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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DA8F0 it is the complementary color #F2570F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DA8F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DA8F0 shade: #12A8EB, #23BAFE, #34CCFF, #45DEFF and #56F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DA8F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DA8F0 shade: #0DA8F0, #0096DD, #0084CA, #0072B7 and #0060A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DA8F0 shade: #0DA9F2, #0D6CF2, #0D2EF2, #2A0DF2 and #680DF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DA8F0 shade: #0DA9F2, #0D6CF2, #0D2EF2 and #0D0DF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DA8F0 shade matches the following richer shades: #0DA9F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DA8F0 shade: #0DA9F2, #21A2DE, #369AC9, #4B93B4 and #5F8BA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DA8F0 shade: #0DF2C1, #0DE7F2, #0DAAF2, #0D6CF2 and #0D2FF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DA8F0 shade: #0973A4, #0B8ECB, #0DA9F2, #34B7F4 and #5BC5F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DA8F0 shade: #0DA8F0, #830DF2 and #F2DF0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DA8F0 shade: #0DA8F0, #F20DAA and #AAF20D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DA8F0 shade: #0DA8F0, #830DF2, #F2550D and #7CF20D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DA8F0 shade: #0DA8F0, #C80DF2, #F2550D and #37F20D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 30 / 0 / 6

HEX #0DA8F0

RGB 13 168 240

HSL 199.03, 0.9%, 0.5%

LAB 65.26, -10.24, -45.83

 

Complementary color

CMYK 0 / 64 / 94 / 5

HEX #F2570F

RGB 242 87 15

HSL 19.03, 0.9%, 0.5%

LAB 57.78, 57.04, 64.82

 

CMYK 92 / 29 / 0 / 8

HEX #12A8EB

RGB 18 168 235

HSL 198.53, 0.86%, 0.5%

LAB 65.07, -11.87, -43.4

 

CMYK 86 / 27 / 0 / 0

HEX #23BAFE

RGB 35 186 254

HSL 198.63, 0.99%, 0.57%

LAB 71.3, -14.07, -43.94

 

CMYK 80 / 20 / 0 / 0

HEX #34CCFF

RGB 52 204 255

HSL 195.07, 1%, 0.6%

LAB 76.76, -21.86, -35.96

 

CMYK 73 / 13 / 0 / 0

HEX #45DEFF

RGB 69 222 255

HSL 190.65, 1%, 0.64%

LAB 82.23, -29.08, -27.52

 

CMYK 66 / 6 / 0 / 0

HEX #56F0FF

RGB 86 240 255

HSL 185.33, 1%, 0.67%

LAB 87.74, -35.47, -19.12

 

CMYK 95 / 30 / 0 / 6

HEX #0DA8F0

RGB 13 168 240

HSL 199.03, 0.9%, 0.5%

LAB 65.26, -10.24, -45.83

 

CMYK 100 / 32 / 0 / 13

HEX #0096DD

RGB 0 150 221

HSL 199.28, 1%, 0.43%

LAB 59, -7.45, -45.21

 

CMYK 100 / 35 / 0 / 21

HEX #0084CA

RGB 0 132 202

HSL 200.79, 1%, 0.4%

LAB 52.69, -4.19, -44.51

HEX #0084CA

CMYK 100 / 38 / 0 / 28

HEX #0072B7

RGB 0 114 183

HSL 202.62, 1%, 0.36%

LAB 46.25, -0.75, -43.84

HEX #0072B7

CMYK 100 / 41 / 0 / 36

HEX #0060A4

RGB 0 96 164

HSL 204.88, 1%, 0.32%

LAB 39.66, 2.9, -43.2

HEX #0060A4

CMYK 95 / 30 / 0 / 5

HEX #0DA9F2

RGB 13 169 242

HSL 199.13, 0.9%, 0.5%

LAB 65.65, -10.07, -46.32

 

CMYK 95 / 55 / 0 / 5

HEX #0D6CF2

RGB 13 108 242

HSL 215.11, 0.9%, 0.5%

LAB 48.54, 26.73, -73.74

 

CMYK 95 / 81 / 0 / 5

HEX #0D2EF2

RGB 13 46 242

HSL 231.35, 0.9%, 0.5%

LAB 34.9, 63.24, -96.19

 

CMYK 83 / 95 / 0 / 5

HEX #2A0DF2

RGB 42 13 242

HSL 247.6, 0.9%, 0.5%

LAB 32.24, 74.49, -100.62

 

CMYK 57 / 95 / 0 / 5

HEX #680DF2

RGB 104 13 242

HSL 263.84, 0.9%, 0.5%

LAB 37.19, 77.16, -92.24

 

CMYK 95 / 30 / 0 / 5

HEX #0DA9F2

RGB 13 169 242

HSL 199.13, 0.9%, 0.5%

LAB 65.65, -10.07, -46.32

 

CMYK 95 / 55 / 0 / 5

HEX #0D6CF2

RGB 13 108 242

HSL 215.11, 0.9%, 0.5%

LAB 48.54, 26.73, -73.74

 

CMYK 95 / 81 / 0 / 5

HEX #0D2EF2

RGB 13 46 242

HSL 231.35, 0.9%, 0.5%

LAB 34.9, 63.24, -96.19

 

CMYK 95 / 95 / 0 / 5

HEX #0D0DF2

RGB 13 13 242

HSL 240, 0.9%, 0.5%

LAB 31.31, 74.08, -102.19

 

CMYK 95 / 30 / 0 / 5

HEX #0DA9F2

RGB 13 169 242

HSL 199.13, 0.9%, 0.5%

LAB 65.65, -10.07, -46.32

 

CMYK 95 / 30 / 0 / 5

HEX #0DA9F2

RGB 13 169 242

HSL 199.13, 0.9%, 0.5%

LAB 65.65, -10.07, -46.32

 

CMYK 85 / 27 / 0 / 13

HEX #21A2DE

RGB 33 162 222

HSL 199.05, 0.74%, 0.5%

LAB 62.88, -12.39, -39.66

 

CMYK 73 / 23 / 0 / 21

HEX #369AC9

RGB 54 154 201

HSL 199.18, 0.58%, 0.5%

LAB 59.99, -13.19, -32.44

 

CMYK 58 / 18 / 0 / 29

HEX #4B93B4

RGB 75 147 180

HSL 198.86, 0.41%, 0.5%

LAB 57.71, -12.72, -24.06

 

CMYK 41 / 13 / 0 / 37

HEX #5F8BA0

RGB 95 139 160

HSL 199.38, 0.25%, 0.5%

LAB 55.52, -9.41, -15.89

 

CMYK 95 / 0 / 20 / 5

HEX #0DF2C1

RGB 13 242 193

HSL 167.16, 0.9%, 0.5%

LAB 85.73, -59.02, 10.26

 

CMYK 95 / 5 / 0 / 5

HEX #0DE7F2

RGB 13 231 242

HSL 182.88, 0.9%, 0.5%

LAB 83.78, -41.07, -18.35

 

CMYK 95 / 30 / 0 / 5

HEX #0DAAF2

RGB 13 170 242

HSL 198.86, 0.9%, 0.5%

LAB 65.94, -10.62, -45.86

 

CMYK 95 / 55 / 0 / 5

HEX #0D6CF2

RGB 13 108 242

HSL 215.11, 0.9%, 0.5%

LAB 48.54, 26.73, -73.74

 

CMYK 95 / 81 / 0 / 5

HEX #0D2FF2

RGB 13 47 242

HSL 231.09, 0.9%, 0.5%

LAB 35.06, 62.77, -95.93

 

CMYK 95 / 30 / 0 / 36

HEX #0973A4

RGB 9 115 164

HSL 198.97, 0.9%, 0.34%

LAB 45.63, -8.42, -33.72

 

CMYK 95 / 30 / 0 / 20

HEX #0B8ECB

RGB 11 142 203

HSL 199.06, 0.9%, 0.42%

LAB 55.82, -9.26, -40.14

 

CMYK 95 / 30 / 0 / 5

HEX #0DA9F2

RGB 13 169 242

HSL 199.13, 0.9%, 0.5%

LAB 65.65, -10.07, -46.32

 

CMYK 79 / 25 / 0 / 4

HEX #34B7F4

RGB 52 183 244

HSL 199.06, 0.9%, 0.58%

LAB 70.27, -14.55, -40.14

 

CMYK 63 / 20 / 0 / 4

HEX #5BC5F6

RGB 91 197 246

HSL 198.97, 0.9%, 0.66%

LAB 75.33, -16.15, -33.27

 

CMYK 95 / 30 / 0 / 6

HEX #0DA8F0

RGB 13 168 240

HSL 199.03, 0.9%, 0.5%

LAB 65.26, -10.24, -45.83

 

CMYK 46 / 95 / 0 / 5

HEX #830DF2

RGB 131 13 242

HSL 270.92, 0.9%, 0.5%

LAB 40.45, 79.3, -86.74

 

CMYK 0 / 8 / 95 / 5

HEX #F2DF0D

RGB 242 223 13

HSL 55.02, 0.9%, 0.5%

LAB 87.82, -11.35, 86.15

 

CMYK 95 / 30 / 0 / 6

HEX #0DA8F0

RGB 13 168 240

HSL 199.03, 0.9%, 0.5%

LAB 65.26, -10.24, -45.83

 

CMYK 0 / 95 / 30 / 5

HEX #F20DAA

RGB 242 13 170

HSL 318.86, 0.9%, 0.5%

LAB 54.1, 84.69, -22.34

 

CMYK 30 / 0 / 95 / 5

HEX #AAF20D

RGB 170 242 13

HSL 78.86, 0.9%, 0.5%

LAB 88.01, -49.02, 84.12

 

CMYK 95 / 30 / 0 / 6

HEX #0DA8F0

RGB 13 168 240

HSL 199.03, 0.9%, 0.5%

LAB 65.26, -10.24, -45.83

 

CMYK 46 / 95 / 0 / 5

HEX #830DF2

RGB 131 13 242

HSL 270.92, 0.9%, 0.5%

LAB 40.45, 79.3, -86.74

 

CMYK 0 / 65 / 95 / 5

HEX #F2550D

RGB 242 85 13

HSL 18.86, 0.9%, 0.5%

LAB 57.47, 57.84, 65.08

 

CMYK 49 / 0 / 95 / 5

HEX #7CF20D

RGB 124 242 13

HSL 90.92, 0.9%, 0.5%

LAB 85.92, -64.17, 81.58

 

CMYK 95 / 30 / 0 / 6

HEX #0DA8F0

RGB 13 168 240

HSL 199.03, 0.9%, 0.5%

LAB 65.26, -10.24, -45.83

 

CMYK 17 / 95 / 0 / 5

HEX #C80DF2

RGB 200 13 242

HSL 289, 0.9%, 0.5%

LAB 50.66, 87.33, -69.62

 

CMYK 0 / 65 / 95 / 5

HEX #F2550D

RGB 242 85 13

HSL 18.86, 0.9%, 0.5%

LAB 57.47, 57.84, 65.08

 

CMYK 77 / 0 / 95 / 5

HEX #37F20D

RGB 55 242 13

HSL 109, 0.9%, 0.5%

LAB 84.15, -78.82, 79.4

 

Description

Color code: HEX #0DA8F0 | qconv.com Color code: HEX #0DA8F0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 168 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 168 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 30 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 30% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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