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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DA43A it is the complementary color #F25BC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DA43A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DA43A shade: #12A435, #23B648, #34C85B, #45DA6E and #56EC81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DA43A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DA43A shade: #0DA43A, #009227, #008014, #006E01 and #005C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DA43A shade: #0DA53B, #0DA512, #32A50D, #5BA50D and #84A50D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DA43A shade: #0DA53B, #0DA564, #0DA58C, #0D95A5 and #0D6CA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DA43A shade matches the following richer shades: #0DA53B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DA43A shade: #0DA53B, #1C9740, #2A8846, #397A4C and #476B52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DA43A shade: #33A50D, #0DA510, #0DA538, #0DA561 and #0DA589

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DA43A shade: #075920, #0A7F2D, #0DA53B, #10CB48 and #19EC58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DA43A shade: #0DA43A, #0D5CA5 and #A50D1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DA43A shade: #0DA43A, #380DA5 and #A5380D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DA43A shade: #0DA43A, #0D5CA5, #A50D7A and #A5570D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DA43A shade: #0DA43A, #0D2EA5, #A50D7A and #A5840D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 65 / 36

HEX #0DA43A

RGB 13 164 58

HSL 137.88, 0.85%, 0.35%

LAB 58.92, -57.59, 43.85

 

Complementary color

CMYK 0 / 62 / 19 / 5

HEX #F25BC5

RGB 242 91 197

HSL 317.88, 0.85%, 0.65%

LAB 61.99, 68.64, -25.8

 

CMYK 89 / 0 / 68 / 36

HEX #12A435

RGB 18 164 53

HSL 134.38, 0.8%, 0.36%

LAB 58.92, -57.8, 46.03

 

CMYK 81 / 0 / 60 / 29

HEX #23B648

RGB 35 182 72

HSL 135.1, 0.68%, 0.43%

LAB 65.19, -59.7, 44.71

 

CMYK 74 / 0 / 55 / 22

HEX #34C85B

RGB 52 200 91

HSL 135.81, 0.59%, 0.49%

LAB 71.41, -60.94, 43.24

 

CMYK 68 / 0 / 50 / 15

HEX #45DA6E

RGB 69 218 110

HSL 136.51, 0.67%, 0.56%

LAB 77.6, -61.73, 41.76

 

CMYK 64 / 0 / 45 / 7

HEX #56EC81

RGB 86 236 129

HSL 137.2, 0.8%, 0.63%

LAB 83.73, -62.2, 40.32

 

CMYK 92 / 0 / 65 / 36

HEX #0DA43A

RGB 13 164 58

HSL 137.88, 0.85%, 0.35%

LAB 58.92, -57.59, 43.85

 

CMYK 100 / 0 / 73 / 43

HEX #009227

RGB 0 146 39

HSL 136.03, 1%, 0.29%

LAB 52.62, -54.78, 45.04

 

CMYK 100 / 0 / 84 / 50

HEX #008014

RGB 0 128 20

HSL 129.38, 1%, 0.25%

LAB 46.3, -50.82, 45.44

 

CMYK 100 / 0 / 99 / 57

HEX #006E01

RGB 0 110 1

HSL 120.55, 1%, 0.22%

LAB 39.84, -46.34, 44.51

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 92 / 0 / 64 / 35

HEX #0DA53B

RGB 13 165 59

HSL 138.16, 0.85%, 0.35%

LAB 59.26, -57.79, 43.79

 

CMYK 92 / 0 / 89 / 35

HEX #0DA512

RGB 13 165 18

HSL 121.97, 0.85%, 0.35%

LAB 59.01, -60.97, 57.39

 

CMYK 70 / 0 / 92 / 35

HEX #32A50D

RGB 50 165 13

HSL 105.39, 0.85%, 0.35%

LAB 59.54, -56.35, 58.96

 

CMYK 45 / 0 / 92 / 35

HEX #5BA50D

RGB 91 165 13

HSL 89.21, 0.85%, 0.35%

LAB 60.93, -45.29, 60.68

 

CMYK 20 / 0 / 92 / 35

HEX #84A50D

RGB 132 165 13

HSL 73.03, 0.85%, 0.35%

LAB 63.21, -29.67, 63.49

 

CMYK 92 / 0 / 64 / 35

HEX #0DA53B

RGB 13 165 59

HSL 138.16, 0.85%, 0.35%

LAB 59.26, -57.79, 43.79

 

CMYK 92 / 0 / 39 / 35

HEX #0DA564

RGB 13 165 100

HSL 154.34, 0.85%, 0.35%

LAB 59.81, -51.15, 23.86

 

CMYK 92 / 0 / 15 / 35

HEX #0DA58C

RGB 13 165 140

HSL 170.13, 0.85%, 0.35%

LAB 60.68, -41.53, 2.92

 

CMYK 92 / 10 / 0 / 35

HEX #0D95A5

RGB 13 149 165

HSL 186.32, 0.85%, 0.35%

LAB 56.38, -26.45, -17.66

 

CMYK 92 / 35 / 0 / 35

HEX #0D6CA5

RGB 13 108 165

HSL 202.5, 0.85%, 0.35%

LAB 43.55, -3.63, -37.6

 

CMYK 92 / 0 / 64 / 35

HEX #0DA53B

RGB 13 165 59

HSL 138.16, 0.85%, 0.35%

LAB 59.26, -57.79, 43.79

 

CMYK 92 / 0 / 64 / 35

HEX #0DA53B

RGB 13 165 59

HSL 138.16, 0.85%, 0.35%

LAB 59.26, -57.79, 43.79

 

CMYK 81 / 0 / 58 / 41

HEX #1C9740

RGB 28 151 64

HSL 137.56, 0.69%, 0.35%

LAB 54.81, -51.16, 36.33

 

CMYK 69 / 0 / 49 / 47

HEX #2A8846

RGB 42 136 70

HSL 137.87, 0.53%, 0.35%

LAB 50.15, -42.46, 27.57

 

CMYK 53 / 0 / 38 / 52

HEX #397A4C

RGB 57 122 76

HSL 137.54, 0.36%, 0.35%

LAB 46.06, -31.83, 19.02

 

CMYK 34 / 0 / 23 / 58

HEX #476B52

RGB 71 107 82

HSL 138.33, 0.2%, 0.35%

LAB 41.94, -18.71, 9.99

 

CMYK 69 / 0 / 92 / 35

HEX #33A50D

RGB 51 165 13

HSL 105, 0.85%, 0.35%

LAB 59.56, -56.15, 58.99

 

CMYK 92 / 0 / 90 / 35

HEX #0DA510

RGB 13 165 16

HSL 121.18, 0.85%, 0.35%

LAB 59.01, -61.05, 57.77

 

CMYK 92 / 0 / 66 / 35

HEX #0DA538

RGB 13 165 56

HSL 136.97, 0.85%, 0.35%

LAB 59.23, -58.14, 45.08

 

CMYK 92 / 0 / 41 / 35

HEX #0DA561

RGB 13 165 97

HSL 153.16, 0.85%, 0.35%

LAB 59.76, -51.76, 25.4

 

CMYK 92 / 0 / 17 / 35

HEX #0DA589

RGB 13 165 137

HSL 168.95, 0.85%, 0.35%

LAB 60.61, -42.34, 4.49

 

CMYK 92 / 0 / 64 / 65

HEX #075920

RGB 7 89 32

HSL 138.29, 0.85%, 0.19%

LAB 32.47, -36.15, 26.21

 

CMYK 92 / 0 / 65 / 50

HEX #0A7F2D

RGB 10 127 45

HSL 137.95, 0.85%, 0.27%

LAB 46.22, -47.37, 35.52

 

CMYK 92 / 0 / 64 / 35

HEX #0DA53B

RGB 13 165 59

HSL 138.16, 0.85%, 0.35%

LAB 59.26, -57.79, 43.79

 

CMYK 92 / 0 / 65 / 20

HEX #10CB48

RGB 16 203 72

HSL 137.97, 0.85%, 0.43%

LAB 71.75, -67.84, 52.09

 

CMYK 89 / 0 / 63 / 7

HEX #19EC58

RGB 25 236 88

HSL 137.91, 0.85%, 0.51%

LAB 82.33, -75.41, 57.19

 

CMYK 92 / 0 / 65 / 36

HEX #0DA43A

RGB 13 164 58

HSL 137.88, 0.85%, 0.35%

LAB 58.92, -57.59, 43.85

 

CMYK 92 / 44 / 0 / 35

HEX #0D5CA5

RGB 13 92 165

HSL 208.82, 0.85%, 0.35%

LAB 38.65, 6.5, -45.4

 

CMYK 0 / 92 / 81 / 35

HEX #A50D1F

RGB 165 13 31

HSL 352.89, 0.85%, 0.35%

LAB 34.77, 56.69, 34.11

 

CMYK 92 / 0 / 65 / 36

HEX #0DA43A

RGB 13 164 58

HSL 137.88, 0.85%, 0.35%

LAB 58.92, -57.59, 43.85

 

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

CMYK 0 / 66 / 92 / 35

HEX #A5380D

RGB 165 56 13

HSL 16.97, 0.85%, 0.35%

LAB 39.34, 43.21, 46.63

 

CMYK 92 / 0 / 65 / 36

HEX #0DA43A

RGB 13 164 58

HSL 137.88, 0.85%, 0.35%

LAB 58.92, -57.59, 43.85

 

CMYK 92 / 44 / 0 / 35

HEX #0D5CA5

RGB 13 92 165

HSL 208.82, 0.85%, 0.35%

LAB 38.65, 6.5, -45.4

 

CMYK 0 / 92 / 26 / 35

HEX #A50D7A

RGB 165 13 122

HSL 316.97, 0.85%, 0.35%

LAB 37.28, 63.57, -20.42

 

CMYK 0 / 47 / 92 / 35

HEX #A5570D

RGB 165 87 13

HSL 29.21, 0.85%, 0.35%

LAB 45.42, 27.6, 51.06

 

CMYK 92 / 0 / 65 / 36

HEX #0DA43A

RGB 13 164 58

HSL 137.88, 0.85%, 0.35%

LAB 58.92, -57.59, 43.85

 

CMYK 92 / 72 / 0 / 35

HEX #0D2EA5

RGB 13 46 165

HSL 226.97, 0.85%, 0.35%

LAB 26.03, 37.37, -65.96

 

CMYK 0 / 92 / 26 / 35

HEX #A50D7A

RGB 165 13 122

HSL 316.97, 0.85%, 0.35%

LAB 37.28, 63.57, -20.42

 

CMYK 0 / 20 / 92 / 35

HEX #A5840D

RGB 165 132 13

HSL 46.97, 0.85%, 0.35%

LAB 56.62, 2.33, 59.5

 

Description

Color code: HEX #0DA43A | qconv.com Color code: HEX #0DA43A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 164 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 164 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 65 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 65% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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