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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D9FEC it is the complementary color #F26013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D9FEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D9FEC shade: #129FE7, #23B1FA, #34C3FF, #45D5FF and #56E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D9FEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D9FEC shade: #0D9FEC, #008DD9, #007BC6, #0069B3 and #0057A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D9FEC shade: #0C9FED, #0C63ED, #0C26ED, #2F0CED and #6B0CED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D9FEC shade: #0C9FED, #0C63ED, #0C26ED and #0C0CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D9FEC shade matches the following richer shades: #0C9FED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D9FEC shade: #0C9FED, #2099D9, #3493C4, #498CB0 and #5D869C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D9FEC shade: #0CEDC0, #0CDEED, #0CA2ED, #0C66ED and #0C2AED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D9FEC shade: #086A9F, #0A85C6, #0C9FED, #2FB0F4 and #56BEF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D9FEC shade: #0D9FEC, #840CED and #EDDE0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D9FEC shade: #0D9FEC, #ED0CA2 and #A2ED0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D9FEC shade: #0D9FEC, #840CED, #ED570C and #75ED0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D9FEC shade: #0D9FEC, #C70CED, #ED570C and #31ED0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 33 / 0 / 7

HEX #0D9FEC

RGB 13 159 236

HSL 200.72, 0.9%, 0.49%

LAB 62.46, -6.65, -48.07

 

Complementary color

CMYK 0 / 60 / 92 / 5

HEX #F26013

RGB 242 96 19

HSL 20.72, 0.9%, 0.51%

LAB 59.24, 53.22, 64.79

 

CMYK 92 / 31 / 0 / 9

HEX #129FE7

RGB 18 159 231

HSL 200.28, 0.86%, 0.49%

LAB 62.25, -8.31, -45.63

 

CMYK 86 / 29 / 0 / 2

HEX #23B1FA

RGB 35 177 250

HSL 200.37, 0.96%, 0.56%

LAB 68.54, -10.59, -46.12

 

CMYK 80 / 24 / 0 / 0

HEX #34C3FF

RGB 52 195 255

HSL 197.73, 1%, 0.6%

LAB 74.18, -17.21, -39.97

 

CMYK 73 / 16 / 0 / 0

HEX #45D5FF

RGB 69 213 255

HSL 193.55, 1%, 0.64%

LAB 79.66, -24.65, -31.47

 

CMYK 66 / 9 / 0 / 0

HEX #56E7FF

RGB 86 231 255

HSL 188.52, 1%, 0.67%

LAB 85.17, -31.23, -23

 

CMYK 94 / 33 / 0 / 7

HEX #0D9FEC

RGB 13 159 236

HSL 200.72, 0.9%, 0.49%

LAB 62.46, -6.65, -48.07

 

CMYK 100 / 35 / 0 / 15

HEX #008DD9

RGB 0 141 217

HSL 201.01, 1%, 0.43%

LAB 56.15, -3.76, -47.5

 

CMYK 100 / 38 / 0 / 22

HEX #007BC6

RGB 0 123 198

HSL 202.73, 1%, 0.39%

LAB 49.79, -0.35, -46.85

 

CMYK 100 / 41 / 0 / 30

HEX #0069B3

RGB 0 105 179

HSL 204.8, 1%, 0.35%

LAB 43.3, 3.26, -46.22

 

CMYK 100 / 46 / 0 / 37

HEX #0057A0

RGB 0 87 160

HSL 207.38, 1%, 0.31%

LAB 36.66, 7.11, -45.62

 

CMYK 95 / 33 / 0 / 7

HEX #0C9FED

RGB 12 159 237

HSL 200.8, 0.9%, 0.49%

LAB 62.5, -6.31, -48.55

 

CMYK 95 / 58 / 0 / 7

HEX #0C63ED

RGB 12 99 237

HSL 216.8, 0.9%, 0.49%

LAB 45.79, 30.55, -75.41

 

CMYK 95 / 84 / 0 / 7

HEX #0C26ED

RGB 12 38 237

HSL 233.07, 0.9%, 0.49%

LAB 33.09, 65.23, -96.38

 

CMYK 80 / 95 / 0 / 7

HEX #2F0CED

RGB 47 12 237

HSL 249.33, 0.9%, 0.49%

LAB 31.77, 73.54, -98.56

 

CMYK 55 / 95 / 0 / 7

HEX #6B0CED

RGB 107 12 237

HSL 265.33, 0.9%, 0.49%

LAB 36.94, 76.39, -89.82

 

CMYK 95 / 33 / 0 / 7

HEX #0C9FED

RGB 12 159 237

HSL 200.8, 0.9%, 0.49%

LAB 62.5, -6.31, -48.55

 

CMYK 95 / 58 / 0 / 7

HEX #0C63ED

RGB 12 99 237

HSL 216.8, 0.9%, 0.49%

LAB 45.79, 30.55, -75.41

 

CMYK 95 / 84 / 0 / 7

HEX #0C26ED

RGB 12 38 237

HSL 233.07, 0.9%, 0.49%

LAB 33.09, 65.23, -96.38

 

CMYK 95 / 95 / 0 / 7

HEX #0C0CED

RGB 12 12 237

HSL 240, 0.9%, 0.49%

LAB 30.53, 73, -100.65

 

CMYK 95 / 33 / 0 / 7

HEX #0C9FED

RGB 12 159 237

HSL 200.8, 0.9%, 0.49%

LAB 62.5, -6.31, -48.55

 

CMYK 95 / 33 / 0 / 7

HEX #0C9FED

RGB 12 159 237

HSL 200.8, 0.9%, 0.49%

LAB 62.5, -6.31, -48.55

 

CMYK 85 / 29 / 0 / 15

HEX #2099D9

RGB 32 153 217

HSL 200.76, 0.74%, 0.49%

LAB 59.98, -9.23, -41.43

 

CMYK 73 / 25 / 0 / 23

HEX #3493C4

RGB 52 147 196

HSL 200.42, 0.58%, 0.49%

LAB 57.64, -11.28, -33.29

 

CMYK 59 / 20 / 0 / 31

HEX #498CB0

RGB 73 140 176

HSL 200.97, 0.41%, 0.49%

LAB 55.39, -10.5, -25.36

 

CMYK 40 / 14 / 0 / 39

HEX #5D869C

RGB 93 134 156

HSL 200.95, 0.25%, 0.49%

LAB 53.79, -8.26, -16.22

 

CMYK 95 / 0 / 19 / 7

HEX #0CEDC0

RGB 12 237 192

HSL 168, 0.9%, 0.49%

LAB 84.2, -57.36, 8.61

 

CMYK 95 / 6 / 0 / 7

HEX #0CDEED

RGB 12 222 237

HSL 184, 0.9%, 0.49%

LAB 80.98, -38.52, -19.94

 

CMYK 95 / 32 / 0 / 7

HEX #0CA2ED

RGB 12 162 237

HSL 200, 0.9%, 0.49%

LAB 63.37, -8.01, -47.17

 

CMYK 95 / 57 / 0 / 7

HEX #0C66ED

RGB 12 102 237

HSL 216, 0.9%, 0.49%

LAB 46.57, 28.62, -74.14

 

CMYK 95 / 82 / 0 / 7

HEX #0C2AED

RGB 12 42 237

HSL 232, 0.9%, 0.49%

LAB 33.67, 63.52, -95.42

 

CMYK 95 / 33 / 0 / 38

HEX #086A9F

RGB 8 106 159

HSL 201.06, 0.9%, 0.33%

LAB 42.56, -5.01, -35.62

 

CMYK 95 / 33 / 0 / 22

HEX #0A85C6

RGB 10 133 198

HSL 200.74, 0.9%, 0.41%

LAB 52.86, -5.97, -41.97

 

CMYK 95 / 33 / 0 / 7

HEX #0C9FED

RGB 12 159 237

HSL 200.8, 0.9%, 0.49%

LAB 62.5, -6.31, -48.55

 

CMYK 81 / 28 / 0 / 4

HEX #2FB0F4

RGB 47 176 244

HSL 200.71, 0.9%, 0.57%

LAB 68.16, -11.23, -43.44

 

CMYK 65 / 23 / 0 / 4

HEX #56BEF6

RGB 86 190 246

HSL 201, 0.9%, 0.65%

LAB 73.19, -13.27, -36.6

 

CMYK 94 / 33 / 0 / 7

HEX #0D9FEC

RGB 13 159 236

HSL 200.72, 0.9%, 0.49%

LAB 62.46, -6.65, -48.07

 

CMYK 44 / 95 / 0 / 7

HEX #840CED

RGB 132 12 237

HSL 272, 0.9%, 0.49%

LAB 40.05, 78.47, -84.56

 

CMYK 0 / 6 / 95 / 7

HEX #EDDE0C

RGB 237 222 12

HSL 56, 0.9%, 0.49%

LAB 87.13, -12.98, 85.54

 

CMYK 94 / 33 / 0 / 7

HEX #0D9FEC

RGB 13 159 236

HSL 200.72, 0.9%, 0.49%

LAB 62.46, -6.65, -48.07

 

CMYK 0 / 95 / 32 / 7

HEX #ED0CA2

RGB 237 12 162

HSL 320, 0.9%, 0.49%

LAB 52.81, 82.95, -19.68

 

CMYK 32 / 0 / 95 / 7

HEX #A2ED0C

RGB 162 237 12

HSL 80, 0.9%, 0.49%

LAB 86.14, -49.86, 82.57

 

CMYK 94 / 33 / 0 / 7

HEX #0D9FEC

RGB 13 159 236

HSL 200.72, 0.9%, 0.49%

LAB 62.46, -6.65, -48.07

 

CMYK 44 / 95 / 0 / 7

HEX #840CED

RGB 132 12 237

HSL 272, 0.9%, 0.49%

LAB 40.05, 78.47, -84.56

 

CMYK 0 / 63 / 95 / 7

HEX #ED570C

RGB 237 87 12

HSL 20, 0.9%, 0.49%

LAB 56.93, 55.29, 64.53

 

CMYK 51 / 0 / 95 / 7

HEX #75ED0C

RGB 117 237 12

HSL 92, 0.9%, 0.49%

LAB 84.16, -64.4, 80.15

 

CMYK 94 / 33 / 0 / 7

HEX #0D9FEC

RGB 13 159 236

HSL 200.72, 0.9%, 0.49%

LAB 62.46, -6.65, -48.07

 

CMYK 16 / 95 / 0 / 7

HEX #C70CED

RGB 199 12 237

HSL 289.87, 0.9%, 0.49%

LAB 50.12, 86.45, -67.7

 

CMYK 0 / 63 / 95 / 7

HEX #ED570C

RGB 237 87 12

HSL 20, 0.9%, 0.49%

LAB 56.93, 55.29, 64.53

 

CMYK 79 / 0 / 95 / 7

HEX #31ED0C

RGB 49 237 12

HSL 110.13, 0.9%, 0.49%

LAB 82.51, -78.18, 78.12

 

Description

Color code: HEX #0D9FEC | qconv.com Color code: HEX #0D9FEC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 159 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 159 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 33 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 33% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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