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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DBC35 it is the complementary color #F243CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DBC35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DBC35 shade: #12BC30, #23CE43, #34E056, #45F269 and #56FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DBC35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DBC35 shade: #0DBC35, #00AA22, #00980F, #008600 and #007400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DBC35 shade: #0DBA34, #14BA0D, #43BA0D, #71BA0D and #A0BA0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DBC35 shade: #0DBA34, #0DBA63, #0DBA92, #0DB3BA and #0D85BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DBC35 shade matches the following richer shades: #0DBA34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DBC35 shade: #0DBA34, #1DAA3D, #2D9A46, #3D8A4F and #4D7A57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DBC35 shade: #44BA0D, #16BA0D, #0DBA32, #0DBA61 and #0DBA8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DBC35 shade: #086D1F, #0A932A, #0DBA34, #10E13F and #29F057

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DBC35 shade: #0DBC35, #0D72BA and #BA0D2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DBC35 shade: #0DBC35, #320DBA and #BA320D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DBC35 shade: #0DBC35, #0D72BA, #BA0D94 and #BA550D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DBC35 shade: #0DBC35, #0D3EBA, #BA0D94 and #BA890D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 72 / 26

HEX #0DBC35

RGB 13 188 53

HSL 133.71, 0.87%, 0.39%

LAB 66.76, -65.42, 54.33

 

Complementary color

CMYK 0 / 72 / 17 / 5

HEX #F243CA

RGB 242 67 202

HSL 313.71, 0.87%, 0.61%

LAB 59.12, 77.91, -33.1

 

CMYK 90 / 0 / 74 / 26

HEX #12BC30

RGB 18 188 48

HSL 130.59, 0.83%, 0.4%

LAB 66.75, -65.55, 56.16

 

CMYK 83 / 0 / 67 / 19

HEX #23CE43

RGB 35 206 67

HSL 131.23, 0.71%, 0.47%

LAB 72.83, -67.84, 55.37

 

CMYK 77 / 0 / 62 / 12

HEX #34E056

RGB 52 224 86

HSL 131.86, 0.74%, 0.54%

LAB 78.88, -69.46, 54.23

 

CMYK 71 / 0 / 57 / 5

HEX #45F269

RGB 69 242 105

HSL 132.49, 0.87%, 0.61%

LAB 84.89, -70.59, 52.92

 

CMYK 66 / 0 / 51 / 0

HEX #56FF7C

RGB 86 255 124

HSL 133.49, 1%, 0.67%

LAB 89.37, -69.65, 49.74

 

CMYK 93 / 0 / 72 / 26

HEX #0DBC35

RGB 13 188 53

HSL 133.71, 0.87%, 0.39%

LAB 66.76, -65.42, 54.33

 

CMYK 100 / 0 / 80 / 33

HEX #00AA22

RGB 0 170 34

HSL 132, 1%, 0.33%

LAB 60.66, -62.28, 54.77

 

CMYK 100 / 0 / 90 / 40

HEX #00980F

RGB 0 152 15

HSL 125.92, 1%, 0.3%

LAB 54.54, -58.11, 54.07

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 93 / 0 / 72 / 27

HEX #0DBA34

RGB 13 186 52

HSL 133.53, 0.87%, 0.39%

LAB 66.1, -64.92, 54.03

 

CMYK 89 / 0 / 93 / 27

HEX #14BA0D

RGB 20 186 13

HSL 117.57, 0.87%, 0.39%

LAB 65.98, -66.65, 64.2

 

CMYK 64 / 0 / 93 / 27

HEX #43BA0D

RGB 67 186 13

HSL 101.27, 0.87%, 0.39%

LAB 66.78, -59.68, 65.19

 

CMYK 39 / 0 / 93 / 27

HEX #71BA0D

RGB 113 186 13

HSL 85.32, 0.87%, 0.39%

LAB 68.5, -46.28, 67.31

 

CMYK 14 / 0 / 93 / 27

HEX #A0BA0D

RGB 160 186 13

HSL 69.02, 0.87%, 0.39%

LAB 71.3, -27.98, 70.72

 

CMYK 93 / 0 / 72 / 27

HEX #0DBA34

RGB 13 186 52

HSL 133.53, 0.87%, 0.39%

LAB 66.1, -64.92, 54.03

 

CMYK 93 / 0 / 47 / 27

HEX #0DBA63

RGB 13 186 99

HSL 149.83, 0.87%, 0.39%

LAB 66.6, -58.75, 33.22

 

CMYK 93 / 0 / 22 / 27

HEX #0DBA92

RGB 13 186 146

HSL 166.13, 0.87%, 0.39%

LAB 67.49, -48.67, 9.35

 

CMYK 93 / 4 / 0 / 27

HEX #0DB3BA

RGB 13 179 186

HSL 182.43, 0.87%, 0.39%

LAB 66.42, -34.27, -14.28

 

CMYK 93 / 28 / 0 / 27

HEX #0D85BA

RGB 13 133 186

HSL 198.38, 0.87%, 0.39%

LAB 52.29, -10.37, -36.01

 

CMYK 93 / 0 / 72 / 27

HEX #0DBA34

RGB 13 186 52

HSL 133.53, 0.87%, 0.39%

LAB 66.1, -64.92, 54.03

 

CMYK 93 / 0 / 72 / 27

HEX #0DBA34

RGB 13 186 52

HSL 133.53, 0.87%, 0.39%

LAB 66.1, -64.92, 54.03

 

CMYK 83 / 0 / 64 / 33

HEX #1DAA3D

RGB 29 170 61

HSL 133.62, 0.71%, 0.39%

LAB 61.09, -57.79, 44.99

 

CMYK 71 / 0 / 55 / 40

HEX #2D9A46

RGB 45 154 70

HSL 133.76, 0.55%, 0.39%

LAB 56.2, -48.77, 35.08

 

CMYK 56 / 0 / 43 / 46

HEX #3D8A4F

RGB 61 138 79

HSL 134.03, 0.39%, 0.39%

LAB 51.53, -37.34, 24.58

 

CMYK 37 / 0 / 29 / 52

HEX #4D7A57

RGB 77 122 87

HSL 133.33, 0.23%, 0.39%

LAB 47.22, -23.47, 14.39

 

CMYK 63 / 0 / 93 / 27

HEX #44BA0D

RGB 68 186 13

HSL 100.92, 0.87%, 0.39%

LAB 66.81, -59.45, 65.22

 

CMYK 88 / 0 / 93 / 27

HEX #16BA0D

RGB 22 186 13

HSL 116.88, 0.87%, 0.39%

LAB 66, -66.5, 64.22

 

CMYK 93 / 0 / 73 / 27

HEX #0DBA32

RGB 13 186 50

HSL 132.83, 0.87%, 0.39%

LAB 66.08, -65.09, 54.75

 

CMYK 93 / 0 / 48 / 27

HEX #0DBA61

RGB 13 186 97

HSL 149.13, 0.87%, 0.39%

LAB 66.57, -59.1, 34.2

 

CMYK 93 / 0 / 23 / 27

HEX #0DBA8F

RGB 13 186 143

HSL 165.09, 0.87%, 0.39%

LAB 67.42, -49.42, 10.89

 

CMYK 93 / 0 / 72 / 57

HEX #086D1F

RGB 8 109 31

HSL 133.66, 0.86%, 0.23%

LAB 39.73, -43.18, 34.82

 

CMYK 93 / 0 / 71 / 42

HEX #0A932A

RGB 10 147 42

HSL 134.01, 0.87%, 0.31%

LAB 53.06, -54.17, 44.32

 

CMYK 93 / 0 / 72 / 27

HEX #0DBA34

RGB 13 186 52

HSL 133.53, 0.87%, 0.39%

LAB 66.1, -64.92, 54.03

 

CMYK 93 / 0 / 72 / 12

HEX #10E13F

RGB 16 225 63

HSL 133.49, 0.87%, 0.47%

LAB 78.65, -75.13, 62.94

 

CMYK 83 / 0 / 64 / 6

HEX #29F057

RGB 41 240 87

HSL 133.87, 0.87%, 0.55%

LAB 83.69, -75.5, 59.17

 

CMYK 93 / 0 / 72 / 26

HEX #0DBC35

RGB 13 188 53

HSL 133.71, 0.87%, 0.39%

LAB 66.76, -65.42, 54.33

 

CMYK 93 / 39 / 0 / 27

HEX #0D72BA

RGB 13 114 186

HSL 204.97, 0.87%, 0.39%

LAB 46.53, 0.94, -45.12

 

CMYK 0 / 93 / 76 / 27

HEX #BA0D2D

RGB 186 13 45

HSL 348.9, 0.87%, 0.39%

LAB 39.44, 62.67, 32.05

 

CMYK 93 / 0 / 72 / 26

HEX #0DBC35

RGB 13 188 53

HSL 133.71, 0.87%, 0.39%

LAB 66.76, -65.42, 54.33

 

CMYK 73 / 93 / 0 / 27

HEX #320DBA

RGB 50 13 186

HSL 252.83, 0.87%, 0.39%

LAB 25.29, 60.56, -79.72

 

CMYK 0 / 73 / 93 / 27

HEX #BA320D

RGB 186 50 13

HSL 12.83, 0.87%, 0.39%

LAB 42.38, 52.82, 50.57

 

CMYK 93 / 0 / 72 / 26

HEX #0DBC35

RGB 13 188 53

HSL 133.71, 0.87%, 0.39%

LAB 66.76, -65.42, 54.33

 

CMYK 93 / 39 / 0 / 27

HEX #0D72BA

RGB 13 114 186

HSL 204.97, 0.87%, 0.39%

LAB 46.53, 0.94, -45.12

 

CMYK 0 / 93 / 20 / 27

HEX #BA0D94

RGB 186 13 148

HSL 313.18, 0.87%, 0.39%

LAB 42.56, 71.07, -27.93

 

CMYK 0 / 54 / 93 / 27

HEX #BA550D

RGB 186 85 13

HSL 24.97, 0.87%, 0.39%

LAB 48.22, 37.34, 54.54

 

CMYK 93 / 0 / 72 / 26

HEX #0DBC35

RGB 13 188 53

HSL 133.71, 0.87%, 0.39%

LAB 66.76, -65.42, 54.33

 

CMYK 93 / 67 / 0 / 27

HEX #0D3EBA

RGB 13 62 186

HSL 223.01, 0.87%, 0.39%

LAB 31.98, 35.01, -68.7

 

CMYK 0 / 93 / 20 / 27

HEX #BA0D94

RGB 186 13 148

HSL 313.18, 0.87%, 0.39%

LAB 42.56, 71.07, -27.93

 

CMYK 0 / 26 / 93 / 27

HEX #BA890D

RGB 186 137 13

HSL 43.01, 0.87%, 0.39%

LAB 60.21, 9.14, 63.23

 

Description

Color code: HEX #0DBC35 | qconv.com Color code: HEX #0DBC35 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 188 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 188 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 72 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 72% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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