / 78 / 22

HEX #0DC82C

RGB 13 200 44

HSL 129.95, 0.88%, 0.42%

LAB 70.58, -69.59, 61.24

 

CMYK 94 / 33 / 0 / 21

HEX #0C87C9

RGB 12 135 201

HSL 200.95, 0.89%, 0.42%

LAB 53.62, -5.93, -42.47

 

CMYK 0 / 94 / 71 / 21

HEX #C90C3B

RGB 201 12 59

HSL 345.08, 0.89%, 0.42%

LAB 42.76, 67.13, 28.15

 

CMYK 94 / 0 / 78 / 22

HEX #0DC82C

RGB 13 200 44

HSL 129.95, 0.88%, 0.42%

LAB 70.58, -69.59, 61.24

 

CMYK 80 / 94 / 0 / 21

HEX #290CC9

RGB 41 12 201

HSL 249.21, 0.89%, 0.42%

LAB 26.6, 64.33, -86.42

 

CMYK 0 / 80 / 94 / 21

HEX #C9290C

RGB 201 41 12

HSL 9.21, 0.89%, 0.42%

LAB 44.28, 60.32, 53.54

 

CMYK 94 / 0 / 78 / 22

HEX #0DC82C

RGB 13 200 44

HSL 129.95, 0.88%, 0.42%

LAB 70.58, -69.59, 61.24

 

CMYK 94 / 33 / 0 / 21

HEX #0C87C9

RGB 12 135 201

HSL 200.95, 0.89%, 0.42%

LAB 53.62, -5.93, -42.47

 

CMYK 0 / 94 / 14 / 21

HEX #C90CAD

RGB 201 12 173

HSL 308.89, 0.89%, 0.42%

LAB 46.58, 77.25, -36.41

 

CMYK 0 / 61 / 94 / 21

HEX #C94E0C

RGB 201 78 12

HSL 20.95, 0.89%, 0.42%

LAB 49.37, 46.44, 56.74

 

CMYK 94 / 0 / 78 / 22

HEX #0DC82C

RGB 13 200 44

HSL 129.95, 0.88%, 0.42%

LAB 70.58, -69.59, 61.24

 

CMYK 94 / 61 / 0 / 21

HEX #0C4EC9

RGB 12 78 201

HSL 219.05, 0.89%, 0.42%

LAB 37.38, 30.27, -68.62

 

CMYK 0 / 94 / 14 / 21

HEX #C90CAD

RGB 201 12 173

HSL 308.89, 0.89%, 0.42%

LAB 46.58, 77.25, -36.41

 

CMYK 0 / 33 / 94 / 21

HEX #C9870C

RGB 201 135 12

HSL 39.05, 0.89%, 0.42%

LAB 61.46, 16.91, 65.1

 

Description

Color code: HEX #0DC82C | qconv.com Color code: HEX #0DC82C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 200 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 200 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 78 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 78% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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