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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DB25C it is the complementary color #F24DA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DB25C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DB25C shade: #12B257, #23C46A, #34D67D, #45E890 and #56FAA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DB25C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DB25C shade: #0DB25C, #00A049, #008E36, #007C23 and #006A10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DB25C shade: #0DAF5B, #0DAF2F, #17AF0D, #43AF0D and #6FAF0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DB25C shade: #0DAF5B, #0DAF87, #0DADAF, #0D81AF and #0D55AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DB25C shade matches the following richer shades: #0DAF5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DB25C shade: #0DAF5B, #1CA05C, #2C915C, #3B825D and #4A725E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DB25C shade: #18AF0D, #0DAF2E, #0DAF59, #0DAF84 and #0DAFAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DB25C shade: #076333, #0A8947, #0DAF5B, #10D66F and #21EE83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DB25C shade: #0DB25C, #0D43AF and #AF180D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DB25C shade: #0DB25C, #590DAF and #AF590D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DB25C shade: #0DB25C, #0D43AF, #AF0D64 and #AF790D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DB25C shade: #0DB25C, #0D13AF, #AF0D64 and #AFAA0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 48 / 30

HEX #0DB25C

RGB 13 178 92

HSL 148.73, 0.86%, 0.37%

LAB 63.92, -57.24, 33.39

 

Complementary color

CMYK 0 / 68 / 33 / 5

HEX #F24DA3

RGB 242 77 163

HSL 328.73, 0.86%, 0.63%

LAB 58.82, 69.75, -11.09

 

CMYK 90 / 0 / 51 / 30

HEX #12B257

RGB 18 178 87

HSL 145.88, 0.82%, 0.38%

LAB 63.88, -57.78, 35.88

 

CMYK 82 / 0 / 46 / 23

HEX #23C46A

RGB 35 196 106

HSL 146.46, 0.7%, 0.45%

LAB 70.09, -59.34, 34.15

 

CMYK 76 / 0 / 42 / 16

HEX #34D67D

RGB 52 214 125

HSL 147.04, 0.66%, 0.52%

LAB 76.26, -60.41, 32.53

 

CMYK 70 / 0 / 38 / 9

HEX #45E890

RGB 69 232 144

HSL 147.61, 0.78%, 0.59%

LAB 82.37, -61.11, 31

 

CMYK 66 / 0 / 35 / 2

HEX #56FAA3

RGB 86 250 163

HSL 148.17, 0.94%, 0.66%

LAB 88.44, -61.55, 29.59

 

CMYK 93 / 0 / 48 / 30

HEX #0DB25C

RGB 13 178 92

HSL 148.73, 0.86%, 0.37%

LAB 63.92, -57.24, 33.39

 

CMYK 100 / 0 / 54 / 37

HEX #00A049

RGB 0 160 73

HSL 147.38, 1%, 0.31%

LAB 57.68, -54.95, 35.25

 

CMYK 100 / 0 / 62 / 44

HEX #008E36

RGB 0 142 54

HSL 142.82, 1%, 0.28%

LAB 51.4, -51.82, 37.12

 

CMYK 100 / 0 / 72 / 51

HEX #007C23

RGB 0 124 35

HSL 136.94, 1%, 0.24%

LAB 44.99, -48.34, 38.67

 

CMYK 100 / 0 / 85 / 58

HEX #006A10

RGB 0 106 16

HSL 129.06, 1%, 0.21%

LAB 38.46, -44.33, 39.33

 

CMYK 93 / 0 / 48 / 31

HEX #0DAF5B

RGB 13 175 91

HSL 148.89, 0.86%, 0.37%

LAB 62.93, -56.39, 32.65

 

CMYK 93 / 0 / 73 / 31

HEX #0DAF2F

RGB 13 175 47

HSL 132.59, 0.86%, 0.37%

LAB 62.47, -62.09, 52.15

 

CMYK 87 / 0 / 93 / 31

HEX #17AF0D

RGB 23 175 13

HSL 116.3, 0.86%, 0.37%

LAB 62.4, -63.26, 61.2

 

CMYK 62 / 0 / 93 / 31

HEX #43AF0D

RGB 67 175 13

HSL 100, 0.86%, 0.37%

LAB 63.25, -55.95, 62.25

 

CMYK 37 / 0 / 93 / 31

HEX #6FAF0D

RGB 111 175 13

HSL 83.7, 0.86%, 0.37%

LAB 65.02, -42.41, 64.43

 

CMYK 93 / 0 / 48 / 31

HEX #0DAF5B

RGB 13 175 91

HSL 148.89, 0.86%, 0.37%

LAB 62.93, -56.39, 32.65

 

CMYK 93 / 0 / 23 / 31

HEX #0DAF87

RGB 13 175 135

HSL 165.19, 0.86%, 0.37%

LAB 63.75, -47, 10.09

 

CMYK 93 / 1 / 0 / 31

HEX #0DADAF

RGB 13 173 175

HSL 180.74, 0.86%, 0.37%

LAB 64.22, -34.87, -11.48

 

CMYK 93 / 26 / 0 / 31

HEX #0D81AF

RGB 13 129 175

HSL 197.04, 0.86%, 0.37%

LAB 50.55, -12.19, -32.42

 

CMYK 93 / 51 / 0 / 31

HEX #0D55AF

RGB 13 85 175

HSL 213.33, 0.86%, 0.37%

LAB 37.26, 15.22, -53.58

 

CMYK 93 / 0 / 48 / 31

HEX #0DAF5B

RGB 13 175 91

HSL 148.89, 0.86%, 0.37%

LAB 62.93, -56.39, 32.65

 

CMYK 93 / 0 / 48 / 31

HEX #0DAF5B

RGB 13 175 91

HSL 148.89, 0.86%, 0.37%

LAB 62.93, -56.39, 32.65

 

CMYK 83 / 0 / 43 / 37

HEX #1CA05C

RGB 28 160 92

HSL 149.09, 0.7%, 0.37%

LAB 58.19, -49.69, 26.05

 

CMYK 70 / 0 / 37 / 43

HEX #2C915C

RGB 44 145 92

HSL 148.51, 0.53%, 0.37%

LAB 53.56, -41.56, 19.96

 

CMYK 55 / 0 / 28 / 49

HEX #3B825D

RGB 59 130 93

HSL 148.73, 0.38%, 0.37%

LAB 49.11, -31.49, 13.4

 

CMYK 35 / 0 / 18 / 55

HEX #4A725E

RGB 74 114 94

HSL 150, 0.21%, 0.37%

LAB 44.66, -18.82, 6.67

 

CMYK 86 / 0 / 93 / 31

HEX #18AF0D

RGB 24 175 13

HSL 115.93, 0.86%, 0.37%

LAB 62.41, -63.17, 61.21

 

CMYK 93 / 0 / 74 / 31

HEX #0DAF2E

RGB 13 175 46

HSL 132.22, 0.86%, 0.37%

LAB 62.46, -62.17, 52.52

 

CMYK 93 / 0 / 49 / 31

HEX #0DAF59

RGB 13 175 89

HSL 148.15, 0.86%, 0.37%

LAB 62.9, -56.73, 33.64

 

CMYK 93 / 0 / 25 / 31

HEX #0DAF84

RGB 13 175 132

HSL 164.07, 0.86%, 0.37%

LAB 63.68, -47.75, 11.65

 

CMYK 93 / 0 / 0 / 31

HEX #0DAFAF

RGB 13 175 175

HSL 180, 0.86%, 0.37%

LAB 64.84, -35.8, -10.55

 

CMYK 93 / 0 / 48 / 61

HEX #076333

RGB 7 99 51

HSL 148.7, 0.87%, 0.21%

LAB 36.38, -36.62, 20.47

 

CMYK 93 / 0 / 48 / 46

HEX #0A8947

RGB 10 137 71

HSL 148.82, 0.86%, 0.29%

LAB 49.99, -46.77, 26.73

 

CMYK 93 / 0 / 48 / 31

HEX #0DAF5B

RGB 13 175 91

HSL 148.89, 0.86%, 0.37%

LAB 62.93, -56.39, 32.65

 

CMYK 93 / 0 / 48 / 16

HEX #10D66F

RGB 16 214 111

HSL 148.79, 0.86%, 0.45%

LAB 75.67, -65.92, 38.71

 

CMYK 86 / 0 / 45 / 7

HEX #21EE83

RGB 33 238 131

HSL 148.68, 0.86%, 0.53%

LAB 83.5, -69.48, 38.87

 

CMYK 93 / 0 / 48 / 30

HEX #0DB25C

RGB 13 178 92

HSL 148.73, 0.86%, 0.37%

LAB 63.92, -57.24, 33.39

 

CMYK 93 / 62 / 0 / 31

HEX #0D43AF

RGB 13 67 175

HSL 220, 0.86%, 0.37%

LAB 32.25, 27.38, -61.74

 

CMYK 0 / 86 / 93 / 31

HEX #AF180D

RGB 175 24 13

HSL 4.07, 0.86%, 0.37%

LAB 37.47, 57.06, 46.27

 

CMYK 93 / 0 / 48 / 30

HEX #0DB25C

RGB 13 178 92

HSL 148.73, 0.86%, 0.37%

LAB 63.92, -57.24, 33.39

 

CMYK 49 / 93 / 0 / 31

HEX #590DAF

RGB 89 13 175

HSL 268.15, 0.86%, 0.37%

LAB 28.13, 60.62, -68.32

 

CMYK 0 / 49 / 93 / 31

HEX #AF590D

RGB 175 89 13

HSL 28.15, 0.86%, 0.37%

LAB 47.35, 30.76, 53.14

 

CMYK 93 / 0 / 48 / 30

HEX #0DB25C

RGB 13 178 92

HSL 148.73, 0.86%, 0.37%

LAB 63.92, -57.24, 33.39

 

CMYK 93 / 62 / 0 / 31

HEX #0D43AF

RGB 13 67 175

HSL 220, 0.86%, 0.37%

LAB 32.25, 27.38, -61.74

 

CMYK 0 / 93 / 43 / 31

HEX #AF0D64

RGB 175 13 100

HSL 327.78, 0.86%, 0.37%

LAB 38.41, 63.46, -4.64

 

CMYK 0 / 31 / 93 / 31

HEX #AF790D

RGB 175 121 13

HSL 40, 0.86%, 0.37%

LAB 54.88, 13.06, 58.69

 

CMYK 93 / 0 / 48 / 30

HEX #0DB25C

RGB 13 178 92

HSL 148.73, 0.86%, 0.37%

LAB 63.92, -57.24, 33.39

 

CMYK 93 / 89 / 0 / 31

HEX #0D13AF

RGB 13 19 175

HSL 237.78, 0.86%, 0.37%

LAB 22.47, 54.56, -77.91

 

CMYK 0 / 93 / 43 / 31

HEX #AF0D64

RGB 175 13 100

HSL 327.78, 0.86%, 0.37%

LAB 38.41, 63.46, -4.64

 

CMYK 0 / 3 / 93 / 31

HEX #AFAA0D

RGB 175 170 13

HSL 58.15, 0.86%, 0.37%

LAB 67.94, -13.52, 68.61

 

Description

Color code: HEX #0DB25C | qconv.com Color code: HEX #0DB25C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 178 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 178 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 48 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 48% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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