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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DAC5E it is the complementary color #F253A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DAC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DAC5E shade: #12AC59, #23BE6C, #34D07F, #45E292 and #56F4A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DAC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DAC5E shade: #0DAC5E, #009A4B, #008838, #007625 and #006412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DAC5E shade: #0DAB5D, #0DAB33, #12AB0D, #3CAB0D and #67AB0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DAC5E shade: #0DAB5D, #0DAB88, #0DA3AB, #0D78AB and #0D4EAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DAC5E shade matches the following richer shades: #0DAB5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DAC5E shade: #0DAB5D, #1C9C5D, #2B8D5D, #397E5C and #486F5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DAC5E shade: #12AB0D, #0DAB32, #0DAB5C, #0DAB86 and #0DA5AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DAC5E shade: #075E33, #0A8448, #0DAB5D, #10D172 and #1CEE87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DAC5E shade: #0DAC5E, #0D3CAB and #AB1D0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DAC5E shade: #0DAC5E, #5C0DAB and #AB5C0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DAC5E shade: #0DAC5E, #0D3CAB, #AB0D5C and #AB7B0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DAC5E shade: #0DAC5E, #0D0DAB, #AB0D5C and #ABAB0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 45 / 33

HEX #0DAC5E

RGB 13 172 94

HSL 150.57, 0.86%, 0.36%

LAB 62, -54.82, 29.9

 

Complementary color

CMYK 0 / 66 / 33 / 5

HEX #F253A1

RGB 242 83 161

HSL 330.57, 0.86%, 0.64%

LAB 59.56, 67.29, -8.81

 

CMYK 90 / 0 / 48 / 33

HEX #12AC59

RGB 18 172 89

HSL 147.66, 0.81%, 0.37%

LAB 61.96, -55.4, 32.46

 

CMYK 82 / 0 / 43 / 25

HEX #23BE6C

RGB 35 190 108

HSL 148.26, 0.69%, 0.44%

LAB 68.22, -56.88, 30.71

 

CMYK 75 / 0 / 39 / 18

HEX #34D07F

RGB 52 208 127

HSL 148.85, 0.62%, 0.51%

LAB 74.43, -57.87, 29.1

 

CMYK 69 / 0 / 35 / 11

HEX #45E292

RGB 69 226 146

HSL 149.43, 0.73%, 0.58%

LAB 80.59, -58.51, 27.6

 

CMYK 65 / 0 / 32 / 4

HEX #56F4A5

RGB 86 244 165

HSL 150, 0.88%, 0.65%

LAB 86.7, -58.9, 26.21

 

CMYK 92 / 0 / 45 / 33

HEX #0DAC5E

RGB 13 172 94

HSL 150.57, 0.86%, 0.36%

LAB 62, -54.82, 29.9

 

CMYK 100 / 0 / 51 / 40

HEX #009A4B

RGB 0 154 75

HSL 149.22, 1%, 0.3%

LAB 55.7, -52.61, 31.8

 

CMYK 100 / 0 / 59 / 47

HEX #008838

RGB 0 136 56

HSL 144.71, 1%, 0.27%

LAB 49.37, -49.57, 33.77

 

CMYK 100 / 0 / 69 / 54

HEX #007625

RGB 0 118 37

HSL 138.81, 1%, 0.23%

LAB 42.9, -46.18, 35.52

 

CMYK 100 / 0 / 82 / 61

HEX #006412

RGB 0 100 18

HSL 130.8, 1%, 0.2%

LAB 36.29, -42.29, 36.57

 

CMYK 92 / 0 / 46 / 33

HEX #0DAB5D

RGB 13 171 93

HSL 150.38, 0.86%, 0.36%

LAB 61.66, -54.65, 29.99

 

CMYK 92 / 0 / 70 / 33

HEX #0DAB33

RGB 13 171 51

HSL 134.43, 0.86%, 0.36%

LAB 61.18, -60.51, 49.27

 

CMYK 89 / 0 / 92 / 33

HEX #12AB0D

RGB 18 171 13

HSL 118.1, 0.86%, 0.36%

LAB 61.03, -62.52, 60.02

 

CMYK 65 / 0 / 92 / 33

HEX #3CAB0D

RGB 60 171 13

HSL 102.15, 0.86%, 0.36%

LAB 61.75, -56.23, 60.92

 

CMYK 40 / 0 / 92 / 33

HEX #67AB0D

RGB 103 171 13

HSL 85.82, 0.86%, 0.36%

LAB 63.37, -43.61, 62.93

 

CMYK 92 / 0 / 46 / 33

HEX #0DAB5D

RGB 13 171 93

HSL 150.38, 0.86%, 0.36%

LAB 61.66, -54.65, 29.99

 

CMYK 92 / 0 / 20 / 33

HEX #0DAB88

RGB 13 171 136

HSL 166.71, 0.86%, 0.36%

LAB 62.5, -45.12, 7.76

 

CMYK 92 / 5 / 0 / 33

HEX #0DA3AB

RGB 13 163 171

HSL 183.04, 0.86%, 0.36%

LAB 60.98, -31.38, -14.11

 

CMYK 92 / 30 / 0 / 33

HEX #0D78AB

RGB 13 120 171

HSL 199.37, 0.86%, 0.36%

LAB 47.57, -8.5, -34.77

 

CMYK 92 / 54 / 0 / 33

HEX #0D4EAB

RGB 13 78 171

HSL 215.32, 0.86%, 0.36%

LAB 34.95, 18.3, -54.94

 

CMYK 92 / 0 / 46 / 33

HEX #0DAB5D

RGB 13 171 93

HSL 150.38, 0.86%, 0.36%

LAB 61.66, -54.65, 29.99

 

CMYK 92 / 0 / 46 / 33

HEX #0DAB5D

RGB 13 171 93

HSL 150.38, 0.86%, 0.36%

LAB 61.66, -54.65, 29.99

 

CMYK 82 / 0 / 40 / 39

HEX #1C9C5D

RGB 28 156 93

HSL 150.47, 0.7%, 0.36%

LAB 56.89, -48, 23.81

 

CMYK 70 / 0 / 34 / 45

HEX #2B8D5D

RGB 43 141 93

HSL 150.61, 0.53%, 0.36%

LAB 52.23, -39.87, 17.61

 

CMYK 55 / 0 / 27 / 51

HEX #397E5C

RGB 57 126 92

HSL 150.43, 0.38%, 0.36%

LAB 47.71, -30.34, 12.02

 

CMYK 35 / 0 / 17 / 56

HEX #486F5C

RGB 72 111 92

HSL 150.77, 0.21%, 0.36%

LAB 43.54, -18.33, 6.25

 

CMYK 89 / 0 / 92 / 33

HEX #12AB0D

RGB 18 171 13

HSL 118.1, 0.86%, 0.36%

LAB 61.03, -62.52, 60.02

 

CMYK 92 / 0 / 71 / 33

HEX #0DAB32

RGB 13 171 50

HSL 134.05, 0.86%, 0.36%

LAB 61.17, -60.61, 49.66

 

CMYK 92 / 0 / 46 / 33

HEX #0DAB5C

RGB 13 171 92

HSL 150, 0.86%, 0.36%

LAB 61.64, -54.83, 30.49

 

CMYK 92 / 0 / 22 / 33

HEX #0DAB86

RGB 13 171 134

HSL 165.95, 0.86%, 0.36%

LAB 62.45, -45.63, 8.81

 

CMYK 92 / 4 / 0 / 33

HEX #0DA5AB

RGB 13 165 171

HSL 182.28, 0.86%, 0.36%

LAB 61.6, -32.34, -13.17

 

CMYK 93 / 0 / 46 / 63

HEX #075E33

RGB 7 94 51

HSL 150.34, 0.86%, 0.2%

LAB 34.58, -34.65, 18.13

 

CMYK 92 / 0 / 45 / 48

HEX #0A8448

RGB 10 132 72

HSL 150.49, 0.86%, 0.28%

LAB 48.3, -44.76, 24.02

 

CMYK 92 / 0 / 46 / 33

HEX #0DAB5D

RGB 13 171 93

HSL 150.38, 0.86%, 0.36%

LAB 61.66, -54.65, 29.99

 

CMYK 92 / 0 / 45 / 18

HEX #10D172

RGB 16 209 114

HSL 150.47, 0.86%, 0.44%

LAB 74.14, -63.76, 35.27

 

CMYK 88 / 0 / 43 / 7

HEX #1CEE87

RGB 28 238 135

HSL 150.57, 0.86%, 0.52%

LAB 83.52, -69.13, 36.91

 

CMYK 92 / 0 / 45 / 33

HEX #0DAC5E

RGB 13 172 94

HSL 150.57, 0.86%, 0.36%

LAB 62, -54.82, 29.9

 

CMYK 92 / 65 / 0 / 33

HEX #0D3CAB

RGB 13 60 171

HSL 222.15, 0.86%, 0.36%

LAB 30.05, 30.5, -62.94

 

CMYK 0 / 83 / 92 / 33

HEX #AB1D0D

RGB 171 29 13

HSL 6.08, 0.86%, 0.36%

LAB 37.05, 54.73, 45.58

 

CMYK 92 / 0 / 45 / 33

HEX #0DAC5E

RGB 13 172 94

HSL 150.57, 0.86%, 0.36%

LAB 62, -54.82, 29.9

 

CMYK 46 / 92 / 0 / 33

HEX #5C0DAB

RGB 92 13 171

HSL 270, 0.86%, 0.36%

LAB 28.12, 60, -65.92

 

CMYK 0 / 46 / 92 / 33

HEX #AB5C0D

RGB 171 92 13

HSL 30, 0.86%, 0.36%

LAB 47.42, 27.44, 52.92

 

CMYK 92 / 0 / 45 / 33

HEX #0DAC5E

RGB 13 172 94

HSL 150.57, 0.86%, 0.36%

LAB 62, -54.82, 29.9

 

CMYK 92 / 65 / 0 / 33

HEX #0D3CAB

RGB 13 60 171

HSL 222.15, 0.86%, 0.36%

LAB 30.05, 30.5, -62.94

 

CMYK 0 / 92 / 46 / 33

HEX #AB0D5C

RGB 171 13 92

HSL 330, 0.86%, 0.36%

LAB 37.33, 61.81, -1.21

 

CMYK 0 / 28 / 92 / 33

HEX #AB7B0D

RGB 171 123 13

HSL 41.77, 0.86%, 0.36%

LAB 54.92, 10.12, 58.51

 

CMYK 92 / 0 / 45 / 33

HEX #0DAC5E

RGB 13 172 94

HSL 150.57, 0.86%, 0.36%

LAB 62, -54.82, 29.9

 

CMYK 92 / 92 / 0 / 33

HEX #0D0DAB

RGB 13 13 171

HSL 240, 0.86%, 0.36%

LAB 21.26, 55.38, -77.51

 

CMYK 0 / 92 / 46 / 33

HEX #AB0D5C

RGB 171 13 92

HSL 330, 0.86%, 0.36%

LAB 37.33, 61.81, -1.21

 

CMYK 0 / 0 / 92 / 33

HEX #ABAB0D

RGB 171 171 13

HSL 60, 0.86%, 0.36%

LAB 67.88, -15.8, 68.42

 

Description

Color code: HEX #0DAC5E | qconv.com Color code: HEX #0DAC5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 172 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 172 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 45 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 45% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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