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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D8964 it is the complementary color #F2769B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D8964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D8964 shade: #12895F, #239B72, #34AD85, #45BF98 and #56D1AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D8964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D8964 shade: #0D8964, #007751, #00653E, #00532B and #004118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D8964 shade: #0D8763, #0D8742, #0D8720, #1A870D and #3B870D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D8964 shade: #0D8763, #0D8784, #0D6A87, #0D4987 and #0D2887

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D8964 shade matches the following richer shades: #0D8763 and #019368

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D8964 shade: #0D8763, #197B5E, #256F59, #306354 and #3C574F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D8964 shade: #0D8721, #0D8742, #0D8763, #0D8783 and #0D6B87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D8964 shade: #063C2C, #096247, #0D8763, #10AD7E and #14D39A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D8964 shade: #0D8964, #0D1987 and #87310D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D8964 shade: #0D8964, #630D87 and #87630D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D8964 shade: #0D8964, #0D1987, #870D31 and #877B0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D8964 shade: #0D8964, #250D87, #870D31 and #6F870D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 27 / 46

HEX #0D8964

RGB 13 137 100

HSL 162.1, 0.83%, 0.29%

LAB 50.57, -40.26, 11.24

 

Complementary color

CMYK 0 / 51 / 36 / 5

HEX #F2769B

RGB 242 118 155

HSL 342.1, 0.83%, 0.71%

LAB 65.12, 51.29, 2.82

 

CMYK 87 / 0 / 31 / 46

HEX #12895F

RGB 18 137 95

HSL 158.82, 0.77%, 0.3%

LAB 50.51, -41.09, 14.03

 

CMYK 77 / 0 / 26 / 39

HEX #239B72

RGB 35 155 114

HSL 159.5, 0.63%, 0.37%

LAB 57.09, -42.16, 12.45

 

CMYK 70 / 0 / 23 / 32

HEX #34AD85

RGB 52 173 133

HSL 160.17, 0.54%, 0.44%

LAB 63.6, -42.79, 11.06

 

CMYK 64 / 0 / 20 / 25

HEX #45BF98

RGB 69 191 152

HSL 160.82, 0.49%, 0.51%

LAB 70.03, -43.15, 9.82

 

CMYK 59 / 0 / 18 / 18

HEX #56D1AB

RGB 86 209 171

HSL 161.46, 0.57%, 0.58%

LAB 76.39, -43.32, 8.69

 

CMYK 91 / 0 / 27 / 46

HEX #0D8964

RGB 13 137 100

HSL 162.1, 0.83%, 0.29%

LAB 50.57, -40.26, 11.24

 

CMYK 100 / 0 / 32 / 53

HEX #007751

RGB 0 119 81

HSL 160.84, 1%, 0.23%

LAB 43.93, -38.44, 13.03

 

CMYK 100 / 0 / 39 / 60

HEX #00653E

RGB 0 101 62

HSL 156.83, 1%, 0.2%

LAB 37.22, -35.71, 15.1

 

CMYK 100 / 0 / 48 / 67

HEX #00532B

RGB 0 83 43

HSL 151.08, 1%, 0.16%

LAB 30.31, -32.78, 17.31

 

CMYK 100 / 0 / 63 / 75

HEX #004118

RGB 0 65 24

HSL 142.15, 1%, 0.13%

LAB 23.16, -29.49, 19.59

 

CMYK 90 / 0 / 27 / 47

HEX #0D8763

RGB 13 135 99

HSL 162.3, 0.82%, 0.29%

LAB 49.88, -39.68, 10.85

 

CMYK 90 / 0 / 51 / 47

HEX #0D8742

RGB 13 135 66

HSL 146.07, 0.82%, 0.29%

LAB 49.26, -46.73, 28.49

 

CMYK 90 / 0 / 76 / 47

HEX #0D8720

RGB 13 135 32

HSL 129.34, 0.82%, 0.29%

LAB 48.91, -51.11, 43.96

 

CMYK 81 / 0 / 90 / 47

HEX #1A870D

RGB 26 135 13

HSL 113.61, 0.82%, 0.29%

LAB 48.98, -50.82, 49.74

 

CMYK 56 / 0 / 90 / 47

HEX #3B870D

RGB 59 135 13

HSL 97.38, 0.82%, 0.29%

LAB 49.84, -43.58, 50.82

 

CMYK 90 / 0 / 27 / 47

HEX #0D8763

RGB 13 135 99

HSL 162.3, 0.82%, 0.29%

LAB 49.88, -39.68, 10.85

 

CMYK 90 / 0 / 2 / 47

HEX #0D8784

RGB 13 135 132

HSL 178.52, 0.82%, 0.29%

LAB 50.78, -30.26, -7.05

 

CMYK 90 / 21 / 0 / 47

HEX #0D6A87

RGB 13 106 135

HSL 194.26, 0.82%, 0.29%

LAB 41.44, -13.99, -23.03

 

CMYK 90 / 46 / 0 / 47

HEX #0D4987

RGB 13 73 135

HSL 210.49, 0.82%, 0.29%

LAB 30.88, 6.74, -39.7

 

CMYK 90 / 70 / 0 / 47

HEX #0D2887

RGB 13 40 135

HSL 226.72, 0.82%, 0.29%

LAB 21.4, 29.78, -55.12

 

CMYK 90 / 0 / 27 / 47

HEX #0D8763

RGB 13 135 99

HSL 162.3, 0.82%, 0.29%

LAB 49.88, -39.68, 10.85

 

CMYK 99 / 0 / 29 / 42

HEX #019368

RGB 1 147 104

HSL 162.33, 0.99%, 0.29%

LAB 53.89, -44.01, 13.58

 

CMYK 90 / 0 / 27 / 47

HEX #0D8763

RGB 13 135 99

HSL 162.3, 0.82%, 0.29%

LAB 49.88, -39.68, 10.85

 

CMYK 80 / 0 / 24 / 52

HEX #197B5E

RGB 25 123 94

HSL 162.24, 0.66%, 0.29%

LAB 45.88, -34.65, 8.16

 

CMYK 67 / 0 / 20 / 56

HEX #256F59

RGB 37 111 89

HSL 162.16, 0.5%, 0.29%

LAB 41.97, -28.5, 5.62

 

CMYK 52 / 0 / 15 / 61

HEX #306354

RGB 48 99 84

HSL 162.35, 0.35%, 0.29%

LAB 38.19, -21.21, 3.27

 

CMYK 31 / 0 / 9 / 66

HEX #3C574F

RGB 60 87 79

HSL 162.22, 0.18%, 0.29%

LAB 34.68, -12.1, 1.39

 

CMYK 90 / 0 / 76 / 47

HEX #0D8721

RGB 13 135 33

HSL 129.84, 0.82%, 0.29%

LAB 48.91, -51.02, 43.59

 

CMYK 90 / 0 / 51 / 47

HEX #0D8742

RGB 13 135 66

HSL 146.07, 0.82%, 0.29%

LAB 49.26, -46.73, 28.49

 

CMYK 90 / 0 / 27 / 47

HEX #0D8763

RGB 13 135 99

HSL 162.3, 0.82%, 0.29%

LAB 49.88, -39.68, 10.85

 

CMYK 90 / 0 / 3 / 47

HEX #0D8783

RGB 13 135 131

HSL 178.03, 0.82%, 0.29%

LAB 50.75, -30.58, -6.51

 

CMYK 90 / 21 / 0 / 47

HEX #0D6B87

RGB 13 107 135

HSL 193.77, 0.82%, 0.29%

LAB 41.77, -14.56, -22.52

 

CMYK 90 / 0 / 27 / 76

HEX #063C2C

RGB 6 60 44

HSL 162.22, 0.82%, 0.13%

LAB 21.77, -21.5, 5.15

 

CMYK 91 / 0 / 28 / 62

HEX #096247

RGB 9 98 71

HSL 161.8, 0.83%, 0.21%

LAB 36.46, -31.35, 8.64

 

CMYK 90 / 0 / 27 / 47

HEX #0D8763

RGB 13 135 99

HSL 162.3, 0.82%, 0.29%

LAB 49.88, -39.68, 10.85

 

CMYK 91 / 0 / 27 / 32

HEX #10AD7E

RGB 16 173 126

HSL 162.04, 0.83%, 0.37%

LAB 62.93, -48.26, 13.91

 

CMYK 91 / 0 / 27 / 17

HEX #14D39A

RGB 20 211 154

HSL 162.09, 0.83%, 0.45%

LAB 75.5, -56.17, 16.33

 

CMYK 91 / 0 / 27 / 46

HEX #0D8964

RGB 13 137 100

HSL 162.1, 0.83%, 0.29%

LAB 50.57, -40.26, 11.24

 

CMYK 90 / 81 / 0 / 47

HEX #0D1987

RGB 13 25 135

HSL 234.1, 0.82%, 0.29%

LAB 18.05, 39.14, -60.66

 

CMYK 0 / 64 / 90 / 47

HEX #87310D

RGB 135 49 13

HSL 17.7, 0.82%, 0.29%

LAB 32.65, 35.16, 39.17

 

CMYK 91 / 0 / 27 / 46

HEX #0D8964

RGB 13 137 100

HSL 162.1, 0.83%, 0.29%

LAB 50.57, -40.26, 11.24

 

CMYK 27 / 90 / 0 / 47

HEX #630D87

RGB 99 13 135

HSL 282.3, 0.82%, 0.29%

LAB 25.83, 53.05, -47.53

 

CMYK 0 / 27 / 90 / 47

HEX #87630D

RGB 135 99 13

HSL 42.3, 0.82%, 0.29%

LAB 44.38, 7.06, 48.52

 

CMYK 91 / 0 / 27 / 46

HEX #0D8964

RGB 13 137 100

HSL 162.1, 0.83%, 0.29%

LAB 50.57, -40.26, 11.24

 

CMYK 90 / 81 / 0 / 47

HEX #0D1987

RGB 13 25 135

HSL 234.1, 0.82%, 0.29%

LAB 18.05, 39.14, -60.66

 

CMYK 0 / 90 / 64 / 47

HEX #870D31

RGB 135 13 49

HSL 342.3, 0.82%, 0.29%

LAB 28.54, 49.37, 13.6

 

CMYK 0 / 9 / 90 / 47

HEX #877B0D

RGB 135 123 13

HSL 54.1, 0.82%, 0.29%

LAB 51.09, -6.65, 53.88

 

CMYK 91 / 0 / 27 / 46

HEX #0D8964

RGB 13 137 100

HSL 162.1, 0.83%, 0.29%

LAB 50.57, -40.26, 11.24

 

CMYK 73 / 90 / 0 / 47

HEX #250D87

RGB 37 13 135

HSL 251.8, 0.82%, 0.29%

LAB 17.6, 45.95, -61.37

 

CMYK 0 / 90 / 64 / 47

HEX #870D31

RGB 135 13 49

HSL 342.3, 0.82%, 0.29%

LAB 28.54, 49.37, 13.6

 

CMYK 18 / 0 / 90 / 47

HEX #6F870D

RGB 111 135 13

HSL 71.8, 0.82%, 0.29%

LAB 52.66, -24, 54.32

 

Description

Color code: HEX #0D8964 | qconv.com Color code: HEX #0D8964 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 137 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 137 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 27 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 27% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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