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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DA4D9 it is the complementary color #F25B26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DA4D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DA4D9 shade: #12A4D4, #23B6E7, #34C8FA, #45DAFF and #56ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DA4D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DA4D9 shade: #0DA4D9, #0092C6, #0080B3, #006EA0 and #005C8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DA4D9 shade: #0DA4D9, #0D6DD9, #0D36D9, #1B0DD9 and #520DD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DA4D9 shade: #0DA4D9, #0D6DD9, #0D36D9 and #0D0DD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DA4D9 shade matches the following richer shades: #0DA4D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DA4D9 shade: #0DA4D9, #1F9BC6, #3292B4, #4489A1 and #57808F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DA4D9 shade: #0DD99F, #0DD9D5, #0DA6D9, #0D6FD9 and #0D39D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DA4D9 shade: #08698B, #0A86B2, #0DA4D9, #1DBBF2 and #44C6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DA4D9 shade: #0DA4D9, #690DD9 and #D9BA0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DA4D9 shade: #0DA4D9, #D90DA6 and #A6D90D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DA4D9 shade: #0DA4D9, #690DD9, #D9400D and #7DD90D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DA4D9 shade: #0DA4D9, #A60DD9, #D9400D and #40D90D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 24 / 0 / 15

HEX #0DA4D9

RGB 13 164 217

HSL 195.59, 0.89%, 0.45%

LAB 63.05, -16.3, -36.64

 

Complementary color

CMYK 0 / 62 / 84 / 5

HEX #F25B26

RGB 242 91 38

HSL 15.59, 0.89%, 0.55%

LAB 58.51, 55.74, 57.8

 

CMYK 92 / 23 / 0 / 17

HEX #12A4D4

RGB 18 164 212

HSL 194.85, 0.84%, 0.45%

LAB 62.87, -17.87, -34.14

 

CMYK 85 / 21 / 0 / 9

HEX #23B6E7

RGB 35 182 231

HSL 195, 0.8%, 0.52%

LAB 69.17, -19.85, -34.79

 

CMYK 79 / 20 / 0 / 2

HEX #34C8FA

RGB 52 200 250

HSL 195.15, 0.95%, 0.59%

LAB 75.41, -21.45, -35.37

 

CMYK 73 / 15 / 0 / 0

HEX #45DAFF

RGB 69 218 255

HSL 191.94, 1%, 0.64%

LAB 81.09, -27.12, -29.27

 

CMYK 66 / 7 / 0 / 0

HEX #56ECFF

RGB 86 236 255

HSL 186.75, 1%, 0.67%

LAB 86.6, -33.6, -20.84

 

CMYK 94 / 24 / 0 / 15

HEX #0DA4D9

RGB 13 164 217

HSL 195.59, 0.89%, 0.45%

LAB 63.05, -16.3, -36.64

 

CMYK 100 / 26 / 0 / 22

HEX #0092C6

RGB 0 146 198

HSL 195.76, 1%, 0.39%

LAB 56.72, -13.72, -35.91

 

CMYK 100 / 28 / 0 / 30

HEX #0080B3

RGB 0 128 179

HSL 197.09, 1%, 0.35%

LAB 50.33, -10.64, -35.08

 

CMYK 100 / 31 / 0 / 37

HEX #006EA0

RGB 0 110 160

HSL 198.75, 1%, 0.31%

LAB 43.78, -7.41, -34.28

 

CMYK 100 / 35 / 0 / 45

HEX #005C8D

RGB 0 92 141

HSL 200.85, 1%, 0.28%

LAB 37.07, -3.99, -33.51

 

CMYK 94 / 24 / 0 / 15

HEX #0DA4D9

RGB 13 164 217

HSL 195.59, 0.89%, 0.45%

LAB 63.05, -16.3, -36.64

 

CMYK 94 / 50 / 0 / 15

HEX #0D6DD9

RGB 13 109 217

HSL 211.76, 0.89%, 0.45%

LAB 47.02, 16.35, -62.12

 

CMYK 94 / 75 / 0 / 15

HEX #0D36D9

RGB 13 54 217

HSL 227.94, 0.89%, 0.45%

LAB 33.42, 51.09, -84.39

 

CMYK 88 / 94 / 0 / 15

HEX #1B0DD9

RGB 27 13 217

HSL 244.12, 0.89%, 0.45%

LAB 28.2, 67.91, -93.08

 

CMYK 62 / 94 / 0 / 15

HEX #520DD9

RGB 82 13 217

HSL 260.29, 0.89%, 0.45%

LAB 32.01, 69.97, -86.62

 

CMYK 94 / 24 / 0 / 15

HEX #0DA4D9

RGB 13 164 217

HSL 195.59, 0.89%, 0.45%

LAB 63.05, -16.3, -36.64

 

CMYK 94 / 50 / 0 / 15

HEX #0D6DD9

RGB 13 109 217

HSL 211.76, 0.89%, 0.45%

LAB 47.02, 16.35, -62.12

 

CMYK 94 / 75 / 0 / 15

HEX #0D36D9

RGB 13 54 217

HSL 227.94, 0.89%, 0.45%

LAB 33.42, 51.09, -84.39

 

CMYK 94 / 94 / 0 / 15

HEX #0D0DD9

RGB 13 13 217

HSL 240, 0.89%, 0.45%

LAB 27.8, 67.72, -93.75

 

CMYK 94 / 24 / 0 / 15

HEX #0DA4D9

RGB 13 164 217

HSL 195.59, 0.89%, 0.45%

LAB 63.05, -16.3, -36.64

 

CMYK 94 / 24 / 0 / 15

HEX #0DA4D9

RGB 13 164 217

HSL 195.59, 0.89%, 0.45%

LAB 63.05, -16.3, -36.64

 

CMYK 84 / 22 / 0 / 22

HEX #1F9BC6

RGB 31 155 198

HSL 195.45, 0.73%, 0.45%

LAB 59.72, -17.16, -31.21

 

CMYK 72 / 19 / 0 / 29

HEX #3292B4

RGB 50 146 180

HSL 195.69, 0.57%, 0.45%

LAB 56.62, -16.44, -25.81

 

CMYK 58 / 15 / 0 / 37

HEX #4489A1

RGB 68 137 161

HSL 195.48, 0.41%, 0.45%

LAB 53.7, -14.57, -19.35

 

CMYK 39 / 10 / 0 / 44

HEX #57808F

RGB 87 128 143

HSL 196.07, 0.24%, 0.45%

LAB 51.21, -10.16, -12.61

 

CMYK 94 / 0 / 27 / 15

HEX #0DD99F

RGB 13 217 159

HSL 162.94, 0.89%, 0.45%

LAB 77.41, -57.58, 16.35

 

CMYK 94 / 0 / 2 / 15

HEX #0DD9D5

RGB 13 217 213

HSL 178.82, 0.89%, 0.45%

LAB 78.76, -43.41, -10.48

 

CMYK 94 / 24 / 0 / 15

HEX #0DA6D9

RGB 13 166 217

HSL 195, 0.89%, 0.45%

LAB 63.65, -17.37, -35.71

 

CMYK 94 / 49 / 0 / 15

HEX #0D6FD9

RGB 13 111 217

HSL 211.18, 0.89%, 0.45%

LAB 47.58, 15.07, -61.22

 

CMYK 94 / 74 / 0 / 15

HEX #0D39D9

RGB 13 57 217

HSL 227.06, 0.89%, 0.45%

LAB 34.03, 49.38, -83.39

 

CMYK 94 / 24 / 0 / 45

HEX #08698B

RGB 8 105 139

HSL 195.57, 0.89%, 0.29%

LAB 41.25, -12.2, -25.74

 

CMYK 94 / 25 / 0 / 30

HEX #0A86B2

RGB 10 134 178

HSL 195.71, 0.89%, 0.37%

LAB 52.21, -14.03, -31.56

 

CMYK 94 / 24 / 0 / 15

HEX #0DA4D9

RGB 13 164 217

HSL 195.59, 0.89%, 0.45%

LAB 63.05, -16.3, -36.64

 

CMYK 88 / 23 / 0 / 5

HEX #1DBBF2

RGB 29 187 242

HSL 195.49, 0.89%, 0.53%

LAB 71.02, -19.08, -37.91

 

CMYK 72 / 19 / 0 / 4

HEX #44C6F4

RGB 68 198 244

HSL 195.68, 0.89%, 0.61%

LAB 74.92, -20.64, -32.89

 

CMYK 94 / 24 / 0 / 15

HEX #0DA4D9

RGB 13 164 217

HSL 195.59, 0.89%, 0.45%

LAB 63.05, -16.3, -36.64

 

CMYK 52 / 94 / 0 / 15

HEX #690DD9

RGB 105 13 217

HSL 267.06, 0.89%, 0.45%

LAB 34.6, 71.62, -82.25

 

CMYK 0 / 14 / 94 / 15

HEX #D9BA0D

RGB 217 186 13

HSL 50.88, 0.89%, 0.45%

LAB 76.01, -3.32, 76.38

 

CMYK 94 / 24 / 0 / 15

HEX #0DA4D9

RGB 13 164 217

HSL 195.59, 0.89%, 0.45%

LAB 63.05, -16.3, -36.64

 

CMYK 0 / 94 / 24 / 15

HEX #D90DA6

RGB 217 13 166

HSL 315, 0.89%, 0.45%

LAB 49.24, 79.34, -27.87

 

CMYK 24 / 0 / 94 / 15

HEX #A6D90D

RGB 166 217 13

HSL 75, 0.89%, 0.45%

LAB 80.61, -39.81, 78.2

 

CMYK 94 / 24 / 0 / 15

HEX #0DA4D9

RGB 13 164 217

HSL 195.59, 0.89%, 0.45%

LAB 63.05, -16.3, -36.64

 

CMYK 52 / 94 / 0 / 15

HEX #690DD9

RGB 105 13 217

HSL 267.06, 0.89%, 0.45%

LAB 34.6, 71.62, -82.25

 

CMYK 0 / 71 / 94 / 15

HEX #D9400D

RGB 217 64 13

HSL 15, 0.89%, 0.45%

LAB 50.03, 57.76, 58.3

 

CMYK 42 / 0 / 94 / 15

HEX #7DD90D

RGB 125 217 13

HSL 87.06, 0.89%, 0.45%

LAB 78.47, -54.56, 75.6

 

CMYK 94 / 24 / 0 / 15

HEX #0DA4D9

RGB 13 164 217

HSL 195.59, 0.89%, 0.45%

LAB 63.05, -16.3, -36.64

 

CMYK 24 / 94 / 0 / 15

HEX #A60DD9

RGB 166 13 217

HSL 285, 0.89%, 0.45%

LAB 43.37, 78.36, -67.53

 

CMYK 0 / 71 / 94 / 15

HEX #D9400D

RGB 217 64 13

HSL 15, 0.89%, 0.45%

LAB 50.03, 57.76, 58.3

 

CMYK 71 / 0 / 94 / 15

HEX #40D90D

RGB 64 217 13

HSL 105, 0.89%, 0.45%

LAB 76.52, -70.13, 73.21

 

Description

Color code: HEX #0DA4D9 | qconv.com Color code: HEX #0DA4D9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 164 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 164 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 24 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 24% 0% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - 一般社団法人倫理研究所 新潟県倫理法人会...
Link: http://www.niigata-rinri.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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