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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DAACB it is the complementary color #F25534. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DAACB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DAACB shade: #12AAC6, #23BCD9, #34CEEC, #45E0FF and #56F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DAACB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DAACB shade: #0DAACB, #0098B8, #0086A5, #007492 and #00627F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DAACB shade: #0DA9C9, #0D76C9, #0D43C9, #0D10C9 and #3C0DC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DAACB shade: #0DA9C9, #0D76C9, #0D43C9, #0D10C9 and #0D0DC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DAACB shade matches the following richer shades: #0DA9C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DAACB shade: #0DA9C9, #1E9DB8, #3092A7, #418795 and #527B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DAACB shade: #0DC984, #0DC9B6, #0DAAC9, #0D78C9 and #0D45C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DAACB shade: #08687C, #0A88A3, #0DA9C9, #10C9F0 and #37D2F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DAACB shade: #0DAACB, #520DC9 and #C99D0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DAACB shade: #0DAACB, #C90DAA and #AAC90D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DAACB shade: #0DAACB, #520DC9, #C92C0D and #84C90D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DAACB shade: #0DAACB, #8B0DC9, #C92C0D and #4CC90D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 16 / 0 / 20

HEX #0DAACB

RGB 13 170 203

HSL 190.42, 0.88%, 0.42%

LAB 64.28, -24.31, -26.97

 

Complementary color

CMYK 0 / 65 / 79 / 5

HEX #F25534

RGB 242 85 52

HSL 10.42, 0.88%, 0.58%

LAB 57.68, 58.63, 50.67

 

CMYK 91 / 14 / 0 / 22

HEX #12AAC6

RGB 18 170 198

HSL 189.33, 0.83%, 0.42%

LAB 64.12, -25.79, -24.43

 

CMYK 84 / 13 / 0 / 15

HEX #23BCD9

RGB 35 188 217

HSL 189.56, 0.72%, 0.49%

LAB 70.41, -27.54, -25.24

 

CMYK 78 / 13 / 0 / 7

HEX #34CEEC

RGB 52 206 236

HSL 189.78, 0.83%, 0.56%

LAB 76.64, -28.93, -25.98

 

CMYK 73 / 12 / 0 / 0

HEX #45E0FF

RGB 69 224 255

HSL 190, 1%, 0.64%

LAB 82.81, -30.05, -26.64

 

CMYK 66 / 5 / 0 / 0

HEX #56F2FF

RGB 86 242 255

HSL 184.62, 1%, 0.67%

LAB 88.31, -36.4, -18.27

 

CMYK 94 / 16 / 0 / 20

HEX #0DAACB

RGB 13 170 203

HSL 190.42, 0.88%, 0.42%

LAB 64.28, -24.31, -26.97

 

CMYK 100 / 17 / 0 / 28

HEX #0098B8

RGB 0 152 184

HSL 190.43, 1%, 0.36%

LAB 57.96, -21.99, -26.06

 

CMYK 100 / 19 / 0 / 35

HEX #0086A5

RGB 0 134 165

HSL 191.27, 1%, 0.32%

LAB 51.57, -19.17, -25.05

 

CMYK 100 / 21 / 0 / 43

HEX #007492

RGB 0 116 146

HSL 192.33, 1%, 0.29%

LAB 45.03, -16.25, -24.04

 

CMYK 100 / 23 / 0 / 50

HEX #00627F

RGB 0 98 127

HSL 193.7, 1%, 0.25%

LAB 38.32, -13.21, -23.04

 

CMYK 94 / 16 / 0 / 21

HEX #0DA9C9

RGB 13 169 201

HSL 190.21, 0.88%, 0.42%

LAB 63.9, -24.48, -26.44

 

CMYK 94 / 41 / 0 / 21

HEX #0D76C9

RGB 13 118 201

HSL 206.49, 0.88%, 0.42%

LAB 48.59, 4.36, -50.48

 

CMYK 94 / 67 / 0 / 21

HEX #0D43C9

RGB 13 67 201

HSL 222.77, 0.88%, 0.42%

LAB 34.63, 37.47, -73.12

 

CMYK 94 / 92 / 0 / 21

HEX #0D10C9

RGB 13 16 201

HSL 239.04, 0.88%, 0.42%

LAB 25.78, 62.78, -87.81

 

CMYK 70 / 94 / 0 / 21

HEX #3C0DC9

RGB 60 13 201

HSL 255, 0.88%, 0.42%

LAB 28.02, 64.86, -84.01

 

CMYK 94 / 16 / 0 / 21

HEX #0DA9C9

RGB 13 169 201

HSL 190.21, 0.88%, 0.42%

LAB 63.9, -24.48, -26.44

 

CMYK 94 / 41 / 0 / 21

HEX #0D76C9

RGB 13 118 201

HSL 206.49, 0.88%, 0.42%

LAB 48.59, 4.36, -50.48

 

CMYK 94 / 67 / 0 / 21

HEX #0D43C9

RGB 13 67 201

HSL 222.77, 0.88%, 0.42%

LAB 34.63, 37.47, -73.12

 

CMYK 94 / 92 / 0 / 21

HEX #0D10C9

RGB 13 16 201

HSL 239.04, 0.88%, 0.42%

LAB 25.78, 62.78, -87.81

 

CMYK 94 / 94 / 0 / 21

HEX #0D0DC9

RGB 13 13 201

HSL 240, 0.88%, 0.42%

LAB 25.53, 63.54, -88.22

 

CMYK 94 / 16 / 0 / 21

HEX #0DA9C9

RGB 13 169 201

HSL 190.21, 0.88%, 0.42%

LAB 63.9, -24.48, -26.44

 

CMYK 94 / 16 / 0 / 21

HEX #0DA9C9

RGB 13 169 201

HSL 190.21, 0.88%, 0.42%

LAB 63.9, -24.48, -26.44

 

CMYK 84 / 15 / 0 / 28

HEX #1E9DB8

RGB 30 157 184

HSL 190.52, 0.72%, 0.42%

LAB 59.75, -23.09, -23.28

 

CMYK 71 / 13 / 0 / 35

HEX #3092A7

RGB 48 146 167

HSL 190.59, 0.55%, 0.42%

LAB 56.06, -21, -19.25

 

CMYK 56 / 9 / 0 / 42

HEX #418795

RGB 65 135 149

HSL 190, 0.39%, 0.42%

LAB 52.53, -17.79, -14.19

 

CMYK 38 / 7 / 0 / 48

HEX #527B84

RGB 82 123 132

HSL 190.8, 0.23%, 0.42%

LAB 49.04, -11.79, -9.44

 

CMYK 94 / 0 / 34 / 21

HEX #0DC984

RGB 13 201 132

HSL 157.98, 0.88%, 0.42%

LAB 71.91, -57.64, 23.03

 

CMYK 94 / 0 / 9 / 21

HEX #0DC9B6

RGB 13 201 182

HSL 173.94, 0.88%, 0.42%

LAB 73.05, -45.31, -2.23

 

CMYK 94 / 15 / 0 / 21

HEX #0DAAC9

RGB 13 170 201

HSL 189.89, 0.88%, 0.42%

LAB 64.2, -24.99, -25.97

 

CMYK 94 / 40 / 0 / 21

HEX #0D78C9

RGB 13 120 201

HSL 205.85, 0.88%, 0.42%

LAB 49.17, 3.12, -49.54

 

CMYK 94 / 66 / 0 / 21

HEX #0D45C9

RGB 13 69 201

HSL 222.13, 0.88%, 0.42%

LAB 35.12, 36.18, -72.32

 

CMYK 94 / 16 / 0 / 51

HEX #08687C

RGB 8 104 124

HSL 190.34, 0.88%, 0.26%

LAB 40.26, -17.26, -18.21

 

CMYK 94 / 17 / 0 / 36

HEX #0A88A3

RGB 10 136 163

HSL 190.59, 0.88%, 0.34%

LAB 52.19, -20.53, -22.93

 

CMYK 94 / 16 / 0 / 21

HEX #0DA9C9

RGB 13 169 201

HSL 190.21, 0.88%, 0.42%

LAB 63.9, -24.48, -26.44

 

CMYK 93 / 16 / 0 / 6

HEX #10C9F0

RGB 16 201 240

HSL 190.45, 0.88%, 0.5%

LAB 74.93, -27.44, -30.77

 

CMYK 77 / 13 / 0 / 5

HEX #37D2F2

RGB 55 210 242

HSL 190.27, 0.88%, 0.58%

LAB 78.06, -28.73, -27.01

 

CMYK 94 / 16 / 0 / 20

HEX #0DAACB

RGB 13 170 203

HSL 190.42, 0.88%, 0.42%

LAB 64.28, -24.31, -26.97

 

CMYK 59 / 94 / 0 / 21

HEX #520DC9

RGB 82 13 201

HSL 262.02, 0.88%, 0.42%

LAB 30.15, 66.16, -80.4

 

CMYK 0 / 22 / 94 / 21

HEX #C99D0D

RGB 201 157 13

HSL 45.96, 0.88%, 0.42%

LAB 66.95, 4.96, 68.95

 

CMYK 94 / 16 / 0 / 20

HEX #0DAACB

RGB 13 170 203

HSL 190.42, 0.88%, 0.42%

LAB 64.28, -24.31, -26.97

 

CMYK 0 / 94 / 15 / 21

HEX #C90DAA

RGB 201 13 170

HSL 309.89, 0.88%, 0.42%

LAB 46.46, 76.76, -34.82

 

CMYK 15 / 0 / 94 / 21

HEX #AAC90D

RGB 170 201 13

HSL 69.89, 0.88%, 0.42%

LAB 76.28, -30.93, 74.92

 

CMYK 94 / 16 / 0 / 20

HEX #0DAACB

RGB 13 170 203

HSL 190.42, 0.88%, 0.42%

LAB 64.28, -24.31, -26.97

 

CMYK 59 / 94 / 0 / 21

HEX #520DC9

RGB 82 13 201

HSL 262.02, 0.88%, 0.42%

LAB 30.15, 66.16, -80.4

 

CMYK 0 / 78 / 94 / 21

HEX #C92C0D

RGB 201 44 13

HSL 9.89, 0.88%, 0.42%

LAB 44.59, 59.47, 53.42

 

CMYK 34 / 0 / 94 / 21

HEX #84C90D

RGB 132 201 13

HSL 82.02, 0.88%, 0.42%

LAB 74, -45.72, 72.15

 

CMYK 94 / 16 / 0 / 20

HEX #0DAACB

RGB 13 170 203

HSL 190.42, 0.88%, 0.42%

LAB 64.28, -24.31, -26.97

 

CMYK 31 / 94 / 0 / 21

HEX #8B0DC9

RGB 139 13 201

HSL 280.21, 0.88%, 0.42%

LAB 37.83, 71.83, -67.49

 

CMYK 0 / 78 / 94 / 21

HEX #C92C0D

RGB 201 44 13

HSL 9.89, 0.88%, 0.42%

LAB 44.59, 59.47, 53.42

 

CMYK 62 / 0 / 94 / 21

HEX #4CC90D

RGB 76 201 13

HSL 99.89, 0.88%, 0.42%

LAB 71.78, -62.62, 69.43

 

Description

Color code: HEX #0DAACB | qconv.com Color code: HEX #0DAACB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 170 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 170 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 16 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 16% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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