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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DAF8D it is the complementary color #F25072. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DAF8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DAF8D shade: #12AF88, #23C19B, #34D3AE, #45E5C1 and #56F7D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DAF8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DAF8D shade: #0DAF8D, #009D7A, #008B67, #007954 and #006741

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DAF8D shade: #0DAF8D, #0DAF62, #0DAF36, #10AF0D and #3CAF0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DAF8D shade: #0DAF8D, #0DA6AF, #0D7AAF, #0D4EAF and #0D22AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DAF8D shade matches the following richer shades: #0DAF8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DAF8D shade: #0DAF8D, #1CA085, #2C917C, #3B8273 and #4A726A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DAF8D shade: #0DAF36, #0DAF61, #0DAF8C, #0DA7AF and #0D7CAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DAF8D shade: #076350, #0A896F, #0DAF8D, #10D6AC and #21EEC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DAF8D shade: #0DAF8D, #0D10AF and #AF4B0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DAF8D shade: #0DAF8D, #8C0DAF and #AF8C0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DAF8D shade: #0DAF8D, #0D10AF, #AF0D30 and #AFAD0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DAF8D shade: #0DAF8D, #3B0DAF, #AF0D30 and #82AF0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 19 / 31

HEX #0DAF8D

RGB 13 175 141

HSL 167.41, 0.86%, 0.37%

LAB 63.89, -45.47, 6.98

 

Complementary color

CMYK 0 / 67 / 53 / 5

HEX #F25072

RGB 242 80 114

HSL 347.41, 0.86%, 0.63%

LAB 57.87, 63.99, 16.27

 

CMYK 90 / 0 / 22 / 31

HEX #12AF88

RGB 18 175 136

HSL 165.1, 0.81%, 0.38%

LAB 63.81, -46.49, 9.63

 

CMYK 82 / 0 / 20 / 24

HEX #23C19B

RGB 35 193 155

HSL 165.57, 0.69%, 0.45%

LAB 70.08, -47.8, 8.17

 

CMYK 75 / 0 / 18 / 17

HEX #34D3AE

RGB 52 211 174

HSL 166.04, 0.64%, 0.52%

LAB 76.3, -48.74, 6.85

 

CMYK 70 / 0 / 16 / 10

HEX #45E5C1

RGB 69 229 193

HSL 166.5, 0.75%, 0.58%

LAB 82.46, -49.4, 5.66

 

CMYK 65 / 0 / 14 / 3

HEX #56F7D4

RGB 86 247 212

HSL 166.96, 0.91%, 0.65%

LAB 88.57, -49.86, 4.57

 

CMYK 93 / 0 / 19 / 31

HEX #0DAF8D

RGB 13 175 141

HSL 167.41, 0.86%, 0.37%

LAB 63.89, -45.47, 6.98

 

CMYK 100 / 0 / 22 / 38

HEX #009D7A

RGB 0 157 122

HSL 166.62, 1%, 0.31%

LAB 57.58, -43.56, 8.59

 

CMYK 100 / 0 / 26 / 45

HEX #008B67

RGB 0 139 103

HSL 164.46, 1%, 0.27%

LAB 51.2, -41.08, 10.39

 

CMYK 100 / 0 / 31 / 53

HEX #007954

RGB 0 121 84

HSL 161.65, 1%, 0.24%

LAB 44.68, -38.51, 12.31

 

CMYK 100 / 0 / 37 / 60

HEX #006741

RGB 0 103 65

HSL 157.86, 1%, 0.2%

LAB 37.99, -35.81, 14.36

 

CMYK 93 / 0 / 19 / 31

HEX #0DAF8D

RGB 13 175 141

HSL 167.41, 0.86%, 0.37%

LAB 63.89, -45.47, 6.98

 

CMYK 93 / 0 / 44 / 31

HEX #0DAF62

RGB 13 175 98

HSL 151.48, 0.86%, 0.37%

LAB 63.03, -55.13, 29.15

 

CMYK 93 / 0 / 69 / 31

HEX #0DAF36

RGB 13 175 54

HSL 135.19, 0.86%, 0.37%

LAB 62.52, -61.43, 49.48

 

CMYK 91 / 0 / 93 / 31

HEX #10AF0D

RGB 16 175 13

HSL 118.89, 0.86%, 0.37%

LAB 62.34, -63.81, 61.12

 

CMYK 66 / 0 / 93 / 31

HEX #3CAF0D

RGB 60 175 13

HSL 102.59, 0.86%, 0.37%

LAB 63.05, -57.57, 62.01

 

CMYK 93 / 0 / 19 / 31

HEX #0DAF8D

RGB 13 175 141

HSL 167.41, 0.86%, 0.37%

LAB 63.89, -45.47, 6.98

 

CMYK 93 / 5 / 0 / 31

HEX #0DA6AF

RGB 13 166 175

HSL 183.33, 0.86%, 0.37%

LAB 62.04, -31.55, -14.75

 

CMYK 93 / 30 / 0 / 31

HEX #0D7AAF

RGB 13 122 175

HSL 199.63, 0.86%, 0.37%

LAB 48.39, -8.15, -35.81

 

CMYK 93 / 55 / 0 / 31

HEX #0D4EAF

RGB 13 78 175

HSL 215.93, 0.86%, 0.37%

LAB 35.26, 19.93, -56.82

 

CMYK 93 / 81 / 0 / 31

HEX #0D22AF

RGB 13 34 175

HSL 232.22, 0.86%, 0.37%

LAB 24.72, 47.88, -74.16

 

CMYK 93 / 0 / 19 / 31

HEX #0DAF8D

RGB 13 175 141

HSL 167.41, 0.86%, 0.37%

LAB 63.89, -45.47, 6.98

 

CMYK 93 / 0 / 19 / 31

HEX #0DAF8D

RGB 13 175 141

HSL 167.41, 0.86%, 0.37%

LAB 63.89, -45.47, 6.98

 

CMYK 83 / 0 / 17 / 37

HEX #1CA085

RGB 28 160 133

HSL 167.73, 0.7%, 0.37%

LAB 59.05, -40.22, 4.52

 

CMYK 70 / 0 / 14 / 43

HEX #2C917C

RGB 44 145 124

HSL 167.52, 0.53%, 0.37%

LAB 54.28, -33.93, 2.79

 

CMYK 55 / 0 / 12 / 49

HEX #3B8273

RGB 59 130 115

HSL 167.32, 0.38%, 0.37%

LAB 49.66, -26.18, 1.36

 

CMYK 35 / 0 / 7 / 55

HEX #4A726A

RGB 74 114 106

HSL 168, 0.21%, 0.37%

LAB 44.99, -15.98, -0.03

 

CMYK 93 / 0 / 69 / 31

HEX #0DAF36

RGB 13 175 54

HSL 135.19, 0.86%, 0.37%

LAB 62.52, -61.43, 49.48

 

CMYK 93 / 0 / 45 / 31

HEX #0DAF61

RGB 13 175 97

HSL 151.11, 0.86%, 0.37%

LAB 63.02, -55.32, 29.65

 

CMYK 93 / 0 / 20 / 31

HEX #0DAF8C

RGB 13 175 140

HSL 167.04, 0.86%, 0.37%

LAB 63.87, -45.73, 7.5

 

CMYK 93 / 5 / 0 / 31

HEX #0DA7AF

RGB 13 167 175

HSL 182.96, 0.86%, 0.37%

LAB 62.35, -32.03, -14.28

 

CMYK 93 / 29 / 0 / 31

HEX #0D7CAF

RGB 13 124 175

HSL 198.89, 0.86%, 0.37%

LAB 49, -9.31, -34.84

 

CMYK 93 / 0 / 19 / 61

HEX #076350

RGB 7 99 80

HSL 167.61, 0.87%, 0.21%

LAB 37.02, -29.47, 3.92

 

CMYK 93 / 0 / 19 / 46

HEX #0A896F

RGB 10 137 111

HSL 167.72, 0.86%, 0.29%

LAB 50.81, -37.55, 5.22

 

CMYK 93 / 0 / 19 / 31

HEX #0DAF8D

RGB 13 175 141

HSL 167.41, 0.86%, 0.37%

LAB 63.89, -45.47, 6.98

 

CMYK 93 / 0 / 20 / 16

HEX #10D6AC

RGB 16 214 172

HSL 167.27, 0.86%, 0.45%

LAB 76.79, -53.18, 8.58

 

CMYK 86 / 0 / 18 / 7

HEX #21EEC3

RGB 33 238 195

HSL 167.41, 0.86%, 0.53%

LAB 84.7, -56.08, 7.76

 

CMYK 93 / 0 / 19 / 31

HEX #0DAF8D

RGB 13 175 141

HSL 167.41, 0.86%, 0.37%

LAB 63.89, -45.47, 6.98

 

CMYK 93 / 91 / 0 / 31

HEX #0D10AF

RGB 13 16 175

HSL 238.89, 0.86%, 0.37%

LAB 22.13, 55.59, -78.47

 

CMYK 0 / 57 / 93 / 31

HEX #AF4B0D

RGB 175 75 13

HSL 22.96, 0.86%, 0.37%

LAB 44.48, 38.01, 51.09

 

CMYK 93 / 0 / 19 / 31

HEX #0DAF8D

RGB 13 175 141

HSL 167.41, 0.86%, 0.37%

LAB 63.89, -45.47, 6.98

 

CMYK 20 / 93 / 0 / 31

HEX #8C0DAF

RGB 140 13 175

HSL 287.04, 0.86%, 0.37%

LAB 35.9, 67.07, -55.29

 

CMYK 0 / 20 / 93 / 31

HEX #AF8C0D

RGB 175 140 13

HSL 47.04, 0.86%, 0.37%

LAB 59.8, 2.5, 62.39

 

CMYK 93 / 0 / 19 / 31

HEX #0DAF8D

RGB 13 175 141

HSL 167.41, 0.86%, 0.37%

LAB 63.89, -45.47, 6.98

 

CMYK 93 / 91 / 0 / 31

HEX #0D10AF

RGB 13 16 175

HSL 238.89, 0.86%, 0.37%

LAB 22.13, 55.59, -78.47

 

CMYK 0 / 93 / 73 / 31

HEX #AF0D30

RGB 175 13 48

HSL 347.04, 0.86%, 0.37%

LAB 37.14, 59.95, 26.93

 

CMYK 0 / 1 / 93 / 31

HEX #AFAD0D

RGB 175 173 13

HSL 59.26, 0.86%, 0.37%

LAB 68.77, -15.06, 69.25

 

CMYK 93 / 0 / 19 / 31

HEX #0DAF8D

RGB 13 175 141

HSL 167.41, 0.86%, 0.37%

LAB 63.89, -45.47, 6.98

 

CMYK 66 / 93 / 0 / 31

HEX #3B0DAF

RGB 59 13 175

HSL 257.04, 0.86%, 0.37%

LAB 24.68, 58.2, -74.14

 

CMYK 0 / 93 / 73 / 31

HEX #AF0D30

RGB 175 13 48

HSL 347.04, 0.86%, 0.37%

LAB 37.14, 59.95, 26.93

 

CMYK 26 / 0 / 93 / 31

HEX #82AF0D

RGB 130 175 13

HSL 76.67, 0.86%, 0.37%

LAB 66.09, -35.14, 65.75

 

Description

Color code: HEX #0DAF8D | qconv.com Color code: HEX #0DAF8D | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 175 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 175 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 19 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 19% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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